A powerful coming-of-age novel that gradually, and brilliantly, morphs into crime fiction. Sarah Taylor didn’t apply to the prestigious, all-girl prep school Saint Ambrose. Her mother—and sole parent—who works as a lunch lady and barely has $200 in the bank, completed her application. “You’re nationwide smart, Sarah, not small town bright,” her mother reminds her when dropping her off on the first day. But Sarah, dressed all in black, with hair dyed to match, isn’t exactly fitting in at Saint Ambrose, and her diagnosis of bipolar with mania doesn’t help. But the worst is queen mean Greta, who, along with her court, goes after Sarah, humiliating her whenever there’s an opportunity—including Xeroxing and distributing a very personal essay Sarah wrote about being diagnosed bipolar. But slowly Sarah starts to build alliances, including “hot RA,” her incredibly handsome resident advisor, and Strots, her privileged, tough as nails, super-jock roommate, who’s gay and has her own set of challenges (the novel’s set in 1991). Serious stuff, but Sarah has a wild sense of humor that keeps you glued to the page, and the depiction of a New England prep school is spot on. Tensions mount, hatreds grow, violence is inevitable, the community becomes unglued, and readers are left gasping. As Sarah says: “There’s going to be no setting what just happened to rights. Ever.” Fans of Donna Tartt’s The Secret History and Rebecca Makkai’s forthcoming I Have Some Questions for You will love this.
Review
Christian fiction readers and those who enjoy a chilling, tense thriller will relish the trip to Night Hollow, a desolate part of rural Kentucky that locals call “the holler.” Set deep in Appalachian hills, the holler is darker than its surroundings, in both meager daylight and social conditions. It’s particularly bad for women, but the holler keeps all its residents in its sad grip, while outsiders leave the poverty and crime to continue providing it stays contained. That ends when the FBI shows up to investigate the murder of several local women who’ve been found beaten and with their eyes removed and eyelids sewn shut (a process that happens “offstage,” thankfully). Two very different protagonists lead the story: FBI psychologist Violet Rainwater, who’s a product of her mother’s lengthy abduction and rape years ago and struggles to face the current crime’s echoes of that past, and John Orlando, a detective whose FBI-agent wife’s killing may have a link to the Blind Eye Killer, as the media has dubbed the area’s monster. Patch offers spiritual insights via believer John’s kind advice and support of atheist Violet, with the religious theme taking a back seat to the characters’ personalities and the layered mysteries that swirl in the holler. The scary ending, which also has a great twist, will leave readers ready for more from Patch.
Katie Kuhlmann lives in an Edina, Minnesota, neighborhood called Country Club, and it’s like what you would imagine. Katie didn’t grow up rich, but she married old Minnesota money and now lives among neighbors who might “chip in on a private jet” so they can all vacation in the same luxurious place. Having endured a sad upbringing with her grandparents after her parents and brothers were killed in a car crash, Katie’s happy to roll with the pampered oddness that is her new life as long as she’s got her family close. But her safe haven is beginning to show signs of rot. When he’s not ignoring his family or disappearing for lengthy stretches, Katie’s husband, Jack, is angry and tense. Out of the blue, a wayward college friend of his arrives and takes up residence in the family’s garden apartment, and Katie fears that things are going from bad to worse. She has no idea how dire things will get and the gut-punch of betrayal that’s in store. When her husband confesses a crime to her—is it even true?—it’s just the beginning. Goldman writes a woman’s inner voice perfectly, and his background as a TV writer (Seinfeld, Ellen) shows on the page, with tense and thrilling scenes quickly alternating with romantic interludes and domestic entanglements. Jodi Piccoult readers will enjoy Katie’s climb out of a painful trap.
A former university librarian, forced into early retirement, takes on a new job cataloging a book collection, only to find herself spending more time solving a crime than applying the Library of Congress subject headings. Jane Hunter is making lots of changes in her life. She’s downsized her home, is living alone—her actress daughter is off on a national tour—and is about to bring in some much-needed funds by cataloging 33-year-old Cameron “Cam” Clewe’s vast crime fiction collection. But on the first day at the job, at Cam’s sprawling mansion, she discovers—wouldn’t you know it?—a corpse on the floor of the library. And not just any corpse. Cam’s latest ex-girlfriend. To make matters worse, several people saw the couple arguing the night before. With handsome Cam the number one suspect, if Jane wants to keep her job, she’s got to keep her boss out of jail, so the two team up to find the real perp. The fun here is in what an odd couple they make. Sherlock Cam has “anxiety, OCD, occasional depression, and a general lack of social awareness.” And while Watson Jane may not have been diagnosed with anything listed in the DSM-5, she’s darn nosey, quite pushy, a bit of a rumor monger, and has some dubious professional ethics (she brings items home, and shows them to a neighbor, without Cam’s permission.) Everything is in place here for a successful series sure to delight traditional cozy readers for years to come. Now let these two go at each other.
A wonderful, moving stand-alone in which Sutanto, author of the Aunties series, is at the absolute top of her game. Sixty-year-old Vera Wong is lonely, although she’d never admit it. A widower, she’s the mother of a lawyer consumed by work—he rarely returns her texts, even though she offers such good advice!— and her days consist of a 6 am brisk walk through San Francisco’s Chinatown—she needs to get her steps in!—then opening her tea shop which, on the best of days, has only one customer. Extraordinarily opinionated, quite a bit eccentric, yet utterly charming, Vera’s voice is captivating. But readers will be completely beguiled after she comes downstairs one morning (she lives above the shop) and discovers a young man lying on the floor. She does call the cops, and tries her very, very best not to disturb the crime scene, but not before prying a flash drive out of the man’s very dead hands. Then the novel takes off as Vera—believing the cops are incapable of solving the crime—assumes the role of detective. In the process, she befriends several young people, including both the victim’s wife and his brother, and while Vera still considers them all to be prime suspects, she can’t help but care for them. Initially this protagonist may seem like the cliché of the dominating Chinese mom. But Vera, it turns out, is pretty damaged herself, much like her new, thirty-something friends. Come for the mystery, but stay for the healing. One of the best cozies I’ve read this year.
Yes, it’s only October. But my money is on Bad Summer People as the best beach book of the summer of 2023. Set in Salcombe, a made-up community on Fire Island—not the like the gay Pines, more the reclusive and ritzy Saltaire—this book, in the great literary tradition of Peyton Place, has it all: adultery, fashion, tons of gossip, backbiting, lying, hot sex with the tennis pro, tasteful plastic surgery, alcoholism, and even a corpse. Plus the sort of casual racism and classism liberal one-percenters indulge in. It opens with a prologue, set at the end of August, in which a body is discovered face down off the boardwalk. The book then backs up to late June, as the all-white residents arrive from the Upper East side and Scarsdale for the start of a new season. From there we follow the tumultuous summer in chronological order, moving quite handily among a group of narrators, from the above-mentioned Stanford tennis coach to the Filipino nanny to the gay Yale student/bartender and many more. At the gravitational center of the book are Jen Weinstein and Lauren Parker, the “it moms” who married into Salcombe—their husbands are best friends—and oversee the social action. Not another word from me, lest I spoil any of the fun, except to say the identities of both the victim and the murderer pack quite the punch. This book really hits the sweet spot for popular fiction and will appeal to a broad swathe of readers.
“I can trace so much of my life back to a summer night when I was seventeen,” opens main character Nathan, and right away you’re reading through your fingers like watching a horror film. Nathan’s a good boy until that summer night, when racy LeeLee takes him to a party. One thing leads to another and next thing he gets The Phone Call: LeeLee’s pregnant and needs $1,000 to fix the problem. Nathan has $100. He has tough decisions to make and no perfect options, a problem faced by the other struggling characters in this book, all of whom are scraping by in Locksburg, PA. Years later, Nathan comes upon a chance to leave his troubles behind: when he rescues a man from a burning building, he finds a sack of money that he impulsively puts in his truck. Then we meet the other main characters, whose narratives alternate and overlap with Nathan’s: Paula, Nathan’s wife, a nurse who wants nothing to do with the money; Callie, a nurse who works with Paula and who wants to give a dying young patient one last chance at happiness, defying the girl’s fundamentalist Christian parents in the process; and Andy, a recovering heroin addict who, facing bottomless grief, puts his remaining days into punishing an evil man. New York Times editor Jaworowski’s characters are so real, their struggles so palpable, you won’t want to leave them. A must for fans of This Is Us.
his series debut features a woman who’s so glamorous and strong she has a superhero persona, complete with the superhero’s inner conflict. Deirdre Flanagan is a model, a beautiful 19-year-old who purposely makes herself uglier in daily life so she can pass unnoticed. While she loves clothes and the drama of a professional fashion shoot, modeling is very much her nine to five. In her spare time, she works with her doting father and his brother—they’re a former world-champion boxer and an NYC police captain, respectively, and the only parents she has known—to solve crimes against young women. When a woman in a striking red dress falls to her death from the roof of 1 Times Square, Deirdre hits the scene, finding another body as well as unexpected emotions upon viewing the remains. Why this case has hit her so hard and whether she can escape the escalating danger facing those involved with the victim and the case is a mystery that will keep readers rapt—although they’ll also enjoy being dropped into the world of New York City haute couture. Baer, who worked briefly in that world and is the author of the successful Jack Colt series, also offers a gritty contrast to the ritziness of fashion in his protagonist’s personal life: home is her father’s boxing gym, and between that setting and her life as an NYPD sidekick, the sarcasm and bullets keep flying. A fast, absorbing introduction to a daring star.
In the introduction by Williams (The Wife Before, The Perfect Ruin), readers are forewarned, that child abuse and sexual assault feature in this novel; they should still be prepared for whiplash when this turns from a “girl’s night in” kind of story to something much, much darker. Black couple Adira and Gabriel are living the high life—at first appearance. Adira’s an entrepreneur, the successful owner of a luxury clothing brand, Lovely Silk. Gabriel isn’t as successful—Adira’s keeping them afloat—but she doesn’t mind. She’s crazy about her husband and is shattered to see an email pop up on his phone that makes it clear he’s seeing another woman, Jocelyn. Actually, make that two women, Jocelyn and Julianna, with the former woman, when confronted by Adira, offering to join ranks with the wronged wife to make Gabriel pay. Thus starts the darkness, with stalking, lies, and desperation taking turns with another story, of two little girls, one of whom is being sexually abused by her mother’s boyfriend. Williams ramps up the tension and the mystery from the first page so that as the stories converge and a terrible truth is revealed, readers will be both enthralled and aghast. One for all those who’ve done what they had to do and lived to tell the tale.
A dangerous obsession, true crime, bookselling, alcoholism, and trauma—add some dark humor—and you have the ingredients for this utterly unique tale set in Spines, a present-day-London bookstore. Young, post-punk Roach has only ever worked as a bookseller at Spines, where she can indulge in her obsession with true crime—female victims only, please—and way overstock the true-crime section. Her Mom runs a bar and basically ignores Roach, while Roach’s boyfriend is an unwashed brute in a death metal t-shirt. But things aren’t going so well at this branch of Spines these days, and the corporate office has transferred some seasoned employees to bolster sales. This includes Laura, who’s all vintage dresses and rose oil, berets and hand-rolled cigarettes. She’s what Roach would call a “normie,” until Roach hears her give a poetry reading in which she references many of Roach’s favorite true-crime victims. Roach becomes obsessed with Laura, eventually going full-on stalker. But while Roach is fascinated with the perps, Laura is disgusted by the true-crime genre for glorifying these creeps. Instead, she pays homage to the victims, and does so from a very personal perspective. As Laura’s drinking becomes more and more out of control, it becomes easier and easier for Roach to take over, playing with Laura’s sense of reality and leading to an ending as dark as it is credible. The novel includes a wonderful cast of booksellers who bring some humorous subplots to the book. Readers who enjoyed Laura Sims’ How Can I Help You, reviewed here last week, will be ecstatic to meet these women.