Former Cambridge students Helen and Daniel are a few months from the birth of their first child, after numerous pregnancy losses. Helen is understandably nervous, and it doesn’t help when her husband misses their first prenatal class. All she needs is brash, foul-mouthed mother-to-be Rachel sitting next to her and drawing attention. When the woman pours them both a large glass of wine and then drinks both glasses, Helen is horrified but too polite to say anything. Soon pushy, manipulative Rachel insinuates herself into every aspect of the expectant couple’s life, and Helen’s efforts to distance her new “friend” are about as useful as Lamaze breathing. Alongside that accelerating mayhem, to which Faulkner effectively adds urgency by showing the pregnancy weeks ticking by, is the story of Helen and Daniel’s friend Katie, who is a journalist reporting on a rape trial, and a look back at the group’s college days, when they faced a life-altering decision that still haunts. Faulkner gets right into the head of a troubled woman, also excelling at portrayals of more than one imbalanced friendship. This debut features some gasp-inducing twists, and is only slightly less astonishing all the way through. And that last line!
Review
The latest by the enormously successful author of The Girl on the Train and Into the Water portrays destruction continuing after long-ago catastrophes. On one side we see successful (and smarmy) London author Theo and his family reeling after an accident that leaves Theo longing for someone to blame. Nearby geographically, but worlds away in life choices, lives Laura, the victim of a hit-and-run that has left her physically and mentally unstable, and who was, shall we say, known to a young man who has been found stabbed to death. As in The Girl on the Train and the many unreliable-narrator novels it inspired, readers will be left wondering until the very end whom to trust and what exactly happened on one fateful day. Hawkins is a top-notch storyteller, and her vividly drawn characters will evoke strong emotions in readers. Enjoyable too are the author’s frequent wry nods towards today’s trends in fiction and the difficulty in following up on a blockbuster novel. As well as Hawkins’ many fans, this is one for Kate Atkinson’s readers and all who enjoy a disparate cast of characters slowly revealing their connections.
At a time when Hollywood stars are bribing the way for their offspring to attend prestigious colleges, the over-the-top antics of teachers, parents, and students at the elite Belmont Academy are nearly credible. While told from multiple points of view, the novel centers around the deeply disturbed Teddy Crutcher, Belmont’s reigning teacher of the year, and Zach, the only reliable narrator, whose straight-A record is in jeopardy thanks to Crutcher. Harkening back to mysteries of the Golden Age, the Belmont community’s weapon of choice is poison—successful, providing it reaches the right recipient. There’s lots to appreciate in this absolutely delicious book, and Zach’s painful conversations with his arrogant, self-obsessed, and Ivy-focused parents are a tour de force. Teen readers suffering through the admissions process will also enjoy this novel. By the author of the much appreciated My Lovely Wife.
Broke NYU student Trevor eats ramen noodles while his dorm neighbor Claudia, famously the daughter of a music producer, is more about the expensive Japanese restaurant down the street. But they’re thrown together when Claudia is assaulted. Claudia’s body tells her that the hours missing from her memory of the drunken night before included violent sex; physical hints aren’t necessary when her abuser posts a video of her rape. Dahl presents Claudia’s ordeal as both horrifyingly mundane—the campus health center has a well-worn rape protocol, and she’s forced to go through the bleak motions—and engagingly suspenseful. The young woman’s family seeks to save her and find the truth, while another rich kid’s family is battling to hide it. Since the details of the rape are unclear to Claudia, and the video is only briefly described, Dahl mainly focuses on the aftermath of the attack, sparing readers a detailed rape scene. What they get instead is a close look at the physical and mental torture of absorbing an attack; the ways in which kindness can be a salve yet a crushing contrast with hurt; and, most of all, a lesson that redemption is owed to every victim.
Here’s a conundrum. Series readers love returning to the familiar: the nosy next-door neighbor, the long-term fiancé, the super intelligent dachshund, and, above all else, our detective. At the same time, readers expect the newest book to shake things up, presenting our hero with changes and challenges. Authors looking to pull this off would do well to consult Jane Austen’s Lost Letters—the 14th book in the Josie Prescott series—a textbook on how to balance the old and the new. Josie, an extremely successful antiques dealer, meets an elegant older woman who presents her with a box, then disappears. The box, from Josie’s father, dead these twenty years, contains two of Jane Austen’s letters. The missives set off a series of events that pulls us into the worlds of academia, rare manuscripts, television production, historical-autograph authentication, and Josie’s relationship with her dad. At a point, the book shifts, and Josie is no longer just investigating, she’s fighting for her life. A traditional mystery with a soupçon of the thriller, this book will appeal to a large swath of mystery readers. And despite the many previous volumes, it works beautifully as a stand-alone
At first it seems some well-worn police procedural tropes will dominate the latest novel by bestselling Schaffhausen (Ellery Hathaway series). Our protagonist, a detective, is determined to find the serial killer that eluded her cop father, while wondering if she’ll ever find love in this relationship-destroying career. But some twists make the author’s turbulent latest different. The detective in question, Annalisa Vega, dated the son of one of the victims as a teen; the connection to her first heartbreak drives Vega to uncover the truth—and sometimes to go too far. Adding intrigue is that one of the killer’s last victims, Grace Harper, is an avid, insightful member of an amateur cold-case investigation club, the Grave Diggers, which at the time of Harper’s death was focusing on her killer. “Grace Notes,” journal entries on her investigative findings, will give readers the feeling of turning the case around in their hands as the narrative shifts back and forth in time and between Harper and Vega’s differing knowledge and motivations. Schaffhausen’s writing brings readers right into shadowy Chicago streets and family secrets from page one. This first in a new series is a must for readers of innovative police procedurals as well as fans of true crime shows.
Molly Gray struggles to decipher social cues. Her speech is formal and old-fashioned. She’s obsessed with cleaning—a real advantage in her job as a maid in a grand old hotel. Gran, who always helped her navigate the world, recently died, leaving 25-year-old Molly an orphan. Readers may be quick to diagnose Molly as being on the autism spectrum, but Prose wisely avoids such language, forcing us to make sense of Molly on her own terms. Then comes the day when the maid goes to clean the room of the wealthy and loathsome Charles Black, only to find him dead, likely the victim of murder. Molly’s world is turned upside down as she finds herself the lead suspect. Suddenly, she has to do the unthinkable: reach out to others for help in saving herself. The Maid is a lovely, uplifting exploration of friendship and the power of difference. As Gran would say, “We are the same in different ways.”
Since Claudia Vera’s mom died, it’s just Claudia and her four-year-old son, Henry. She struggles to pay for the cheapest daycare in her Illinois town and is overjoyed when the exclusive Hawthorne School gives Henry a full scholarship, asking the awestruck mom only to volunteer at Hawthorne in return. Things soon turn decidedly odd. Claudia never sees any other parents, and the principal is increasingly insistent on Hawthorne’s unorthodox ways and on Claudia spending hours at the school doing unnecessary tasks. Oddness soon turns to a frightening effort to control—as the publisher’s discussion questions note, this book can be read as an allegory on narcissistic abuse—and Claudia finds herself in the most confusing and terrifying situation of her life. Scary, gothic schools are often found in mysteries, but this one differs in only featuring psychological horror (author Perry is a psychologist), no ghostly terrors. It also differs in presenting a Latinx mom and the use of Spanish (which you don’t need to understand to read the book) to both propel the narrative and help the protagonist. Perry excels in getting inside the head of an unsure mom and has written one of the most unusual and best mysteries of 2021. Fans of psychological mysteries and of the movie Get Out are the audience for this.
A midsize Catskill resort in the 1950s provides a rich setting for Delany’s latest series. Elizabeth Grady manages the resort, while her mother, Olivia—a retired theater and film star who inherited the venue—loafs about, deigning to occasionally show up at cocktail hour to dazzle the guests. Keeping the Haggerman’s Resort profitable is serious work, and Grady doesn’t think things can get any busier, when the body of one of the guests—loner Harold Westenham, a former college professor—is found floating in the lake. If that doesn’t cause enough of a ruckus, the police find a copy of The Communist Manifesto in Westenham’s cabin, bringing in the FBI and fueling a red scare among the guests. Faced with a hostile police force, Grady ends up taking on the investigation herself. While the detective work is low-key, and the resolution falls pretty much in Elizabeth’s lap, the real pleasures of this book lie in its setting, period, and characters, all of which are wonderfully realized. Cozy readers will be happy to return to Haggerman’s Catskill Resort any time.
Subtle and nuanced, this novel is the prolific Cleeves at the top of her game. Detective Matthew Venn is called to a sort of artist commune, where a body has been found in one of the studios with a large shard of glass protruding from its neck. The victim, Dr. Nigel Yeo, is the loving father of Eve, a glassmaker who lives and works in the commune. This sets in motion an investigation that gains urgency as the days pass and the bodies begin to stack up. Cleeves takes on some tough issues here—including suicide—and it’s one of her darker books. But as always with this author, the murder narrative is delightfully punctuated with insights into the lives of Venn—still recovering from his evangelical upraising—his husband Jonathan, fellow detectives, and even several of the suspects. Cleeves is the author of the hugely popular Vera and Shetland series, the latter now finished. Broadchurch viewers should appreciate Cleeves’ wide-angle lens and focus on community.