For glitz, drama, and mystery, there’s no better setting than a fancy hotel, and it doesn’t come fancier than London’s Savoy. It’s the swinging ‘60s in the late Emery’s (Death at the Savoy, Scandal at the Savoy) last book, her third starring a quiet champion of the hotel’s steely reputation, press officer Priscilla Tempest. (Emery was herself a press and public relations officer at the hotel.) The young Canadian is used to the casual sexism that is women’s lot in the era, but Europe’s classism is harder for her to take, and when two dueling cousins, Italian princes, arrive as guests, her patience is sorely tested. One of the princes fears he will be the subject of a story by “that blighter Percy Hoskins at the Evening Standard,” and stopping the muckraking story at the behest of her boss leads Priscilla into the lairs of London’s underworld gangsters and some decidedly upper-class ones, with England’s very way of life on the line. A fast-moving story whose initial frothy air is a clever mask on the serious stakes soon underway. Readers will want to go back to the first two books in the series, and after that can try Nita Prose’s hotel-set Maid series.
Review
Space exploration and the curious pursuit of knowledge might sometimes be the wrong decisions. A wormhole has been discovered in the vast end of our solar system, and after numerous probes only add to the questions, a team of astronauts heads to the region. They take turns monitoring the systems for six months while the others slumber in cryogenic sleep. The wormhole appears stable, and when a probe starts transmitting a signal over four years later from our nearest star system, the hope is to make this a way station for travel between the two galaxies. The six-year journey to the portal is tense and chaotic for the group, but the problems are merely beginning once they arrive, and what they discover will change everything they understand. For Dr. Cammie Skoura, a scientific genius who lacks an understanding of social norms, this mission must succeed, no matter the cost. Anderson has created a compelling story with a great cast of characters. The tension builds as the truth emerges, and as the team tries to cope with the ramifications of its discovery, things become more terrifying. Both thriller and SF fans will want to go on this journey.
Guest edited by S. A. Cosby, best known for Razorblade Tears, with series editor Steph Cha, author of the Juniper Song series, this weighty volume needs pride of place on every bedside table. For the insomniacs. For those who enjoy flipping between suspense and mystery genres. For those who like their crime fiction bite-sized. And for those who just love being terrified. Many of the stories rely on lying, creating falsehood, like Rebecca Turkewitz’s “Sarah Lane’s School for Girls,” in which a murder at a Vermont school provokes one lie after another. In Megan Abbott’s “Scarlet Ribbons,” a teen takes it upon herself to visit the Hoffman House one night, where a family was horribly murdered years ago. The results? Far worse than we could have dreamed. In Tananarive Due’s “Rumpus Room” a young mother in southern Florida does everything she can to keep her daughter, but the older gentleman she is meant to care for is so creepy she’s quickly packing. “These days the market for short stories is eroding like a thin strip of beach in a hurricane and I think that’s a shame,” writes Cosby in the introduction. He may be right, but until they completely disappear, we still have the Best American Mystery and Suspense series to enjoy.
Novelist Zoe Weiss is stuck. Her first novel was successful enough to land her a deal for another, which is now a year overdue, with no ideas on the horizon, let alone drafts to pass along to her increasingly irate agent. If she doesn’t come up with something, she’ll have to pay back the $250,000 advance, and working at a Los Angeles florist, that doesn’t seem possible. When she drops an arrangement at a flower delivery and her ex-fling, Zach, happens to be there to help, everything seems suddenly better. Maybe he can help her pick up the pieces of her life, too? Zach’s a famous actor now, and his glamorous life could be the makings of a novel. Soon the two are appearing in the tabloids as an item and the writer’s block is as missing as Zoe’s bikini top in that one swimming pool photo. Only one issue: Zoe signed an NDA, so writing about this is forbidden, but that’s the least of her worries when creepy happenings start—a real heart is left on the window of her car—and she thinks someone is following her. Oops, Zach has a stalker, one who’s not too happy about his new girlfriend. Zoe’s problems and her florist-by-day, glam-girl-by-night bizarro life are realistic and absorbing, and the plot equally so. Twists and a totally unexpected epilogue are the cherry on top.
Queens native son and former high-powered Manhattan attorney Ted Molloy is rebuilding his once-stellar legal career. His fancy office is now Gallagher’s Pub, where he partners with LesterYoung McKinley on foreclosure investment deals and represents his activist girlfriend, Kenzie Zielenski’s, organization in its battle to stop the construction of “the Spike,” a mega-development project threatening Corona’s immigrant communities. As the campaign against billionaire real-estate developer Ron Reisner heats up, someone attempts to sabotage Ted’s legal efforts and undermine Kenzie’s reputation. At the same time, Kenzie worries that a shady immigration lawyer is cheating Mohammed, a recent Yemeni immigrant who chauffeurs Kenzie in his cab. Dropping by the lawyer’s office one morning, she stumbles upon his body and spots a shadowy figure fleeing the scene. Could it be Mohammed’s 14-year-old stepson, Haidir? In the entertaining follow-up to his 2022 Nero Award winner Tower of Babel, Sears vividly captures the corrupt seediness of local real estate development dominated by big money and embraces the “kaleidoscope of colors, classes, and ethnicities” that marks New York’s largest borough. Fans of Dennis Lehane’s Boston-based Patrick Kenzie and Angela Gennaro series will enjoy following the gritty adventures of a flawed but appealing sleuthing couple.
An eerie, unsettling, and gothic investigation into a Vermont orphanage, inspired by the real stories from Burlington’s St. Joseph’s Orphanage. Alex Kelley is a brilliant true-crime author, although her most recent book was a failure, somewhat coinciding with her husband’s death. Desperate for work and renewal, she’s hired to ghostwrite a history of the long-closed orphanage, and Alex immediately begins to dig hard and dig deep. In no time, she’s following a lead about Tommy, a nine-year-old boy who disappeared in 1968—or was it murder? As Alex pursues Tommy, even more stories from the orphanage float to the top as the body count starts to rise. Seybolt does an excellent job of moving between past and present, having the former orphans, now seniors, tell their stories. The ending is as powerful as it is shocking. A strong work of crime fiction.
Joseph Finder combines various themes from his previous novels and creates his best book to date. Six years ago, Paul Brightman worked on Wall Street and met a Russian American woman named Tatyana, who quickly became an infatuation. After they court and fall in love, she introduces him to her father, a Russian oligarch who soon sweeps Paul into his financial world. Tatyana and Paul marry, and everything seems to be going smoothly until it all blows up. At present, Paul lives in a small town in New Hampshire under the name Grant Anderson. He spends his days working on boat repair and helping with a boat charter that takes clients fishing. One morning, as he takes the boat out with a tourist, the man turns to Grant and says, “I know who you are, Paul.” Finder perfectly blends Grant’s storyline with that of a terrified Paul trying to survive. Nothing is predictable here, and the payoff is glorious. The Oligarch’s Daughter will be remembered as a classic years from now and should be used as a textbook to teach writers how to craft a perfect thriller. Is it too early to say this is not only the best book of the year but the best book of the decade?
A classic “locked-mansion” mystery set on Michigan’s actual Mackinac Island, which in off-season has a population of a mere 500. And the only way to get on or off the island is by boat or chartered plane. Mimi—as curmudgeonly as she is humorous—is a well-established resident who’s invited to an opulent party cum auction by Jane Ireland, a super-rich neighbor (who’s dating her own son-in-law). Mimi decides to bring her granddaughter Addie, hoping to use the party as a way to mend their fractured relationship. Wouldn’t you know, a big storm blows in, effectively cutting off the partygoers from the rest of the population. Anxiety producing for sure, but when Jane is found dead—and she’s only the first victim—all hell breaks loose. Lots of the fun in this book is thanks to granddaughter Addie, a gamer who produced Murderscape, a hugely popular video game, while her fiancé claims to have done most of the work. See you in court, Mr. Wrong! Addie’s expertise helps solve many of the problems while moving the story along. Also, like a cloud hanging over the evening, is the blackmail threat that Jane sent to Mimi and that Mimi hasn’t shared with anyone. Does Jane’s murder invalidate the blackmail? Closed circles are hugely popular these days, but this title puts an unusual and playful spin on the proceedings.
Byrne’s latest starts with a bang and never lets up for a second. Dez Limerick has unique skills and training as a former special ops operative. His talent as a gatekeeper ensures the client has access to get in and out of a sticky situation. Now retired, he’s thrilled to get an offer to play for one of his idols in a concert. He arrives at the venue only to learn that the entire mall complex has been taken over by terrorists. Working behind the scenes to save everyone, Dez, along with a thief named Cat, starts to realize there is more going on than it initially appears. Do these men have ties to a higher-up in the Russian government? This fun take on Die Hard could easily be the entire story, but it’s merely the beginning. Someone with a personal vendetta is hunting Dez, and they won’t rest until he’s in the ground. Byrne has created an unconventional hero with unorthodox methods and a darn fun attitude. The series gets better and better with each installment, and readers will be eager to see what’s in store for Dez next.
Get ready to face big questions in Faber’s novel, one that uses a southern college’s philosophy department as a magnifying glass on relationships between haves and have nots; having power and not, that is. Decidedly a have not in this equation is Neil Weber, a professor whose chances at tenure are fading, a situation he’s desperate to change but too depressed to take real action over. Instead, he becomes enmeshed—his friends and the police say obsessed—with the disappearance of student Lucia Vanotti. This young woman, whose narration alternates with Neil’s, is technically a have not, the daughter of Italian immigrants who own a local restaurant. But a chance encounter has Neil placing her on a pedestal and desperate to find her. As he digs deeper into the student’s life and related goings on in the town, and before-disappearance Lucia brings us further into her trauma-ridden life, readers will ask, can love ever be enough? Who is a savior acting for? Humming in the background of the drama is the perplexing question of what happened to Lucia, the answer to which brings delicious twists. An absorbing debut.