Jewelann Jordan attends her high-school reunion to nonchalantly run into her former, sort-of-boyfriend, Christian Campbell, and dump him later that night as revenge for his behavior when they were teens. Christian, who reveals that he’s now a surgeon, and who takes more than one reunion attendee back to his hotel room, doesn’t take well to rejection. A few days later, Jewelann’s controlling husband, Ken, announces that he’s renting out their carriage house, has already found a tenant, and by the way he’s here already. You can guess who it is. Thus begins a fraught game. Jewelann believes Ken’s business trips are covering an affair, but she’s scared to confront him. And what if he knows about what Jewelann and Christian used to get up to in that carriage house, activities that Christian wants to continue and is threatening to reveal? The maelstrom of emotions and abuse boils over in the most shocking way, and readers will not be ready for the whoa-that’s-way-out-there ending. Hardy is a pseudonym for author Megan Hart, whose just released Coming Up for Air also opens with reunion shenanigans.[‘
Review
A complex tale centered around law student Saraswati “Sara” Bhaduri, who’s struggling financially to put herself through law school. One of her side gigs is bartending at a dive bar, which is how she meets up with Sarah Ellis, who’s passed out in the women’s room one closing time. Oddly, they hit it off as they wait for their Ubers, which arrive at the same time. Sara jumps in and in seconds is asleep—only to wake up miles from home in the rich part of town. There’s only one explanation: they mixed up their cars. When she makes it home, it’s to find her building a crime scene and Sarah dead. Is Sara in some way responsible? Sara’s guilt may seem odd at first, but as the novel expands—and we learn more about her life—the pieces start to fall into place. It’s fun to see Sara take even greater charge of her life as she fights to learn what happened to Sarah and what might be her own fate. A fresh and powerful new voice, this is a crime writer to watch.
Hyped as sweeping bestseller lists in Europe, and for good reason, this has all the velocity and thrills of Stieg Larson’s Millennium series but none of the eyeroll-inducing misogyny. “Antonia Scott allows herself to think of suicide no more than three minutes per day,” opens the book. She believes her life to be destroyed as her husband has been in a coma for years. Jon Gutiérrez is the latest disgraced Madrid cop forced by a mysterious character, who calls himself Mentor, to try to get Antonia back on the force. Jon’s between police partners, having left “the Cristiano Ronaldo of Scrabble,” his previous partner, at his last job. He doesn’t have a boyfriend at the moment either. That’s lucky, because it takes all his wiles to deal with Antonia, a woman who’s been trained to have superhuman recall and powers of deduction. She returns to work, and her odd-couple partnership with Jon is pitted against the sinister kidnapper of one of the richest women in Spain, who has left what may be religious symbolism at crime scenes and who drags the partners into some incredibly tense situations (and has an out-of-the-blue twist in store). Word lovers will relish Antonia’s asides that spring from her hobby of collecting expressive words, such as the Inuit Ajunsuaqq, which means to bite a fish and get a mouthful of ash, and the Wagiman murr-ma, searching for an object in the water with your feet. It’s all engrossing, and best of all, this is the first in a trilogy.
Meet the confidence man (or woman), also known as the scammer, the grifter, the swindler. He’s long been a part of our national identity. Don’t believe me? Go back 175 years and take a peep at Melville’s last novel, Confidence-Man. Here, Frumkin updates our national passion—American dream, by any means!—in an epic tale of betrayal, at once gloriously hilarious and heartbreakingly sad. Ezra and Orson meet up one summer as teens at Last Chance Camp, the final stop before juvenile detention. They become lovers of sorts, with homely Ezra in love and gorgeous Orson in like. They’re equally poor, already petty criminals as well as small-time dope dealers. This is a clear case in which the whole is greater than the sum of its parts, because Ezra and Orson don’t just succeed at digging their way out of poverty. In ten years, they propel themselves into absolutely incredible wealth all through lying, scheming, and cheating. It’s a delight to watch. Eventually, they reach a sort of zenith with NuLife, a kind of wellness practice involving magnets—sort of a cross between L. Ron Hubbard’s Dianetics and Gwyneth Paltrow’s goop. This fast-paced, wonderfully unique novel holds a mirror up to American culture and asks all the right questions. It’s the answers that are so disturbing.
From Sir Francis Bacon and Eleanor Roosevelt to Walt Whitman and Queen Elizabeth, famous people often make excellent amateur detectives. This volume introduces Emily Dickinson as sleuth. Enigmatic and reclusive, an iconoclast and a feminist, Emily lived in America during a time of enormous change and unrest. One of this country’s greatest poets, Emily has fascinated generations—and Flower does a wonderful job of introducing the 25-year-old Emily, years before she withdraws from most social contact. Here we enter Emily’s world through her family’s new maid, Willa Noble, who soon strikes up a cautious friendship with the unusual Emily. When Willa’s brother Henry is killed in the town stables, Willa turns to her new friend for solace, and eventually help. She believes that Henry was murdered, and Emily is quick to join the investigation as the two are drawn out of women’s traditional spheres and into the dark underbelly of Amherst. The book is rife with references to class and race, abolition and the Underground Railroad, yet the author manages to avoid tropes such as that of the white savior. Flower is an accomplished mystery author who moves the story along at a perfect pace while immersing us in the complexities of Emily and her time. A gem for historical-mystery fans.
Fraught connections between different worlds hold together this coming-of-age tale: connections between Puerto Rican families in the United States and their homeland; between the past and the present; between the real world and one made of stories. As the book opens, its shy protagonist, Isla Larsen Sanchez, is visiting her mother’s native Puerto Rico. Back in New Jersey, “everyone [looks] so colorless, like the underbelly of a fish,” but at least there she can do her own thing. The island, however, is overflowing with color but also with cheek-pinching aunts who expect proper behavior from a young lady with “not one drop of blood…that is not European.” Over the years, as she spends every summer in Puerto Rico, Isla comes to realize that her oh-so-pure blood may have given her…well, she’s not so sure it’s a gift. She sees visions of tales the cuentistas, storytelling women in her family, have told her—but only after their deaths. When one story involves a murder, and Isla finds that she can be physically hurt by weapons in the visions, readers find themselves dropped into a combination of magical realism, terror, and mystery, all wrapped in a shroud of family secrets and dubious honor. This rich story about stories can work as a crossunder, meaning it can be enjoyed by young adults as well as adult readers; Toni Morrison fans will particularly enjoy the otherworld-tinged drama
Meredith Morris-Dale used to work with her husband, John. Now they’re divorced and moving on, their daughter grown and out on her own and John retired and pursing his passion as an artist. Meredith’s job needs John for one last gig, though. That wouldn’t be too unusual except that the task is for him to re-up in the CIA and re-establish contact with a scientist who’s sabotaging Iran’s effort to build a nuclear bomb. John was suspended from “the company” for an operation that went wrong, the traumatic details of which are slowly revealed; he also doesn’t want back in, but Cerberus, as the Iranian scientist is known to the CIA, won’t deal with anyone else. Soon John’s on a perilous journey to find Cerberus, a journey on which he’s pursued by other global bad guys who are using him to pin down details of the international spy network and move up in the superpower ranks. From the opening, this is like the best kind of action movie—fast moving, smart subplots, hair-raising escapes from death. Adding to the action is John’s decency toward the good people he meets and ruthlessness with all the rest. If you’ve ever wondered what a much scruffier James Bond would be like, this is the book for you.
They’re back! The quirky duo of sort-of psychic Leda Foley—she’s also a travel agent and sometime chanteuse—and Seattle P.D. detective Grady Merritt reunites to find two missing people. Leda is approached by a man whose sister has gone missing for a month—driving a bright-orange antique Volvo and with $30,000 in cash—and hopes that Leda can use her psychic powers to locate the woman. Has she been murdered, or has she finally given up on her adulterous husband and run off? Meanwhile, Grady’s dog has gone missing on Mount Rainier, only to pop up with a limb in his mouth. A leg, to be precise. A human leg. Unfortunately, it’s a male leg, so not from Leda’s missing person, but DNA proves that there is a relationship between the two. But where’s the rest of the body? With help from a delightful circle of friends, including Grady’s police partner and Leda’s best friend, the two develop plenty of hypotheses but nothing that will hold water. Fortunately, Leda’s psychic skills kick in, providing some much-needed clues to help resolve the mysteries. As in the first book, Grave Reservations, readers will delight in the banter between Leda and Grady while enjoying Leda’s struggle with her psychic gift. For cozy fans who can tolerate a bit of the macabre.
A brilliant look at pandemics through the eyes of Haley, a 16-year-old girl who, with her little brother, are abducted from their mother by their father and taken to a rural farm—no Internet, no cell phones—in northern Scotland. They join a handful of survivalists, Haley’s dad is clearly the ringleader, and they’re waiting for the next pandemic, which should be arriving any day; a new virus, more horrible than anything we can imagine, has just made its way to the U.K. Bleak? Indeed. But fascinating, and even comic at times. Haley writes the book as a sort of parody of her father’s survivalist manual, with her own sarcastic spin (“How to Abduct Your Own Children,” “Home Surgery for Beginners.”) Add to this rich details about life on the compound, a budding romance with the one other teen in lockdown, and continual speculation about her parents, both of whom she believes to be crazy—any reader would agree—and whose epic divorce left her having to always choose between them. At the heart of the book is the question of truth. Is the world beyond the barbed wire that surrounds the farm really erupting in chaos, with riots in the streets and bands of the infected roaming the countryside? Or is life as they knew it chugging along, little different except that Haley and her family have left it? And does Haley—or any of the survivalists—really want to know the answer? A bit of crime fiction, a lot of dystopia, and 100 percent compelling.
Avery lives outside in a tent while her family sleeps inside. Over the years, she’s learned to start her own fires; sometimes it doesn’t work and she’s freezing and hungry, but things aren’t much better for her nine siblings inside. Their parents, cult leaders preparing the family for when they’re the only ones left on Earth, emphasize toughness over all else. The children get their hopes up when the parents announce a buddy system, but it turns out that your buddy is the one who will be punished if you leave, so escape seems unthinkable. Avery finds a way out, though, accompanied by her little brother Cole, only to discover that they’re famous in the outside world as victims of years-ago child abductions. What happened the night the pair escaped and how they will navigate notoriety and society’s expectations are mysteries that will keep readers rapt. Also engrossing are the overwhelming emotions involved with both staying and going, the realization that just because the biggest problem is over doesn’t mean everything is rosy, and the ways tormented people treat one another even when survival is no longer at stake. Avery has grit and attitude to spare and will stay with readers long after the last page.