One of the most fascinating detectives to have come along in years, Tully Jarsdel isn’t your typical cop. He abandoned a doctoral program to attend the police academy. He was raised by two dads, one of whom escaped Iran as a refugee. And he’s a brainiac—with so much trivial knowledge that his partner, detective Oscar Morales, calls him Rain Man. But he’s perfectly suited to investigate the death of Dean Burken, who was violently murdered in his own home. Burken, it turns out, was a registrar at The Huntington, a museum, library, and garden. Registrars can be powerful people, and Tully is quick to realize that Burken was abusing his position—in a big way. From deep inside The Huntington to Catalina Island, off the coast of Los Angeles, Tully and Jarsdel pursue a narrative of fraud, corruption, and greed. Fortunately, the detective work is offset with family issues, as one of Tully’s parents has a serious health crisis and the other struggles to deal with his past in the Iranian revolution. Throughout, Tully remains introspective, elusive, and unsettled—making the prospect of a fourth book all the more compelling.
Psychological
As well as offering a peculiar and captivating story, this winner of France’s Prix Goncourt prize, for the “”best and most imaginative prose work of the year,” stands out as wonderfully French. Le Tellier describes his characters in gutting detail while maintaining a distant nonchalance, inviting readers to share in his weariness at how emotionally finished these people are. Among them is Victor Meisel, who resembles “a healthy Kafka who made it past forty” and is writing a book called The Anomaly; André, an architect who’s desperate to hold onto the love of his much-younger girlfriend, and Lucie, that girlfriend, who’s drifting away; David, who’s facing a deadly illness; and Slimboy, a famous singer who spends all his energy maintaining the facade that he’s straight. Their shredded emotions are on display in the lead up to a Paris-New York trip, with each then depicted as one of a handful of strangers on, and the pilot of, a flight that experiences near-lethal turbulence with a bizarre aftermath. Emotions are just one of the problems faced by the survivors, who find themselves captive in a situation that involves not only the CIA and FBI but even the President of the United States (“a fat grouper with a blond wig”). Viewers of Netflix’s hit series Manifest will recognize some elements of this story, but the book and the show are unrelated and the aftermath of the flight is different enough to enthrall fans of the show and to keep them reading to the end.
Ten years ago, Lydia was kidnapped, then spent the subsequent decade locked in a hunting cabin, subjected to torture and abuse. Miraculously, she managed to escape—feigning death—and after several months of homelessness made it to the coastal town where her husband, Luca, and Merritt, his second wife, live. At first glance, Luca and Merritt, who married a couple of years after Lydia disappeared and was declared dead, have it all: homes, cars, several restaurants that they own, a beautiful child, another on its way. How will Lydia’s resurrection rock Luca and Merritt’s world? With chapters alternating between Lydia and Merritt’s points of view, we watch the tentative relationship between the two women grow. Merritt tries to help Lydia while Lydia charts her own course, deciding how she wants to be helped. Kent does a terrific job of creating suspense—we know a bomb is about to go off, just not which one—and when it does, we’re totally spun about. But the book doesn’t end there, as two more revelations upturn everything we know. Credible? You’ll be too terrified to care.
Every few weeks I get a hankering to visit the scariest place on earth: A British country village. And this standalone from Caroline Mitchell—the author of several series, including DI Amy Winters—more than does the trick. Naomi, a London journalist, is making the move to the rural village of Nighbrook along with her new husband, Ed, a filmmaker; and Ed’s daughter Morgan, the teenager from hell. Except Naomi has a secret. She’s long been obsessed with the story of the infamous Harper family, the members of which mysteriously disappeared from their Nighbrook cottage a decade ago, leaving the TV on, the stove ready for a batch of cookies, and no sign of a struggle. Now, not only is Naomi moving her family to Nighbrook but she’s bought Ivy Cottage, the Harper family’s old home, which has been empty this past decade. No one in her family knows its background, but what, after all, can go wrong? Let’s start with the villagers, who could teach a master class in glaring and whispering, and are united in withholding all information. Add to this the police who are in cahoots with the villagers, creeps from the Internet, a dangerous snowstorm, and so much more. Naomi will be lucky if she can get her family out alive, while readers will be happy to read this book in one, terrified, sitting.
After college and a stint in Chicago, Micah Wilkes returns to her hometown of Calvary, PA. She ends up settling down with Ryan, a former high-school classmate, and opens Stomping Grounds, a coffee shop. All is well, except Micah can’t quite get past the murder of Emily, her best friend back in high school, especially since the murderer was Alex, Micah’s boyfriend, who’s now in jail. Then Micah receives a threatening text—“It should have been you, not Emily”—which propels her into the past, and slowly her well-constructed world starts to crack. She gets drawn into true-crime blogs and forums that rehash the murder and speculate about Micah’s motives. Her house is broken into, and remnants of Emily’s diary are left behind. Ryan, it turns out, has been in touch with Alex this whole time, visiting him in jail. No matter which way she turns, something or someone pops up, forcing her to question the night Emily was murdered, her own role in the crime, and who could have murdered her friend. In the end, Micah—totally unhinged—heads off to confront the one person who can help her understand that night ten years ago. A real slow burn, this book will please readers who appreciate deep character development, little violence, and plenty of suspense.
Aidan Marlowe—an Irish immigrant to the U.S. who is known by his last name—is lost in a life he never planned. At his young wife’s funeral, he finds out that he won millions in the lottery, and he can’t adjust to life without Holly and with the money. He and his seven-year-old twins move to a huge and forbidding house in Bury, New Hampshire, a move prompted by a voice in his head repeating “bury,” just one of the psychological oddnesses he endures. People in affluent Bury soon let him know that his decision was a bad one: the house was formerly home to a family that’s now missing four members who simply disappeared. And soon after Marlowe and his children move in, he begins receiving threatening letters that make his neighbors’ misgivings seem right but also force him to investigate the neighbors themselves. Marlowe is an unreliable narrator, so that even as readers feel for his turmoil, they are left wondering what’s really going on with this troubled character. Some truly frightening scenes lead to a gripping and satisfying conclusion, but not before a twist that will leave readers’ heads spinning. Marlowe is memorable —single dads in thrillers aren’t that common—but mainly he will stay with readers because of his offbeat vulnerability and the determination that shines through his grief. Wilson’s (The Dead Girl in 2A) unusual psychological thriller is one for fans of Stephen King who are open to reading mysteries.
A brilliant debut, as well written as it is well-conceived. No one should have 12-year-old Chloe Davis’s childhood. In the course of one summer in her small Louisiana town, six teen girls go missing. As terrifying as that is, it gets worse: the murderer, it turns out, is her father, who is promptly tried and sent to prison. Two decades later, Chloe is an adolescent psychologist in Baton Rouge, living with Daniel, her handsome and loving fiancé. The horror of the past seems to be behind her, happiness is in her grasp, when a teen girl goes missing. And then another. These are no random killings. They bear an uncanny resemblance to the murders of 20 years ago, and it turns out that both girls have a connection to Chloe—in fact, one is her patient. Willingham’s genius is the ability to keep so many balls in the air. From Chloe’s intense relationships with Daniel, her brother Cooper, her institutionalized Mom, a New York Times reporter, to ricocheting between the past and the present yet still keeping the narrative moving briskly ahead, this book is so much more than your typical serial-killer novel. Fans of Karin Slaughter, Harlan Coben and Gillian Flynn will love this novel, which has been optioned by actress Emma Stone for a limited series.
nitially, this novel seems weighed down by clichés: the weak, timid wife; the macho, type-A husband; the island rumored to be haunted. But keep going and you will be rewarded with a top-rate thriller which is nothing as it seems. Liam and Laura chose to spend their honeymoon on a remote Scottish island, empty except for the two of them. Their lovely cottage is stuffed with a week’s worth of fine foods and wine, and all they plan to do is explore the island’s ancient burial sites and ruined castle. Until things start to get weird—is someone in the bushes watching them?—and they wake to find a message scratched into the window. Clearly they aren’t alone, and their one way of contact with the mainland, a satellite phone, is missing its charger. Then the electricity goes out. From there, it’s clear that their stalker isn’t playing trick or treat, he’s out to murder them. You would expect this book to end with a face-off between the newlyweds and the villain, but a 180-degree twist ends up rewriting the whole book, leaving readers absolutely stunned.
Suspense fiction for those who enjoy character-driven stories, plenty of dialogue, and simple, straightforward prose. Single parent Kate is awoken by noise in her backyard, but it’s just deer. Then she sees some teens running from the cottage at the end of her property. Days later she starts getting anonymous texts—which are vaguely threatening—then a window is smashed and a knife is found embedded in the cottage’s wall. This would be enough to set anyone on edge, but Kate is especially vulnerable; she survived a home invasion two years ago in which her husband, a cop, was murdered. Fortunately, the former police chief is her father-in-law, and her sister —they’ve been estranged for 20-plus years—agrees to move in and help raise Kate’s two kids. As the terror slowly escalates, and the list of potential suspects grows, Kate has to go deeper into her past to understand who wants to kill her today.
Poor Jan. In her late twenties, she’s lost both her job and her boyfriend at the same time. Pretty much directionless, she rents a remote cottage on the edge of a forest and settles down to start that novel she’s always wanted to write, and to try to sort out her future. All would be wonderful were it not for the tapping on the windows every night, the dog barking at something—or someone?—in the garden, and the continual feeling that she is being observed. Cut away to Ian and Emma, a young couple in the area, who have lost a second child to stillbirth, with both babies born deformed. Although they decide to no longer seek having children biologically, Ian becomes obsessed with trying to understand the cause of their misfortunes. These two narratives really crank up the suspense as Jan seeks to discover the nature of her nocturnal visitors while Ian slowly uncovers disturbing facts about his and Emma’s parentages. Eventually the two story lines converge, making for a super creepy, but satisfying, ending. Kudos to Stone for a thriller that relies on neither violence nor murder and manages to treat a medical condition with compassion, not exploitation. Reading groups will enjoy discussing the many moral dilemmas the novel presents.