It’s 2 p.m., and Evander “Andy” Mills is sitting alone at a bar, suicidal ideations dancing in his head. And for a good reason. A detective with the San Francisco police, his world was ripped apart when he was caught in flagrante delicto during a raid on a gay bar and thrown off the police force. This is, after all, 1952, and until now Andy has succeeded in keeping his sexuality locked away from the rest of his life. As he reaches for his fifth martini, he’s interrupted by a society woman who has a proposal for him: investigate the mysterious death of her wife, Irene Lamontaine, who died in Lavender House, the family estate. Did she say “wife?” Indeed she did. And off we go to Lavender House, home to the Lamontaine family, who own a soap dynasty, and where nearly everyone, from family members to the help, is absolutely queer. Their world is a fascinating one, as free as it is safe—until, that is, Irene was murdered. No reader who’s made it through the first chapter could ever think of abandoning this magical novel as it morphs into a sort of locked-room mystery with culprits everywhere. But as engrossing as the Lamontaines may be, it’s Andy who centers the narrative, and who emerges from the story—to use contemporary jargon—beginning to heal, both physically and emotionally. Here’s hoping this is just the beginning of Andy Mills’ investigations.
LGBTQ+
Jay and Cindy have quite a history. Back in the ‘90s they were husband and wife, soap-opera stars, and a successful musical duo. Then Cindy came out as gay, and Jay quickly followed, sinking their entertainment careers as fast as you can say “don’t ask, don’t tell.” Today the two are still buddies, share a home in Palm Springs, and have recently launched Hooray for Hollywood, a movie memorabilia store—think Betty Davis’s director’s chair from the set of What Ever Happened to Baby Jane? But business is slow and money is tight, so when ninety-year-old Yana Davis, an actress from Hollywood’s golden age, approaches them to sell her vast collection of costumes and other items, they’re ecstatic. Hooray for Hollywood indeed, until they discover that they’re competing against Dylan Redman, VP at a Sotheby’s-like firm with enormous resources. This book is an absolute delight. Yes, there’s plenty of humor, and Yana is pure camp. But at the book’s core are Jay and Cindy, both struggling with loss and loneliness, both trying to make a success out of what they love. There’s plenty here to attract a broad range of cozy readers, all of whom will be back for book two.
First published 50 years ago, Fadeout introduced David Brandstetter, a ground-breaking detective—he works as an insurance claims investigator—who is openly and unapologetically gay. This was at a time, as Michael Nava reminds us in his introduction, when “49 out of 50 states criminalized gay sex between consenting adults and the American Psychiatric Association deemed homosexuality a mental disorder.” One of the great contributors to California noir, Hansen went on to redefine the private eye through 11 more Brandstetter novels (all being republished in print and as ebooks by Syndicate Books), stretching from 1965 and the rising counterculture to the late ‘80s and AIDS. Throughout, Brandstetter regularly touched on hypocrisy and homophobia, while managing to attract the largest readership queer crime fiction had ever received. Fadeout focuses on the disappearance of Fox Olson, a country singer and radio star whose car was driven off a bridge during a storm and the body never found. Brandstetter doesn’t buy it. In prose so lean and evocative you want to stop and read it aloud, we follow Brandstetter as he goes deep into Olson’s life as well as his own, each achingly sad in its own way.
Heads up! A smart, witty amateur detective has entered the crime fiction galaxy, and you won’t want to miss her. Twenty-five-year-old Claudia Lin, from a Taiwanese-American family, doesn’t live up to anyone’s model-minority expectations. She visits her mother in Queens monthly (not weekly), dates girls (not nice Chinese boys), and has a job (not a career). But her position at Veracity, a sort of detective agency that can suss out the truthfulness of one’s online dates, turns out to be tailor made for her. So much so that when Iris, one of her clients, suddenly disappears, Caroline falls down the rabbit hole in pursuit of her, unearthing shocking information both about online dating companies and the fate of Iris. While solving the mystery is central to the novel, Claudia’s complicated relationships with her mom, Harvard-educated brother, and beautiful, vain sister provide wonderful distractions. For readers who enjoy quirky characters, strong female leads, and love/hate family relationships.
Life could be better for Hayden McCall, a diminutive, red-headed (don’t call him cute!) eighth-grade teacher in Seattle. The bad news: While hanging out at a gay bar, he manages to get kicked in the eye by Camilo, a beautiful go-go boy. The good news: Camilo invites him home for the evening and turns out to be quite a gentleman. The worse news: Hayden wakes up the next morning to find Camilo gone, his bull terrier needing to be fed, and the police knocking at the door. With that, we are off and running as Hayden searches for Camilo, accompanied by two of Camilo’s best friends, both lesbians: Hollister, who’s African American, a risk taker, and in possession of an impressive mohawk; and Burley, who’s a giant, a baker, and a total stoner. Both women are keenly aware that the cops are not going to take the disappearance of a young Latino man seriously, a go-go boy at that, and it is up to them to save their friend. This novel is a wonderful mix of lightheartedness—no surprise, sidekicks Hollister and Burley provide plenty of laughs—and seriousness, as we learn that Venezuelan-born Camilo is a “Dreamer” whose stay in the U.S. is precarious. Congratulations to Osler for creating a mystery set in the LGBTQ community that is both compelling and heartfelt. Bring on the next installment!