It’s 1869 in the newly renamed capital of Tokyo, a year after the political revolution known as the Meiji Restoration overthrew the ruling Tokugawa shogunate that kept Japan in feudal isolation for over 200 years. It’s a time of rapid social change and political turmoil; not everyone is happy with the new government’s policy of Western modernization. Law enforcement, such as it is, is represented by five corrupt rasotsu (police officers) who are more interested in lining their pockets than in protecting the public. But they are reluctantly enlisted into the services of two chief inspectors from the Imperial Prosecuting Office as they investigate government corruption and a string of impossible-seeming murders. One inspector is the elegant and handsome Keisherō Kazuki, who cuts an odd figure in his old-fashioned clothes that make him look like “a courtier who had stepped out of the Heian period.” He is also obsessed with making the new government a just one and has imported a French guillotine as a more humane means of execution. His older colleague,Toshiyoshi Kawaij, is more down to earth, but he too is an outsider. The two men share a friendly rivalry as they probe several gruesome, supernatural-like killings. They are aided by Esmeralda, a beautiful Frenchwoman who followed Kazuki back to Japan (much to the dismay of Kazuki’s fiancée and her father) and who now is studying to become a miko, a Shinto shrine maiden with shamanistic powers that enable her to speak for the dead. How these crimes connect to the book’s title is resolved surprisingly and cleverly in the final section. Although the plethora of Japanese names can at first be confusing (a glossary of Japanese terms would also have been helpful), Karetnyk’s stylish and witty translation (there’s a lot of humor in this dark, bloody tale) quickly draws readers into Yamada’s atmospheric world. And Kazuki and Kawaij (a historical figure considered the father of the modern Japanese police force) make for a memorable sleuthing duo. Noted for his ninja novels, Yamada has written an engrossing, twisty tale that will appeal to fans of well-designed puzzle mysteries and international crime fiction with a fascinating historical setting.
Review
Rural New Zealand police records clerk Lorraine (Lo) Henry isn’t supposed to get involved in cases. But when children in her town start to disappear, and it’s clear that she knows more than the officers about local families and goings on, and cares more than her colleagues do, the big-city cops who’ve been deployed ask her to step in. It’s not a popular move, but Lo is determined, especially after her nephew becomes one of the missing. Complicating the investigation is town politics that pits poorer Maori residents against white or “Pakeha” ones. Family histories, the drug trade, and gang activity also muddy the case and keep Lo busy (“everything feels pushed together like too much washing in the machine”) as she doggedly tries to find the children. Things move fast but reach calamitous speed in the last quarter of the book, a gripping showdown leading to a last line that won’t leave a dry eye. Baragwanath’s language throughout just won’t stop with a verisimilitude that deeply immerses readers in small-town life and this particular town’s warmth, sadness, and terror. Paper Cage won the Michael Gifkins Prize for best unpublished novel by a New Zealand author and has been shortlisted for both the Ned Kelly Award for Best International Crime Fiction and the New Zealand Ngaio Marsh Award for Best First Novel. It’s no wonder.
Amanda and Wendy meet on Manhattan’s west side at a bereavement group for parents. They’ve both lost young daughters to horrific deaths, and believe that the cops, who have identified the perpetrators but lack the evidence to arrest them, are moving way too slowly. Primed for revenge—no mother should go through what they’ve experienced—they’re ready to take matters into their own hands. But if they kill their perps, they know the cops will be all over them, viewing them as prime suspects. What if they help each other out and switch murderers—I’ll kill yours, you kill mine—a plan that will provide them with air-tight alibis? Just as I was ready to sit back and enjoy a new take on Patricia Highsmith’s Strangers on a Train (and the subsequent Hitchcock film), the narrative suddenly veers off-road—way off-road—introducing another character whose story helps catapult the novel into something even darker, more terrifying, and totally gripping. Thriller fans will absolutely love being taken on this wild ride, where nothing is what it seems and no one can be trusted. Brilliant and sharp, ingenious and disturbing. For fans of The Silent Patient and The Girl Who Was Taken.
Connelly’s stellar effort, which brings together defense attorney Mickey Haller, the Lincoln Lawyer; and retired LAPD Detective Harry Bosch, explores a case of an incarcerated woman claiming innocence. She was coerced into a no-contest plea of a lesser sentence of manslaughter by her sleazy attorney, who told her if she didn’t agree to this deal, she would face life in prison for killing her sheriff’s-deputy husband. Every attempt by Haller and Bosch to find answers is met with either disdain or tainted evidence and testimonies. Connelly is a master of taking a straightforward case and compellingly revealing the details while throwing in a few twists and turns. Laws are questioned and Bosch and Haller soon determine they are David and this Goliath is too strong for them. Whether you are a fan of the books or the Netflix and Amazon Prime series, this latest entry is another gripping winner from the master of crime fiction, and with the great popularity of the TV series, expect huge interest in this title.
Thirty-something Winter Snow—yes, that’s her real name—is self-employed as an obituary writer, a pretty genius career for a cozy hero and a nice break from bakeries, cafes, and fromageries. Based in posh Ridgefield, Connecticut, Winter is no stranger to loss, and believes that her obituaries “facilitate acceptance for the grief-stricken.” But when Leocadia Arlington—one of Ridgefield’s grand dames, and very much alive—asks Winter to compose her obituary by the week’s end, Winter is surprised but agrees to take her on. But surprise turns to horror when Winter finds Mrs. Arlington dead, and Winter, naturally, is the prime suspect. When reading a new cozy, I’m on the lookout for two things: character and community. I’m happy to report that Winter is a wonderful leading character: quirky, disarmingly frank, with a touch of irony. The delightful community includes Winter’s foodie Uncle Richard; journalist Scoop; Officer Kip, “tall, good-looking in a brooding way, with dark wavy hair and a trim fit body”; Mrs. Arlington’s family members; a corrupt book club (it happens!); along with neighbors and friends. Lewis has created a fun, playful world—despite a murder—that many cozy readers will love to return to. And did I mention Diva, the Great Pyrenees puppy? Totally adorable.
Washington, DC homicide detective Alex Blum is an in-between sort of cop. He’s not jaded, but he’s used to the horror he sees on the job. He knows that, unsexy as it is, procedure gets things done, although he can cut corners when it suits. But after he’s called to a murder scene and finds that the dead man, Chris Doyle, knew one of Blum’s informants, Artie Holland, Blum throws procedure and even personal beliefs to the wind. The informant is missing—in his world as a drug dealer, probably dead, but we’ll see—but his girlfriend, Celeste, is still in his home. She and Blum take up a dangerous relationship, one that must be hidden from both his job and Artie’s cohort, who wouldn’t like a cop taking Artie’s place. Swinson’s dialog is a highlight here. The characters, from the medical examiner and cops to desperate Celeste and the dancers at a topless bar—one of Artie’s haunts—all talk us through seedy and horrible events while the rumored Y2K disaster looms and Blum edges further toward his own destruction. Swinson’s unusual ending tops the surprises in this rough, realistic noir.
Prepare to fall hard for Lenny Marks, the awkward, overthinking, lonely character in Mayne’s emotional debut mystery. Helena, or Lenny, is an Australian primary-school teacher. She’s fine in the classroom, as her self-discipline means she sticks religiously to lesson plans. She also gets along well with kids, but the same can’t be said for her interactions with colleagues, whom she mostly ignores, except for Ashleigh and Amy. These are the women whom Lenny has decided will be her friends—social workers and a kind former foster-mom having long encouraged her to speak to others and get out more. (Meanwhile, Asheigh and Amy say things to Lenny like, “I love that you don’t care what you look like”). But she’s trudging along mostly fine until the letter. It arrives at the school from the state parole board and sets Lenny into a spin while Mayne, tantalizingly, lets us into the full, shocking story of Lenny’s early life. Be ready for some very sad moments, including scenes of domestic violence toward children. I just adore this character and this book and will be thinking of Lenny for years (once I finish crying). Mayne’s captivating work might bring you back to an old Oprah’s Book Club favorite, Wally Lamb’s She’s Come Undone.
In Blackburn’s latest cozy, Summer Merriweather, owner of the Beach Reads bookshop, has a special Valentine’s Day event lined up, and invites Lana Livingston, a famous author who has reimagined Romeo and Juliet with a happy ending, to lead the festivities. Summer doesn’t realize that Lana recently became a widow and is being investigated for the murder of her husband. Things worsen when Lana has tea during her bookstore appearance and is later found dead of poisoning in her hotel room. The main suspect is Glads, the woman who served the author tea during the event. A ruthless detective wants answers, and to save her friend from being railroaded, Summer gathers a group of amateur detectives, including her ex-boyfriend, to solve not only who killed Lana but maybe even who murdered the author’s husband. Fans of cozy mysteries will find everything they love here, and even though this is the third book in the series, both newcomers and readers of the previous entries will find it worthwhile.
This sequel to Woman Last Seen (2022) publishes the day after Christmas, but it’s far from your traditional holiday read. It does, however, provide more than ample entertainment for days off and/or fuel for thinking away interminable events. The main thought provoker is: how does a woman manage to be married with kids in one family while also married to someone else? How are the two husbands and the kids supposed to feel now that Kylie, also known as Kai and Leigh, the bigamist whom they thought they hated, has gone missing? And what’s the second husband to do, accused as he is of Leigh’s murder, when he knows he didn’t do it and nobody even knows if she’s actually dead? Leave this one up to the kids, who are sick of the media firestorm around them, not to mention tired of their mother’s best friend who has moved in just a little too quickly and whom they know visits Dad’s room at night. Philosophical questions quickly give way to a thrilling investigation and final pages that will keep readers on edge and rooting for justice.
George Pelecanos is such a wonderful writer—word by word, sentence by sentence, paragraph by paragraph—that you can finish any of these stories only to wonder: how did I get here so fast? In these four novellas, Pelecanos mines familiar territory—Washington D.C. and Baltimore—areas he has explored in his 20-plus novels and as a film and television producer and writer who has worked on the HBO series The Wire, Treme, and more. In the first story, “The Amusement Machine,” two men—one white, Ira; and one Black, Jerrod—meet at a book group in jail and form a tentative friendship that extends beyond prison. Until a foolhardy act on Ira’s part, which nearly implicates Jerrod, seemingly destroys whatever relationship they might have. In “The No-Knock,” a family’s home is invaded by the police operating under a no-knock warrant, which allows the cops to force entry without identifying themselves. They are seeking one of the teenage sons, Vince, who eventually turns himself in, guilty of robbing a marijuana dealer. But while the son never again engages in criminal activities, the violence and disruption of the home invasion is something the father can never get past, with it haunting him for the rest of his life. Novellas are great for book groups, especially today when people are often intimidated by a 300-page novel, but crime fiction offers few novella choices. This collection is one of the very best.