New Yorker Billie has never wanted children. But the series of hurts chronicled over the course of this frenemies story find her standing in the apartment below her former best friend, Cassie’s, place, holding Cassie’s baby while her friend upstairs wails that there’s been a kidnapping. Most of this absorbing tale takes place in the present, when lonely Billie tries over and over to regain the closeness she had with Cassie when they were teens. But Cassie, who’s now a famous Instagram mommy, wants little to do with her. We also flash back to those teen years, when a incident involving Billie’s stepfather, whose sexual abuse of the girl is graphically described, has been kept a secret by Billie and Cassie, leaving them emotionally tied but perhaps also causing their estrangement. As in her Can’t Look Away (2022), Lovering nails the bizarreness of obsessive love—Billie’s for Cassie and Cassie’s for Internet fame—and its twisted outcomes. This book will be a hit with fans of that previous work as well as of Ian McEwan’s Enduring Love.
Review
It’s April 2020, the third week of a pandemic lockdown in an eerily quiet and empty Edinburgh. Detective Chief Inspector Karen Pirie of Police Scotland’s Historic Cases Unit has hunkered down with Detective Sergeant Daisy Mortimer in a “quarantine bubble” in her boyfriend Hamish’s spacious New Town apartment while he isolates up in the Highlands. There are no active cold cases to occupy the two officers, and Karen is languishing while longing for something meaningful to investigate. She fights her restlessness with her daily one-hour walks, the maximum allowed under tight restrictions. But when DC Jason Murray receives a call from a contact at the National Library about an unfinished manuscript in the archives of a recently deceased crime novelist, the team may have stumbled upon a connection to the cold case of a young woman who disappeared a year earlier. But how do they investigate a crime while trying to stay within COVID protocols? A determined Karen finds herself “making mincemeat” of the regulations, but as she tells a colleague, “I have to be out on the streets doing what I do. Because I want the world to still be a decent place when we come out on the other side.” In her seventh atmospheric series thriller, McDermid skillfully combines a twisty plot of murder and vengeance with the personal dramas of her detectives, set against the dramatic backdrop of a global pandemic. By the novel’s end, no one has been left unscathed by this traumatic time. In her acknowledgments, McDermid notes that she penned this novel only in 2023, needing the distance of time to write about those frightening early days. I suspect her book is the first of many crime novels that will explore the impact of COVID on the human psyche.
Everything is creepy about the Windermere, a ritzy, historic New York City apartment building with Rosemary‘s Baby vibes to spare. But at first, Rosie, an author; and Chad, her husband and an aspiring actor, hardly notice. They’re too busy taking care of one of the residents, Chad’s uncle, who has died as the book opens, and who leaves the apartment to the broke young couple—and not his own daughter. Why? And while the residents couldn’t be more welcoming, Rosie—who’s writing a book about the history of the Windermere, focusing especially on the many murders—can’t contain her suspicions. What’s up with the doorman, who seemingly works around the clock? And the child she would swear she saw crouching in the basement? Why are there cameras absolutely everywhere? And, most importantly, why is Chad acting so weird, disappearing for huge stretches of time? Unger’s novels are textbook examples of perfect suspense fiction, and this title is no different. As we race through the narrative, we watch in terror as “something dark is on the horizon” becomes something dark that is right next to you. And we are helpless to stop it. Love New York? Then this super accurate portrayal of the City is doubly fun.
It’s winter when a fire destroys a farmhouse in rural Sweden, burning it to the ground. With the parents out for the night, the only victim was the twenty-something daughter of the house. But she wasn’t killed by the fire; her autopsy reveals that she was murdered by blows to the head. Who would have wanted to kill Lovisa, who was loved by everyone? While the murderer is quickly identified, tried, and jailed, this story continues to expand in multiple directions, exploring the impact of a murder on a community, the families, even Edvard, the perpetrator. It’s also a coming-of-age novel as we follow Edvard’s nephew, who grows up in the shadow of his uncle’s acts, worrying that he too has a propensity for violence. But at its heart, this is the tale of Vidar Jörgensson, a young police officer who was one of the first officers at the fire and helped to solve it, but then spent years ruminating over the case. This is no less than a brilliant crime novel. Carlsson combines his deep knowledge of criminal motivations and trauma—he has a doctorate in criminology—with rich, compelling storytelling. Fans of the TV series Broadchurch and the works of Ann Cleeves will enjoy the deep community focus. Sure to be one of the big books of early 2024.
Dawna Carpenter runs a hardware store in downtown Pine Bluff, Oregon. She struggles to keep it going, especially after the death of her beloved husband, Bob. The building shares space with a boutique, and the woman who runs Lipstick and Lace is a real piece of work. A real-estate developer in town has bold plans to open a luxurious hotel, but when he’s found dead in the hardware store’s bathroom, Dawna’s life gets turned upside down even more than she thought possible. The quirky cast of characters, the slowly building mystery, and the light-hearted tone make Hammers and Homicide a terrific debut. Charles also does an outstanding job of addressing how people deal with the grief of losing a loved one, without being overly depressing. Readers will be fixing to read more mysteries of this series and Paula Charles.
Jhonni Laurent is the first female sheriff in her rural Indiana town of Field’s Crossing and its surrounding quad-county area. She tries to be more community oriented than her predecessor, showing up at the first day of school to greet parents and students, for example, and avoiding all efforts at improper influence. Her work is a hit with locals but isn’t appreciated by a colleague whom she beat in the race for the job. Or his nasty buddy at the local newspaper, who’s doing all he can to get Jhonni out of the political picture. She doesn’t need the first local murder in…ever?…to happen on her watch, but when teenager Stephanie Gattison is found frozen in a snowbank, it looks like foul play. The body is barely thawed before another victim is found, this time an ice fisher who’s found frozen to the lake surface. Fans of Emily Littlejohn’s Detective Gemma Monroe and Tony and Anne Hillerman’s police officer Bernadette Manualito will enjoy making the acquaintance of this steadfast, likable, and capable sheriff, while those who love a small-town atmosphere, with its closeness as well as its backbiting, will feel right at home here. A debut author to watch.
This book could just as well be titled When the HOA Attacks or Ring Cameras on Steroids: A How-To. Oleander Court, a street in ritzy Alpharetta, GA, has it all. The fountain with $500 apiece koi, the perfectly maintained lawns (did I mention that HOA?), the perfectly Botoxed neighbors. But a few residents keep things from being too plastic. An artist, Helen Beecham, has moved in and while she likes to observe the others, she’s doesn’t love their snooty book clubs (at which the book is never mentioned) or other tortuous gatherings. A Korean American family, the Jungs, lives on Oleander, too, amid nasty comments; one neighbor in particular spreads the rumor that the mother barely speaks English, only Chinese. Lesbian couple Ray and Laura are hiding their rocky marriage and past secrets. And then there’s Adelaide, who formerly lived in a trailer park but is now married to a doctor and struggling to feel she belongs. Closed circle meets cozy when the nastier neighbors start getting bumped off in their homes, but with little attendant grisliness and dollops of dark humor. Come for the bitchiness, stay for the deep characterization of the oddball characters as well as the puzzling whodunit.
Every flight headed to Italy should have on board a few dozen copies of Trinchieri’s mysteries—they are the perfect warm up to an Italian vacation, full of wry humor, eccentric characters, a gentle murder or two, plenty of excellent wine, and best of all a whole lot of Tuscan cooking. Ex-NYPD detective Nico Doyle moved to the small town of Gravigna after the death of his wife, a native, and he’s been embraced by the residents, even helping out in the kitchen of his in-laws’ ristorante (and getting great reviews). But he can’t leave his law enforcement years completely behind him, and he’s regularly summoned by Perillo, one of the local carabinieri, to help out on a case. Here, in the fourth installment, the murder victim is an older woman—owner of the handsome Villa Salviati—whose murder produces a bevy of possible suspects, including lovers, friends, and a couple of mean-spirited daughters. Will Nico and Perillo ever be able to return Gravigna back to more tranquil days? A delight from start to finish.
WHAT a rollercoaster. The “darling girls” in question–Jessica, Norah, and Alicia–are “foster children,” stuck being referred to that way even now that they’re adults. They aren’t biological sisters, but the mistreatment meted out at Wild Meadows by their foster mother, the psychologically cruel and unpredictable Miss Fairchild, has forced them into a lifelong bond. These days, Jessica is a housecleaner who steals her clients’ prescriptions and is being pursued by the relentless Debbie Montgomery-Squires, who wants her Valium back. Norah is on probation for her latest attack, one in a long string of anger-fueled outbursts. And Alicia is barely holding it together as a social worker who’s terrified to pursue a relationship with a female friend who could be more. The three are thrust back into their awful past when the police call to say that a body has been found buried at Wild Meadows, one that appears old enough to have been from their time at the “home.” What ensues are flashbacks to the children’s bizarre, cliff-edge lives as wards of a tyrant, while the darkly funny present-day tale looks at women who fight the system and their circumstances tooth and nail to avoid being victimized again. This is the rare story that’s equally character and plot driven, with the “sisters” portrayed as distinct and lovable and the plot just packed with twists. Hating Miss Fairchild is the icing on the cake
This fast-paced debut takes on the world of biotechnology, focusing more on the attendant politics and celebrity than the tech itself. The celebrity in question is Professor Sarah Collier, who’s retired after winning a Nobel Prize. She’s so reclusive that she didn’t even pick up her Nobel in person, but her husband is desperate for her to get back out there and help his faltering neuroscience career. He’s increasingly frustrated by her unwillingness to travel with him to Geneva, where a mysterious new technology will be unveiled at the Schiller Institute, with, the institute hopes, Sarah’s endorsement. The promise that the new technology could help Sarah’s newly diagnosed Alzheimer’s makes the endorsement tempting, but steely pressure from the institute’s directors and its frightening head of security is exhausting. As Sarah becomes ever more forgetful and disoriented, the risks to her marriage and even her life multiply while the billions of dollars on the line make malevolent forces ruthless. For fans of actor-author Armitage and of John Marr’s biotech-infused thrillers.