A bus ride becomes a nightmare when John Reiff wakes up to see the bus plunge into a freezing river, and he and several others are trapped. But that is not the end for him. He then wakes up in what appears to his confused mind to be a mix of a hospital and a laboratory. The doctors there tell him that he was cryogenically frozen due to the accident conditions, and with the experimental equipment on site, they could revive him. As John gathers his strength, he realizes that the doctors are not as forthcoming with him as they should be. He has secrets of his own, as he begins to have terrifying visions of flames mixed in with the pain from his resurrection. The truth and its ramifications will jeopardize the lives of John and the doctors who brought him back to life. Robin Cook meets Blake Crouch in this intense thriller that will appeal to fans of mysteries that feature paranoid conspiracies and a hint of science fiction. While not a cliffhanger, the ending will still have readers demanding the next book right away.
Science Fiction
In his acknowledgements, Rosson calls this “a wild fever dream of a novel,” and he nailed it. Where to start with this feral read? Since it’s a horror/suspense novel, the first gory moment seems apt: when a crime boss’s enforcers threaten a man with a drug addiction who owes a payment and the man asks, “What’re you gonna do? Knock my teeth out?” He then goes on to do the job himself, with his own filthy fingers. The enforcers find a severed hand during their work, one that causes those nearby to feel the need to do tremendous violence, the urge “[slithering] in. It floats on a dark wave.” The gore gets more sophisticated—“make me a necklace from the heads of your children…make me a red veil from their latticed veins”—only adding to the supernatural head-spinning. At the same time, we follow the life…if he or it is alive…of a being called Saint Michael, a secret captive of the U.S. government. Saint Michael can sometimes see visions of future events, especially when periodically “encouraged” by the agonizing process of government agents trimming his wings. In counterpoint to the government actions we meet a musician, Katherine Moriarty, who was very successful in her day but now is agoraphobic, her closed-in life perhaps related to the bizarre goings-on elsewhere in the novel. All converge in a terrifying episode in Portland, Oregon, that will surely be a highlight of the movie that is already being made of this terrific novel. Every word here is crafted to impart just the right level of revulsion, fear, and, at times, wonder. Get ready for awards nods for this work as well as comparisons to the works of Cormac McCarthy and Justin Cronin.
Charlie’s life is nothing special. He makes a pittance taking occasional substitute-teaching gigs and lives with his two cats in his dad’s house, to the detriment of his other siblings. When his uncle passes away, his will stipulates that Charlie oversees the funeral, and then will receive his inheritance. The only people who show up at the service are his uncle’s enemies, and they all go out of their way to ensure the body inside the coffin is dead. After the service, Charlie learns that his inheritance is a lair built inside a dormant volcano, and his uncle was a supervillain. With Charlie becoming the new head of his uncle’s business practices, he will need a crash course on being ruthless and bloodthirsty if he can stay alive long enough. James Bond villainy meets Despicable Me in this hilarious and intense journey into the other side of the battle between good and evil, featuring mostly shady characters mixed with a team that is unlike any seen anywhere before in a thriller. Starter Villain is a blast. Fans of Scalzi will consider it one of his best, and thriller fans who want humor and a different perspective into the world of criminals will treasure it.
It’s hard to pull off a novel that attempts to have equal footing in two genres—never mind three—and typically one of the genres ends up taking on a minor role. Just think of all those unrequited romances lurking in the background of crime novels, sometimes through a whole series. But The Mimicking of Known Successes, a work of speculative fiction, a traditional mystery, and a romance is a walloping success. Earth is no longer a livable planet, and humans have long been settled on a colony located on the far outskirts of Jupiter, itself a gas giant. The worldbuilding here—how can humans survive in such an inhospitable environment?—is both subtle and fascinating. Layer over that a very traditional, academic, British mystery—think Gaudy Night—add a heart-felt romance, and you have one of the most unusual mysteries of the year. Terse and reserved, Investigator Mossa is seeking a man who’s gone missing, she doesn’t buy the notion that he committed suicide. He’s an academic, so the search takes her back to her university and Pleiti, an old girlfriend who’s now a professor researching the possibility of humans returning to Earth. Together they set out to find the missing academic, save themselves from death, and maybe even help rescue Earth from a calamity. Older is the author of the Centenal Cycle Trilogy. This would be a great choice for a book group.
There’s strange and then there’s this bizarre-in-the-best-way, thought-provoking debut. It opens with a missing-person case. The subject is artist Ula Frost, who’s known for A) being reclusive and B) painting portraits that allow another version of the subject to appear from another world. At least, that’s the rumor; there have long been investigations of whether the phenomenon is real, and stories of those who have been found dead with their portrait in tatters nearby, adding a tinge of horror to the rumors. Either way, Ula is now missing, which sets in motion legal proceedings she arranged to give her possessions, including her paintings, to a forensic anthropologist named Pepper Rafferty, who didn’t know Ula and wasn’t expecting this. Now Pepper is the focus of attention from both Ula’s cult-like following and the frightening Everett Group, quasi-corporate thugs who want a particular painting that’s very much not for sale. Pepper, who normally goes through her life quietly wondering if another Pepper in another world likes her husband better and is more satisfied overall, is thrust into danger and science-fiction-tinged partnerships in her quest for a way out of the predicament she’s been dropped into. By the end, readers will have been treated to both a quirky love story and a great philosophical debate (what if you could produce other yous?). In other worlds, there might be other Ettas who are reading longer versions of Pokwatka’s fascinating puzzle, but in this world, I’m so sad this book is over.
In too many historical mysteries and science fiction novels, other times and places are strangely devoid of anyone who’s not straight and white. Not so the science-fiction-tinged Victorian era envisaged by prolific author Armstrong (A Stitch in Time series). The book opens in 2019, with Vancouver, BC detective Mallory Atkinson visiting Scotland to tend to her dying grandmother. Hearing a woman cry out for help in an alley, she intervenes in what turns out to be an apparition of an attack, only to enter the vision and wake up in 1869 as a teenage housemaid. She lands in the Edinburgh home of undertaker Dr. Duncan Gray, who’s using his trade to become an early forensic scientist. Gray and his widowed sister, Isla, are somewhat cut off from society, Gray because he was born from an affair his father had with a woman whom the family believed to be Indian—it was all kept hush-hush—and his sister because she’s a Victorian woman of means, expected to stay home. Readers will enjoy watching Mallory as she struggles to fit in and help Gray find the man—a serial killer, though that term is unknown—who’s posing bodies in sensational ways around the city. For those who enjoy Julie McElwain’s Kendra Donovan series, in which an FBI agent time travels to 1816 London.
As well as offering a peculiar and captivating story, this winner of France’s Prix Goncourt prize, for the “”best and most imaginative prose work of the year,” stands out as wonderfully French. Le Tellier describes his characters in gutting detail while maintaining a distant nonchalance, inviting readers to share in his weariness at how emotionally finished these people are. Among them is Victor Meisel, who resembles “a healthy Kafka who made it past forty” and is writing a book called The Anomaly; André, an architect who’s desperate to hold onto the love of his much-younger girlfriend, and Lucie, that girlfriend, who’s drifting away; David, who’s facing a deadly illness; and Slimboy, a famous singer who spends all his energy maintaining the facade that he’s straight. Their shredded emotions are on display in the lead up to a Paris-New York trip, with each then depicted as one of a handful of strangers on, and the pilot of, a flight that experiences near-lethal turbulence with a bizarre aftermath. Emotions are just one of the problems faced by the survivors, who find themselves captive in a situation that involves not only the CIA and FBI but even the President of the United States (“a fat grouper with a blond wig”). Viewers of Netflix’s hit series Manifest will recognize some elements of this story, but the book and the show are unrelated and the aftermath of the flight is different enough to enthrall fans of the show and to keep them reading to the end.
When struggling artist Kelly enters an art gallery bathroom on her birthday, she turns into a different version of herself. In this life she’s no longer single, but is married to Eric, who is waiting outside for her. Her tattoos have vanished, and she never went to art school. Bewildered as to which existence is real, she plays along. Memories from this life’s past suddenly appear, along with a returning, comfortable attraction toward Eric, who, in the other life, she turned down when he asked her out in high school. Over time, odd moments tell Kelly that the new life might be no more stable than the old—her tattoos flash back onto her skin at times, for example—and she discovers that some in her new life might know what’s going on. A stellar choice for book groups and classes on ethics, this debut brings up a wealth of questions about possibilities other than the linear progression of life that we take for granted, and about the wisdom of trying to start over. Kelly and Eric’s insta-relationship is a mind-bender of its own, the does-he-know and does-he-know-that-I-knows perhaps reminding readers of the mysteries in any partnership. Sure to be a hot title this fall.
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