Black mixes her knowledge of crime-scene analysis with the terrifying world of cults in her latest thriller. Billy Diamond, a legend in the music business, approaches forensic analysts Rachael Davies and Ellie Carr, who run the prestigious Locard Institute, a research center. His daughter, Devon, went on a retreat with her boyfriend, Carlos, and neither came back. When Carlos’s body is found near the ranch, and his death does not appear to be accidental, Rachael and Ellie work out a plot to learn the truth. Ellie goes to the retreat as a recruit, while Rachael tries to understand how Carlos died. Ellie feels comfortable at first, but the more she learns, the more terrified she feels. And the person she’s supposed to find, Devon, appears to have no interest in leaving and might be the cult leader’s number two in the organization. Black handles suspense like a pro, and every element of the story is unpredictable, with misdirection, manipulation, and challenging of the reader’s expectations. The cult and everyone following Galen, the leader, come across as realistic and sympathetic. Readers will understand why these people are devoted and not questioning what’s really going on. Familiarity with the previous books is unnecessary, and be prepared to say after finishing this novel, “That was not what I expected.”
Women Sleuths
Julia Harte, retired from the Irish police, has effectively hidden herself away from her infamous past in a sleepy village. As a young Garda, she was instrumental in solving the most notorious serial-killer case of the day, with both emotional and physical scars to show for it. After her successful police career, she writes what is intended to be a textbook for police training, only to have it become a bestseller for true-crime aficionados. Thirty years later and days after Cox, the serial killer, dies of natural causes, there is another frighteningly identical killing, drawing Julia and her former mentor into the case as consultants. The author artfully intertwines the stories from the past and present, creating a palpable sense of dread and foreboding. While we know Julia solved the past crime, we don’t know how. The gradual revelation of the past informs the solutions of the present, and while the situation is similar, Julia is not the raw beginner she once was. The characters are well drawn, the landscape is integral to the telling, and while this is a debut novel, it doesn’t read like a practice run.
One of the best—and most shocking—narratives of revenge I’ve ever encountered, and one that even saves room for a bit of humor. Cyra’s younger sister Mira has been murdered, apparently by a serial killer. It’s been over a month, and Cyra has grown increasingly frustrated at the tepid response from the New York Police Department: “Let us do our jobs.” Since Mira died, nearly everything—Cyra’s job, her relationship with her ex-girlfriend, the small group of friends she and Mira share, her apartment in Queens—is rapidly unraveling. Big sister Cyra has always taken care of Mira, and if she couldn’t stop Mira from being murdered, at least she can find her murderer. With some help from a friend, Cyra learns about a self-help group for serial killers—kind of funny, kind of not—and successfully infiltrates the group, creating a persona as a murderer. She claims to work in a nursing home, preying on the elderly, and manages to convince the guys (yes, it’s an all boy’s club) to let her join their group. Her goal? To learn if any of the members murdered Mira, or at least knows who did. But creating an identity as a serial killer has its own unanticipated consequences, and the more involved Cyra becomes in the support group, the more she finds her old self slipping away. Schaefer’s story is dark and twisted, unique, and totally engrossing. Readers who enjoy this book may also appreciate Oyinkan Braithwaite’s My Sister, the Serial Killer and Peter Swanson’s A Talent for Murder.
Camping with her crunchy-granola parents, nit-picky sisters, and assorted also-exhausting family members is Remi Finch’s idea of torture. But it’s her parent’s 40th wedding anniversary and they plan to renew their vows, so fine. She can put up with these people for a few days, especially when she sees that a handsome park ranger is part of the package. Also part of it, though, is Guy, the loathsome son of family friends, who when he was younger held Remi underwater so long she thought she’d drown. Grandma’s reaction, “even when I could still taste chlorine in the back of my throat,” was that horrible Guy obviously had a crush on her. So she’s not expecting much assistance when she finds herself in danger on the trip, a prediction that comes both true and not, as her family steps up but sometimes doesn’t know when to stop. Readers will find the Finches both a lovable and a very real family, with affection and exasperation battling for top spot in Remi’s feelings for them. The story dips into cozy territory, with the law-enforcement love interest, the off-screen killing, and the slapstick family antics, enriching a puzzling whodunit in the process. A great choice for cozy fans who enjoy a wilderness element.
Arsonists attacking a homeless encampment sparks an investigation into the highest levels of city government in L’Etoile’s follow-up to Face of Greed. Detective Emily Hunter and her partner, Javier Medina, are called to the scene of one of the fires, and they quickly learn why when the dead body of the former mayor of Sacramento is found in the wreckage. A little girl whose mother got caught in the fire and hospitalized appears to be a witness. Emily feels protective of the little girl, and when she discovers that other homeless camps have been torched and the former mayor was dead before the fire even started, she realizes that the child might have a target on her back. L’Etoile juggles excellent, highly realistic characters with a terrific crime story that feels like the best of Michael Connelly. Readers will anxiously turn the pages while they are confronted with complex issues in the real world, such as how to compassionately help people experiencing homelessness and the trauma of trying to assist elderly parents who have Alzheimer’s. It’s unnecessary to read Face of Greed first to enjoy this novel, and to be honest, River of Lies is even better. With all the award nominations Face of Greed received, expect even more for this one.
A wonderfully compelling crime thriller that takes the reader deep into Pakistan in pursuit of a newly discovered mummy, known as the Persian Princess, and based on a real-life scandal that rocked the antiquities world back in 2000. Dr. Gul Delani, archaeologist and expert in ancient art, is woken in the middle of the night and hustled off to a remote part of the country to inspect a recently discovered mummy that came to light as part of a drug bust. Initially, the mummy appears to be authentic, although some of the iconography is unusual, and Gul is eager to bring the discovery back to Karachi and begin to analyze it. But quickly the mummy is claimed by different forces within the country and attracts corruption like bees to honey. The Museum Detective pulls into the broader narrative the story of Gul’s niece, a teenage girl committed to feminism who disappeared several years ago; Gul’s brother, a financial investor who succumbs to corruption; other scholars who have their own agendas; and the wonderful Mrs. Fernandes, who cares for Gul along with scores of children and teens who live on the street. All these characters and subplots come together brilliantly, creating an outcome that is nothing less than shocking. In Gul, Maha Khan Phillips has created an amateur sleuth whom readers will be all too happy to meet again and again.
Irish step dance can kill in the first of what is hopefully many books in this series. Single mom to two young girls and the daughter of a police chief, Kate Buckley receives an urgent text from her sister, Colleen. She packs up and drives to Shamrock, Massachusetts to learn what is wrong. Upon their arrival, Colleen tells her it’s no big deal, but Kate knows otherwise. Stumbling upon the body of Colleen’s best friend, Deirdre, unveils family secrets and hidden motives from people Kate thought she knew. This cozy is perfect as Mathews creates a visual world of great characters and setting, ex-loves, pets, and Irish step dance. She also adds a dose of domestic suspense, but it doesn’t have too much of a psychological bent, keeping the book in cozy territory. With more surprises than usual, this is a step above much of this genre. Readers will be eager for book two; let’s hope it won’t take too long.
For glitz, drama, and mystery, there’s no better setting than a fancy hotel, and it doesn’t come fancier than London’s Savoy. It’s the swinging ‘60s in the late Emery’s (Death at the Savoy, Scandal at the Savoy) last book, her third starring a quiet champion of the hotel’s steely reputation, press officer Priscilla Tempest. (Emery was herself a press and public relations officer at the hotel.) The young Canadian is used to the casual sexism that is women’s lot in the era, but Europe’s classism is harder for her to take, and when two dueling cousins, Italian princes, arrive as guests, her patience is sorely tested. One of the princes fears he will be the subject of a story by “that blighter Percy Hoskins at the Evening Standard,” and stopping the muckraking story at the behest of her boss leads Priscilla into the lairs of London’s underworld gangsters and some decidedly upper-class ones, with England’s very way of life on the line. A fast-moving story whose initial frothy air is a clever mask on the serious stakes soon underway. Readers will want to go back to the first two books in the series, and after that can try Nita Prose’s hotel-set Maid series.
A classic “locked-mansion” mystery set on Michigan’s actual Mackinac Island, which in off-season has a population of a mere 500. And the only way to get on or off the island is by boat or chartered plane. Mimi—as curmudgeonly as she is humorous—is a well-established resident who’s invited to an opulent party cum auction by Jane Ireland, a super-rich neighbor (who’s dating her own son-in-law). Mimi decides to bring her granddaughter Addie, hoping to use the party as a way to mend their fractured relationship. Wouldn’t you know, a big storm blows in, effectively cutting off the partygoers from the rest of the population. Anxiety producing for sure, but when Jane is found dead—and she’s only the first victim—all hell breaks loose. Lots of the fun in this book is thanks to granddaughter Addie, a gamer who produced Murderscape, a hugely popular video game, while her fiancé claims to have done most of the work. See you in court, Mr. Wrong! Addie’s expertise helps solve many of the problems while moving the story along. Also, like a cloud hanging over the evening, is the blackmail threat that Jane sent to Mimi and that Mimi hasn’t shared with anyone. Does Jane’s murder invalidate the blackmail? Closed circles are hugely popular these days, but this title puts an unusual and playful spin on the proceedings.
It’s the marriage of the moguls, and a crew of celebrities and business titans have gathered at a super-posh resort in Cabos to celebrate the wedding of Radhika Singh and Raj Joshia. The week-long affair—which we see through the eyes of Shaylee “Shay” Kapoor—is just about to begin. But Shay is far from belonging to a wealthy Indian-American family; something she is reminded of regularly. She’s the “plus one,” the girlfriend of Raj’s best friend, preppy Caleb Prescott III. But on the morning that the wedding is set to begin, Daniela, the wedding coordinator, finds the bride and groom dead, gunshots to the head, drug-lord style. With knowledge that there is a killer in their midst, chaos takes over the resort and the guests start swarming to leave. But Shay stays on, as the reader begins to realize that Shay isn’t what we thought. In fact, many of the inner circle, including Caleb, have alternate personas. Shay’s still an outsider, but that’s just what might be necessary to uncover the truth. For those who enjoy closed circles, family drama, and sinister resorts.