This book could just as well be titled The Wrong Man, as it’s a master class in how the police can trudge through the investigation of numerous other suspects before finding the right one. The book stars a dogged FBI agent, Kendall Beck, who reports her car stolen when she can’t get the Denver police to take seriously the disappearance of her roommate, Gwen, who borrowed the car. Professional courtesy means that Kendall is allowed inside details as the hunt for Gwen gathers steam. At the same time, she’s investigating a case of her own: a missing little girl, whose neighbor seems odd and too friendly. Given that a stolen car doesn’t seem like it will take much work, the Denver detective who’s looking for Gwen also has another case of his own, that of a woman who may be the victim of a serial killer who’s been working the area for years. Friendships, love, and the grief when those connections end add a personal touch to the legal and police procedural details shared by Sparks, who formerly had a law career. For fans of Tana French and other authors who shine a light on relationships in policing.
Women Sleuths
Live in Massachusetts and need to reinvent your life? Move to a small seaside town on the California coast. Molly Madison, ex-cop, former PI, and dog wrangler, does just that, wanting to put behind her the murder of her husband, for which she was never fully exonerated. Fortunately, Pier Point is a welcoming community that is perfect for Molly; her golden retriever, Harlow; and Noodle, a neighbor’s enormous, slobbering Saint Berdoodle that Molly semi-adopts. On a morning beach walk, Noodle digs up a woman’s hand, setting in motion a search for the victim and the murderer that again has Molly on the police’s radar. Rothschild has created the first in what could be a wonderful series. Molly is quirky and totally believable. The community is engaging. And Harlow and Noodle, rooted in real-dog behavior, make great co-stars who lend a great deal to the story. I’m hooked.
There’s no shortage of WWII novels, but this second in a duology is happily in the less-crowded subgenre of the women behind the scenes. It stars Olive Bright, a kind, loyal, and sometimes-brash young woman who keeps even family in the dark about her work. Pre-war, she inherited her father’s loft of racing pigeons, and now lends them to the war effort as carriers. They’re brought from England to mainland Europe by government agents, then fly home bearing maps and letters that Olive and her gruff supervisor, the dashingly named Jameson Aldridge, hope will help beat the Nazis. Olive’s avian work isn’t the only deceit here; as cover for her job at the Bletchley Park-like Brickendonbury Manor, she and Jamie pretend to be in a relationship, but she hopes for more between them (as will readers). The mystery here concerns a body found in nearby woods, but the worldbuilding, characters, and details of espionage-assisting pigeons make the tale. Graves’s afterword discusses the real Operation Columba, which saw the allies drop thousands of pigeons from Denmark to France from 1941 to ‘44. Readers can go back to the first book in the series, Olive Bright, Pigeoneer; also try Kate Quinn’s The Rose Code, which features women codebreakers at Bletchley Park
Lily Atwood has the titular perfect life. She’s an Emmy-winning journalist, the kind who wants to be hard-hitting but mostly presents human-interest stories from the comfort of a studio. Every evening, Lily gets to return to her designer Boston home to spend time with her daughter, Rowen, the center of her single-mom existence. Some of Lily’s stories, the juicer ones, are fed to the journalist and her behind-the-scenes right-hand, Greer, by a man calling himself Mr. Smith. They’re sure it’s a pseudonym, but are content to idly wonder about Smith’s identity and motives as long as the tips keep coming. Then he starts getting sinister—at least, Lily thinks it’s Smith who’s behind anonymous flower deliveries to her home, though she’s never given him her address. He also seems overly familiar with events at her daughter’s school. Lily is afraid that he may reveal private details that could finish her career, but she soon has far more to fear. An author’s note reveals that Ryan wrote this during COVID, and the feeling of being trapped and at the same time wanting to hide away permeates the novel. The surprises keep coming, and the tightly woven storytelling closes with a deft, satisfying twist. Fans of the author should add this to their library hold lists as it’s not going to sit on shelves. While waiting, they can try Belinda Bauer’s The Beautiful Dead, which also features a journalist in peril.
Right on the heels of the first book in the series, It Takes Two to Mango, ex-New Yorker Plum Lockhart is trying to make a go of life on the Caribbean island of Paraiso. Having set up her own agency to rent vacation homes, she’s struggling to succeed, when she gets a call from Gerald, a former publishing buddy in New York. He wants her to look after an heiress, Arielle, his boss’s daughter, who’s vacationing on the island and gotten into a scrape with the law. Plum doesn’t have a choice, as she owes Gerald for a major profile he published about her new company. But just 24 hours after she saves Arielle—who’s accused of stealing from other guests—the poor little rich girl is found murdered. There’s a lot for readers to appreciate here, from a wonderful cast including a Keith Richards-like rock star, a reclusive billionaire, and a couple of B-list celebrities to Plum’s in-your-face, confrontative, New York City style. Add a budding romance with the dishy Juan Kevin Munoz, head of security at the nearby resort, and you have a series that cozy readers will want to return to again and again.
Here’s a conundrum. Series readers love returning to the familiar: the nosy next-door neighbor, the long-term fiancé, the super intelligent dachshund, and, above all else, our detective. At the same time, readers expect the newest book to shake things up, presenting our hero with changes and challenges. Authors looking to pull this off would do well to consult Jane Austen’s Lost Letters—the 14th book in the Josie Prescott series—a textbook on how to balance the old and the new. Josie, an extremely successful antiques dealer, meets an elegant older woman who presents her with a box, then disappears. The box, from Josie’s father, dead these twenty years, contains two of Jane Austen’s letters. The missives set off a series of events that pulls us into the worlds of academia, rare manuscripts, television production, historical-autograph authentication, and Josie’s relationship with her dad. At a point, the book shifts, and Josie is no longer just investigating, she’s fighting for her life. A traditional mystery with a soupçon of the thriller, this book will appeal to a large swath of mystery readers. And despite the many previous volumes, it works beautifully as a stand-alone
At first it seems some well-worn police procedural tropes will dominate the latest novel by bestselling Schaffhausen (Ellery Hathaway series). Our protagonist, a detective, is determined to find the serial killer that eluded her cop father, while wondering if she’ll ever find love in this relationship-destroying career. But some twists make the author’s turbulent latest different. The detective in question, Annalisa Vega, dated the son of one of the victims as a teen; the connection to her first heartbreak drives Vega to uncover the truth—and sometimes to go too far. Adding intrigue is that one of the killer’s last victims, Grace Harper, is an avid, insightful member of an amateur cold-case investigation club, the Grave Diggers, which at the time of Harper’s death was focusing on her killer. “Grace Notes,” journal entries on her investigative findings, will give readers the feeling of turning the case around in their hands as the narrative shifts back and forth in time and between Harper and Vega’s differing knowledge and motivations. Schaffhausen’s writing brings readers right into shadowy Chicago streets and family secrets from page one. This first in a new series is a must for readers of innovative police procedurals as well as fans of true crime shows.
A midsize Catskill resort in the 1950s provides a rich setting for Delany’s latest series. Elizabeth Grady manages the resort, while her mother, Olivia—a retired theater and film star who inherited the venue—loafs about, deigning to occasionally show up at cocktail hour to dazzle the guests. Keeping the Haggerman’s Resort profitable is serious work, and Grady doesn’t think things can get any busier, when the body of one of the guests—loner Harold Westenham, a former college professor—is found floating in the lake. If that doesn’t cause enough of a ruckus, the police find a copy of The Communist Manifesto in Westenham’s cabin, bringing in the FBI and fueling a red scare among the guests. Faced with a hostile police force, Grady ends up taking on the investigation herself. While the detective work is low-key, and the resolution falls pretty much in Elizabeth’s lap, the real pleasures of this book lie in its setting, period, and characters, all of which are wonderfully realized. Cozy readers will be happy to return to Haggerman’s Catskill Resort any time.
Ellice Littlejohn’s Atlanta corporate-lawyer wardrobe of Louboutins and luxury dresses hides a background in down-and-out Chillicothe, GA, with her addict mother and the mother’s sleazy boyfriend. Also a secret is Ellice’s affair with married lawyer Michael at Houghton, the fancy firm where she’s almost the only Black employee. As this fast-moving novel opens, Ellice shows up to work early for a meeting with Michael, only to find him dead, a discovery that becomes her newest secret. Houghton’s boss likes to refer to the company as a family, but after Ellice is promoted to Michael’s job, racism, always an undercurrent among the pompous colleagues, becomes overt, and it grows obvious that the board is up to no good. As Ellice investigates both her lover’s death and goings on at Houghton, yet more secrets are revealed to readers, both about Ellice’s past and about the cutthroat world she endures. Debut author Morris, herself a corporate lawyer, masterfully layers family struggles, racism, and corporate greed to create an exciting legal thriller that’s tempered by a hint of romance.