On New Year’s Day 1985, as the countdown to Ronald Reagan’s second presidential inauguration begins, Turnip Coogan, in custody for the murder of real estate developer Randall Hubbard, falls from the roof of the courthouse in downtown Meridian, Mississippi. It may be morning in the rest of America, but that Reaganite optimism has bypassed the state’s “Queen City,” where strip malls developed by the late Hubbard have “sucked the life out of the city’s downtown” and its convenient location between New Orleans and Atlanta has made Meridian “a vital pit stop in the loosely affiliated crime belt of the Deep South.” Knowing of her son’s connection to the notorious Dixie Mafia, Lenora Coogan is convinced that his death was neither an accident nor a suicide and hires Black cop-turned-private investigator Clementine Baldwin and her white partner, Dixon Hicks, to find the “sons of bitches who killed him.” Complicating the investigation is the still-jailed Odette Hubbard, who had recruited Turnip to kill her husband and then canceled the hit job. She wants Clem and Dixon to identify the real killer, a request that puts a target on Clem’s back. Jim Crow laws may be a thing of the past, but Clem still must battle old-fashioned racism as she goes after the city’s powerbrokers. Wright’s (American Pop) Southern noir introduces a compelling, complex, bourbon-loving sleuth who both loathes and loves her hometown. Her budding friendship with Dixon will have readers anticipating their next crime-solving adventure.
Review
Alering’s striking, dark debut novel mixes magical realism with crime and dire poverty. Sheila, 17, and Angie, 12, are sisters living on the absolute edge in 1980s Appalachia. Their father is dead, their brother in prison, and they and their mother live with an elderly relative, growing vegetables and keeping rabbits for food. Sheila keeps her side of the room neat, Angie very much doesn’t, and the differences only begin there, with the most significant being in their dubious magical gifts: Sheila is burdened and chafed by a rope around her neck, visible only to her, that grows thicker and longer over time. Angie draws sinister tarot-type cards that she carries everywhere, with figures like “A creature made of root and sinew [with] a crooked crown of worms” that give her frighteningly accurate messages. Outside the squalor the girls live in are the hikers, whom they think of as impossibly rich, trekking the nearby Appalachian trail with their fancy equipment and cluelessness. When two of them are killed, Angie takes on the investigation, much to her sister’s exasperation. This is one of those novels whose setting and characters take the front seat—readers won’t soon forget Sheila and Angie and the lengths they go to to survive and find peace.
As always, Blacke (Vinyl Resting Place, 2022) does a fabulous job of keeping several balls in the air, from romances to murder, from seeking likely perpetrators to fighting off a pair of predatory investors. Small-town Cedar River, where gossip spreads like warm butter, provides the setting, while the three Jessup sisters—the youngest, Juni, is our narrator—are still struggling to keep their cafe/vinyl record store alive. When a crazy storm rips through town—this is Texas, after all—it washes out the roads, knocks out the electricity, and leaves a corpse in a parked car near their shop. He turns out to be one of the predatory investors—Juni knew him from college—who was hoping to make a deal with the sisters. But more importantly, with the town now isolated, where is the murderer hiding? The characters are wonderful, with Juni’s voice and sense of humor especially fresh, and the storyline is completely absorbing. A real treat for cozy fans.
For me, the best kind of thriller is one with high emotional stakes, and this fits the bill, featuring a family that’s been torn apart by addiction and an unsolved crime. When they were 15, Iris and her twin sister, Piper, were tricked into meeting older boys, a tryst at which Piper was abducted. The police believed that Piper ran away, the trail went cold, and today lris is a bereft adult, living with her son and grandmother and still wondering what happened to her sister. The twins’ mother, an addict, gave up on finding Piper long ago. But, clinging to hope, Iris has landed an internship at Shoal Island Hospital, a facility in Seattle’s San Juan Islands whose sign has a space where the words “…for the Criminally Insane” used to be. Readers are gradually let in on who she’s there to meet, and along the way, flashbacks return to the time of the abduction as Iris sleuths and grieves in the present day. A closing twist adds fear and drama, but those are present in spades along the way too. This fast read will be a hit with those who enjoy a female-led thriller that features an at-first-powerless protagonist who must seize the reins.
Recently married, Lucy McNeil runs the Bodie Island Lighthouse Library. When a traveling art-history exhibit arrives in town, Lucy works with family and friends to create a unique display in the library that showcases local, national, and international artists. The morning after the library celebration, the librarian is surprised to discover one of the reproductions of a famous local artist is no longer on the wall. Who would want to steal a worthless copy of a famous painting? The grand opening of the exhibit leads to drama and the murder of one of the organizers, and the prime suspect for both the theft and the death is Tom Reilly, an art dealer with a shady past. Gates, who also writes mysteries under the name Vicki Delany (Deadly Summer Nights, 2021; Have yourself a Deadly Little Christmas, 2023), is a master of cozy settings and telling a compelling story. Her vast cast of characters is realistic, and the puzzle is challenging and surprising. While the actual lighthouse at Cape Hatteras does not have enough space for a library, readers will still want to visit. Whether this is the first dive or the eleventh, this series is a lot of fun.
Sexy and perverse, deceitful and disturbing, this is one domestic thriller that doesn’t hold back. Elena and Adam are house sitting in South London when they come across the beautiful painter Sophia and her equally handsome husband, Finn. Sophia and Finn are suave and sophisticated, and dinner with the four soon evolves into casual meetings between the two women, and eventually friendship. Despite this, Elena can’t stop herself from becoming obsessed with Finn—sex with Adam leaves a lot to be desired—and Sophia recognizes Elena’s infatuation. But instead of being threatened, Sophia has a plan. Why don’t they exchange partners, with the men never the wiser? The women, physically very similar, will switch places during the night, when the men are asleep, making every possible effort—from hair to perfume—to trick their partners. Plausible? Barely. (Pro-tip: use blackout curtains). But while “switching” increases Elena’s fervor for Finn, for Sophia it opens up a whole world, one that she has been planning for ages. A fast and effortless read that never stops surprising.
A masterpiece, this is the dazzling tale of a gourmand and con-woman whose life opens up because of an intrepid, brilliant reporter. Manako Kajii is behind bars thanks to her multiple murders of forlorn businessmen whom she seduced with her cooking and promises of a traditional life together. As she famously states: “There are two things that I can simply not tolerate: feminists and margarine.” And you can add a third: journalists, as she refuses to ever give any interviews. Until reporter Rika Machida comes along, herself a bit forlorn, and writes to Manako requesting her beef bourguignon recipe—just don’t call it beef stew!—without any reference to Manako’s lurid and extravagant past. Soon, Rika is visiting Manako in prison, where they cook and devour imaginary meals together, becoming totally immersed in gastronomic fantasies until we can only wonder: who is changing whom? While Manako provides the novel’s spine, we also delve deep into Rika’s world, the misogyny of her workplace, the loneliness of both men and women, her troubled family, the challenge of aging parents. Remarkably enough, this novel is based on a true story, “The Konkatsu Killer;” check out more information on Murderpedia. I cannot wait to discuss this in a book group.
Fans of Schellman’s previous two books in this exciting series, Last Call at the Nightingale (2022) and The Last Drop of Hemlock (2023), will find this trilogy closer a satisfying end to the roller coaster of Vivian Kelly’s life as a seamstress by day, flapper at a queer-friendly speakeasy by night. Vivian now delivers dresses to her boss’s wealthy clients, waiting around mansions until the clients deign to join her for a last check on their new dresses’ fit. On one such visit, Vivian is invited by the gentleman of the house to sit a while and warm up, during which time he’s called away. She then finds him dead, and as she’s the only person around, she’s on the hook for the killing. She’s given a week to find the real killer, with the police seemingly aware that she probably didn’t do the crime but happy to have a handy suspect to charge. The tumultuous week forms the bulk of the book, and sees our hero display her signature moxie, smarts, and the love she hides for her family and her police-officer paramour, their relationship troubled by his family ties to the commissioner who’s happy to put Vivian away. Life among the haves and have nots of the Roaring Twenties is a heady setting and Vivian a character well worth getting to know—you can enjoy this without having read the previous two books, but do yourself a favor and add them to your library’s hold list anyway!
An attack at an airport near Oklahoma City of a federal government prisoner transfer turns into the most deadly game for Matthew Redd and his family. The team responsible for the massacre has another name on its hit list, and already has their target on surveillance: Redd. As the team heads to Montana to take him out, a massive winter storm has settled over the region. Receiving a warning with minutes to spare, Redd has his family leave while he heads to high ground to make a last stand against an unstoppable army. But the snow is relentless, just like his enemies, and his initial confrontation invites more dangerous elements into his life. Steck brings the Western genre to the modern age with this nonstop action thriller. The writing delivers a cinematic experience as the forces have a last stand, and the small town and its citizens will be lucky to come out unscathed. This series is terrific, and Steck does a great job getting newcomers up to speed while delivering results fans have been waiting to see.
In his debut novel, prizewinning short-story author Talty (a citizen of the Penobscot Indian Nation) brings us to just outside the border of the Penobscot reservation in Maine. Charles Lamosway lives within sight of the reservation, also within sight of a house where his daughter, Ellie, lives. Most people, including Ellie, think that her mother’s husband is Ellie’s father. Charles knows “what it [is] like to feel invisible inside the great, great dream of being,” with Talty succeeding beautifully in portraying a man who’s cut off from his own life and from the world around him, even as he cares for his mother, who is slowly slipping into dementia—a situation that brings Charles and readers some moments of dark comedy—and faces his stepfather’s violent death. Then—it seems almost inevitable, given Charles’ lot in life—his daughter goes missing, and secrets can no longer hold. The beauty of this book lies in following Charles as he tries to pierce the barriers that keep his love from mattering, a relentless struggle often mirrored in long phrases with repeated words (“and only then did the man leave and only then did the doctor come to the heavy wooden door”). There’s a satisfying ending here, and sure to be further prizes ahead for Talty.