On this second visit to The Old Juniper Bookshop in Enigma, Georgia, on a Sunday morning in April, shop owner Madeline and friend Gloria, an Episcopal priest, act on the notion to prep the bleak front lawn of the shop for planting roses. Unfortunately, they uncover the body of the town’s most difficult and wealthy citizen instead. Circumstances make Gloria the prime suspect and, of course, Madeline must save her friend. There is the influence of money, old family disputes, and a wonderful wealth of small-town gossip that also fuels the situation, a not-actually-haunted haunted opera house, not-for-sale rare books that actually are, and a very erudite gardener/poet. Maddie and her cohort work against the wisdom that says to leave things alone and of course solve the crime. In the end there is justice, and a bit of romance. Perhaps even the rosebushes will get planted. Will we make it back to Enigma, maybe in the Fall? I wouldn’t be surprised.
Review
This second novel in the “Sounds Like a Plan” series provides the same high-energy, pedal-to-the-metal narrative as the first book, while keeping the romance between our two detectives very much alive and humor very much in evidence. Jackson Jones and Mackenzie “Mac” Cunningham have barely set up their PI practice—most of their office is still in boxes—when they are summoned by three of Los Angeles’s leading gangsters. Seems like these mobsters have an urgent matter on their hands, and even though they are big-time rivals, they have come together to command Jackson and Mac to take up the case. Specifically, they want them to locate a missing person who is likely close to death. What has the gangsters so worried? The fact that this missing person has been gathering dirt on the three of them for decades, and it will all become public information once he dies. As much as Jackson and Mac would like to say a big No! to this career opportunity, they aren’t given that choice. With the clock ticking, these two detectives—who can’t even agree on how to decorate their office—reluctantly head out into LA’s ritziest neighborhoods with the LAPD right behind them. Fierce and fiery dialogue between the detectives helps to make this a winning series that offers crime fiction readers and adventurous romance readers much to enjoy.
I possess real expertise in only a few areas. Just two, in fact. One is crime fiction, and the other is public libraries and what makes them work. So naturally I was pretty elated to come across The Librarians, and I’m happy to report that Sherry Thomas portrays libraries and librarians as accurately as I have ever come across in a book. Set in a modest branch library in the suburbs of Austin, Texas, the novel dwells on four quirky staff members, each of whom has found both a sense of purpose and a home in the library, as well as strong friendships. But after the library’s new game night, two library users are found dead. And remarkably, these deaths trigger stories from each of the librarians, with each one finding their lives turned upside down. Thomas is a much-lauded author of historical romance, and this book shares in the eloquent writing she is known for. Perfect for a book-group discussion.
As in her earlier novels (The Lindbergh Nanny, The Wharton Plot), Fredericks brings history to life through the eyes of a lesser mortal who is thrust into the world of the rich—and in this case, the notorious—and as in her previous works, succeeds brilliantly. Morris Markey is a New York Daily News journalist in the roaring twenties when he sees Joseph Elwell, a neighbor on the swanky side of their Manhattan street, escorted home by the mysterious woman of the book’s title, her dress resembling confetti made from money. He thinks little of it—the rich will be the rich, after all—until the next morning, when Elwell is found dead. Markey seeks help from a couple who know everyone and can get in anywhere: Scott and Zelda Fitzgerald, whose glamorous yet sad life is examined in emotional detail by Fredericks. Scott gets less limelight here than Zelda, whose desperation to be fascinating takes center stage and will engross readers. Authenticity shines from the page as the author provides tidbits from period journalism and other sources and recreates the forced frippery of the Fitzgeralds’ sometimes-mean bon mots. A real world is carefully created around the question of who the girl in the green dress is, whether she killed Elwell, and how far into the Fitzgeralds’ glitzy world a working man dares go. For a great pairing, try this alongside Avery Cunningham’s The Mayor of Maxwell Street.
Characters of all sorts and types, many unpleasant at best, fill the pages of this, the 22nd Inspector Lynley novel. There is a complicated scheme to buy the land or mineral rights in an area of Cornwall to mine lithium. The sleazy agent of the mining company finds the murdered body of Michael Lobb, tin craftsman and major holdout to the plan, and thus begins the search…for the weapon, for the motive, for the truth of the matter that forms the rest of the skillfully built puzzle that makes up the book. Bea Hannaford is in charge of the case (old friend Lynley doesn’t show up until much later) and focuses on Kayla, the the very much younger wife of Michael; his ex-wife; and his grown children as suspects. The story is eerily filled in by Michael himself in chapters interspersed with those on on the investigation. Even though all the alleys, many blind, are followed, it is the tiny pieces and astonishing happenstance that bring everything to a factual, reasonable end, with Lindley of course providing wisdom. After all this time, it’s gratifying to see how the author can take this tangled skein of a story and piece it out to a smooth conclusion.
Los Angeles Detective Eve Ronin uses an unorthodox method to stop a robbery while off duty, putting her in the boss’s crosshairs in Goldberg’s (Dream Town, Calico, Malibu Burning, Ashes Never Lie) latest. Eve is torn between her celebrity status from having a TV show based on her “life” and the higher-ups who want her to leave. Even a suspension is temporary when videos of Eve stopping the robbery go viral and a dead body is discovered in a metal drum. Her life and the case escalate when one of the suspects has a vendetta against her. Add corruption inside her own department and a helicopter crash that hits literally too close to home, and she barely has time to breathe. Eve must balance her pursuit of justice and be on her best behavior since one false move could mean the end of her career, even if she’s the most famous detective in Los Angeles. Readers will love Goldberg’s dive into Eve’s world and the quirky aspects of Los Angeles life as well as the continuing story (Goldberg even throws in an extensive cameo featuring featuring his other series characters). Whether Fallen Star is your first time reading Eve or your sixth doesn’t matter. In either case, Goldberg has done it again with a compelling and complex mystery.
Have you ever noticed that vampires (not to mention werewolves, elves, and others) always get the short end of the stick? Take Arthur and his husband, Salvatore (Sal), for example. Two vampires in love, they have recently opened a bed & breakfast in rural Oregon. Life is sweet, but while vampires are sometimes accepted, there are plenty of not-so-paranormal-friendly attitudes to go around, and much of their time is devoted to educating their new neighbors (garlic is O.K., they don’t bite—really!—and they go out in the sun, but use plenty of sunblock not because of a reaction, but to stay young looking). So when the mayor is found dead in their garden, with two puncture rooms in his neck, Arthur and Sal end up accused of the mayor’s murder, to the point where Sal is jailed. How will the two of them—along with a few friends—manage to find the real murderer, exonerating themselves? A pleasure to read from beginning to end, with plenty of humor, Dead & Breakfast should find an audience from young adults through retirees.
This old-fashioned gothic thriller (appropriate since our lead character has a PhD specializing in that genre) is set in WWII-era academia in New York’s Hudson Valley. Estella, or E as she prefers to be called, has been summoned home by Annie, the family retainer, because E’s mother has gone missing. In the time it takes E to pack up her life in Boston and return, her father has a stroke, can no longer communicate, and dies within days. Despite her Yale degree, the fusty local college where her father held sway employs E as a research assistant, typing for the male faculty members. The tiny salary requires E and Annie to live in penury in E’s parents’ elaborate house, all the while searching for clues to her mother’s whereabouts. Dragging the river finds a body of a missing student from years before, and persistence eventually finds a clue that leads to finding E’s mother. A suicide, unexpected allies, false and true friends, and bitter revelations about the past and present all lead to the dramatic “act of God” ending that such a story requires. Great fun!
Berry delivers a novel unlike anything he’s ever done before. Rather than exploring history, this one takes pieces of John Grisham’s The Firm and mixes them with the business aspects of a Joseph Finder novel and storytelling elements from David Baldacci. Brent Walker left his hometown and the woman he loved ten years ago, and now he’s come back to help his sick mom. He takes a job at the small-town paper mill in a legal role beneath his level of expertise to oversee their negotiations with the local union. The company’s management is not trustworthy, and more than doctoring the financials, they have created a list, and the purpose of the names on it is beyond reprehensible. Brent and his lifelong friend and co-worker, Hank, are given a series of what appear to be random numbers, but research reveals to them the horrendous nature of what the numbers mean. They are not random at all, but to say anything more would spoil the fun. Someone given the pages without knowing the author’s identity would never identify Berry as this book’s writer, and his going outside his comfort zone to resurrect one of his early, desk-drawer novels is beneficial to him, his fans, and thriller readers alike. The List would be a perfect story to be turned into an Alfred Hitchcock film, and this should only add to Berry’s fanbase.
A powerful, sophisticated novel of suspense that follows the life—and losses—of Chloe Harlow. A denizen of New York’s latest up-and-coming trendy enclave, Williamsburg, Chloe lives a boho-ish lifestyle while working in an art gallery. Having dropped out of several endeavors—such as college—Chloe finds herself fascinated by gallery work, despite the punitive salary and relentless snobbery. Then September 11, 2001 comes along. Chloe was delivering a drawing to the North Tower right when it was hit. Miraculously, she escapes, although she’s much changed: drinking to excess, always late for work, anxious. Until the night when she parties so hard, celebrating a new artist the gallery signed on, that the next day she can’t remember a thing. Then the NYPD stops by to interrogate her. From there, Chloe’s life begins to spin out of control: her best friend is missing, their apartment is broken into, her boss is fired and disappears, the cops won’t let up, she’s pursued by several thugs. Then she comes across information that, if all the pieces fall into the right place, could totally scandalize the art world. A fast narrative, this novel is as emotionally moving as it is incredibly suspenseful, and with one of the most sensitive depictions of New York during and after 9/11 I’ve ever read. For fans of Katy Hays and Elizabeth Kaufman.