Attention anglophiles, lovers of dazzling historical fiction, and fans of a good draught of droll humor. This book is for you. Set in the Inner Temple, the heart of legal London for centuries, with its own degree of independence (not unlike the Vatican), the novel features Gabriel Ward KC, a brilliant legal mind who moves each day at the same measured pace between his chambers, which are crammed with books on nearly all topics; his office; and the dining hall. But on May 21, 1901, he emerges from his room only to discover a body on his doorstep. In fact, Ward is quick to identify it as the corpse of the Lord Chief Justice, who now has a Temple carving knife in his chest. But what is even more shocking isn’t that he is clad in evening wear, but that his feet are bare. How delicious is this plot? Appointed by the Temple’s Treasurer to investigate the murderer, Ward is paired with the eager and charming young Constable Wright, whose street knowledge turns out to be quite an asset, gaining Ward’s respect. The investigation drags the pair from the upper classes to the homeless, with an entirely separate court case—in children’s publishing, no less—providing some entertainment of its own. Quite simply, this is one of the very best debuts I’ve read in a long time; it’s sure to delight the Osman and Thorogood crews and readers of Sarah Caldwell’s legal murder mysteries as well.
Historical
In this police procedural with a huge twist, Ali Dawson works for a London police department that purports to solve cold cases. These cases are so cold they’re truly frozen, hence the department’s nickname and the book’s title. But the team’s real purpose is to send detectives back in time to solve crimes. An Italian scientist is behind the technicalities of it all, and the officers themselves have only a vague idea of how it works, but no matter. They’ve now visited the past several times, at first leaving the COVID era to go back to just before the pandemic, and then visiting past decades. But now a government minister wants to prove his ancestor innocent of a crime, a job that will send Ali back to Victorian London. Visiting Ali’s own city, but a vastly different version of it, is as fascinating for readers as it is for the sleuth, but all goes awry when she can’t get back, and her son—their relationship is a highlight of the book—is accused of murder in the present day. Griffiths provides just enough of the intricacies of time travel to keep things interesting without bogging the narrative down with physics, creating a fresh new series that will leave readers wanting more
The island of Corfu at the turn of the 20th century, with its native Greek population, large British expat community, and tensions therein, provides an excellent background for crime fiction. When her husband died unexpectedly several years ago, Minnie Harper was left with two children to raise on a modest income, with a deathbed promise to her husband that the family would remain in Corfu. Well-educated Minnie isn’t in the position to turn down a side gig, so when she is asked by her neighbor Stephen Dorian—a well-known, and handsome, mystery author—to type the manuscript of his latest book, she can only say yes. Despite her loathing of the man. But just as the two seem to settle into a disagreeable routine, Minnie discovers that one of the island’s young Greek women, who works as a maid, has been murdered. And the British community is doing its very best to ignore the murder, if not actually suppress it, while the local Greeks, for different reasons, are keeping their lips sealed. But Minnie isn’t about to let justice go undone, and with the help of Stephen, she heads off where no British woman has gone before her. Fans of The Durrells in Corfu, a hugely popular Masterpiece Theater drama set in the ‘30s, will appreciate this prequel of sorts, as will fans of cozy historical mysteries by Rhys Bowen, Jacqueline Winspear, and Amanda Flower.
The horrors of war are reflected in the lives of three people in Baldacci’s (A Calamity of Souls) latest. Fourteen-year-old Charlie Matters lives with his grandmother in cramped conditions. She thinks Charlie is spending his weekdays in school, but he has quit and spends the day roaming the streets, stealing food and money to survive. His goal is to eventually enlist and fight the Germans for taking away his parents and his sense of safety. When he steals from Ignatius Oliver’s bookshop, rather than demanding punishment for Charlie, Ignatius treats him well, almost like a father would. Like Charlie, Ignatius is dealing with loss, but it’s his wife instead of his parents. When 15-year-old Molly Wakefield returns to London after spending time away from the big city and conflict, she is horrified to learn her parents did not survive the bombing. The three bond, throughout the war trusting and protecting one another from a relentless enemy and secrets they can’t see coming. Baldacci chronicles the story of this makeshift family brought together by circumstances out of their control and how they can survive and confront whatever awaits. The author does a terrific job of transporting the reader back in time to a tumultuous period of living in London, and readers will practically smell the smoke and feel surrounded by rubble from the shattered buildings. Another great tale from a grandmaster storyteller.
It is 1715, and young Thomas True has managed to escape from his parent’s home, arriving in London, where he takes up residence with his uncle, a candlemaker to whom he becomes apprenticed. But that’s hardly the story. Eighteenth-century London was home to a flourishing, if risky, gay subculture, a world that seduces Thomas and that was centered around the molly houses. “Molly was a slur used for effeminate, homosexual men and the term was adopted to describe the clubs, taverns…where they met up in secret”, according to The British Newspaper Archives. And although the houses were called mollies, they attracted a range of men, from workers to aristocrats. It was a world where Thomas felt a sense of belonging, made all the more immediate with his discovery of beefy carpenter Gabriel Griffin (AKA Lotty), the doorman at Mother Clap’s Molly House. But when a young molly is found murdered, Gabriel goes in search of the rat who is exposing the men to the judicial system. Could it be someone he is close to? This book is that rare thing: both a strong historical novel that drops you into a richly rendered early 18th century and a powerful mystery that remains at the center of the book.
We are taken back to the roaring ’20s, to speakeasys and the Ziegfeld Follies, in this gritty noir with Ginny Dugan as our main character and sleuth. She and her dancer sister have come to New York from Kansas. Dottie, the sister, dances for the Follies, and is engaged to Charlie, a financial guy from home; Ginny writes an advice column for Photoplay, though keeps angling for real, hard-nosed reporting. Ginny is out partying at a speakeasy when she’s a witness to the kidnapping of Josephine, a headliner who is Black, but her story is not believed. People are dying of heart attacks in Harlem dance clubs, and dancers are reporting ghosts in the dressing rooms of the Follies, young women who have been murdered. There are drug stashes and secret crime bosses. Ginny partners with Jack, a detective, but it is Gloria, a Follies star, who calls to her heart. The level and complexity of the crime speaks to a mastermind: the Eagle, whose identity is unknown until the end. This debut turns back the clock with authentic detail and sharply drawn characters and a strong sense of violence and lawlessness. A challenging book.
Expat Tabitha King—formerly of suburban Detroit—is living, as the kids would say, her best life. She’s upped and moved to post-war Paris—she’s bilingual thanks to her mother and French grandmother—and this third, and best, in the mesmerizing “American in Paris” series finds Tabitha hanging out with her chum Julia Child, from whom she picks up some much-needed cooking tips. She’s also settling disputes between her Grand-père and his partner, Oncle Rafe (they are reopening a restaurant, thus the agida) and dipping her toe in the heady world of haute couture, with Christian Dior, who makes a cameo appearance, leading the way with his “New Look.” But when Tabitha discovers a body in one of the exclusive fashion ateliers, all the frothy fun comes to a halt, or at least a sputter, as Tabitha, with the sometime help of the all-too-handsome Inspecteur Merveille, throws herself into the search for the murderer. It’s a search that takes Tabitha back to Paris during the Occupation and the work of the Resistance against the Nazis and the French Vichy government, as well as those whose role was less clearly defined. Rich in history, full of the value of friendship and family, and with a very, very slow-growing romance (we want more, Colleen!) this is certain to be one of the best mysteries of 2025.
Elinor Hayward and her rich, widowed father, a textile millionaire known as the cotton king, are surprised and thrilled to be invited to a high-society ball. Mr. Hayward is a self-made man—the horror!—instead of having been born to wealth like those who usually snub him. At the ball, shy Elinor is rescued by Frederick Coombes, AKA Lord Storton, who seems interested. As is the way in 1910 upper-class London, a formal courtship is soon followed by marriage. Elinor expects a romantic whirlwind like in the Jane Austen novels she adores, but right from the lackluster proposal, things are off, and after they marry, things only get worse. Frederick has no interest in his wife, except as a vessel for the all-important heir. When the couple and Elinor’s father finally board the Titanic along with their baby, it seems like a welcome break from the rules, but we all know what happens. The characterization here is superb. Readers will root for Elinor before she ever arrives on board and will be rapt as she’s thrown into peril while the nightmare unfolds (Quinn offers a wealth of details about the disaster and its aftermath). What follows—Elinor taking the chance to remake herself, always struggling and waiting to be discovered—is also gripping, and this is one of those books that will leave readers bereft once it’s over. A triumph, and surely a movie must be in the works.
Amanda Flower’s Emily Dickinson series just keeps getting better and better. It’s 1857 and Amherst, Massachusetts is experiencing one of the worst winters anyone can remember. Along with the freezing cold is the fear of chimney fires, and indeed an out-of-control blaze in Kelley Square, the Irish section of town, kills a young family, with the eight-year-old daughter, Nora Rose, the sole survivor. But the blaze has suspicious origins, and Emily and her maid Willa take it upon themselves to investigate. There is a lot going on in this novel, but it is all handled with great deft. Emily’s ongoing reliance upon Willa sets the maid apart from the other household staff, fostering jealousy. The marriage of Emily’s brother, Austin, and his wife,, Susan, continues to deteriorate. Women’s role in society, especially in marriage, is a source of ongoing debate. The future of the now-orphaned Nora Rose, an Irish Catholic girl in a largely Protestant town, and with no relatives, upsets the Dickinson household. Meanwhile, Willa’s own love life takes a dramatic turn. A great choice for book groups, which will appreciate both the book’s breadth and depth. Readers who enjoy this title may also like Mariah Fredericks’s The Wharton Plot and Kate Khavari’s A Botanist’s Guide to Parties and Poisons.
Gerard Fox and his wife, Willa, are sailing to the city of Dubrovnik in the Adriatic Sea in 1351 when adventure and danger again call them into action. They meet another couple, Petar and Jelena, on board during the journey and become fast friends. When Gerard rescues Jelena from drowning, Petar and Jelena reveal the real reason for leaving their home. Their son, Niko, was kidnapped by a ruthless nobleman who wants the city where they are from, Ston, for himself. The parents must give access to the invading horde or have Niko die. Gerard and Willa cannot say no to helping their new friends, even if it means delaying their trip to England to restore Gerard’s good name. It also appears that an old prophecy holds the key to their participation and what pitfalls stand in the way. The answers lie in Marco Polo’s lost journals. Boyd and Beth Morrison smoothly blend non-stop action, despicable villains, and medieval history into another compelling read, their best one yet. Gerard and Willa are a marvelous couple who could easily fit into modern times. A shot of Clive Cusller, a dash of Diana Gabaldon (minus the time travel), and a bit of Steve Berry make this series essential for any adventure or history fan.