Devil-may-care heiress Ruby Vaughn has just sent the latest of her boss’s housekeepers running, with the woman on the way out muttering something about “a den of sin and vice.” Ruby does like to knock back a few drinks and scarcely cares about propriety, having planned, while a nurse during the Great War, to set up home with her fellow nurse and lover, Tamsyn. When that antiquarian-bookseller boss announces, “I’ve been thinking,” Ruby knows it doesn’t usually bode well, but this time there’s an upside. The trip he wants her to undertake, delivering mysterious books to a Ruan Kivell in Cornwall, brings her back in contact with Tamsyn, now Lady Chenoweth. Penryth Hall, Tamsyn’s miserable home with her abusive husband, only makes Ruby long all the more for the life she could have had with Tamsyn. When awful Lord Chenoweth is found dead, his body slashed as though by animals, the area’s depths of superstition and past misdeeds begin to reveal themselves, as do the powers of Ruan, the local Pellar, a powerful folk healer. Ruby refuses to believe in the curse that the locals say Chenoweth perished from, pursuing instead the help of the fledgling science of forensics to figure out what happened and restore Tamsyn’s happiness. This debut won the Mystery Writers of America/Minotaur First Crime Novel Competition, a well-deserved honor for a book whose gutsy main character and immersive world-building will remind readers of Margaret Dove in Evie Hawtrey’s And By Fire.
Romance
An absolute delight, wonderfully written and with enough plot to keep the reader zooming through the book then quickly asking for more. Regency London is the setting and the twin Colebrook sisters, Lady Augusta (Gus) and Lady Julia, are our amateur detectives. Unusual for women of this period, they were left with personal incomes by their late father, allowing them independence and the ability to thumb their noses at their useless younger brother. In their early forties and unmarried, the two can’t bear the injustices they see heaped on the women around them, and Gus is determined to do something. When word reaches them that a friend’s goddaughter has been locked away by her husband with the intent to kill her—as she’s unable to have children—the sisters head off to spring her from her country house. Along the way, they pair up with an old interest of Gus’s, Lord Evan Belford, back from exile in Australia—it’s a long story—and hotter than ever. What’s unusually successful about this book is that instead of focusing on one case, the sisters take on a series, including one case in which Gus, disguised as a man, infiltrates a brothel. While their identities as detectives grow, several themes emerge, including Julia’s struggle with breast cancer, their need to surrender their home to their brother and his fiancé, and, of course, what to do with Lord Belford. The Regency era, feminism, and romance all work together to create a book that will delight many. And how about that cover?
Christian fiction readers and those who enjoy a chilling, tense thriller will relish the trip to Night Hollow, a desolate part of rural Kentucky that locals call “the holler.” Set deep in Appalachian hills, the holler is darker than its surroundings, in both meager daylight and social conditions. It’s particularly bad for women, but the holler keeps all its residents in its sad grip, while outsiders leave the poverty and crime to continue providing it stays contained. That ends when the FBI shows up to investigate the murder of several local women who’ve been found beaten and with their eyes removed and eyelids sewn shut (a process that happens “offstage,” thankfully). Two very different protagonists lead the story: FBI psychologist Violet Rainwater, who’s a product of her mother’s lengthy abduction and rape years ago and struggles to face the current crime’s echoes of that past, and John Orlando, a detective whose FBI-agent wife’s killing may have a link to the Blind Eye Killer, as the media has dubbed the area’s monster. Patch offers spiritual insights via believer John’s kind advice and support of atheist Violet, with the religious theme taking a back seat to the characters’ personalities and the layered mysteries that swirl in the holler. The scary ending, which also has a great twist, will leave readers ready for more from Patch.
It’s hard to pull off a novel that attempts to have equal footing in two genres—never mind three—and typically one of the genres ends up taking on a minor role. Just think of all those unrequited romances lurking in the background of crime novels, sometimes through a whole series. But The Mimicking of Known Successes, a work of speculative fiction, a traditional mystery, and a romance is a walloping success. Earth is no longer a livable planet, and humans have long been settled on a colony located on the far outskirts of Jupiter, itself a gas giant. The worldbuilding here—how can humans survive in such an inhospitable environment?—is both subtle and fascinating. Layer over that a very traditional, academic, British mystery—think Gaudy Night—add a heart-felt romance, and you have one of the most unusual mysteries of the year. Terse and reserved, Investigator Mossa is seeking a man who’s gone missing, she doesn’t buy the notion that he committed suicide. He’s an academic, so the search takes her back to her university and Pleiti, an old girlfriend who’s now a professor researching the possibility of humans returning to Earth. Together they set out to find the missing academic, save themselves from death, and maybe even help rescue Earth from a calamity. Older is the author of the Centenal Cycle Trilogy. This would be a great choice for a book group.
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