If you open this book thinking it’s a medical thriller—which is how it’s marketed—then you’ll be terribly disappointed. But take it on its own terms and it is one of the most evocative and heart-rendering tales you’ll have encountered in quite a while. A young Scottish doctor, caught stealing and using opioids, is deemed fit to return to practice and lands in St. Luke’s—one of London’s roughest hospitals and a place that’s desperately in need of staff. Author Stephenson was trained as a doctor, and this book goes deeply—and fascinatingly—into life in the hospital. Add to this a great cast of characters, including George, an orthopedist, rugby player, and teddy bear of a man who rooms with our protagonist, helping to keep him grounded. The criminal element comes into play when it’s discovered that several of St. Luke’s patients have died from opioid overdoses, clearly at the hands of medical personnel, with our narrator suspect number one. Woven throughout the book are the stories of doctors throughout history who doubled as serial killers—these sojourns away from the narrative will drive some readers crazy but I found the context they provided fascinating. In the end, the book comes down to just a few characters and a couple of questions: How does medicine, “a dark and a terrible knowledge,” force its practitioners to see things differently? And what’s the impact when they do see differently?
Amateur Sleuth
Manchester, NH judge Carlos Garcia is in an unexpected and uncomfortable spot: the defendant’s seat, accused of murdering his wife by adding an overdose of Vicodin to her dinner. In every way, he’s one of lawyer Dutch Francis’s least-favorite clients. The judge is not open to any advice, thinks he still has the upper hand in the courtroom, and is clearly withholding information about his wife’s death. Francis is already thinking he shouldn’t have taken this case when he gets two sharp shocks: his famous newscaster wife, Ginnie—they’ve been married a good five minutes—tells him she’s pregnant and not sure she wants to keep the baby, and, later that day, she goes missing. Francis believes she’s been kidnapped, a suspicion that’s borne out as he begins to receive oddities, such as her fingernail clippings, in the mail. The suspense is in high gear throughout this thriller as we follow the twists and turns of the courtroom drama and the chase when Francis hounds the cops to find his wife, but also joins his legal investigator on their own sometimes-scary bid to rescue Ginnie. A startling ending is in store, and getting there is an enjoyable trip through memorable characters, love-fueled desperation, and the exasperations of the justice system.
In real life, artist Georgia O’Keeffe began in 1929 to spend part of each year at Ghost Ranch in Abiquiú, New Mexico, and eventually moved there. When we join her at the ranch in 1934, she’s settled into an artistic rhythm in the desert landscape that so inspired her. O’Keeffe regularly drives into the desert to paint, enjoying a life that’s much looser than she lived with her rich, philandering husband back in New York. (In an amusing scene, the beat-of-her-own-drum-living O’Keeffe must genuinely have explained to her what a speed limit is.) On one of her excursions, the artist finds the vulture-attacked body of a priest, and the mystery only deepens when the man’s luggage contains decidedly unholy objects; it also has a map of the area with O’Keeffe’s house marked. As she investigates the strange man’s death, outsiders who visit Ghost Ranch, including Charles Lindbergh and his wife, Anne, add to the puzzles facing O’Keeffe. Neighbors’ lives, with their own difficulties, also feature prominently in the artist’s day-to-day life, with Lasky unobtrusively showing the twistedness of the Native’s subjugation. For example, white visitors who have spent their lives in this country have unfamiliar Native myths explained to them by reference to more familiar Greek myths and must be told not to take notes at a Native ceremony because “we are not museum artifacts.” While it’s apt for the time, the n-word features twice, and child sexual abuse is also a theme. Readers who enjoy this intriguing, emotional series debut could try another featuring celebrities: Erin Lindsey’s A Golden Grave, in which Nikola Tesla is a character; or for more New Mexico-set mysteries with a female sleuth, pick up Amanda Allen’s Santa Fe Revival series.
Lovers of classic mysteries will be familiar with the locked-room trope, in which a finite set of characters is stuck in one place with a murderer in their midst, à la Murder on the Orient Express. Here the “room” is the real northern Irish town of Inishowen, which is cut off from the outside world when a month’s worth of rain falls in 24 hours, with all roads and bridges leading out of town destroyed by floods. The townspeople come together well enough, including the protagonist, solicitor Benedicta (Ben) O”Keefe. When readers last met Ben,, in Murder at Greysbridge, she was heading off to New York for six months, partially to get a break from her confused relationship with a local police sergeant (he hasn’t gone anywhere and the fate of the on-again, off-again relationship is an enjoyable subplot). She returns to find her hometown awash but her small law firm ticking along nicely, even if her replacement didn’t know how to leave any surface paper-free. Not moving along so well is a charity cycling event that’s supposed to run from nearby Malin Head, Ireland’s most northerly point, to Mizen Head, it’s most southerly, with weather keeping the cyclists restlessly bound to Inishowen. Then the rain brings a more macabre result: on a late night call, the local vet’s car is hit by a falling body. Ben once again gives her Sergeant beau a run for his money in the investigation stakes, uncovering family secrets, local scandals, and contentment with her Inishowen lot along the way. Lovers of grittier cozies are the audience for this one.
Deeply heartfelt and gently humorous, Kalmann is as unique as its eponymous hero, Kalmann Odinsson. Self-proclaimed mayor of Raufarhöfn, a small town in Iceland’s far north, early thirty-ish Kalmann is also the town’s one remaining shark catcher and producer of hákarl, a delicacy made from fermented shark. But Kalmman’s mind works differently from most people’s. You could call him neurodivergent, but he just says that “things with me have never really gone forward.” Then one day, when hunting a fox outside of town, he comes across a large pool of blood in the snow. This leaves him completely rattled, but instead of reporting it to the police, he goes home and watches Dr. Phil. Kalmann is called in for questioning the next day; it seems that a local businessman has disappeared. While Kalmann remains sort of focused on solving the murder—while putting forth the theory that a polar bear could be the culprit—Schmidt takes us deep into Kalmann’s life, from his mixed experiences growing up to all he learned about survival from his wonderful grandfather, and from his bouts of loneliness to the challenges he has communicating with others, and vice versa. Still, the criminal element remains the rope that pulls us through the book. Schmidt’s creation of the character Kalmann is no less than masterful. Can we hope that this is just our first foray with Kalmann?
Grady Kendall has lived his whole life in Maine. An out-of-work carpenter—we’re in the third month of the pandemic—28-year-old Grady is living with his mother, with his one sibling in jail and his girlfriend long gone. So when the opportunity comes along to work as a caretaker in Hawaiʻi for billionaire Wes Minton, Grady jumps at the chance. But as beautiful as Hawaiʻi might be, there’s an unsettling undertow. With tourism on hold, more people are without homes, sleeping rough on the beach. Drugs, opiates especially, are everywhere. A shocking number of people are missing, their names memorialized on a wall. And Hokuloa Road, a remote part of the island, is said to be dangerous—for many reasons. When Grady learns that Jessie, a young woman he met on the flight to the island, is among the missing, he makes it his job to find her. Eventually this takes him even deeper into the wilderness, facing fears both man-made and mythological. This is a strong, unsettling narrative that manages to stay centered on Grady while he roams in search of the truth. Clear writing, a brisk pace, and a growing sense of dread make for an excellent work of crime fiction.
Jay and Cindy have quite a history. Back in the ‘90s they were husband and wife, soap-opera stars, and a successful musical duo. Then Cindy came out as gay, and Jay quickly followed, sinking their entertainment careers as fast as you can say “don’t ask, don’t tell.” Today the two are still buddies, share a home in Palm Springs, and have recently launched Hooray for Hollywood, a movie memorabilia store—think Betty Davis’s director’s chair from the set of What Ever Happened to Baby Jane? But business is slow and money is tight, so when ninety-year-old Yana Davis, an actress from Hollywood’s golden age, approaches them to sell her vast collection of costumes and other items, they’re ecstatic. Hooray for Hollywood indeed, until they discover that they’re competing against Dylan Redman, VP at a Sotheby’s-like firm with enormous resources. This book is an absolute delight. Yes, there’s plenty of humor, and Yana is pure camp. But at the book’s core are Jay and Cindy, both struggling with loss and loneliness, both trying to make a success out of what they love. There’s plenty here to attract a broad range of cozy readers, all of whom will be back for book two.
A delicious exploration into family, culture, and above all, food. We meet early twenties Yale Yee as she is let go from her job in a bookstore—no business—and is thinking of returning to work in her father’s dim sum restaurant. Yale’s a bit of an eccentric: no cellphone, no car (we’re in West Los Angeles), few friends, and still mourning her mother’s death. When Ba, her father, informs her that her rich, spoiled cousin, who she hasn’t seen in 20 years, is arriving from Hong Kong, Yale would rather hide in her apartment with Jane Austen. But instead, at Ba’s suggestion, she and cousin Celine end up running a food stall at the pop-up night market. Celine is everything you’d imagine: beautiful, vain, fashion obsessed, an influencer and foodstagrammer. But these polar opposites end up finding some common ground—at least enough to make the food stall a roaring success. If only there weren’t that dead customer Yale discovers, making the cousins the leading suspects. Off we head into the foodie world of West L.A.–Taiwanese breakfasts and Salvadorean pupusas as Yale and Celine try to clear their names. Chow gets so much right in this book, from the exploration of Asian cultures in L.A. to the growing relationship between the cousins. A fun start to a wonderful new series.
If you read deeply in crime fiction—from psychological thrillers to locked room mysteries—you’ll notice that each subgenre shares some similarities, like types of characters, settings, and narrative devices. This is especially true of cozies, whose readers like a good balance between the familiar and the new. But every now and again a cozy comes along in which the author not only checks off all of the boxes but does such an excellent job in the process that the book totally stands out from the crowd. This is the case with Six Feet Deep Dish, which stars chef Delilah O’Leary, whose larger-than-life personality takes hold of the narrative and never lets go. We’re in Geneva Bay, Wisconsin—a resort town a couple of hours north of Chicago—and Delilah is about to fulfill a lifelong ambition and open her own restaurant featuring gourmet, deep-dish pizza. But as opening night rolls around, she hits a few speed bumps: her uber-rich fiancé, who was bankrolling the endeavor, dumps her and disappears. Then a murder takes place during the opening, and her elderly aunt is found over the dead body, clutching the murder weapon. Delilah realizes that to save her aunt—and her restaurant—she needs to step it up and, with the help of the restaurant staff, find the killer. Droll and witty, sophisticated and credible, this is a series to watch out for.
Coffeehouses are a staple of cozy mysteries, but this follow up to Fresh Brewed Murder takes place around a coffee-cart business. It belongs to Sage Caplin, barista extraordinaire, who’s booked to sling her lovingly created coffees at Portland, Oregon’s Campathon Music Festival. The weekend has to be a success as she dreads telling her financial backers that opening a second cart was a bad decision. Business goes fine, but behind the scenes things get tense as Sage finds the dead body of an unpopular manager of some of the bands that are appearing at Campathon. Sage herself is suspected as she found another body in the previous book—can one person really be that unlucky? Both to clear her name and because she’s determined to find the truth, Sage unobtrusively goes about getting information from the many parties that may have been involved, all the while giving readers delicious coffee details with a side of tentative romance—her new boyfriend is a father, and his little son may be moving in. The possible killers and motives are well juggled and Duncan’s (AKA young adult author Kelly Garrett) writing is fresh and realistic. Readers will look forward to more with Sage and her coffee cart friends and family.