In her fiction debut, Madden gifts readers with a complex psychological story that explores the lasting effects of violence and who controls the narrative of trauma. The novel unfolds from the alternating perspectives of three women whose lives are linked by one man, Calvin, who has just been murdered. They are Birdie Chang, a woman who was sexually abused by Calvin and is now on the run from him; Linzie King, another victim of Calvin’s, a former reality-TV star who has published a bestselling memoir about her experience; and Mary-Beth, Calvin’s devoted mother, who fiercely defended him throughout his legal troubles and struggles to reconcile the son she loves with the person capable of such actions. Moving across their voices and time, from Whidbey Island’s lush cool green to a sticky, tacky North Pole gas station in Florida, each woman examines what part she played in Calvin’s actions. A cast of secondary characters fills in the blanks. There’s Syl, Mary-Beth’s sister, who wonders why she ever allowed Cal into her home, which put her twin daughters in danger. And Rich, who meets Birdie on the ferry to Whidbey and offers to “take care of” Calvin for her, as well as Trace, Birdie’s girlfriend, who travels to Florida to do that herself. Madden masterfully captures the haze of lost and found memories, the urges to take revenge, and the regrets of those who knew, but did nothing.—Dodie Ownes
Literary
Book of the Week 12.11.25
When Kiril returns to his village of Koprivci after getting medical training in the city, he is struck once again how superstition and the Captain, the man who adopted him, control the townspeople. Preparing to set up a practice in town, he feels betrayed by Anka, his adopted sister; and friends Margarita and Simeon, who are betrothed. And Anka, just 16, will be married to the Captain as soon as she begins to menstruate, which only her caretaker Yulia can help her hide. An eviscerated chicken is found on the church steps and blood is found in eggs, all terribly bad signs for a village that is already known to be cursed. When Yana, a vampire hunter and seer, arrives, the Captain sets her the task of finding a cause for all the misfortune. Who, or what, is responsible? Could it be the pregnant widow Nina, whose husband, the village smithy, was killed by a blow from the Captain’s horse? Or maybe the Devil himself? Anka is seeking a purpose, and believes Yana can provide her with it, if she can escape the Captain. This heady Gothic debut dabbles in witchcraft and superstition while still tackling themes of betrayal and domestic abuse, weaving in stories from Slavic folklore. Eerie, haunting, and captivating.
Get out your box of tissues. And keep them out. This thriller/mystery from one of the Netherlands’ best crime writers demands your full attention, and will surely get it from most readers. The plot is simple. Lonne Bennet, a chocolatier, has been living with her husband, Emil, a former refugee from Bosnia, in South Limburg. Emil decides to walk the Camino de Santiago, the famous hike from France to Spain. Shockingly, Lonne learns that Emil has not only died on the walk, but died by suicide. One year later, Lonne remains obsessed with her husband’s death, and in the hope of getting answers to some of her questions, she follows his path, right down to leaving on the same date. But Lonne finds herself ruminating over the horror of war and learning of the secrets her husband carried around. As the walk progresses, it feels more treacherous, and Lonne begins to realize that there are some people who don’t want her to learn the truth. Quietly seductive, this is the perfect choice for reading groups.
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It’s 1960, and Ormond Basil, semi-retired actor, encounters two friends who persuade him to join them on a yacht for a brief Mediterranean jaunt, ostensibly to discuss a possible acting opportunity. Basil made his fame by playing Sherlock Holmes in 15 films, and many still think of him in that role. An unexpected storm traps the three on a small island where there’s only a hotel and restaurant, and overnight, there is a classic locked-room murder. With no authorities on the island, and only seven guests and four hotel staff, somehow Basil is charged with the investigation. A Spanish author of pot-boiler mysteries becomes his Watson, and together they mull over the clues of this and the murders that follow. Basil’s internal dialog is full of old movie gossip, and his full memorization of the Doyle oeuvre gives color to their probing. There is of course a postmortem, which offers a solution to the question of whether Holmes was faced with Moriarty or Irene Adler. A wonderful three-pipe problem with all loose ends neatly tied up.
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42 Tregunter Road in Chelsea is a sort of glamorous boarding (glamboarding?) house, crowded with quite the menagerie of residents. In this classic golden-age murder mystery set just in post-World War II England—chocolate is finally no longer rationed—it’s a stranger’s arrival that sets the story into motion. The old Victorian houses the owner, Mrs. Honor Wilson, a Bohemian who publishes a literary journal; writer Robbie; Mina, would-be detective; debutante George; and Saul, who would like to forget his refugee past. Then into the cozy home arrives Jimmy Sullivan, whose presence sets everyone else atwitter, and who smoothly moves into the attic (Honor claims he is a friend of the family. No one believes her). From there the story really takes off as Jimmy’s secrets, lies, and schemes come tumbling out, leaving one of the group most resolutely dead. A delightful period piece as sophisticated as it is humorous.
We have been fooled. In Tana French’s previous two books following former Chicago PD detective Cal Hooper’s new life in rural Ireland, The Searcher and The Hunter, Cal seemed to be settling down in small-town Ardnakelty. He found love in steadfast local woman Lena, took unruly teenager Trey under his wing and is fast making a skilled woodworker out of her, and even managed to figure out the local pub etiquette rules. But it’s all upended in this latest entry in the series when a local young woman is found dead in the river. She was in a long-term relationship with the son of Tommy Moynihan, a sly man who unofficially runs Ardnakelty, and whose pitting of locals against one another after the tragedy makes Cal wonder if he will ever understand this town and his place in it. Though the novel could have been pared down, readers will find this often darkly funny visit with Cal and his neighbors a satisfying look at the undercurrents of rural life as observed by an astute outsider. A piercing death scene near the book’s end is a highlight of the series. A must for French’s fans and all who enjoy a simmering rural mystery.
In no way could this novel ever be described as a mystery. And yet it is chock full of mysteries, large and small, some poignant, others humorous, all deeply compelling. Darcy, a public librarian, has returned to her job after suffering through a nervous breakdown that was serious enough to have her institutionalized for a spell. Even though she’s queer, with a wife she loves, learning about the sudden death of her boyfriend from years back pushes her into despair, obsessed with understanding what could have killed him. When she returns to work (presented 100 percent accurately BTW), it’s with understandable trepidation. Patrons are still watching pornos, finding inventive ways to harass one another, protesting both for and against book banning, and expressing anger over DEI. In every way, Is This a Cry for Help? is hugely prescient as it demonstrates how community, colleagues, partners, spouses, humor, and especially libraries can come together to help us survive and thrive.
Miv lives in a small Yorkshire town that sadly has been plagued with heinous murders of women, by a killer dubbed the Ripper, for many months. She and her bestie, Sharon, profile the likely suspects in town and end up finding out more than they would ever want to know—and it’s a lot for a pair of 12-year-old girls: regional pride, racism, mental illness, marital issues, pedophilia, fascism. The issues are astonishing in breadth and all so present, while the proper citizens mind their own business. Miv and Sharon’s close observations collide with a racist neighbor who appears to be targeting their friends Ishtiaq and Omar Bashir, leading readers to believe that they are closing in on identifying the Ripper as well. Godfrey builds an authentic small-town community, with Aunty Jean helping hide “the problem” (depression) with her sister Marian, Miv’s mother, who is essentially non-existent for most of the book. Miv sees the perfect family, the Wares, fall apart, while helping the town librarian, Mrs. Andrews, escape from her abusive husband. The mystery builds with chapters ending with annotations for The List, Miv’s profile for each suspect. As each heartbreaking truth is revealed, Sharon and Miv’s relationship begins to crumble, with readers wondering, along with Sharon, if finding the Ripper has become an obsession. There’s a lot packed in here. But the dizzying feeling Godfrey creates with all the reveals from the adults, who are shockingly less than perfect, makes this a great read for adults and young adults ready to have their neighborhood suspicions confirmed.
Let’s start by acknowledging that this book has been panned elsewhere—but that’s because it must be approached from the right angle. Readers expecting a straight murder mystery, à la Hannah’s Agatha Christie novels, won’t find that here (although Christie’s work does play a role). What to expect is a zany cozy-like caper that shines a light on feuding women in an upscale English village. Swaffham Tilney is the kind of place where book club disagreements and a feud between neighbors over a pet dog solve the too-much-time-on-their-hands problem. Sally Lambert is the owner of the dog in question, Champ (full name Champ Cuthbert Lambert), a pet that she considers her child and obsesses over more than even the worst helicopter parent. She’s horrified when Champ is accused of biting a neighbor’s daughter, Tess, culminating in the Lambert clan, furry and human, going on the run lest Champ is put on doggy death row. The instigator on the other side is Lesley Gavey, Tess’s mother, who’s hysterical over the bite and wants justice. Since there are teens in both families, social media plays a role in the chaos and soon #InnocentChamp fervor swamps the internet. In the end, the story returns to a more sensible world, but the wild ride that is Lambert vs. Gavey is wacky fun while it lasts. After enjoying this yourself, give it to your friends who call themselves “dog moms” and don’t look back.
It doesn’t take long for van de Sandt’s plot and writing to grip readers’ attention in this debut. Two timelines interweave around the circumstances of a single dinner party, set to celebrate the launch of Franca’s fiancé, Andrew’s, latest project, a canon of sorts inspired by time capsules. Franca once aspired to have a career, but it is clear that Andrew prefers a more domestic arrangement for her. Her father died while she was quite young, and her mother is distant, so her life with Andrew feels safe, initially. In his discussion with Franca over what should be served at the dinner party, Andrew throws off a mean vibe, even insisting that Franca get fresh rabbit to prepare, despite knowing she is a vegetarian. Kitchen disasters up the tension, and when one unexpected guest arrives, a friend of hers from Utrecht, the wrenching details of Franca’s relationship with Andrew are slowly revealed as the timeline shifts forward and back. Claustrophobic and thrilling at the same time, the book allows readers to follow Franca’s unwinding as she seeks revenge against the man who says he loves her, when he just wants to own her, body and soul. Readers will feel every bit of Franca’s female rage as she attempts to extricate herself from her untenable situation. At a time when “tradwife” movements are on the rise, which prioritize homemaking and caring for the husband, trusting him to provide and protect, this story is particularly relevant.
