This is not an easy time for Sheriff Red Hammergren. She’s a widow in the job her husband once held, with the purse strings held by a toxically masculine board. It’s January in Minnesota, snowing with more predicted, serious drug problems in the town, and the comic relief of an insulting new webpage done by a leading citizen’s nephew. An elderly man with dementia has wandered off without his coat, there is a missing teenage girl, and the snowplows can’t keep up with what’s coming down. Red locates the man, but Missy, the teen, has reasons for running that are unclear. The danger Missy is in comes not only from the weather but from some really bad individuals. Red has to connect all the pieces—information from cold cases of the past, secrets in the present—while trying to keep everyone safe from the weather and from the danger she senses but can’t define. Red is a wonderful character, fighting to save her town with loyal deputies and a group of retired nurses. She succeeds in the end by her ability to listen. It seems we will see more of Red, one would hope in a more pleasant season.
Women Sleuths
It’s loathing at first sight when trained opera singer Kit (stage name Katerina) Margolis meets her understudy, the sexually alluring Yolanda Archambeau, on the first day of rehearsals for Barbarella, a new opera based on the 1968 film. Kit, struggling to prove she is right for the titular role, her first leading part, is taken aback when her director introduces Yolanda to the cast, something not done until later in the rehearsal process. “I felt a flash of irritation, uncharitable yet valid. She didn’t need to be there. She shouldn’t be there.” Kit’s unease rises when Yolanda yawns during Kit’s big aria and later confesses her operatic ambitions, despite her lack of training. Regarding underhanded scheming, Eve Harrington (of the film All About Eve) has nothing on the ruthless Yolanda, whose weapons against Kit include poisoned tea and dead rats. But before her plotting can escalate to a deadlier level, Yolanda is fatally stabbed in her apartment. Kit, who briefly falls under suspicion because of a violent incident in her past, turns sleuth to uncover her late rival’s dark secrets and identify her killer. Offering an entertaining look at the backstage world of New York City opera, Richter’s second novel (after The Divide) skillfully mixes the tropes of a psychological thriller with the conventions of an amateur sleuth mystery. Especially compelling is Kit’s growing self-confidence as a singer and a woman as she pursues the truth.
An interrogation with suspect Erik Schmidt haunts Detective Tracy Crosswhite, and his connection to her sister’s killer brings back painful memories in Dugoni’s latest thriller. Tracy’s reaction to Schmidt triggers her PTSD, and when she makes a mistake during a training session, the detective realizes she needs to destress. When Schmidt is released on a technicality, Tracy convinces her family to spend some time in her hometown of Cedar Grove so she can step away, relax, and put Schmidt out of her mind. But Schmidt has other ideas. A thriller author can rarely take an obvious cat-and-mouse game with the established final battle setup and turn it on its head to create a tense and unexpected confrontation, but Dugoni (Beyond Reasonable Doubt, A Killing on the Hill) pulls it off. He realizes his characters are first-rate and readers will follow them anywhere, so he amps up the suspense and crafts a page-turner that will cause carpal tunnel from tight gripping of the book. This eleventh entry is one of the best in the series, and Dugoni continues to tell great stories while expanding our love of Tracy and her world. Whether Tracy’s new or a regular addition to your reading pile, sketch out some time for this.
If you’re hankering for bulla cake, coco fritters, gizadas, or other Caribbean foods, Miss Hortense has you covered, with recipes for those dishes and more provided throughout this introduction to the steely “pardner lady.” Readers can learn the ins and outs of the pardner while meeting Hortense’s frenemies and neighbors—who are mostly one and the same—in millennium London and flashbacks to the city in the 1960s, but the basic premise is that it’s the kind of money club often used by those who are unbanked. English banks won’t let Hortense and other members of her Black community have accounts, so the pardner sees them each contribute money every week, with members taking turns to get the whole pot. Over the years, the club has allowed its contributors to “become the person they wrote back home and boasted that they were.” But now all the funds have disappeared at the same time that there are several deaths in the community. Even the supposedly natural demises get Hortense thinking, but some of the deaths bear the hallmarks of attacks that happened years ago, when a man the community called the brute beat several women to death and left biblical messages with their bodies. Is he back? Hortense and the other pardner members will have to do their “Looking into Bones,” which is what they call their investigations. These have the habit of “creating more dots than perhaps connections,” but allow readers to explore a tangle of love, loathing, and buried secrets that leads to a delightful Christie-like ending in which fingers are pointed and confessions made. Zadie Smith fans should pick up this winner.
The island of Corfu at the turn of the 20th century, with its native Greek population, large British expat community, and tensions therein, provides an excellent background for crime fiction. When her husband died unexpectedly several years ago, Minnie Harper was left with two children to raise on a modest income, with a deathbed promise to her husband that the family would remain in Corfu. Well-educated Minnie isn’t in the position to turn down a side gig, so when she is asked by her neighbor Stephen Dorian—a well-known, and handsome, mystery author—to type the manuscript of his latest book, she can only say yes. Despite her loathing of the man. But just as the two seem to settle into a disagreeable routine, Minnie discovers that one of the island’s young Greek women, who works as a maid, has been murdered. And the British community is doing its very best to ignore the murder, if not actually suppress it, while the local Greeks, for different reasons, are keeping their lips sealed. But Minnie isn’t about to let justice go undone, and with the help of Stephen, she heads off where no British woman has gone before her. Fans of The Durrells in Corfu, a hugely popular Masterpiece Theater drama set in the ‘30s, will appreciate this prequel of sorts, as will fans of cozy historical mysteries by Rhys Bowen, Jacqueline Winspear, and Amanda Flower.
Shelby is returning home, not by choice. Her career managing a graphic-arts company is over as the company was sold, taking with it her hopes for romance with her boss. She’s had a pretty soft landing, though. Her parents are taking a month-long road trip, leaving her to manage the family needlework shop with the free apartment above. Why isn’t she happier? She feels the judgment of nearly everyone around her, from her practically perfect older sister to her old high school mate Kat who has been vying to take over the shop herself. Kat runs her own business, sharpening knives and scissors and designing and selling needlepoint canvases and high-end scissors. The first weekend that Shelby will be in charge, the shop will hold a trunk show of Kat’s merchandise. When Kat doesn’t show up to help prepare, Shelby goes looking for her, finding her in her mobile sharpening van with a knife in her chest. The police and all others rule this a terrible accident, but not our Shelby. Her unauthorized sleuthing isn’t the only tension in the story. She needs to run the business, maintain the proper position in the community and deal with her sister’s tacit criticism of whatever she does. To assist her, Shelby starts building a community of needlepointers of her own age group, men included, and of course adopts a stray cat. The charming town, Shelby’s renewed love of needlework, and her growing group of friends will have readers eagerly awaiting the next installment. Just as many cozy mysteries include recipes, this one ends with needlepoint patterns.
We are taken back to the roaring ’20s, to speakeasys and the Ziegfeld Follies, in this gritty noir with Ginny Dugan as our main character and sleuth. She and her dancer sister have come to New York from Kansas. Dottie, the sister, dances for the Follies, and is engaged to Charlie, a financial guy from home; Ginny writes an advice column for Photoplay, though keeps angling for real, hard-nosed reporting. Ginny is out partying at a speakeasy when she’s a witness to the kidnapping of Josephine, a headliner who is Black, but her story is not believed. People are dying of heart attacks in Harlem dance clubs, and dancers are reporting ghosts in the dressing rooms of the Follies, young women who have been murdered. There are drug stashes and secret crime bosses. Ginny partners with Jack, a detective, but it is Gloria, a Follies star, who calls to her heart. The level and complexity of the crime speaks to a mastermind: the Eagle, whose identity is unknown until the end. This debut turns back the clock with authentic detail and sharply drawn characters and a strong sense of violence and lawlessness. A challenging book.
Amanda Flower’s Emily Dickinson series just keeps getting better and better. It’s 1857 and Amherst, Massachusetts is experiencing one of the worst winters anyone can remember. Along with the freezing cold is the fear of chimney fires, and indeed an out-of-control blaze in Kelley Square, the Irish section of town, kills a young family, with the eight-year-old daughter, Nora Rose, the sole survivor. But the blaze has suspicious origins, and Emily and her maid Willa take it upon themselves to investigate. There is a lot going on in this novel, but it is all handled with great deft. Emily’s ongoing reliance upon Willa sets the maid apart from the other household staff, fostering jealousy. The marriage of Emily’s brother, Austin, and his wife,, Susan, continues to deteriorate. Women’s role in society, especially in marriage, is a source of ongoing debate. The future of the now-orphaned Nora Rose, an Irish Catholic girl in a largely Protestant town, and with no relatives, upsets the Dickinson household. Meanwhile, Willa’s own love life takes a dramatic turn. A great choice for book groups, which will appreciate both the book’s breadth and depth. Readers who enjoy this title may also like Mariah Fredericks’s The Wharton Plot and Kate Khavari’s A Botanist’s Guide to Parties and Poisons.
In this latest visit to the lighthouse library on the outer banks of North Carolina, locals await a YA book festival featuring a recently local and very popular author of a fantasy series. Our librarian and amateur sleuth, Lucy MacNeil, is surprised to find this gentleman on her doorstep wanting to talk. She escorts him to the deck, goes to retrieve refreshments, and returns to find him dead of an arrow shot. To say that chaos ensues is an understatement. The new widow has political ambitions and intends to use this to launch her campaign, local teen ultrafans of the author set up a shrine invading Lucy and her husband’s privacy, and two lesser local authors battle it out for the now vacant top spot on the festival program. The clever policing by the local force is, of course vital, but, as usual, the little details that our research-minded librarian provides begin to tie things together, though the culprit may come as a surprise. The local color and community spirit shine, and the quirky personalities are never more so. While this is certainly a cozy, it is never dull. The ending leaves clues promising changes, so readers will look forward eagerly to the next installment.
Bregman takes the history of Alexander Hamilton and his legacy, mixes it with a modern-day conspiracy, and delivers a fun and engaging read. Elizabeth Walker is the last heir of the Hamilton family line, and when she passes away, that’s it. During research, Elizabeth uncovers a key created during Hamilton’s life. On her way home after, she’s followed, and in the New York subway, rather than have the key taken, Elizabeth texts her best friend, Sarah Brockman, to contact Elizabeth’s husband, Ralph. Then she jumps in front of an oncoming train. Sarah, devastated by Elizabeth’s death, receives a box of documents her friend sent over before her death. Working with Ralph, they are shocked to learn that a secret society established by Hamilton still exists today. The bedrock of this society has kept the United States strong all these years. Still, sinister forces want to destroy the States, and they have plans to use Hamilton’s legacy to cause economic chaos by eliminating the foundation of the American dollar. Bregman has crafted a page-turning thriller of history and the financial world that will have readers wondering if any of the story could be real. Steve Berry and Dan Brown fans will want to add this to their reading list.