This marvelous tale of marriages that go awry and of friendships that save the day is certain to be one of the funniest crime stories of 2025. Four couples—close friends for 30 years—look forward to their retirement in Florida, their days idle and carefree. To guarantee even more money, the husbands, working off a tip, draw down their life savings and invest them in funds that quickly disappear—leaving them broke and their marriages even more miserable. But when one of the husbands dies, the wives are shocked to discover he left behind a life-insurance policy worth a whopping seven figures. In fact, the wives discover, all their husbands have identical policies. But what’s the use of life insurance when the men could live another 20 years? So the women decide to take matters in their own hands, or at least the hands of an accomplished hitman. But will the husbands be able to outplay their wives? Full of great characters who bring their own fun to the party, this book is perfect for readers who have enjoyed Everyone in My Family Has Killed Someone, The Author’s Guide to Murder, and A Serial Killers’ Guide to Marriage
Review
Three women, who couldn’t be more different, come together over a man—known as Zander, Zachary, Xavier and more—whom they hate a great deal and love, perhaps, just a little. Marina is a former chef, now a full-time mom, who’s recently divorced and quite broke, but is enjoying rediscovering love with Xavier. Lilah is a withdrawn librarian who wins the lottery—literally. With funds pouring into her account, and falling in love with a man who is now her fiancé, Xavier, life couldn’t get any better. Then there’s Opal, the oldest of the trinity and a well-known health guru whose history with Xavier—confidence man, liar, thief, and lover—extends back the farthest. How the three women come together, and slowly learn to trust one another, is an absolute delight. But what to do with Xavier, currently a hostage in Marina’s basement, is even more of a laugh riot. Until it isn’t, and the book takes a very dark turn indeed. For all who loved Cohen’s Bad Men and Robert Thorogood’s The Marlow Club Murder.
In this latest visit to the lighthouse library on the outer banks of North Carolina, locals await a YA book festival featuring a recently local and very popular author of a fantasy series. Our librarian and amateur sleuth, Lucy MacNeil, is surprised to find this gentleman on her doorstep wanting to talk. She escorts him to the deck, goes to retrieve refreshments, and returns to find him dead of an arrow shot. To say that chaos ensues is an understatement. The new widow has political ambitions and intends to use this to launch her campaign, local teen ultrafans of the author set up a shrine invading Lucy and her husband’s privacy, and two lesser local authors battle it out for the now vacant top spot on the festival program. The clever policing by the local force is, of course vital, but, as usual, the little details that our research-minded librarian provides begin to tie things together, though the culprit may come as a surprise. The local color and community spirit shine, and the quirky personalities are never more so. While this is certainly a cozy, it is never dull. The ending leaves clues promising changes, so readers will look forward eagerly to the next installment.
On the chilly evening of December 22, 1799, a young woman named Elma Sands, wearing her best calico dress, slipped out of her Quaker cousin’s boarding house on Greenwich Street, ostensibly to elope with her lover (as she told her cousin, Hope). Eleven days later, Elma’s body was found floating in the Manhattan Well, and Elma’s family accused Levi Weeks, a young carpenter and a fellow boarder, of killing her. The subsequent trial, which featured the powerhouse defense team of political rivals Alexander Hamilton and Aaron Burr, became the first sensationalized murder trial in American history; it was also the first U.S. trial for which there is a recorded transcript. Willig (The Pink Carnation series) draws on this transcript to bring the historical personalities involved brilliantly to life in all their human complexity. Especially fascinating are her depictions of Hamilton and Burr and their contrasting legal strategies. The impulsive, idealistic Hamilton wants to identify the true killer; the Machiavellian Burr is only interested in exonerating his client (even if he might be guilty). In her closely observed details, Willig also vividly recreates a growing New York City in a newly independent America. With an epilogue that reveals what happened to the principal characters after the trial and a historical note that details the author’s research, this compelling novel will appeal to true crime fans, aficionados of legal thrillers, and readers of historical mysteries. [Fun fact: The notorious Manhattan Well, which is an actual well, still exists at 129 Spring Street in lower Manhattan.]
Bregman takes the history of Alexander Hamilton and his legacy, mixes it with a modern-day conspiracy, and delivers a fun and engaging read. Elizabeth Walker is the last heir of the Hamilton family line, and when she passes away, that’s it. During research, Elizabeth uncovers a key created during Hamilton’s life. On her way home after, she’s followed, and in the New York subway, rather than have the key taken, Elizabeth texts her best friend, Sarah Brockman, to contact Elizabeth’s husband, Ralph. Then she jumps in front of an oncoming train. Sarah, devastated by Elizabeth’s death, receives a box of documents her friend sent over before her death. Working with Ralph, they are shocked to learn that a secret society established by Hamilton still exists today. The bedrock of this society has kept the United States strong all these years. Still, sinister forces want to destroy the States, and they have plans to use Hamilton’s legacy to cause economic chaos by eliminating the foundation of the American dollar. Bregman has crafted a page-turning thriller of history and the financial world that will have readers wondering if any of the story could be real. Steve Berry and Dan Brown fans will want to add this to their reading list.
And now for something completely different. Carlo Fruttero and Franco Lucentini were well-known Italian authors who co-authored several mysteries, throughout the 1980s and ‘90s, under their surnames of Fruttero & Lucentini. Their best-known works are The Lover of No Fixed Abode, set in Venice, and The Sunday Woman, which was made into a film starring Marcello Mastroianni and Jacqueline Bisset. Runaway Horses takes place in Siena during the Palio of Siena, the biannual horse race that the Sienese have been celebrating since the 13th century. It features lawyer Enzo Maggione and his wife, Valeria, who are traveling from their home in Milan to Siena, visiting Valeria’s brother along the way. But the two never make it to the farm; instead, they encounter a violent storm and take refuge in a nearby, sprawling estate. Here they find a most idiosyncratic group, including Puddu, the best known of the Palio’s jockeys. Fruttero and Lucentini take the reader deep into the arcane practices of the Palio, which are full of plots and counterplots, while Enzo and Valeria discover their attraction not only to each other but to other residents on the estate as well. Readers with an interest in Siena may enjoy the exhibit Siena: The Rise of Painting 1300-1350, which is currently on display at the Metropolitan Museum and will travel to Britain’s National Gallery in spring 2025.
It’s dark. It’s humorous. And everything about it is completely unexpected. Dolores dela Cruz has been on the lookout for a serial killer, and Jake Ripper fits the bill. A temp in her office, Jake is charming, handsome, and in possession of a pair of classic “strangler gloves.” What more can you ask for? Jake, meanwhile, is smitten with his mysterious colleague, from her severe wardrobe to the abuse she occasionally dumps on him. Slowly, the relationship between the two morphs into a morbidly intense but weirdly romantic obsession. The dialogue—a good part of the pleasure this book offers—runs from full-on snark to flirtatious banter. And while there are plenty of those head-swiveling moments suspense readers love, more shocking is the tenderness that grows between the two. Are we dealing with real murderers here, or do some serial killers just want to have a little fun? Weird enough to appeal to a broad swath of crime fiction readers.
The hero of Vatsal’s (Kitty Weeks series) latest absorbing historical fiction is Archana (Archie) Morley, a woman braving two new worlds: 1910 New York, where she came for a short visit but stayed after her parents died in Bombay (the novel uses the era’s language), and journalism, working for the Observer newspaper. This charming, gutsy character is barely tolerated by the boss and looked upon with suspicion by her coworkers—perhaps for wearing pants as much as for her race and gender. At home, things are better: Archie is married to the loving and supportive Dr. Phillip Morley, a health department official whose job and tony background give her access to wealth and power. But she’s interested in intriguing stories from every part of town, and won’t let go when Chinese gangsters are killed and the city imposes stern measures on Chinatown. They specifically target tiny, crooked Doyers Street, home of Mock Duck, the steely leader of the Hip Sing Tong gang, whose calm demeanor is belied by the list of gruesome crimes he’s been accused of. The racism endured by New York’s Chinese inhabitants is on stark display as Archie works to report the tangled goings on among Tammany Hall, the city’s Board of Improvement, and the gang underworld. Adding wonderful flavor is the rich detail from Vatsal’s deep research on New York City social and political history, and the gulf between the city’s “more susceptible classes” and its well-off citizens. For fans of Vatsal’s previous works and of historical fiction by Mariah Fredricks and Anna Lee Huber.
Police Chief Gerald Paul (Jeep) Mullane oversees a small town on the North Shore of Long Island after leaving the NYPD after an incident. He’s sometimes too friendly, and the bureaucracy above him would prefer him to be more ruthless. Jeep grew up surrounded by luxury in the area, but his upbringing was the opposite. His childhood friends were Johnny Chambliss, who had the nickname Johnny Careless, and Niven Croft, a woman for whom Jeep buried his feelings as he watched Johnny and Niven eventually marry. A Sunday morning call has Jeep visiting the scene of a body that washed up on the Bayville shore, and the dead man is Johnny. Jeep hadn’t seen his friend in a while, but they were still close, even after Johnny and Niven divorced. The story moves between Jeep reflecting on his past with Johnny and Niven and working with reluctant family members and higher-ups to get answers about the death, forcing Jeep to confront parts of his life he wanted to forget. Wade, screenwriter and showrunner for the soon-to-be ending CBS series Blue Bloods, understands that crime drags in the perpetrators, the victims, and the investigators and nobody comes through unscathed. He delivers a novel that oozes atmosphere while showcasing realistic characters in a gritty setting that could easily be a headline in tomorrow’s papers. Fans of the television series and those who enjoy a good crime drama will enjoy this, though remember that network television standards do not hinder this author on the page.
Kristen and Valerie, long a couple, are in Hawaii on vacation, partly to help Valerie come to terms with her brother’s death. They are staying with Isaac, who’s a surfer buddy of Leslie’s, a high-school science teacher, and a lifelong resident of the islands. During an early morning excursion to see the glowing lava rolling down the landscape, Valerie sees a boot in the lava and realizes that there is a leg attached. It is quickly consumed by the lava, and as she is the only witness, all doubt the truth of what she has seen. The police report goes nowhere, so Valerie takes on the task of finding the identity of both the victim and the killer herself. With the luck and determination of the amateur, and the friendly and open nature of Hawaiians, allowing for a few glitches, she succeeds. This is a Hawaii we seldom see in TV police dramas. The locals speak a pidgin dialect, the importance of which is carefully explained by Isaac, and the customs and practices date back centuries. The landscape is of course dramatic and beautiful and the descriptions of food and produce mouthwatering. There are recipes for some of the dishes at the end, and a glossary of words and phrases. This is billed as the first in a series, so expect more to come from our interesting characters.