From Sir Francis Bacon and Eleanor Roosevelt to Walt Whitman and Queen Elizabeth, famous people often make excellent amateur detectives. This volume introduces Emily Dickinson as sleuth. Enigmatic and reclusive, an iconoclast and a feminist, Emily lived in America during a time of enormous change and unrest. One of this country’s greatest poets, Emily has fascinated generations—and Flower does a wonderful job of introducing the 25-year-old Emily, years before she withdraws from most social contact. Here we enter Emily’s world through her family’s new maid, Willa Noble, who soon strikes up a cautious friendship with the unusual Emily. When Willa’s brother Henry is killed in the town stables, Willa turns to her new friend for solace, and eventually help. She believes that Henry was murdered, and Emily is quick to join the investigation as the two are drawn out of women’s traditional spheres and into the dark underbelly of Amherst. The book is rife with references to class and race, abolition and the Underground Railroad, yet the author manages to avoid tropes such as that of the white savior. Flower is an accomplished mystery author who moves the story along at a perfect pace while immersing us in the complexities of Emily and her time. A gem for historical-mystery fans.
Women Sleuths
They’re back! The quirky duo of sort-of psychic Leda Foley—she’s also a travel agent and sometime chanteuse—and Seattle P.D. detective Grady Merritt reunites to find two missing people. Leda is approached by a man whose sister has gone missing for a month—driving a bright-orange antique Volvo and with $30,000 in cash—and hopes that Leda can use her psychic powers to locate the woman. Has she been murdered, or has she finally given up on her adulterous husband and run off? Meanwhile, Grady’s dog has gone missing on Mount Rainier, only to pop up with a limb in his mouth. A leg, to be precise. A human leg. Unfortunately, it’s a male leg, so not from Leda’s missing person, but DNA proves that there is a relationship between the two. But where’s the rest of the body? With help from a delightful circle of friends, including Grady’s police partner and Leda’s best friend, the two develop plenty of hypotheses but nothing that will hold water. Fortunately, Leda’s psychic skills kick in, providing some much-needed clues to help resolve the mysteries. As in the first book, Grave Reservations, readers will delight in the banter between Leda and Grady while enjoying Leda’s struggle with her psychic gift. For cozy fans who can tolerate a bit of the macabre.
Morgan Carter is one unusual woman. A trained cryptozoologist—someone who searches for animals that haven’t been proven to actually exist, like Bigfoot and the Loch Ness Monster—she also owns the Odds and Ends bookstore in Door County, Wisconsin. Don’t expect to find any Jane Austen at Odds and Ends, but it has plenty of esoteric books about the natural world, jars filled with formaldehyde and weird specimens, not to mention mummified human remains. So when a few human corpses wash ashore on Lake Michigan with mysterious bite marks, who are you going to call? Morgan Carter! Thirty-something Morgan—accompanied by her lovely rescue dog, Newt—is at her happiest when seeking out cryptids. But Morgan has her own share of problems. Her parents, also cryptozoologists, were murdered just two years ago, and Carter feels a nagging responsibility for their deaths. Those deaths also left her hugely rich, which has created its own issues, especially in dating. This is full of local color, with a delightful cast, and has a completely unique premise; I can’t wait to introduce Morgan to readers, especially those seeking the unusual, the surprising, the off-beat.
What a wild ride this book is. The third in Olguin’s series set in Buenos Aires, it features the tough-hitting, brazen, flawed, but brilliant journalist Verónica Rosenthal, who loves her whiskey, her lapdog, her ex-boyfriend, and great sex, preferably with strangers. As the novel opens, there is a horrific car crash followed by an explosion, leaving one survivor, Darío, who becomes convinced that his wife and child didn’t die in the conflagration but survived and ran away. Is it possible? Later, a truck is pulled over in Buenos Aires, thought to contain drugs. But the cache is far more gruesome: a load of human body parts. Verónica pursues the missing wife and child, ultimately publishing a feature about a right-wing Catholic organization, the Christian Home Movement, which took young children from poor or single mothers and placed them in well-off Catholic families. At the same time, and unknown to Verónica, her ex-boyfriend is after the body smugglers, and eventually the two storylines converge, as do the lovers. But don’t for one minute think this is some linear thriller. This book ricochets from family drama to Argentinian history to the picaresque (Verónica in nun’s garb, infiltrating a convent) to the deeply emotional. While this can be read as a stand-alone, this series builds on itself wonderfully.
How’s this for a setting: a 205 unit high-rise building in rural Alaska that houses the entire town’s population as well as stores, offices, and more. Welcome to Point Mettier, a pretty creepy village to begin with that only gets worse when body parts—a foot, a hand—wash up on the frozen shore. The local cops seem ready to shrug off the remains—lots of tourists fall off those cruise ships!—when they’re joined by Anchorage detective Cara Kennedy, who takes the matter a whole lot more seriously. What was meant to be a quick visit becomes a much longer excursion as the first brutal storm of the season moves in, closing off the tunnel, the one way in and out of town during winter. With time to spare, Cara digs deeper into the community, only to discover that almost everyone in Point Mettier has a secret to hide. A simmering romance with one of the other officers provides Cara with much needed distraction, but soon enough a violent gang, hanging out in a nearby Native village, takes center stage. This is a successful, well-paced first novel that juggles a range of cultures, a handful of strong characters, and a nuanced protagonist, delivering a very satisfying ending. And get this: Point Mettier pretty much actually exists. Check out Whittier, Alaska.
Inaya Rahman is stuck between two worlds. She’s a detective with the Community Response Unit of the Denver police department, which was created after 2020’s protests against police brutality. When she’s called to a horrific scene —a little girl, Razan Elkader, has been murdered and nailed to the door of the mosque where Rahman worships—she knows she can help, but she’s facing her usual problem: “too brown for the badge, too blue for her co-religionists.” She forges on, in private dealing with her family’s worries that the police force is too dangerous and her mother’s fretting that Inaya isn’t married yet. Outside forces are far less gentle: a biker gang affiliated with a local Evangelical church is far from happy that Syrian refugees have settled in the town and none too worried about bringing Razan’s murderer to light. Khan’s (Esa Khattak and Rachel Getty Mysteries, Khoran Archives Fantasy Novels) fast-moving but thoughtful series debut goes far beyond newcomers-vs.-racists tropes to look at real life in a changing town. Rahman is a tough, lovable and often funny protagonist who will appeal to fans of Joanna Schaffhausen’s Annalisa Vega.
Hopes and fears are nested within secrets and lies in this historical romance/spy novel that moves from English drawing rooms to the 1936 Berlin Olympics. The same fraught layers form the novel, which sees pensive Viviane Alden travel to Germany with her flighty stepsister, Julia, to visit eligible distant acquaintances. The author’s note from Canadian author Cornwall (The Woman at the Front) explains that right up till 1939, intermarriage of English and German aristocracy was encouraged as a way to avoid a repeat of the Great War. The young women are matched with Otto and Felix, sons of the house, who, like Viviane and Julia, show how different siblings can be. Otto is a devoted Nazi who’s rising in the ranks, while his brother, a chemist who flaunts his family’s expectations by working with a Jewish Nobel prize winner, wants none of his brother’s fascist displays. Berlin during Hitler’s reign, and the fawning of international celebrities who thought the dictator a buffoon who’d soon disappear, are chillingly portrayed here. They form an ever more sinister backdrop to Viviane’s clandestine photography of wartime activities in partnership with a dashing journalist/spy. This has an air of Ian McEwan’s Atonement, with its sweeping vistas and wartime romance; fans of the debutante politics of Bridgerton will find intrigue here too.
A dozen terrifically talented and diverse authors—including Alyssa Cole, Lucy Foley, Val McDermid, and Dreda Say Mitchell—reimagine that most iconic of amateur sleuths: Miss Jane Marple. Billed by the publisher as a way to introduce a new generation to Miss Marple—likely best done by Christie’s books, actually—this collection reads more like fanfiction and is sure to delight Marple enthusiasts, who comprise a great swath of mystery fiction’s readership. Miss Marple is no stranger to the short story, having been first introduced to readers in a 1927 magazine. But here we see her in some extraordinary circumstances, while never losing sight of who she really is. A formal dinner at one of the Oxford colleges descends into sexual harassment and Quaalude popping—to tragic ends. A brief stop-over to visit an old school friend in a country village results in the sort of complex murder we expect only Miss Marple to decipher. When a young woman keels over dead at a wedding, Miss Marple teams up with her Caribbean-born friend, Miss Bella. But not all the stories involve murder; stolen pearls ruin a Christmas dinner, until Miss Marple slowly drops the pieces into place, to the surprise of the other guests. Fun to read in print, this collection would make a great audiobook.
Is it a gothic romance? Yes, indeed. Is it a mystery? That, too. In fact, A Dreadful Splendor uses nearly all the tropes of the gothic, adding a bit of humor to the mix. Genevieve Timmons, all of 19 years old, is a spiritualist, a conjurer, adept at calling forth the dead to assuage the grief of the living—and lining her own pocket. Trained by her mother, who is recently deceased, Genevieve has hit a bad patch and is in jail until she’s approached by a gentleman who wants her to summon the dead bride of his boss, Mr. Pemberton. Except when Genevieve arrives at Somerset Park, Mr. Pemberton’s estate, she discovers that the widower believes his bride was murdered, and he wants Genevieve to stage a session so powerful it will reveal the killer. (As for Mr. Pemberton, he’s one part Mr. Darcy, one part Heathcliff, and one part Maxim de Winter. Brooding and beautiful.) With days to go before the séance, there’s plenty of time for Genevieve to rattle around the estate, research the past, and become terrified of a ghost who may well be the real thing. Lots of fun for readers who enjoy historical mysteries with a double serving of atmosphere.
Best known for her cozy British series, here Malliet abandons the country vicarages and Oxbridge colleges for Old Town Alexandria, Virginia directly across the Potomac from the District of Columbia, and home to the witty Augusta Hawke. Hawke, herself a mystery author, is a bit of a recluse, a state brought on by the pandemic and the recent death of her husband. Fortunately, her four-story townhouse provides plenty of distractions, including—with a nod to Hitchcock’s “Rear Window”—casually observing the neighbors. So when the Normans, the young couple across the way, go missing, Hawke has plenty to tell the cops, including details of a fight she witnessed between the couple. When their car is found abandoned in a marsh, Hawke decides it’s time to take on the case, so to speak, and heads off to investigate. Perhaps the story has the making of a true-crime bestseller? The pleasure in this book lies in the arch and humorous Augusta, her interior musings as well as her interactions with others, her caustic take on the publishing industry, and the ridiculous situations she gets caught up in. May this be the introduction to many more outings with Augusta.