Many of us grew up on a strict diet of Nancy Drew. For nostalgia in the same vein but grittier, try 12-year-old sleuth Antonia Grizzi, who’s been raised on Gilded Age San Francisco’s streets, and it shows. She’s now the “ward” of Inez Stannart, a single woman who wants to remain so. The two are perfectly matched as companions, but Antonia can’t bring herself to trust Inez, or anyone, completely. When demolition in a building Inez has bought reveals a dead man and a cache of gold coins, she and Antonia each determine to solve the mystery of who he is and what happened—solo. By playing in the house, the little girl gets deep into its secrets, while her guardian looks further afield, including in the investigation a handsome local who just might make her abandon the going-it-alone plan. Exciting switches in perspective quickly advance the plot while accessible but atmospheric dialog and cultural touchpoints impart a vivid sense of the time. Readers will want more from Parker; also try Erin Lindsey’s Rose Gallagher Mystery series.
Amateur Sleuth
Right on the heels of the first book in the series, It Takes Two to Mango, ex-New Yorker Plum Lockhart is trying to make a go of life on the Caribbean island of Paraiso. Having set up her own agency to rent vacation homes, she’s struggling to succeed, when she gets a call from Gerald, a former publishing buddy in New York. He wants her to look after an heiress, Arielle, his boss’s daughter, who’s vacationing on the island and gotten into a scrape with the law. Plum doesn’t have a choice, as she owes Gerald for a major profile he published about her new company. But just 24 hours after she saves Arielle—who’s accused of stealing from other guests—the poor little rich girl is found murdered. There’s a lot for readers to appreciate here, from a wonderful cast including a Keith Richards-like rock star, a reclusive billionaire, and a couple of B-list celebrities to Plum’s in-your-face, confrontative, New York City style. Add a budding romance with the dishy Juan Kevin Munoz, head of security at the nearby resort, and you have a series that cozy readers will want to return to again and again.
The third in the series featuring the former detective Daniel Hawthorne and his sidekick, Anthony Horowitz—yes, he’s written himself into the series—sees our duo heading off to a literary festival on Alderney, the northernmost of the Channel Islands off England’s south coast. Joined by a best-selling children’s writer, a well-known chef who’s now a cookbook author, a psychic, a French poet, and more, they expect a weekend of literary chit-chat and bookselling. But the residents of Alderney are up in arms over a power line that will cross the island, threatening to wreak havoc. Things have reached such a pitch that the island’s leading citizen, a proponent of the power line, is found murdered, and the island is locked down. Inevitably, Hawthorne and Horowitz are drawn into the case. From the array of characters to the relationship between Hawthorne and Horowitz, from the many riddles and clues to the denouement, this novel is sure to delight fans of the traditional mystery, especially lovers of the Golden Age of Detective Fiction.
Since Claudia Vera’s mom died, it’s just Claudia and her four-year-old son, Henry. She struggles to pay for the cheapest daycare in her Illinois town and is overjoyed when the exclusive Hawthorne School gives Henry a full scholarship, asking the awestruck mom only to volunteer at Hawthorne in return. Things soon turn decidedly odd. Claudia never sees any other parents, and the principal is increasingly insistent on Hawthorne’s unorthodox ways and on Claudia spending hours at the school doing unnecessary tasks. Oddness soon turns to a frightening effort to control—as the publisher’s discussion questions note, this book can be read as an allegory on narcissistic abuse—and Claudia finds herself in the most confusing and terrifying situation of her life. Scary, gothic schools are often found in mysteries, but this one differs in only featuring psychological horror (author Perry is a psychologist), no ghostly terrors. It also differs in presenting a Latinx mom and the use of Spanish (which you don’t need to understand to read the book) to both propel the narrative and help the protagonist. Perry excels in getting inside the head of an unsure mom and has written one of the most unusual and best mysteries of 2021. Fans of psychological mysteries and of the movie Get Out are the audience for this.
A midsize Catskill resort in the 1950s provides a rich setting for Delany’s latest series. Elizabeth Grady manages the resort, while her mother, Olivia—a retired theater and film star who inherited the venue—loafs about, deigning to occasionally show up at cocktail hour to dazzle the guests. Keeping the Haggerman’s Resort profitable is serious work, and Grady doesn’t think things can get any busier, when the body of one of the guests—loner Harold Westenham, a former college professor—is found floating in the lake. If that doesn’t cause enough of a ruckus, the police find a copy of The Communist Manifesto in Westenham’s cabin, bringing in the FBI and fueling a red scare among the guests. Faced with a hostile police force, Grady ends up taking on the investigation herself. While the detective work is low-key, and the resolution falls pretty much in Elizabeth’s lap, the real pleasures of this book lie in its setting, period, and characters, all of which are wonderfully realized. Cozy readers will be happy to return to Haggerman’s Catskill Resort any time.
Christie fans, rejoice! This fall will see the publication of not one but two novels set in Christie’s Devon country home. Cambridge’s Murder at Mallowan Hall is a near-perfect traditional mystery—the first body is found in the library, stabbed in the neck by a fountain pen—set during a house party in the early 1930s. But Cambridge flips the paradigm and instead of focusing on the posh guests, tells the story from the perspective of the help, most notably Phyllida Bright, housekeeper extraordinaire. Bright, a friend of Christie as well as an employee, models her investigation on Poirot, right down to the classic denouement delivered by Bright in the library. Gender roles, sexual harassment, and same-sex love are key elements, but Cambridge succeeds in keeping the novel squarely in its era. Two words describe this book: absolutely delicious. Greenway was the real name of Christie’s Devon estate, and Rader-Day’s Death at Greenway is painstakingly realistic. The book opens in London during the Blitz—which is wonderfully described—and we meet Bridey Kelly, a nurse trainee who has made a fatal mistake and is banished to the countryside with 10 young children escaping the bombing. Their destination is Greenway, which Christie and her husband have given over to the evacuees. But the Devon countryside offers little solace, with standoffish residents, a coast too close to the war, and the corpse of someone who was clearly murdered. Deeply suspenseful, this novel brilliantly captures the horrors of the war years and how individuals managed to survive through hardships both physical and emotional.