Sometimes it’s the setting that grabs you. Often it’s the plot. But here it is two fabulous characters who come together and through sharp dialogue create a story that both cozy and traditional-mystery readers will love. Former Senator Dorothy Gibson—pant-suit loving, wise-cracking, and wine-imbibing—has just weeks ago lost a run for the presidency to that man, and she’s retired to her northern White House on the Maine coast to lick her wounds and begin work on her memoirs. Her ghostwriter, new on the job, is summoned to Maine; Dorothy’s not one to sit idle. It’s quite a fun hothouse with Dorothy’s gay son hanging around, a ten-out-of-ten bodyguard lurking in the corridor, a Huma Abedin clone who tries to keep everyone on track—and the ghostwriter describing it all in delicious detail. All’s well until there’s a death at a neighboring estate and Dorothy and the ghostwriter, refusing to believe it’s an accident, quickly launch their own investigation. The denouement is quite wordy, but full of the requisite number of surprises. The idea of a ghostwriter as the narrator, who pairs up with different celebrities to solve crimes, is a darn good one.
Review
Having a new baby is hard for anyone, but for lawyer Natalie the daily grind of keeping up with baby Oliver while her husband goes to work seems like both thankless drudgery and the most important job in the world, one at which she’s failing miserably. All Oliver wants to do is nurse, leaving Natalie little time to sleep, and when she does collapse into bed, she lies awake fretting about her failures. So when Paul, a kindly neighbor and a stay-at-home dad, slowly gains her trust and seems to be the only one who understands—Oliver even likes him!—Natalie is quickly drawn into his care. Erin, his wife, a stern, perfect woman whom he has come to loathe, is not a fan of Natalie. The young woman’s presence, and her growing relationship with Paul, brings back painful, humiliating memories for Erin, including his transgression with the woman who lived in Natalie’s house before, whose family, readers learn, moved in an odd hurry. The hormonal, messy, and puzzling time warp of the first months of life with a new baby are the perfect backdrop for a psychological thriller, and this one will keep parents especially rapt. While you wait for it, try Murphy’s The Favor, another absorbing domestic drama.
Liv is imprisoned in a rusting shipping container in rural Alaska, her captor her ex-husband, whom she’s tracked down after he faked his death and ran from their marriage and disabled son. He’s now living with a new partner in a proto-cult based on the writings of a guru who espouses pleasure above all else and is happy to philosophize endlessly while harsh conditions threaten his family. Over time, as Liv gains entry to Mark’s house and to some of his more sordid secrets, she plots her escape, one that it seems impossible being phone- and car-less as she is. Townsend takes us on a tense ride through family and cult dynamics, along the way treating us to a memorable look at female and parental resilience; the up-close look at a narcissistic patriarch who’s setting himself up to fail is a bonus. For fans of wilderness thrillers such as Karen Dionne’s The Marsh King’s Daughter.
Yew’s first book in this series creates a perfect launch point for the adventures of bookseller Scarlett Gardner and her world of nosy tourists; endearing friends; and a former boyfriend, Connor, who embodies the word jerk. She moves to the beachfront town of Oceanside, CA, to open a bookstore with Connor, but he leaves her in the lurch soon after opening. She finds friendship with Evelyn, who helps her run the store. One morning, Scarlett finds a woman’s body on the beach near the store. When the police learn that not only was the woman in the store the night before but also that she left Scarlett a vast inheritance, the bookseller becomes a prime suspect. Scarlett has no idea why she is receiving this enormous sum of money, and suddenly everybody wants to meet the “murderous bookseller.” Yew has the goods to craft a compelling story full of everything cozy fans expect, including the red herrings, sketchy suspects, and motivation to have Scarlett investigate the case herself to prove her innocence. Under the name Holly Yew, the author launched another mystery series, The Rose Shore Mysteries, featuring an art curator. Under any name, Yew has a bright future in the cozy world.
You could call it a meta-mystery. Or you could just call it a whole lot of fun. Gerald Ford is president, the Concorde is dominating the news, while Neil Sedaka is on the turntable. Detective Adam McAnnis accompanies a college chum to the West Heart Club, sort of an Adirondack hunting club set in the northern New York wilderness, crawling with tipsy uber-WASPS. This place is so old and insular the residents speak their own sort of slangy English. What brings a New York City detective to this rarefied compound? Hard to say, but it’s clear he’s got a motive. Comparisons to the Blades Out series are inevitable, but McDorman’s novel is a whole lot more sophisticated and a good deal more humorous. Reading this book is a bit like driving behind a school bus and a garbage truck; the narrative leaps ahead, only to pause while we’re treated to an essay on the rules of the mystery, or the nature of locked-room stories. Then we move ahead a bit, only to stop and be regaled by the disappearance of Agatha Christie, Auden on the Whodunit, and any number of references to mystery’s grand tradition. Confused at where we are? Fear not. There are narrators ready to jump into the fray and remind us we are in a detective story, and what to believe—and what not. It’s a thrill to come across a book that is at once so playful and so erudite.
Faith Harrington’s mother is dying. It’s no surprise to Faith, who can see others’ deaths when she looks in their eyes, though she can only guess at the timing of the demise. This ability revealed itself when Faith was a child and she saw her brother’s drowning ahead of time, an event that left the members of her family’s circus thinking that the girl, like her grandmother who had even more such powers, was cursed. Since then, Faith’s been pushed to the periphery of her family’s traveling and performances. But when she enters the big tent and accidentally sees a performer collapse, and reassures his daughter that she’s seen his death and it’s when he looks much older, it’s the beginning of chaos and danger surrounding the strange talent. The question of whether fate can be changed will linger with readers after this thoughtful, atmospheric book that features a startling twist at the end. Remember Erin Morgenstern’s The Night Circus? This is for fans of that who are ready for something darker, as well as readers who like to learn about intriguing subcultures.
Neighbors, amirite? Audrey has some of the worst: Bob, who won’t stop dropping in unannounced, and, worse again, Sarah, a new mom who expects Audrey to babysit regularly for free. Adding to her stress is that the neighbors are going through a spate of frightening break-ins, with odd things of only sentimental value targeted by the thief. What only Audrey and readers know is that a different kind of crime might be going on, as Audrey, who is blind, uses her considerable hacking skills, and her hacker comrades, to spy on Sarah. Her activities become suspect when she finds Sarah murdered in her home and is hauled in for questioning as the last known person to visit the murdered woman. This is Narayanan’s debut thriller, and her background in short-story writing serves her well, as the scenes here are structured as neat packages that leave readers wanting more. The author herself is not blind, but used a consultant reader who is, and the protagonist’s disability is thankfully more a fact of her life than a plot device. Readers who enjoy tension and twists are the audience for this Alice LaPlante readalike.
A wonderfully paced mystery, in a fascinating setting, told through the lives of three generations of women. Lana Rubicon is one of the leading real-estate developers in Los Angeles. But these days she’s spending less time running to power meetings in her Chanel suits and Jimmy Choos and more time asleep on her daughter Beth’s sofa, 300 miles up the coast. Recovering from cancer, the super Type-A Lana is bored beyond belief, with her days spent observing life in the slough—that’s a wetland, or marsh—that surrounds them. But when Jack, her teenage granddaughter, finds a body in the slough, where she gives kayak tours part-time, and the cops start looking at Jack like suspect number one, Lana grabs her wig and gets in on the action. The action, it turns out, is quite complicated, involving the recently deceased patient of Beth, a land dispute that involves one of the most prominent families in the area, rich ranchers, and some conservationists who can’t be completely trusted. To find the truth, and to get out alive, all three women need to do the unthinkable: work together. This reader would love to see more from this fab trio.
A near-perfect novel of utopia-gone-wrong. Liz and her three female friends take a vacation together every year, typically somewhere with plenty of sun and a good bartender. But this year it’s Liz’s turn to pick, and needing a radical reset, she decides they’ll go mountain climbing in the gorgeous wilds of Norway. Gorgeous, but deadly. And—as the locals point out, not a climb for the inexperienced—which is all of them. Here’s a bit of what could go wrong: creepy, predatory males spying on them; killer storms; mud slides; loss of all provisions; no cell phone reception; and interference from a drug cartel. In addition, each woman manages to screw things up in her own way, like losing the trail or spraining an ankle, regularly setting them at one another’s throats. The novel builds slowly, we get plenty of insight into each woman’s personal life and the baggage she hopes to leave on the mountain, while the suspense blossoms beautifully. Richly atmospheric, well-plotted, with plenty of insight into female friendship, this should appeal to fans of Lisa Unger and Claire Douglas.
Two couples—Lucy and Adam, Cora and Scott—are the best of friends. It helps that, with the exception of Lucy, they were flatmates as far back as university. They’re in and out of one another’s houses, share care for the children, and have even purchased a beach house together, spending the weekends collectively renovating it. So when Lucy is at a work party and a colleague shares photos of her honeymoon in the Maldives, she’s shocked to see Scott in one of the photos, clearly with another woman. What is going on? Adam tells her to drop it—who knows what she really saw in the photo?—but Lucy is like a dog with a bone. Her investigation of Scott’s life opens up layers of deceit, causing Adam, and then Scott, to launch an aggressive campaign to gaslight her. Eventually Lucy realizes that she isn’t crazy but that everyone in her life knows far more about Scott, and the mystery woman in the photograph, than she does. For readers who love domestic suspense that doesn’t shy away from well-developed characters; large, complex plots; and plenty of dialogue. For fans of Lisa Unger and Rachel Hawkins.