Women

Talk about domestic suspense. Julia has moved back to Dublin from San Diego with her kids, who hate their new environment, and her ex-husband, Gabe, who trades time at home with her. Weekends she’s in the house with the children and he’s in a nearby apartment; weekdays the opposite. It’s all very pally, but there’s one big problem: their family seems to be a victim of a social media prank that involves people hiding in attics and jumping out to terrify the residents. Repeated Tik Tok videos, not made by the family, show views of their home as though made by someone inside. And wasn’t there that case, her kids insist, where someone lived in an attic and came out at night to wander the house? Her son is especially terrified—the depth of his fear is clear when his mom tells him not to be afraid to be alone, and he says his fear is that he isn’t alone—prompting Julia to investigate. Weird neighbors and the family’s recent and more distant past offer multiple possibilities for who’s terrorizing them, and readers will enjoy Mara’s taut plotting and believable family dynamics (especially the eye-rolliness of the teen daughter). Julia and her children’s fear comes through so palpably that you’ll be ready to help them move again while silently cursing the useless authorities and blithe Gabe. A gripping read.

Relatives: you never know what they might be up to. Until you read the will. For Nina—whose beloved father recently died—it’s the discovery of a lavish home in the British Virgin Islands that he left her. Her father was a civil engineer and the home he created—where did he get the money?—is modern and marble, cool and glass. But there’s something a bit off about the house, which slowly begins to come alive. Like some massive escape room, it engages Nina in a game that starts playful but soon becomes terrifying. Then there’s the concurrent story of Maria, a former medical student who now works as a nanny for the immensely rich. She’s able to sock away thousands of dollars while living in gorgeous resort-like mansions. But at her most recent job, the children never show up; in fact, days go by and no one appears, just an electrician to fix a malfunction in the system. The only rule? Don’t enter a room in the basement, which Maria, naturally—after days of boredom—can’t help but do, setting off a life or death struggle that spreads over days. Steadman gets a 10 for creating a puzzle/pawn like novel of terror that starts fast, only to gain even more speed as the reader inevitably rips through the short, action-packed chapters. Prepare yourself for something very new and very disturbing.

Cleo, a student at NYU, has a tumultuous relationship with her mother, and that hatred gets tested in McCreight’s latest domestic thriller. Cleo’s mom, Kat, begs her to come for dinner, and Cleo reluctantly agrees. Arriving late, she finds food burning in the oven and on the stovetop and blood on a shoe, but no Kat. What happened to her mom? As she searches for answers from her father and friends, she quickly learns that everyone has secrets, and the mom she wanted to avoid was not the woman she thought. The story jumps between Cleo trying to find the truth and Kat, from two weeks before her disappearance, trying desperately to hide from her past and keep Cleo from discovering everything. Even the most jaded readers will not anticipate all the surprises here. McCreight, who knows how to keep the pages turning, has become one of the best in the psychological thriller genre. She has another bestseller on her hands.