An annual tradition goes horribly wrong at a lake retreat in Vermont in Day’s latest thriller. Three families have grown up, and lifelong friendships have developed from Julia’s, David’s, and Erika’s families spending time every summer together. So much so that when their children become adults, they continue meeting every year and bring their kids. The area gives off a Jason/Friday the 13th vibe, since a local legend has a young woman disappear every 30 years, and this reunion marks the 30th anniversary of the last disappearance. Tensions explode from the moment they arrive, and everyone appears to have secrets and hidden motives. Day takes characters who initially seem to dislike one another and slowly reveals the bonds and reasons for them to stay as close as siblings forever. When David’s new girlfriend disappears, and his new nanny seems to have ulterior motives for taking the job, the group’s bonds begin to fray. The revelations pile up, and by the end, the reader will be surprised and a bit overwhelmed, which is a good thing. Day perfectly delivers the awkwardness and obligation of family reunions while spotlighting the comfortability and love that makes it all worthwhile.
Suspense
Zorie and Kayla, best friends since third grade, work as house cleaners in a so-so hotel, a position that allows them to engage in a bit of light stealing but not enough to keep them afloat. Which is how the two get involved in crashing weddings where they can pick up some major hauls (steal the money and pawn the goods) while not knowing a soul. Until one weekend they head off to work a rural wedding that they promise each other will be their last gig (“best friend’s honor” is their motto), only to discover that they are the only two Black women at an antebellum-themed wedding. Heading out of town as fast as they can, they are involved in an accident that sends them into temporary hiding as the news blares forth the story of the “Wedding Crash Killers.” Without any support from family, and no friends that can help, things start to escalate and the two head to New Orleans, leaving a trail of blood and bodies in their wake. Zorie and Kayla are forced to make tough decisions about their future and their friendship in this brilliant depiction of two young women who can barely keep alive financially. Completely compelling, full of dark humor, and providing a deep investigation into the nature of friendship, this book is high on my list for book discussions.
It’s loathing at first sight when trained opera singer Kit (stage name Katerina) Margolis meets her understudy, the sexually alluring Yolanda Archambeau, on the first day of rehearsals for Barbarella, a new opera based on the 1968 film. Kit, struggling to prove she is right for the titular role, her first leading part, is taken aback when her director introduces Yolanda to the cast, something not done until later in the rehearsal process. “I felt a flash of irritation, uncharitable yet valid. She didn’t need to be there. She shouldn’t be there.” Kit’s unease rises when Yolanda yawns during Kit’s big aria and later confesses her operatic ambitions, despite her lack of training. Regarding underhanded scheming, Eve Harrington (of the film All About Eve) has nothing on the ruthless Yolanda, whose weapons against Kit include poisoned tea and dead rats. But before her plotting can escalate to a deadlier level, Yolanda is fatally stabbed in her apartment. Kit, who briefly falls under suspicion because of a violent incident in her past, turns sleuth to uncover her late rival’s dark secrets and identify her killer. Offering an entertaining look at the backstage world of New York City opera, Richter’s second novel (after The Divide) skillfully mixes the tropes of a psychological thriller with the conventions of an amateur sleuth mystery. Especially compelling is Kit’s growing self-confidence as a singer and a woman as she pursues the truth.
Coben (Think Twice) brings back former Detective Sami Kierce from Fool Me Once (the book and the NetFlix series) as his past crashes into his simple life. Sami works as a private investigator, doing jobs that embarrass him. He teaches a true-crime class at night school and lives with his wife and year-old son. Sami might want answers from past events in his life, but thinks he will never learn the truth until a woman he recognizes arrives in his class. When Sami graduated from college, he met Anna on a trip to Spain, and for days their lives were bliss until she ended up dead. But the woman Sami sees in his class is Anna, and Sami stumbles into a larger mystery that seems unrelated to his time overseas. To add to the investigator’s increasing stress, the person responsible for killing his partner when he worked in law enforcement is released from prison and asks Sami to reinvestigate the case to prove his innocence. Then Sami’s wife, Molly, thinks she is being stalked, and the lurid texts proving she’s right begin popping up on Sami’s phone. Coben juggles several complex stories, each one of which would be compelling by itself but that together create a page-turning experience that will leave fans and newcomers to Coben enthralled. The twists are shocking, and Sami; his wife, Molly; and the supporting cast are so much fun. Coben would be foolish not to bring them back for another story.
Kudos to Jurczyk (The Department of Rare Books and Special Collections, That Night in the Library) for providing a closed circle mystery that avoids the tropes of the subgenre while still offering some charming nods to closed trains of the past. Here, bestselling author Agatha (albeit suffering a bit from writer’s block) is sent off by her husband on a roundtrip from Toronto to Montreal for the sole purpose of finishing her new novel. With a first class ticket in hand, and only a few residents in her car, Agatha is slightly optimistic, imagining the train as a writers’ retreat and with the hope of turning out a few pages. But then she discovers a woman lurking about the train—someone, it turns out, whom she knows all too well—who believes that Agatha stole her success. As the snow thickens, the train slides to a halt somewhere in the Canadian wilderness, and then the passengers discover the horrifying news: one of their own has died. It’s brilliant how much Jurczyk packs into the book, moving back and forth between the present and Agatha’s personal history, while always sustaining a steady pace. But by the time the 6:40 makes it to the Montreal area hours later, it’s pure carnage.
Here are two people I certainly will never invite to Thanksgiving. Thom and Wendy Graves have been married for over 25 years. Academics, they’ve long been settled in Updike territory along the North Shore of Boston with a cat and a nearly full-grown kid. She’s barely published as a poet while he is an English professor and full-on drunkard. The two might seem a bit dull were it not for how sinister we slowly come to realize they actually are. Swanson (The Kind Worth Saving, Nine Lives) gradually unveils their marriage by going backwards, all the way back to the tragic incident the two plotted and committed in their early twenties. But years of secrecy have taken their toll, and not everyone is willing to keep up the original bargain. Swanson can always be trusted to deliver novels that are rich in intellectual suspense and provide a narrative that is refreshingly new. Here he delivers on both.
You won’t find any members of organized crime here. Nor are the characters locked on a Scottish island or seeking a cozy murderer who has their community petrified. In fact, men have practically no roles in this book. And who needs them? The small group of suburban women who populate this novel are terrifying enough. Let’s start out with Jake, who a year ago endured her then-bestie posting their most intimate correspondence on social media. The result? Jake lost everything: job, house, and, most importantly, her husband. After a bit of sulking and trying to live down her past, Jake is back—she settles into a charming bungalow—and gets ready to retaliate. But this time she has a new friend with her, Mabel, who has her own set of problems. The two join up to seek revenge, although the real victims turn out to be the kids, who find themselves in the cross-fires (for real!). Is anyone in this terrifying community without a grievance? A compulsive domestic thriller that is as dark as it is dangerous.
The horrors of war are reflected in the lives of three people in Baldacci’s (A Calamity of Souls) latest. Fourteen-year-old Charlie Matters lives with his grandmother in cramped conditions. She thinks Charlie is spending his weekdays in school, but he has quit and spends the day roaming the streets, stealing food and money to survive. His goal is to eventually enlist and fight the Germans for taking away his parents and his sense of safety. When he steals from Ignatius Oliver’s bookshop, rather than demanding punishment for Charlie, Ignatius treats him well, almost like a father would. Like Charlie, Ignatius is dealing with loss, but it’s his wife instead of his parents. When 15-year-old Molly Wakefield returns to London after spending time away from the big city and conflict, she is horrified to learn her parents did not survive the bombing. The three bond, throughout the war trusting and protecting one another from a relentless enemy and secrets they can’t see coming. Baldacci chronicles the story of this makeshift family brought together by circumstances out of their control and how they can survive and confront whatever awaits. The author does a terrific job of transporting the reader back in time to a tumultuous period of living in London, and readers will practically smell the smoke and feel surrounded by rubble from the shattered buildings. Another great tale from a grandmaster storyteller.
They’re back! The trained assassins readers first met and loved in Killers of a Certain Age (2022) are on another mission, but things are odd this time. The group of women, which resembles nothing so much as a book club that’s enjoying itself a bit too much, is summoned to a new job, but given tickets for coach airfare…decidedly not the style they’re accustomed to. The usual impeccable preparedness is lacking in other ways, too—no backup murder weapon provided? What is this?—and things go completely off the rails—pun intended, as the worldwide escapades after looted art and to flee revenge end up with the women on a lethal train journey through Montenegro. The Bond-type exploits are exciting and the art-history details absorbing, but as in the previous book, it’s the realistic friendships and love—including same-sex romance—that will keep readers wanting more from Raybourn. An invigorating read that will lift readers’ spirits.
Santa Clara University hosts an annual Parents Weekend for students’ families. In Finlay’s latest thriller, he showcases five families with baggage, from students hiding secrets to their parents with facades created to ignore reality. This generational mess creates a drama school larger than anything New York or Los Angeles universities have ever seen, with dysfunction ruling the day. The parents and youngsters are supposed to attend a dinner event together, but only the adults show up. Numerous calls and texts to the kids go unanswered, and the worries grow. An accidental drowning of a student a couple of days earlier may hold the key. FBI Special Agent Sarah Keller arrives to find answers. Keller was seen in Finlay’s earlier novels Every Last Fear and The Night Shift, and fans will be thrilled to see her again, while newcomers will fall in love with her. As Keller talks to the parents of the missing students, she begins to uncover the truth of what each family wants to avoid. Finlay tells the story from the parents’ perspective, occasionally peering into the five missing students’ lives without revealing too much. He crafts a genuine page-turner with a cast of flawed and realistic human characters. Plan a weekend to devour this terrific thriller.