This debut novel should come with blood-pressure pills. The tension at first comes from strangeness: Mother; Father; their daughter, Juno; and son, Boy live a harsh, homesteading life alone on an island. Is it the present day? What part of the world are they in? Is the mortal danger from outsiders that the parents warn about real? The timing element is all that’s clear for a good portion of the book: it’s the current day, but apart from visits from the mailman who comes from the mainland, during which Juno and Boy must hide from view, the rest is unknown. Bit by bit, teen Juno’s desire for freedom and her determination to find out more about their situation despite her sinister, violent parents’ “seven commandments” (including “We must always kill quickly and painlessly”) ramp up the fear to a terrifying do-or-die scene. Readers will be rapt as they race to the end to find out who survives this nightmare that’s effectively mixed with a fairytale motif echoing one of Juno’s favorite stories. Menger’s previous work is in film, TV, and audiobooks: try his Audible Originals Monster 1983 and Ghostbox while you wait for this gripping thriller.
Literary
French made her name in crime fiction by exploring the underbelly of Irish life in her Dublin Murder Squad series, which blew the lid off any leprechauns in the mist-type views of Ireland. Here the little people are dragged back out, but for good reason: the locals in the west of Ireland mountain village of Ardnakelty lay the superstitions and rural naivete on thick when an Englishman comes to town and promises to make them rich. Meanwhile, their real game is, as the book says in a different context, “offensive and defensive weapons as well as broad-spectrum precautionary measures” (I’m from an Irish mountain area myself and French has us pinned to a board like a butterfly). Playing up the stereotypes is working great, with the Englishman, Mr. Rushborough, lapping up stories of his sainted ancestors while the locals plan to scam him. Come to find out, it’s not a one-sided game. There are three great characters here: Johnny Reddy, a local huckster who left his family for London and is now back expecting a hero’s welcome, with Rushborough in tow; Trey, his daughter, who has started to make an honest name for herself as a talented carpenter, and who is seething with rage against her father and the world; and Cal Hooper, a former Chicago cop who’s lived in Ardnakelty for a few years and is having none of Johnny’s bluster. French fans will love reacquainting themselves with these characters, whom they met in The Searcher (2020); newcomers to the author or this series will be glad they tried this emotional saga.
Connelly’s stellar effort, which brings together defense attorney Mickey Haller, the Lincoln Lawyer; and retired LAPD Detective Harry Bosch, explores a case of an incarcerated woman claiming innocence. She was coerced into a no-contest plea of a lesser sentence of manslaughter by her sleazy attorney, who told her if she didn’t agree to this deal, she would face life in prison for killing her sheriff’s-deputy husband. Every attempt by Haller and Bosch to find answers is met with either disdain or tainted evidence and testimonies. Connelly is a master of taking a straightforward case and compellingly revealing the details while throwing in a few twists and turns. Laws are questioned and Bosch and Haller soon determine they are David and this Goliath is too strong for them. Whether you are a fan of the books or the Netflix and Amazon Prime series, this latest entry is another gripping winner from the master of crime fiction, and with the great popularity of the TV series, expect huge interest in this title.
This book could just as well be titled When the HOA Attacks or Ring Cameras on Steroids: A How-To. Oleander Court, a street in ritzy Alpharetta, GA, has it all. The fountain with $500 apiece koi, the perfectly maintained lawns (did I mention that HOA?), the perfectly Botoxed neighbors. But a few residents keep things from being too plastic. An artist, Helen Beecham, has moved in and while she likes to observe the others, she’s doesn’t love their snooty book clubs (at which the book is never mentioned) or other tortuous gatherings. A Korean American family, the Jungs, lives on Oleander, too, amid nasty comments; one neighbor in particular spreads the rumor that the mother barely speaks English, only Chinese. Lesbian couple Ray and Laura are hiding their rocky marriage and past secrets. And then there’s Adelaide, who formerly lived in a trailer park but is now married to a doctor and struggling to feel she belongs. Closed circle meets cozy when the nastier neighbors start getting bumped off in their homes, but with little attendant grisliness and dollops of dark humor. Come for the bitchiness, stay for the deep characterization of the oddball characters as well as the puzzling whodunit.
Millions of fans of Molly—“the maid”—Gray will be delighted with this wonderful second installation, which features returning characters (such as Mr. Preston, the congenial doorman, and Detective Stark, the grouchy cop) along with a handful of new characters. But most important is J.D. Grimthorpe, renowned mystery author, who chooses Molly’s five-star Regency Grand Hotel to make a most important announcement. No sooner does he mount the stage in the perfectly appointed tea room (expect nothing less from Molly, the head maid) than he suddenly drops dead. Very, very dead. And not from a medical condition. J.D. Grimthorpe was murdered. The path to finding the murderer is a long and twisted one, taking Molly back into her childhood and her early days working alongside her beloved Gran. But as guests and employees start looking at each other with accusation in their eyes, the pressure for Molly to solve the case mounts. In the first volume, The Maid, there was much discussion about Molly being autistic or otherwise neurodivergent. Not qualified to make such an assessment myself, I prefer to think of Molly as eccentric. As this tale draws to a close, several secrets are most satisfyingly revealed, and one major opportunity presents itself, which will leave me in a state of wonder until the next Molly mystery. Pronto, please.
Elizabeth is in a rut. Her job isn’t so satisfying, and her marriage is on the rocks. Her every move seems to trigger a report by her husband, David, to their therapist. She feels ganged up on and adrift, which is bad enough. That descends into depression, which others believe is paranoia, when she finds her neighbor Patricia dead. Others say it’s suicide, but Elizabeth is sure it was murder and is determined to find the culprit. She has a willing sidekick in her sleuthing in Brianna, the assistant that David insists his wife take on to help out at home. Brianna, who is Black, is all too willing to be white Elizabeth’s new best friend, Watson to her Sherlock, and de facto therapist, given that Brianna has a strong motivation to insert herself into her employers’ upscale Memphis neighborhood: someone there called the cops on her son and they killed him. As the plot twists and turns, deceptions build, and though readers have the benefit of a birds’ eye view of the story, surprises are in store. This is reminiscent of Elizabeth Day’s Magpie, with its suburban setting and overcrowded marriage; the effects of gentrification and racism also loom large. For fans of Magpie Murders and novels that pack in the psychological drama.
A deep, dark descent into one of Italy’s most disturbing true crimes, drawing on actual documents, news reports, and interviews to tell the story. Billed by the publisher as a “spellbinding literary thriller”—it’s certainly spellbinding, but no one’s definition of a thriller—this is a slow, methodical, layered journey into the murder of 23-year-old Luca Varani. The method? Torture. The perpetrators? Manuel Foffo, who confesses to his father, while driving to a family funeral, that he killed someone—three, four, five days ago?—he’s too drugged out to know. And Marco Prato, also from a “good family,” a nightclub promoter, gay and considering transitioning. Manuel and Marco barely know each other, although after several drug-and-alcohol fueled days holed up in Manuel’s apartment they develop an intimacy that’s somewhat sexual but more a twisted sort of friendship. “So-called psychic contagion, like a racing engine, brought the two young men close to the point of fusion.” What do they share, besides a love of drugs and alcohol? For starters, an inability to mature, jealousy of the rich, and complete irresponsibility. Lagioia intertwines the descent of Manuel and Marco with the descent of Rome itself—drug filled, rat-infested, garbage strewn, home to wild animals, yet ultimately, he claims, freeing. This story begs for comparison with the Nathan Leopold and Richard Loeb murder of Bobby Franks in 1924 Chicago. Brilliantly translated.
Ruth Cornier is that rarity in fiction: a woman who had the chance to get out of the town that’s too small for her—in this case, Bottom Springs, Louisiana—but stayed. Growing up, everyone knew her as the preacher’s daughter, and nothing’s changed, except that she’s no longer under her father’s thumb. She is still, however, the subject of her downtrodden mother’s malice-filled plans to drag her back to the snake-handling church’s fold. What’s so objectionable about Ruth? It’s her firm friendship with Everett Duncan, her Heathcliff-reminiscent best friend, who’s returned to town after Ruth thought him gone for good. While Ever is the kind-hearted son of the mean town drunk, locals think he’s an apple from a no-good tree, and even suspect him of being the Low Man, a supernatural being who drags people into the swamp. When a skull is found in that same swamp, Ruth and Ever are thrown back into dark days of their youth while also desperately trying to find what really happened before Ever gets what locals think he deserves. As in Winstead’s In My Dreams I Hold a Knife, sharp writing, compelling dual timelines, and sympathetic characters will keep readers turning the pages.
Pulitzer Prize-winner Whitehead’s second Ray Carney book begins in the 1970s, when Ray’s Harlem furniture shop is firmly established. But, given the chaos that it engendered in Harlem Shuffle, his stolen-goods—sorry, “previously owned merchandise”—sideline is no longer. Readers of the previous book will find the setup turned inside out: instead of conquering Harlem, Ray has been ground down by it. He now sits precariously atop his small empire, the relentless engine that is the city seeming to churn the ground beneath his feet. Also different: this time Ray endures the relentlessness of several decades of upheaval compared to the relatively short and, in retrospect, gentle, time when he was a striving young man in the ‘60s. The neighborhood doesn’t want to let him retire his fenced-goods work and the Black Panthers and Black Liberation Army are competing for dominance, a fight Ray wants to sidestep. A crackdown on police corruption sees him dragged into worse and worse actions as his former associates get desperate. Ray’s troubles and determination mirror the fighting spirit of his neighborhood; his saga is New York City’s, with the shocking and sad tale displaying moments of hilarity alongside heartbreaking lows. Whitehead’s writing is fantastically evocative as usual, and his rebuilding of recent decades of New York City life, and of the unforgettable Ray Carney, is a treat to read.
You could call it a meta-mystery. Or you could just call it a whole lot of fun. Gerald Ford is president, the Concorde is dominating the news, while Neil Sedaka is on the turntable. Detective Adam McAnnis accompanies a college chum to the West Heart Club, sort of an Adirondack hunting club set in the northern New York wilderness, crawling with tipsy uber-WASPS. This place is so old and insular the residents speak their own sort of slangy English. What brings a New York City detective to this rarefied compound? Hard to say, but it’s clear he’s got a motive. Comparisons to the Blades Out series are inevitable, but McDorman’s novel is a whole lot more sophisticated and a good deal more humorous. Reading this book is a bit like driving behind a school bus and a garbage truck; the narrative leaps ahead, only to pause while we’re treated to an essay on the rules of the mystery, or the nature of locked-room stories. Then we move ahead a bit, only to stop and be regaled by the disappearance of Agatha Christie, Auden on the Whodunit, and any number of references to mystery’s grand tradition. Confused at where we are? Fear not. There are narrators ready to jump into the fray and remind us we are in a detective story, and what to believe—and what not. It’s a thrill to come across a book that is at once so playful and so erudite.