Do you love books that take you to new places, especially if it’s unlikely you will ever visit them in person? Me too. And Downes’s thriller does exactly that, bringing us to the dramatic coastal highways of Western Australia and setting us down among the “vanlifers,” who are exploring the coast while living out of their souped-up vehicles. But this isn’t a Fodor’s Travel Guide. We’re following Katy Sweeney, who’s hit the road in hopes of finding her sister, Phoebe, a sort of solo travel influencer, who disappeared a year ago. The case has grown cold and the cops have all but given up when Katy meets Beth, another young woman who has her own reasons for disappearing into the anonymous van world, a world often hostile to women. The two pair up—Beth is pretty destitute—and use Phoebe’s social-media posts to retrace her steps along the coast. Documenting a true road trip from hell, this fast-moving suspense novel eventually arrives at a resolution that is both terrifying and shocking, turning everything we have come to believe inside out and upside down.
Thrillers
This legal thriller’s title is reminiscent of The Lincoln Lawyer, and Rotstein’s ace storytelling will also bring vintage Grisham to mind. The lead character, Elvis Henderson, even lives out of a vehicle—the camper van that he parks outside the run-down motel where his coworker, Margaret Booth, stays while they defend the case that has Alabama rapt. Destiny Grace Harper is accused of murdering her twin babies, but not by any action she took. She didn’t save them because her strict Christian church doesn’t believe in medical treatment. When her babies were discovered to have a lethal condition in utero, one that could be reversed with a simple surgery, Destiny Grace ran away rather than succumb to the court-ordered procedure. Now Elvis is up against pro-life locals, his client’s refusal to cooperate in her own defense, and a judge that’s just as stubborn. Both his wily arguments and the prosecutors vigorous rebuttals are spellbinding enough, but the story also digs into the rot that’s sometimes behind nice-family facades and small-town politeness. With James Patterson a former co-author of Rotstein’s (in The Family Lawyer), this has a ready-made audience, but newcomers to Rotstein will soon want more too.
Following his acclaimed debut, Better the Blood, Michael Bennett’s compelling sophomore outing in his crime series starring Māori detective Hana Westerman proves the New Zealand screenwriter and author is no one-hit wonder as a mystery writer. In the wake of the traumatic events recounted in the first book, Hana has resigned from the Auckland CIB (Criminal Investigation Branch) and returned to her hometown of Tātā Bay, where she helps her father, Eru, prepare local Māori teens to get their driver’s licenses. But the calm Hana is trying to rebuild is shattered when her 18-year-old daughter, Addison, discovers the skeleton of a young woman in the sand dunes. Investigators suspect the bones may be those of Kiri Thomas, a Māori teenager who disappeared four years earlier. Although Hana is no longer in the police force, she begins to probe the possibility that Kiri’s death may be connected to the 21-year-old unsolved murder of Paige Meadows, whose body was found in the same dunes. Likewise, Addison becomes obsessed with Kiri’s fate, threatening her friendship with her non-binary flatmate and musical partner, Plus 1. In a nod to Alice Sebold’s The Lovely Bones, the storyline is interspersed with the dead Kiri’s haunting first-person narrative. Bennett, who is Māori, immerses readers deeper into Māori culture and traditions as he expands on Hana’s loving relationship with her father and tense interactions with her chilly second cousin, Eyes. An atmospheric thriller that will have readers booking flights to New Zealand. Bennett is adapting Better the Blood into a six-part TV series for Taika Waititi’s production company.
When nasty boss Edward Cafferty hires his spoiled, beautiful daughter, Ariel, to work at Chime, the video-doorbell business he runs with his much calmer brother, the rest of the staff keeps back. That maniac’s daughter? No thank you. But one colleague, Drew, isn’t afraid, and before you can say digital privacy invasion, the two are falling hard for each other. Fast forward five years and Drew is long gone, having abandoned Ariel and the job, ending the affair through email. Ariel later found his obituary and it seemed that was that. She’s now raising the child he never knew he had and struggling…well, not financially, given that Chime is a household name, but to keep up with the ubermoms at school and to give her sweet son the happiest upbringing possible. Then the bombshell: a text from Drew asking her to meet, a message that leads to an upending of everything she thought she knew about the man and a dangerous journey to find out the truth and save her family. The marriage of surveillance technology and the legal system is closely examined here to thought provoking results, as are the effects of technology on our personal lives. Ariel is a character who readers will root hard for, and they’ll follow her narrow escapes until late into the night on a just-one-more-page quest to see her to safety. A satisfying rollercoaster.
Deeply disturbing pals up with darkly comic to create one heck of a morbid ride. Thirty-something Hannah is a little lost. Her work in a non-profit in Minneapolis is as meaningless as her occasional hook-ups with self-centered guys who only want one thing. The light of her life? True crime, specifically the unfolding story of a murderer in Atlanta who has killed four women and is quickly identified as William, a good-looking lawyer. From combing the true-crime forums by night and the news articles by day, Hannah’s interest in William blossoms until she takes the next step: she writes to him. Thus begins a correspondence that works its way from hatred to love, as all the while her life crumbles around her. By the time the trial is announced, Hannah has nothing to stop her from driving to Georgia, spending weeks observing the proceedings, and hanging out with the other true-crime weirdos (too judgy? I don’t think so). But as in all good crime books, nothing is as it seems, and the truth sends Hannah—and the reader—spinning in a completely surprising direction.
A delightful satire—fun, fast, and furious—of the high-flying tech industry. Every year adtech start-up Aurora brings together its top executives for a weekend retreat (think PowerPoint presentations and Jet Skis), this year, it’s in Miami Beach. It’s quite a cast of characters: for starters, the CEO models himself on Churchill. In the hands of other novelists, the cast could become a messy menagerie. But each character here is so well-defined, beginning with the company’s latest hire, Caitlin Levy, Head of Events (curious since Aurora has never sponsored an event). But just when the second day has started and everyone is beginning to sober up, there’s the announcement that the company has been sold, and suddenly everyone is if not very, very rich, then quite rich. It would be time to celebrate, except that one of the high-level executives has disappeared. And the entire retreat is under surveillance by the tech media, who can sniff a good story. Like Rosenblum’s first novel, Bad Summer People, this novel delights in exploring what lies under the surface. The adtech folks would call that a deep dive.
Richard Boyle teaches 11th-grade English, and during class one morning, he looks out his window and sees a former student walking toward the entrance with a bomb strapped to his chest. He takes matters into his own hands and ends up confronting the bomber, who wants to see three specific individuals so he can complete his mission. Richard ends up saving everyone, but the bomber trips and blows himself up. Now a hero, Richard learns that his actions have made some people angry, including the bomber’s parents and a blackmailer with dirt on Richard, though he has no idea what that might be. In his case, good deeds are punished. To reveal any more of the story would spoil some neat surprises. Barclay immediately turns up the intense narrative and creates a page-turner that could quickly turn toward uncomfortable territory due to its subject matter, but since he is a master, he avoids that realm completely. Instead, we have a psychological and paranoid thriller that fires on all cylinders.
A trip to lover’s lane ruins lives in Finlay’s latest thriller. Ryan Richardson was with his girlfriend, Ali, when they were attacked. He receives a blow to the head and is thrown out of the car while Ali screams and vanishes along with the vehicle. Five years later, Ryan has changed his name to escape the constant pressure of suspicion in Ali’s death. Abroad, attending law school, he learns that the car has been found in a lake, and inside were two dead men and an envelope with the words, “If something happens to me” written on it. Inside are a series of numbers. Is it a code to reveal the truth about that night? Ryan seeks closure, but trying to get the answers he seeks ends could put him in the crosshairs of a killer. The twists are nonstop, and the story falls into surprising territory. Finlay’s name on the cover guarantees a great read, and this one will end up on many best-of-the-year lists.
Lapena’s psychological thrillers never disappoint. In her latest, set in Fairhill, Vermont, a farmer investigating vultures over his field finds the dead body of a young woman. This kind of thing never happens in Fairhill, and when the horrified local police realize that the victim is a local teen, Diana Brewer, the town reels in shock and grief. “Trying to make sense of something that will never, ever make sense” are Diana’s bereft single mother, who worries others by telling them she still communicates with her daughter, and the young woman’s best friends, Riley and Kelly, who are determined to find the killer. But even in a small town, it’s not easy to figure out who could have done this awful thing, and readers will enjoy sleuthing along with the characters as suspects emerge, each with something dark to hide. Supernatural elements enter in several ways here, adding to the edginess and puzzlement. If you like Chris Bohjalian, this one’s for you, not just because of the Vermont setting but also the small-town drama.
In many ways, Kingston and Jasmyne Williams are living their dream life. Their little boy, Kamau, is thriving. They have another baby on the way. And Kingston, or King, is making oodles of money in finance. But King is eager for a next step: moving them to Liberty, a controversial suburban Los Angeles community of very, very rich Black people that comes with all the trappings. A sumptuous spa—sorry, wellness center. Lavish homes with three living rooms each (one for everyday, one for company, and a den, of course). And an excellent school for Kamau where every teacher is Black and they won’t have to worry about him fitting in. From the moment she reluctantly agrees to this transformation of their lives, Jasmyn is nervous about abandoning her community and her belief in giving other Black people a hand up. And she’s right: Liberty turns out to be one sinister place, in ways readers will never guess and that will keep them on edge right up to the last gasp of surprise. Yoon’s first adult novel has some of the hallmarks of her YA background: a character who feels like it’s her against the world, a shifting sense of who can be trusted, and a feeling of not fitting in. This will be a great crossunder read for young adults as well as a hit with fans of Zakiya Dalila Harris’s The Other Black Girl.