An unnamed village in Cork, Ireland, is a social-media-fueled soap opera in Bose’s suspenseful debut. Ciara lives for her own camera, with her rich husband and three perfectly-dressed-at-all-times children supporting actors in an Instagram fiction. The mostly fawning comments from the neighbors include some from her Indian neighbor, Mishti, who left love in India for an arranged marriage to cold, miserly Parth. Her only joy is her daughter, Maya. Decidedly not fawning is neighbor Lauren, who inherited her home in the wealthy enclave that Ciara rules. Lauren doesn’t fit in and doesn’t care to. She carries a child in a sling almost constantly, while Ciara’s Instagram-approved parenting involves virtually no contact. Lauren’s house is dirty, her clothes are too, and her husband is the furthest man from Parth imaginable. The women’s sniping relationships with each other and their families build to a boiling point, one whose violent outcome is revealed near the beginning of the story in a scene that lingers mysteriously in the background as the drama festers. Mishti’s struggles are a highlight here, sad though they are, with Bose’s writing of a desperate character sadly reminiscent of Parini Shroff’s The Bandit Queen.
Psychological
It’s Tuesday afternoon in suburban Stanhope, and all is as it should be. Family man Dr. William Wooler is at a local motel with one of the hospital volunteers. Except it turns out that today she’s decided to dump him. Furious, he heads home, only to discover his nine-year-old daughter, Avery, in the kitchen, having skipped out on choir practice. As “difficult” as she is mouthy, she’s sucking down Oreos and doing a good job of pressing her father’s buttons. But when Wooler strikes her with a blow to the head that knocks her to the floor, it’s still a shock, to both of them and the reader. Dad-of-the-year hightails it out of there—he goes for a drive to cool off—and when the Woolers’ son gets home from basketball practice, he finds the house empty. Where’s Avery? Thus begins this intense domestic suspense novel in which an entire community is taken apart and turned inside out. Families are interviewed, oftentimes iteratively, histories are resurrected, houses are searched, motives are examined, and what the cops don’t expose, the media does. All the pieces come together brilliantly in a shocking finale.
The Parker family started off as regular Texans, but now financier Jeff just can’t fail and they are Rolling. In. Money. His wife, Heather, seems unaware of how he makes such a fortune, but who cares? Home is now a California mansion where they have a few shelves of books in an otherwise empty library; the rest of the house is almost empty as well, but with Heather determined to spend their fortune as fast as possible, the minimalist look won’t last.
Daughter Piper, 18, misses her old friends and hates her mom’s relentless efforts to live through her children, primarily by making them into champion horse riders. Piper has rejected that life and Heather’s focus is now on younger daughter Maple, who’s terrified of the huge horses she’s forced to ride and a terrible equestrian, but desperately trying to improve. Her tortured lessons quickly become a cash cow for Kieran Flynn, the cult-leader-like boss of the $10,000 per month (PER MONTH!) stables near the Parker’s behemoth home.
What starts as dysfunction becomes much more serious when a body is found at the stables. Stories of Mable’s horse-obsessed, mean-girl acquaintances and their horse-obsessed, mean-girl moms alternate with interviews by the steely Detective Perez, who wants none of these characters’ nonsense. Get ready to enter another world and a perplexing puzzle: we don’t even know who’s dead till near the end of the book, let alone who the killer is. A great summer read
It’s the early months of the pandemic, and Kelly Doyle—who has recently moved to Philadelphia to live with her fiancé—finds herself with few friends and no job. But when her spouse-to-be calls off their wedding, Kelly hits a new level of despair. Her one bright spot is her childhood friend Sabrina; the two recently renewed their friendship thanks to the socials.
Sabrina has it all: a career as a best-selling romance author, a Virginia mansion right out of Elle Decor, and a handsome albeit hyper-masculine husband. So when Sabrina invites Kelly to move in with them—yes, it’s a little weird—Kelly is desperate enough to say yes. Before you can say “throuple” (why wasn’t that the Oxford English Dictionary’s word of the year?) the three are in bed together—this ain’t no cozy—and quickly establish a threesome. Until Kelly comes across the naked photos of another woman, who could well be her doppelganger, and learns that she is a former lover of the couple who has mysteriously vanished. Will Kelly be next?
A sexy read in which no one is right, no one is wrong, and everyone is lying. By the author of We Were Never Here, this is the ultimate summer read.
“With most first times, you don’t really know it’s the beginning of something,” explains Indian surgeon Dr. Kaiser Shah in a letter to his estranged daughter as he prepares for her to visit. And so it is with the practice that engulfed and destroyed Dr. K’s professional life in an unnamed oil-rich country. The task in question—you must remember, he says, it wasn’t his whole job!—is never mentioned directly, and certainly not described, with the doctor convincing himself ever harder that his secrecy is motivated by benevolence toward his lessors. The punishment for stealing is hand amputation, and before he began “helping out Corrections from time to time,” the procedure was much worse. The story of his involvement in this horror, and how it slowly eats his family life, friendships, and any sense of an inner life, is absorbing; adding a striking air is the doctor’s struggle toward self-acceptance in his letters to his daughter. Extremes underlie the violence here: Dr. K’s quiet sycophancy toward his superiors compared to his friend/rival’s gluttony; his love for his daughter compared to her disgust at his work; his initial bootlicking acceptance of the amputation work compared to his feelings about it after a shocking pivot. Those who enjoy an introspective read are the audience for this one, and they will want to go back to Waheed’s award-winning debut, The Collaborator, for more from this author.
I had a moment of “yuuuuup” when I read that Baker’s debut adult novel, Whisper Network, was chosen as a Reese’s Book Club Pick, because more than one of the characters here strongly telegraphs “unhinged woman played by Reese Witherspoon.” The women are uber-mothers at the martyrdom competition that is a private preschool. Everyone’s life is perfect, thank you, no sacrifice is too great, and the mom committee has everything very much under tight control. There is one problem. The four-year-olds like to bite. Not little bites, either. Their parents and siblings are the victims of vicious, prolonged attacks that draw copious blood that the biters seem to enjoy swallowing. Then their teacher is found dead outside the classroom, with a pool of blood surrounding her that has little footprints in it. Everyone knows that their child didn’t do it, but Ms. Ollie is dead, and the investigation is on. This book is at times as funny as it is strange, with Baker hilariously skewering modern parenthood and its obsessions, while also giving us behind-the-plastic-smiles looks at parents’ inner thoughts. (I think we can all agree that “just a month or two break from giving a shit” isn’t much to ask for). Did you like Big Little Lies? This one’s for you.
Heading to Paris for a much-needed vacation after a bad break-up, Nicola Harris meets Englishman James Shuttleworth on the flight and the two fall madly in love. They vacation in the south of France and move to his flat in London, while Nicola practically forgets about her life back in Buffalo. And why not, when they probably have ten feet of snow to shovel? All is going swimmingly until James suggests they spend the weekend at a house party, complete with shooting pheasants and lots of Barbour, where Nicola will finally have a chance to meet his friends. The book is set in 1980, so we don’t yet have the term social anxiety, but that’s exactly what Nicola is experiencing. And rightfully so. This lot of private-schooled, Cambridge-educated, alcoholic aristocrats, with their insider language and weird nicknames, is terrifying. Nicola gives it the old college try—she does love James—but just when she thinks she’s broken through, Juliet arrives. James’ ex-fiancée. Beautiful and seductive. And a genius at undermining Nicola, especially when no one else is around. But what Juliet’s after may be far greater than just destroying Nicola, and we slowly come to realize that everyone is in danger from Juliet. A slow simmer that’s full of great characterization, this should appeal to fans of Lucy Foley and Ruth Ware.
A particular type of horror needs nothing supernatural: It’s when a mundane task suddenly requires every ounce of will and wits to survive. Police officer Elise Sutton is shopping for towels—her kids have been hinting that the threadbare affairs they’ve been using are not the world’s only towels, but who has the time?—when her training kicks into gear: there’s a shooter in the store. The scene that unfolds is a highlight of the book, though far from the only tense moment, and a meticulous portrait of human nature under pressure. Elise gets the gunman in her sight as he takes aim at a tall man who then escapes; the gunman is killed by Elise and the clothing racks come alive with shoppers who were hiding, terrified. Elise must now deal with her own trauma, having killed a man, and with the doubt that plagues her: did she need to kill him? Just as readers settle in for a tale about survivor’s guilt and PTSD, the story takes a turn: the tall man shows up, way too grateful for being saved, and by the time Elise realizes that he’s acting oddly, he’s become her obsessed stalker. Alternating with this inward-focused tale of one woman’s turmoil and peril is the saga of a burned body that’s found in the Connecticut woods, in an oven used by hunters. Finding out how these stories are related, and whether Elise’s marriage and career can survive the terror she faces, makes the pages turn quickly. Ideal for those who enjoyed Ian McEwan’s Enduring Love, another tale of obsession.
Vivvy Bouchet—the last name is one her mother made up as fitting for a psychic—is an astrophysicist who’s working to prove that a glimpse of far, far off light she once detected is artificial light from extraterrestrial life. There’s serious grant money in the balance, but she’s pulled further and further from her day job by her side gig as a psychic working with an old friend (it’s complicated), Mike, who’s a cop. Mike and his gruff, hostile coworker want Vivvy’s take on the case of Lizzie, a missing girl. Lizzie’s mother is in jail for the girl’s murder, but swears she’s innocent, and Vivvy gets a vision that there’s more to the situation than the police know. Discovering Lizzie’s fate and who’s responsible begins to take over Vivvy’s life, not only because she’s determined to find the girl but also because an Alex Jones-type radio and podcast host starts making her life a misery. Getting his fans away from her home and getting back to her research, if her colleagues can ever take her seriously again, are the goals. But Vivvy’s relationship with Mike isn’t the only complication, making this a maelstrom of worldly and otherworldly detective work, satisfying twists, and relationship drama. A fast-moving thriller with an unusual protagonist.
Christian fiction readers and those who enjoy a chilling, tense thriller will relish the trip to Night Hollow, a desolate part of rural Kentucky that locals call “the holler.” Set deep in Appalachian hills, the holler is darker than its surroundings, in both meager daylight and social conditions. It’s particularly bad for women, but the holler keeps all its residents in its sad grip, while outsiders leave the poverty and crime to continue providing it stays contained. That ends when the FBI shows up to investigate the murder of several local women who’ve been found beaten and with their eyes removed and eyelids sewn shut (a process that happens “offstage,” thankfully). Two very different protagonists lead the story: FBI psychologist Violet Rainwater, who’s a product of her mother’s lengthy abduction and rape years ago and struggles to face the current crime’s echoes of that past, and John Orlando, a detective whose FBI-agent wife’s killing may have a link to the Blind Eye Killer, as the media has dubbed the area’s monster. Patch offers spiritual insights via believer John’s kind advice and support of atheist Violet, with the religious theme taking a back seat to the characters’ personalities and the layered mysteries that swirl in the holler. The scary ending, which also has a great twist, will leave readers ready for more from Patch.