One of the best—and most shocking—narratives of revenge I’ve ever encountered, and one that even saves room for a bit of humor. Cyra’s younger sister Mira has been murdered, apparently by a serial killer. It’s been over a month, and Cyra has grown increasingly frustrated at the tepid response from the New York Police Department: “Let us do our jobs.” Since Mira died, nearly everything—Cyra’s job, her relationship with her ex-girlfriend, the small group of friends she and Mira share, her apartment in Queens—is rapidly unraveling. Big sister Cyra has always taken care of Mira, and if she couldn’t stop Mira from being murdered, at least she can find her murderer. With some help from a friend, Cyra learns about a self-help group for serial killers—kind of funny, kind of not—and successfully infiltrates the group, creating a persona as a murderer. She claims to work in a nursing home, preying on the elderly, and manages to convince the guys (yes, it’s an all boy’s club) to let her join their group. Her goal? To learn if any of the members murdered Mira, or at least knows who did. But creating an identity as a serial killer has its own unanticipated consequences, and the more involved Cyra becomes in the support group, the more she finds her old self slipping away. Schaefer’s story is dark and twisted, unique, and totally engrossing. Readers who enjoy this book may also appreciate Oyinkan Braithwaite’s My Sister, the Serial Killer and Peter Swanson’s A Talent for Murder.
Review
Though she works at her parent’s bridal shop, Rosie hasn’t floated down the aisle in a white dress herself. Not that she doesn’t own one: she’s recovering from the heartbreak of getting as far as buying her dream creation, only to be rejected. It’s been a tough time emotionally and physically since Brad became the latest man to find Rosie “just too much.” She’s even had a heart transplant, and joins DonorConnect, a service that allows her to write anonymously to Morgan, the husband of Daphne, the woman whose accidental death saved Rosie’s life. Their discussions quickly—alarmingly so—become deep and revealing, and confirming her “too much” reputation, we soon see Rosie bumping into famous-author Morgan oh-so-accidentally in a cafe. At the same time, readers are getting hints that Morgan might not be as wonderful as Rosie at first thought. Combine a possibly unreliable narrator with a wow twist and side characters with shady motivations and you’ve got Collins’s compelling latest. One for Gillian Flynn’s many fans.
Camping with her crunchy-granola parents, nit-picky sisters, and assorted also-exhausting family members is Remi Finch’s idea of torture. But it’s her parent’s 40th wedding anniversary and they plan to renew their vows, so fine. She can put up with these people for a few days, especially when she sees that a handsome park ranger is part of the package. Also part of it, though, is Guy, the loathsome son of family friends, who when he was younger held Remi underwater so long she thought she’d drown. Grandma’s reaction, “even when I could still taste chlorine in the back of my throat,” was that horrible Guy obviously had a crush on her. So she’s not expecting much assistance when she finds herself in danger on the trip, a prediction that comes both true and not, as her family steps up but sometimes doesn’t know when to stop. Readers will find the Finches both a lovable and a very real family, with affection and exasperation battling for top spot in Remi’s feelings for them. The story dips into cozy territory, with the law-enforcement love interest, the off-screen killing, and the slapstick family antics, enriching a puzzling whodunit in the process. A great choice for cozy fans who enjoy a wilderness element.
Arsonists attacking a homeless encampment sparks an investigation into the highest levels of city government in L’Etoile’s follow-up to Face of Greed. Detective Emily Hunter and her partner, Javier Medina, are called to the scene of one of the fires, and they quickly learn why when the dead body of the former mayor of Sacramento is found in the wreckage. A little girl whose mother got caught in the fire and hospitalized appears to be a witness. Emily feels protective of the little girl, and when she discovers that other homeless camps have been torched and the former mayor was dead before the fire even started, she realizes that the child might have a target on her back. L’Etoile juggles excellent, highly realistic characters with a terrific crime story that feels like the best of Michael Connelly. Readers will anxiously turn the pages while they are confronted with complex issues in the real world, such as how to compassionately help people experiencing homelessness and the trauma of trying to assist elderly parents who have Alzheimer’s. It’s unnecessary to read Face of Greed first to enjoy this novel, and to be honest, River of Lies is even better. With all the award nominations Face of Greed received, expect even more for this one.
A wonderfully compelling crime thriller that takes the reader deep into Pakistan in pursuit of a newly discovered mummy, known as the Persian Princess, and based on a real-life scandal that rocked the antiquities world back in 2000. Dr. Gul Delani, archaeologist and expert in ancient art, is woken in the middle of the night and hustled off to a remote part of the country to inspect a recently discovered mummy that came to light as part of a drug bust. Initially, the mummy appears to be authentic, although some of the iconography is unusual, and Gul is eager to bring the discovery back to Karachi and begin to analyze it. But quickly the mummy is claimed by different forces within the country and attracts corruption like bees to honey. The Museum Detective pulls into the broader narrative the story of Gul’s niece, a teenage girl committed to feminism who disappeared several years ago; Gul’s brother, a financial investor who succumbs to corruption; other scholars who have their own agendas; and the wonderful Mrs. Fernandes, who cares for Gul along with scores of children and teens who live on the street. All these characters and subplots come together brilliantly, creating an outcome that is nothing less than shocking. In Gul, Maha Khan Phillips has created an amateur sleuth whom readers will be all too happy to meet again and again.
As a single, 47-year-old librarian in Minnesota, Hana Babic leads a quiet life. Until one day when a police detective stops by the library to inform her that her best, and really only friend, Amina, has been murdered. Hana and Amina share a history that extends back to the Bosnian War, when Hana witnessed the rape and murder of her entire family by Serbian soldiers, murders Hana swore to avenge. Joining Bosnian militia fighters, Hana transformed herself into a fierce warrior who became known as the deadly Night Mora—a legend among Serbian troops. But with a price on her head, she eventually poses too much of a risk to her fellow soldiers, and is sent to the Bosnian community in St. Paul to reinvent herself. Amina’s murder decades later does more than just reawaken Hana’s horrible memories. It convinces her that she is being hunted, and to survive, she must reawaken the Night Mora, drawing Amina’s murderer into a trap. Written in chapters that alternate between Bosnia in the 1990s and present day Minnesota, the book eventually merges into one astonishingly powerful narrative that is nothing less than genius. Like Eskens brilliant The Life We Bury, this would make an excellent choice for a book discussion, especially since many participants will know nothing about the Bosnian War. Eskens includes scenes of sexual violence and other war crimes.
In this marvelous locked-room puzzle, we’re treated to a masterclass in solving mysteries from the grand dames of the form: first-person narrator Dorothy Sayers (Lord Peter Wimsey mysteries) and fellow Queens Agatha Christie (Hercule Poirot et al), Baroness Emma Orczy (the Scarlet Pimpernel), Ngaio Marsh (Inspector Allen), and Margery Allingham (Albert Campion). As a way to be better accepted into the Detection Club, the members of which have expressed “a certain hesitancy…around having ‘an abundance of women’ in the ranks,” the women undertake the investigation of a real crime, the disappearance of a young English nurse while on a trip to France. Dorothy’s journalist husband has been assigned the story and his work gives her a reason to go to the crime scene, the other women secretly in tow–and they’re off. Meticulously following the nurse’s activities before she disappeared, as well as her life before, leads readers into a delicious look at writing conventions of the day as well as how women skirted the low expectations that sought to hold them back. Fans of the writers in question as well as of childhood favorites such as Enid Blyton’s Famous Five will enjoy the old-timey air of innocent sleuthing, while the women’s growing determination to do right by the young victim adds a satisfying air of kindness and steadfast morality. A delight from beginning to end.
“Let me tell you about the very rich,” wrote F. Scott Fitzgerald. “They are different from you and me.” And Kathy Hays’s Saltwater does a spectacular job of illustrating not just how they are different, but why. Back in 1992, Sarah Lingate—a Lingate by marriage, not blood—took a tumble down the cliffs behind the family’s villa in Capri during their annual vacation. She left behind Helen, her three-year-old daughter; Richard, her madly controlling husband; and other relatives and hangers-on. Was Sarah pushed or did she jump? Pushed is what most of the island thought, but with their vast resources, the old-money Lingates were able to insure that her death was ruled an accident. Thirty years later the Lingates, like so many swallows, are making their annual pilgrimage, as though to prove to the world that they are beyond public opinion. But as one disturbing incident after another occurs—who sent them the necklace Sarah wore to her death?—cracks and fissures begin to show. Written from three points-of-view: that of Helen, who desperately wants to escape from the family; Sarah, speaking right before her death; and Lorna, a personnel assistant who has disappeared, this novel creates a world and then takes it apart, in the most shocking of ways. For readers who enjoy contemplative crime dramas.
The Jansen family is newly arrived in LA from Melbourne, Australia. Janus, the father of the family, is sure the screenplay of his successful novel will be their fortune. Things take a very sinister turn when daughter Liv wakes with a hangover and bruises, and her parents seem furious with her. Her bedroom is padlocked shut—it’s the law, Janus and wife Kay say, because there’s a mold issue. Son Casper suspects that there’s something much worse afoot; his parents won’t talk to each other and barely seem aware of him, and that locked room is suspicious. Liv herself can’t remember anything but starts to catch on that there’s a problem when her friend who was out with her on the mysterious night in question won’t return texts. What happened? That’s carefully revealed in a tense psychological thriller that masterfully examines love and fear from every angle. The fully fleshed out teenage characters make this a solid YA crossunder. Get it on your TBR list!
Irish step dance can kill in the first of what is hopefully many books in this series. Single mom to two young girls and the daughter of a police chief, Kate Buckley receives an urgent text from her sister, Colleen. She packs up and drives to Shamrock, Massachusetts to learn what is wrong. Upon their arrival, Colleen tells her it’s no big deal, but Kate knows otherwise. Stumbling upon the body of Colleen’s best friend, Deirdre, unveils family secrets and hidden motives from people Kate thought she knew. This cozy is perfect as Mathews creates a visual world of great characters and setting, ex-loves, pets, and Irish step dance. She also adds a dose of domestic suspense, but it doesn’t have too much of a psychological bent, keeping the book in cozy territory. With more surprises than usual, this is a step above much of this genre. Readers will be eager for book two; let’s hope it won’t take too long.