Berry’s talent for mixing nonstop action with history is in full swing in his latest. Cotton receives what seems like a simple assignment: protect a woman named Kelly Austin. When he rescues her from a kidnapping attempt, he learns that Kelly is not her real name, and before plastic surgery that was necessary due to an accident, she had a torrid past with Cotton. The truth of her background and why she is being hunted will separately take Cotton and his lady love, Cassiopeia, on a global chase that will make them unable to trust anyone but themselves. How does the creation of cryptocurrency tie in with the plundering of a vast treasure by Japan near the end of WWII? The answers will surprise and even shock even die-hard Berry fans. The truth of the Atlas Maneuver, if it comes to pass, will change the world’s economic future forever. One of the best features of Berry’s novels is the writer’s note, in which he breaks down the facts behind the fiction, and it’s essential reading since everything in this thriller seems all too real. Whether you are a long-time reader of Cotton’s adventures or a newcomer, this book is terrific.
Thrillers
A filmmaker whose heyday is past, Joni Ackerman has grown used to living in the shadow of her successful TV-show creating husband, Paul, as well as accustomed to the idea that she can’t make material for the small screen herself because that’s his territory. She drinks too much and is overall unhappy, with small bursts of joy when her daughter Alex returns home and life seems complete (there’s a twist-and-a-half in store there). She often thinks of her broke, early days living with roommate Val in Los Angeles, when they attended a party full of Hollywood glitterati at which Val was raped by a celebrity. Neither told anyone and both tried to move on, growing apart in the process. But now the past is back as the rapist has been outed and whispers abound about a mysterious second man he works with. What follows is a psychologically savvy look at the many victims and the long life of sexual assault, as well as a satisfying tale of coping through taking action. Joni is a lovably flawed but determined character and her decisions and determination will keep readers rooting for her and racing through this fast and absorbing drama.
When cousins Joshua and Nate view Joshua’s brother lying in the morgue, having been beaten, they swear that Darius won’t be “just another dead black boy.” Two years later, grief has solidified into a plan: Nate, Joshua, and friends Rachel and Isiah have taken Scott York, a white man, captive. They confront him about when his grandfather and three other white men threw a Black man off a bridge to his death. “Pawpaw? Impossible,” is the reaction, but the verdict is the same: Scott must each week deposit $311.54 into an account the group provides. They’re enacting a reparations program, and Scott’s nonchalance about the crime and incredulousness that the group would care about the dead man spur them on. Tensions caused by colorism and racial differences—Rachel is Black but often taken for Latina and Isiah is Korean American–and disagreements about whom to target introduce interesting ambiguities as the audacious plan unfolds and leads to mayhem. Mayfield’s foreword explains that he was inspired by Kimberly Jones’s video How Can We Win?. Readers can learn more about reparations and the history that makes them necessary by reading Ta-Nehisi Coates’sThe Case for Reparations and Bryan Stevenson’s (an author and activist who’s mentioned in the book) searing Just Mercy. A compelling and exciting debut.
The novel opens with the abduction of a young woman, Shindo—a butch, menswear-wearing, expert fighter—who is taken away by the yakuza, a crime syndicate. After turning several henchmen into minced meat (it’s very Kill Bill), and nearly raped and brutalized herself, she’s given permission to live, providing that she agrees to work as the bodyguard and driver of Shoko, the only child of the gang’s leader. Shoko, who’s around Shindo’s age, is a revelation: doll-like, dressed in strange, old clothes (it’s the early 1980s), a student at a women’s junior college that is more like a finishing school, with courses in French pastries. And while Shindo misses her old life delivering for a florist, she and Shokow slowly begin to hit it off as Shindo ferries her back and forth from school. Shoko’s life, it turns out, is no picnic, including her upcoming marriage to a complete and utter sadist. How the two women manage to escape from this uber-violent world, confront the patriarchy, and create an alternate existence is as thrilling as it is fast paced. This novella was nominated for a 2021 Mystery Writers of Japan Award
I want to be a fly on the wall when this explosive drama is discussed in book clubs. The “good guy” whose behavior they will pick apart is Cole Simmonds; he’s recently separated and has left London for the rural English coast. There he’s picking up the pieces from a marriage that went wrong when the couple’s attempts to have a child, including the trials of IVF, were all for nothing. Cole’s wife Mel—he’s dragging his feet on the paperwork that will tie up all the loose ends—now seems to hate him and he can’t understand where it all went wrong. Mel’s point of view, meanwhile, only coincides with Cole’s in that both would agree that they’ve split up. He’s trying to move on and meets Lennie (he insists on calling her Leonora, our first hint at his controlling ways), an artist who also seems like a lonely soul. Both are pulled into the fray when young women on a nationally publicized walk to highlight the problem of male violence go missing near Cole’s home. The social-media firestorm ignited by all this will be matched by the conversations in those book clubs I want to lurk in, as Hall looks at toxic masculinity from every angle: the oh-so-innocent man who’s only controlling because he cares so much, the enraged men commenting about the case online, the system that ridicules women if they wait too long to report a sexual crime while torturing them once they do report. A gripping and controversial suspense.
The USS Stethem is cruising in international waters when it is bombed and sunk by a torpedo. Evidence leads to the Iranians, but what Captain Murray Wilson of the USS Michigan is informed by his superiors is that the actual culprit is a top-secret unmanned vehicle. The vehicle’s programming has somehow been corrupted, and Wilson must take his team to destroy the craft before it does more damage. But what he’s been told is not the truth, instead, he’s embroiled in a conspiracy to murder the soldiers who were part of the raid that killed Osama Bin Laden. The assassin, who has personal motives, is pursued by Jake Harrison, a former CIA operative who wants nothing more than to stay retired and spend time with his family. That’s not going to happen. In this fast-paced thriller, Campbell juggles a large canvas and a fun cast of characters that pivots between being trustworthy and untrustworthy. Fans of the previous novels will be thrilled and upset by what transpires, while newcomers will have enough details to enjoy. Readers expecting a novel with a Tom Clancy vibe will discover this is more of a Brad Thor meets Yellowstone experience. Campbell needs to hurry and write the next one.
A richly drawn, deeply felt novel in which every one of its 544 pages is absolutely enthralling. It’s Alec Salter’s fiftieth birthday—just days before Christmas, 1990—and scores have come together to celebrate, dance, and drink the night away. All except for his wife Charlotte, who planned to attend, but never shows up. While Alec shrugs away her absence, anxiety takes hold of their four children, especially Etty, fifteen years old and the only girl. It’s largely Etty’s perspective we experience, as day follows desolate day and she searches the countryside for her mother. It just tears your heart apart. When, days later, the body of neighbor Duncan Ackerley is found floating in the river—he’s a good friend and possible lover of Charlotte—the police are quick to conclude that Duncan killed Charlotte and then himself. Jump ahead to 2022, when the two Ackerley sons are back home, busy making a podcast about the deaths, the Salters have returned to pack up the family home and put Dad in a nursing facility, and the police have reopened both of the cases. This second part of the novel is driven by Maud O’Connor, a brilliant, young detective inspector obsessed with finding the truth. It’s she who is able to put together the pieces and in turn, the characters as well. A powerful example of crime fiction at its best.
Frankie Elkin finds missing people, most of whom are deceased. She is not law enforcement or a PI; her skills are merely a hobby. But she’s one of the best when someone wants to discover the truth and find closure. Frankie’s summoned to the prison where Kaylee Pierson, the so-called Beautiful Butcher, is on death row, scheduled to be executed in three weeks. The condemned woman asks Frankie to find her missing sister before the lethal injection is administered. The information Frankie receives from Kaylee and Kaylee’s attorney puts her on an undercover mission to a remote island south of Hawaii to work with a small team employed by a tech mega-billionaire. With no technology and no way to get immediate help, Frankie will be stretched to her limits, and what she uncovers will surprise even the most jaded thriller readers. Gardner has a gift for writing about the grim and dark world of crime while focusing on hope and humanity. Taken meets Glass Onion in this terrific novel, and holy cow, the ending! Still See You Everywhere is a perfect place to start if you are not familiar with Frankie, and a fantastic continuation of the series if you have already had the pleasure.
When Emlyn was a little girl and her father left, she dove into the dictionary, studying and learning words as a coping mechanism. Resilience and words are still at the heart of her life; after meeting a person, she works to find the single word that best embodies them. All the while, she’s pushing through a lonely life as a wilderness expert, one who repels the people around her since she broke up with Tyler, the love of her life, and lost her best friend, Janessa, to a bitter argument. Now her worlds are colliding as Tyler needs her help: both Janessa, who now works for Tyler, and Janessa’s renowned outdoorsman partner are missing. Tyler and Emlyn must face the Idaho wilderness to find the couple, a journey that becomes more treacherous as they encounter an unexpected and deadly situation. Social media fame meets the elements here as the past and future collide and form unexpected eddies. Who can be trusted, whether past goodness or evil can change, and how to accept love are dilemmas readers will enjoy facing with Emlyn, a downtrodden character whose troubles are relatable and whose grit when it matters is satisfying. Podcasts and other social media are having a moment in crime fiction now, and wilderness fiction is also big. Here’s a fast, suspenseful tale that combines both and even throws in some romance.
There’s a moment in this story of an English village school shooting when a mother tries to call for her son. “[T]he space left by her inhale was filled with elbows, shoulders, and no words came out,” a description that’s just one of the shivers readers will get from Dean’s unflinching look at horror. But the book’s not really about the shooting itself, though that awful event gets its share of pages. Nor is it about the shooter, though he too gets his due, in a section that readers should know includes a horribly accurate look at a verbally, emotionally, and physically abusive man. Rather, Dean puts her magnifying glass on what happens after, when those who question everything except conspiracy theories move in with their claims that the massacre never happened and the victims never existed. A split-second decision by someone from the small town is later blown up by the right wing and adds interesting shadows to the killer/victims dichotomy. Those who wanted Alex Jones ground to dust will be intrigued by this fuller look behind his kind of rabid cruelty, and fans of Dean’s Girl A and of psychological thrillers are also a great audience for this. A realistic and absorbing look at media gone wrong and the lives it scorches.