Women in 1920s New York had to know their place. Even “girls” who worked, like Schellman’s heroine in this series debut, seamstress Vivian Kelly. Since they made so little, women could only get treats like a restaurant meal if a man bought it, yet taking gifts from a man was frowned upon. While Vivian is firmly stuck in this life by day, at night she shrugs off the stiff expectations of Florence, the older sister she lives with, and the meddlesome, haughty neighbor who predicts Vivian will “end up like your poor whore of a mother.” At the Nightingale, the speakeasy where Vivian dances with abandon and pursues her interest in both men and women, she feels more herself than anywhere else. Her idyll is marred, though, when she finds a corpse in the alley behind the club and later is arrested for being in an illegal bar; the Nightingale’s owner bails Vivian out and asks her to repay the debt by finding out more about the dead man. Schellman (Lily Adler Mysteries series) makes full use of underground life during prohibition, the romantic appeal of a speakeasy, and the love and camaraderie of poor families and friends to create a murder mystery with a rich historical and social backdrop. Vivian’s impetuousness and determination make her both lovable and compelling, and a possible lead on finding her mother’s family will bring readers back for the next series installment.
Women Sleuths
There’s something comforting about a mystery that opens with the still-warm body of the victim. So when cheesemonger Willa Bauer discovers Sonoma food critic Guy Lippinger slumped over in his car, a knife from Curds & Whey—her new cheese shop—sticking out of his neck, we know we can relax and enjoy the ride. Guy passed by the store earlier in the evening to review it, and the review was clearly going to be a pan, which leaves Willa pretty much the number-one suspect. Willa is new to town, and in her efforts to clear her name and find the killer she gets to know both her colleagues at Curds & Whey and the other food entrepreneurs in town. Moss develops a great sense of community for Willa, filled with some stand-out characters and the potential for at least one love interest. While plenty of cozies have a food or drink focus—from coffee bars to bakeries—Moss does an excellent job of integrating cheese into the story, subtly teaching the reader while pairing cheese with plot developments. This all adds up to a series that readers will be eager to revisit.
Part historical fiction, part mystery, this sweeping novel picks up the reader and transports them on a whirlwind trip from Sydney to London to Paris, where the long and compelling search finally comes to an end. It’s 1947, and the Second World War has been over for two years, although its impact remains enormous. Detective Billie Walker is hired by a well-to-do woman to find her husband, who’s been missing in Europe these past two years, and before you can say Qantas, Billie is up in the air, accompanied by Sam, her handsome assistant. Funny thing is, Billie also has a husband lost in Europe—a wartime photographer—providing the story with a double plot. But the greatest pleasure in this book comes from all the rich history and social commentary: the experiences of the Australian Aboriginal peoples with the police, the legal persecution of Australia’s gay men, Dior’s new look, London as it climbs out of from the Blitz, Paris as it tries to recoup, and so much more. The author has done her research, and it shows—in the best possible way. Moss does slam on the brakes, and the book rattles to a quick close, but that’s O.K. We’re happy where we’ve landed, and would follow Billie Walker anywhere.
After Andie Stern’s debut in Suburban Dicks—in which she solved a shocking murder in her New Jersey town—you’d think the former FBI employee would be ready for a little R&R. Or at least as much relaxation as a mother of five can get. But when the husband of Molly, a member of her mom’s group—which Andie secretly calls The Cellulitists—unexpectedly dies, Andie strongly suspects Molly is to blame. The hard part, but also the fun part, is proving it. Helped out by disgraced journalist Kenny Lee, a buddy from Suburban Dicks and the only man in the book who isn’t a complete, well, dick, along with new friend Sathwika, Andie follows the many leads, which eventually bring her and Kenny far too close to home. Nicieza, the co-creator of Deadpool, is a wonderful satirist, and the friction brought about his women characters’ multiple lives as mothers, wives, professionals, and even criminals is pure pleasure and more than just a little bit realistic. Towards the end there’s the hint that Andie and Sathwika may set up their own detective agency. Pray God this is so.
We need a V. I. (Vic) Warshawski novel every year or two to remind us of how good crime fiction can be. This title—Paretsky’s 22nd in the series—is one of her very best: taut yet complex, fast-paced yet thoughtful. The novel begins as Vic’s dogs, off the leash and exploring Lake Michigan, discover an injured teenage girl tucked between two boulders, barely alive. Through Vic’s efforts she makes it to the hospital, only to disappear soon afterwards. The search for the girl brings us into a classic Paretsky world of Chicago mobsters and lowlifes, some extending back to Vic’s childhood. Just when you think there are too many characters, too much plot, the story falls beautifully into place. Few crime novels seem more of the moment than Overboard, with its depiction of police brutality and of a city chaotically emerging from the pandemic. Longtime fans will enjoy catching up with Vic’s friends, especially her neighbor, the delightful Mr. Contreras. Powerful.
Coffeehouses are a staple of cozy mysteries, but this follow up to Fresh Brewed Murder takes place around a coffee-cart business. It belongs to Sage Caplin, barista extraordinaire, who’s booked to sling her lovingly created coffees at Portland, Oregon’s Campathon Music Festival. The weekend has to be a success as she dreads telling her financial backers that opening a second cart was a bad decision. Business goes fine, but behind the scenes things get tense as Sage finds the dead body of an unpopular manager of some of the bands that are appearing at Campathon. Sage herself is suspected as she found another body in the previous book—can one person really be that unlucky? Both to clear her name and because she’s determined to find the truth, Sage unobtrusively goes about getting information from the many parties that may have been involved, all the while giving readers delicious coffee details with a side of tentative romance—her new boyfriend is a father, and his little son may be moving in. The possible killers and motives are well juggled and Duncan’s (AKA young adult author Kelly Garrett) writing is fresh and realistic. Readers will look forward to more with Sage and her coffee cart friends and family.
The latest in this beloved series sees the cozy life of amateur investigator Maisie Dobbs disrupted by violence and racism. Violence is first visited on women in World War II Britain’s ATA, the Air Transport Authority, whose “Attagirls” flew radio-less and weaponless planes to bases where they were needed. An Attagirl, local to Maisie’s countryside retreat, finds a Black American soldier, Matthias Crittenden, tied up in a barn. He’s beaten up and can’t remember much, and is accused of having faked his imprisonment after killing his white army buddy. Maisie’s American husband works at the American embassy and helps her contact the imprisoned Crittenden while uncovering the truth. More details of racism within 1940s U.S. forces are revealed here than in most war novels, with Winspear informing readers that Franklin Roosevelt asked Winston Churchill to enact segregation in Britain before the American soldiers arrived. While Roosevelt’s request was turned down, Winspear shows that segregation was still enforced, at least officially, among the troops even while overseas. Local racism doesn’t get a pass either, with Maisie’s interracial daughter enduring meanness from children and even one adult, whose comeuppance is a highlight of the book. The outside world encroaches on Masie more than in previous books; the growth this engenders in the character will endear her further to many fans, who, in any case, need no persuading to pick this up.
Vanessa Riley is known for her several series—both historical fiction and regency romances—often featuring diverse casts; her deep research into 18th-century communities of color; and her strong storytelling skills. Roll it all up, add a criminal element, and you have a delightful murder mystery—a first, for Riley— that entertains but also educates. Young Lady Abigail Worthing, of African and Scottish descent, is one strong leading lady, and when her next door neighbor is murdered while Abigail is on her way to an pro-abolitionist meeting, Abigail decides she had better take on the search for the killer—before being accused of the murder herself. Because Abigail, with her skin tone and family history, is all too easy to blame. Abigail’s complex world, a mix of family, Caribbean immigrants, and the ton, is exactly the world readers today are eager to discover—and to return to. Calling all regency enthusiasts, historical mystery fans, and Bridgerton devotees—this one’s for you.
When you hear that a mystery features Queen Elizabeth II as the detective, you probably think it is going to be a frothy, frivolous affair. Indeed, S.J. Bennett’s follow-up to The Windsor Knot is at times droll, humorous, and laugh-aloud funny. But it also takes on some tough topics, including racism and sexual harassment among the Household staff, while the Brexit referendum and the rowdy U.S. elections simmer in the background. Here we have two mysteries, the disappearance of one of the Queen’s favorite paintings and the shocking death of an older member of the Household, found near the Buckingham Palace swimming pool. As in the first book, it’s the Queen’s young assistant private secretary, Rozie Oshodi, who digs deep into the criminal activities, while the Queen ultimately fits all the pieces together—allowing three male members of the Household to believe they have everything under control. From the naughty corgis to the delightful appearances by Prince Philip, and from the tacit feminism to the interior musings of the Queen, this book is an absolute delight.
This standalone novel, a break from McTiernan’s Cormac Reilly series, is proof of the extraordinary depth and breadth she possesses as a writer. Hannah, a third year law student at the University of Maine, manages to bulldoze her way into spending a semester at the University of Virginia School of Law’s Innocence Project, a true-to-life initiative that seeks exoneration for wrongfully convicted people in Virginia. She leaves behind her mother—a fragile alcoholic—as she attempts to thwart one of the Project’s high profile cases: the release of Michael Dandridge, who’s serving life imprisonment for rape and murder. Why does Hannah care? The secret lies in her mother’s 1994 diary, passages of which are interspersed throughout the present-day narrative. Hannah’s efforts to sabotage the case—and the shocking facts she unearths in the process—are the stuff of a classic thriller. But the emotional connections forged throughout the book give it added meaning. For a writer who has seemingly never lived in the United States, the locations, diction, and class signifiers are flawless. This novel can appeal to a wide range of readers, from suspense seekers to fans of legal thrillers to those who just want, as the British say, a cracking great read.