Alex Carter is just winding down a research project in Montana—she’s a wildlife biologist—when a fellow scientist calls to see if she would like to lead a study of polar bears. Within weeks she’s at a scientific research center in Churchill, Manitoba, polar bear capital of the world. Accompanied by a research assistant and a pilot, Carter flies over the frozen terrain of Hudson Bay in a helicopter, seeking bears. When she locates one, she shoots it with a tranquilizer from the helicopter then descends to quickly tag it and take samples. Henderson does a terrific job in describing life in Churchill, especially the effort to survive in such a hostile environment, but even more compelling is the information about the polar bears, struggling to live despite climate change, loss of prey, and increased exposure to toxins. Slowly Alex’s study is undermined—someone breaks into the lab and steals her samples, her supplies are tampered with, her pilot disappears—until on one mission the plane itself sets on fire, leaving Alex and her team stranded on the ice, miles from anywhere. Henderson manages to marry both suspense and mystery in this book, featuring a classic, suspense-driven fight-and-flight with several overarching mysteries. It’s even better than the excellent first book in the series, A Solitude of Wolverines. Fans of Nevada Barr’s Anna Pigeon novels may well enjoy this.
Suspense
Val Chesterfield, a scholar of ancient Nordic languages, lives a sheltered life. Suffering from depression and anxiety, she relies on medicine, and the occasional drink, to get through the day. The apparent suicide of her twin brother, Andy, a climate scientist conducting research on an island off the coast of Greenland, leaves her bereft and suspicious. But then Wyatt, one of her brother’s research colleagues, calls with the unbelievable news that they have discovered a girl frozen in ice, likely for hundreds of years, who has thawed out and is now alive. Would Val come to Greenland and try to communicate with her? Despite her phobias, Val agrees, as much to learn about Andy’s death as to meet the girl. Sigrid, as the girl comes to be called, is a medical anomaly; humans can’t survive being frozen. Typically, this is the point when I would put the book down and walk away. But Ferencik does such a stellar job of selling us on Sigrid, creating a relationship between the girl and Val, and depicting the growth of language between the two that I read on, riveted. All is not well on their little island, it turns out. Wyatt acts more like a cult leader than a scientist, two other researchers meet unanticipated challenges, and Val realizes that Sigrid is sick, possibly dying—and it’s up to Val to figure out how to save her. Ruth Ware fans will appreciate both the tension and the claustrophobia.—Brian Kenney
When struggling artist Kelly enters an art gallery bathroom on her birthday, she turns into a different version of herself. In this life she’s no longer single, but is married to Eric, who is waiting outside for her. Her tattoos have vanished, and she never went to art school. Bewildered as to which existence is real, she plays along. Memories from this life’s past suddenly appear, along with a returning, comfortable attraction toward Eric, who, in the other life, she turned down when he asked her out in high school. Over time, odd moments tell Kelly that the new life might be no more stable than the old—her tattoos flash back onto her skin at times, for example—and she discovers that some in her new life might know what’s going on. A stellar choice for book groups and classes on ethics, this debut brings up a wealth of questions about possibilities other than the linear progression of life that we take for granted, and about the wisdom of trying to start over. Kelly and Eric’s insta-relationship is a mind-bender of its own, the does-he-know and does-he-know-that-I-knows perhaps reminding readers of the mysteries in any partnership. Sure to be a hot title this fall.
Defense lawyer Raquel Rematti, whose arguments are used as law school how-tos, has met the first client she truly hates, Angela Baldesteri, a former First Lady and current senator. Angela might be lying on the stand in her trial on fraud and tax evasion charges and seems determined to alienate the judge. Raquel is torn. She could lose her license if she fails to rein in Angela’s behavior, but it’s hard to find a more high-profile client. Meanwhile, outside forces frighten her into staying: she’s followed in the street by men who claim to be FBI but aren’t; a former drug-dealing client targets a member of the jury and even the lawyer’s loved ones; and the body count starts to climb. Batista (Manhattan Lockdown) skillfully intertwines psychological and legal drama here, with the protagonist struggling to best an adversarial client while fighting against those who will do anything to keep the senator in the upcoming presidential race. The cutthroat politics and shadowy money behind super PACs also feature heavily. Trial lawyer Batista’s fast-paced read is a must for fans of John Grisham and Scott Turow.
Some books you read for plot. Others for setting. But this dazzling debut is all about voice, specifically that of Ruby Simon, lovable murderer. The book opens with 30-year-old Ruby at the Miami Beach Police Department, being interrogated about the recent death of her husband Jason—the one murder she isn’t responsible for—as well as three earlier deaths she did commit, but got away with. “Four is beyond a pattern. Four is beyond bad luck or coincidence. Four means I’m at the center of it all, these deaths orbiting around me like the planets around the sun.” Ruby takes us back to her first murder at five years old, when she drowned another little kid, her teen years in Miami Beach (one more murder), college at Yale, then back to Miami for graduate school in psychiatry (another one bites the dust), and finally Jason’s accidental demise. It’s tempting to think Ruby is a sociopath, but no, she experiences a full range of emotions, from empathy to regret and from compassion to sympathy. It’s the rare book that has you rooting for a multiple murderer, but that’s just part of screenwriter Rothchild’s magic. The most engaging novel I’ve read yet this year.
The latest by the enormously successful author of The Girl on the Train and Into the Water portrays destruction continuing after long-ago catastrophes. On one side we see successful (and smarmy) London author Theo and his family reeling after an accident that leaves Theo longing for someone to blame. Nearby geographically, but worlds away in life choices, lives Laura, the victim of a hit-and-run that has left her physically and mentally unstable, and who was, shall we say, known to a young man who has been found stabbed to death. As in The Girl on the Train and the many unreliable-narrator novels it inspired, readers will be left wondering until the very end whom to trust and what exactly happened on one fateful day. Hawkins is a top-notch storyteller, and her vividly drawn characters will evoke strong emotions in readers. Enjoyable too are the author’s frequent wry nods towards today’s trends in fiction and the difficulty in following up on a blockbuster novel. As well as Hawkins’ many fans, this is one for Kate Atkinson’s readers and all who enjoy a disparate cast of characters slowly revealing their connections.
At a time when Hollywood stars are bribing the way for their offspring to attend prestigious colleges, the over-the-top antics of teachers, parents, and students at the elite Belmont Academy are nearly credible. While told from multiple points of view, the novel centers around the deeply disturbed Teddy Crutcher, Belmont’s reigning teacher of the year, and Zach, the only reliable narrator, whose straight-A record is in jeopardy thanks to Crutcher. Harkening back to mysteries of the Golden Age, the Belmont community’s weapon of choice is poison—successful, providing it reaches the right recipient. There’s lots to appreciate in this absolutely delicious book, and Zach’s painful conversations with his arrogant, self-obsessed, and Ivy-focused parents are a tour de force. Teen readers suffering through the admissions process will also enjoy this novel. By the author of the much appreciated My Lovely Wife.
Broke NYU student Trevor eats ramen noodles while his dorm neighbor Claudia, famously the daughter of a music producer, is more about the expensive Japanese restaurant down the street. But they’re thrown together when Claudia is assaulted. Claudia’s body tells her that the hours missing from her memory of the drunken night before included violent sex; physical hints aren’t necessary when her abuser posts a video of her rape. Dahl presents Claudia’s ordeal as both horrifyingly mundane—the campus health center has a well-worn rape protocol, and she’s forced to go through the bleak motions—and engagingly suspenseful. The young woman’s family seeks to save her and find the truth, while another rich kid’s family is battling to hide it. Since the details of the rape are unclear to Claudia, and the video is only briefly described, Dahl mainly focuses on the aftermath of the attack, sparing readers a detailed rape scene. What they get instead is a close look at the physical and mental torture of absorbing an attack; the ways in which kindness can be a salve yet a crushing contrast with hurt; and, most of all, a lesson that redemption is owed to every victim.
Since Claudia Vera’s mom died, it’s just Claudia and her four-year-old son, Henry. She struggles to pay for the cheapest daycare in her Illinois town and is overjoyed when the exclusive Hawthorne School gives Henry a full scholarship, asking the awestruck mom only to volunteer at Hawthorne in return. Things soon turn decidedly odd. Claudia never sees any other parents, and the principal is increasingly insistent on Hawthorne’s unorthodox ways and on Claudia spending hours at the school doing unnecessary tasks. Oddness soon turns to a frightening effort to control—as the publisher’s discussion questions note, this book can be read as an allegory on narcissistic abuse—and Claudia finds herself in the most confusing and terrifying situation of her life. Scary, gothic schools are often found in mysteries, but this one differs in only featuring psychological horror (author Perry is a psychologist), no ghostly terrors. It also differs in presenting a Latinx mom and the use of Spanish (which you don’t need to understand to read the book) to both propel the narrative and help the protagonist. Perry excels in getting inside the head of an unsure mom and has written one of the most unusual and best mysteries of 2021. Fans of psychological mysteries and of the movie Get Out are the audience for this.
In 1911, Vincenzo Peruggia pulled off one of the greatest art heists of all time: the theft of the Mona Lisa. The painting was missing for two years before it was recovered, and the crime spawned innumerable conspiracy theories, with some suggesting that forgeries were made during its hiatus, including the painting now hanging in the Louvre. Flip to the present, when we meet Luke Perrone, an artist obsessed with Peruggia for good reason: Peruggia is his great-grandfather. When Perrone gets word that great-grandad’s diary has surfaced, he hightails it to Florence with the hope of learning more about his ancestor and the theft. Except Perrone isn’t alone in his quest, and he is soon being trailed by an INTERPOL agent, an updated femme fatale, and worse. It’s a pleasure to explore Florence and its art through Perrone’s eyes, and the shifts between 1911 and the present make for a compelling read. Santlofer, also a painter, creates a real sense of authenticity. Fans of Iain Pears and Barbara Shapiro are sure to love this novel.