It’s hard to imagine, but one of the very best series has gotten even better. While the first three books were set around 2016, and featured Rozie Oshodi, Assistant Private Secretary (APS) to the Queen, here we jump back to 1957. The Queen is a young woman, still new to her role as monarch; the U.K. continues to recover from the Second World War; and a new APS emerges out of the typing pool: Joan McGraw, whose wartime work included decoding. This case is centered around a notorious murder: a young woman, a high-class escort, is found dead in a house in Chelsea that belongs to an elite men’s club. She is wearing only silk underwear and a diamond tiara. Nearby lies the body of an older man, garrotted. The double-murder grips Londoners, including the Queen, who has her own reasons for fearing that someone close to her could be implicated. Elizabeth doesn’t trust the old courtiers who surround her and turns to Joan for help in solving the case of the “tart in the tiara.” Besides a bang-up plot, this novel reaches brilliantly into Elizabeth’s life, from real-life state visits to Paris and North America, trying to bolster the U.K.’s relationships, to her tumultuous relationship with Philip, to her fear of a scandal that could take down the monarchy. This is deep, rich writing that should attract the millions who enjoyed The Crown, and want yet more.
Women Sleuths
Kate Myles has a lot going on. The former LAPD cop, her career ruined by a pain-pill addiction brought on by a car crash, has lost her marriage and custody of her beloved daughter, Amelia. She’s now working as a private detective, rolling her eyes at old-time movie assumptions. It’s far from glamorous, and she’s far from ready for more drama in her life. But no matter: while living at her mom’s, she discovers paperwork that leads her on a quest to find biological relatives, a plot line that includes an intriguing aspect of the use of DNA in crime cases, and that also leads her to Idlewood, a town with a sad history. Hired to clear the name of a drug addict who’s accused of killing his sister in an arson attack, she also investigates a local cold case, of a young woman who was killed years before. How all these things are related is the story of every small town, with Kenna perfectly portraying the intertwined regrets, missed opportunities, and love that make each place unique. Better again is her portrayal of Myles, a gutsy, lovable character who pushes herself to the brink and more for those she loves. A thoroughly enjoyable read.
Settle in for a truly wonderful read as Geneva Bay, Wisconsin prepares for the holidays. For pizza chef Delilah
O’Leary, and her crew, a glitzy Chrismukkah catering gig in one of the local mansions gets things started, but when Delilah’s family shows up out of the blue with their own set of hostilities and anxiety-producing behavior in tow, things take a decidedly unpleasant turn. And any hopes that the next day’s annual snow-sculpting championship will cheer everyone up—Delilah attends with now-boyfriend Detective Calvin Capone (yes, that Capone family)—are dashed when a corpse is found frozen in the ice. Quigley employs a large cast of characters, from the formerly incarcerated and now dishwasher “Rabbit” (where did he disappear to?) to Sonya, Delilah’s bestie who helps Delilah sort out her relationship with Capone, to Delilah’s grumpy sister Shea, who most definitely has something up her sleeve. The miracle is that we can follow each character with ease, their identities are so well drawn, while caring about each of them. Add to this a bucketful of red herrings sure to send readers in a dozen different directions. Fire up the pizza, cue Mariah Carey, and make sure the cat is comfortable: cozies just don’t get better than this.
Don’t say I didn’t warn you. This book will have you quickly rearranging your life so that you can get to the all-so-worth-it ending ASAP and without any distractions. A classic closed-circle mystery, it features nearly 300 women and practically no men on a literary cruise to nowhere called the “Get Lit Cruise.” The cruise has been organized by best-selling author and writing guru Payton Garrett, who’s brought along some friends to lead the seminars. These include an MFA frenemy known as the ghostwriter who, under the pseudonym Belle Currer, is a well-known mystery writer (we first met her in Donovan’s The Busy Body). Belle is hands-down one of the most wickedly droll narrators in mysteries these days—hip, full of fun, yet still capable of being terrified. And terror there is, when murder visits the high seas, leaving corpses in its wake. It’s easy to compare this novel to those from Agatha Christie and Anthony Horowitz, but Loose Lips is very much its own thing, and Belle very much her own unique character. I can’t wait to feature this book in next spring’s book discussions.
A wonderful foray into turn-of-the-19th-century Chicago, with women entering the workforce, immigrants transforming the city, and the LGBTQ community tucked away in hidden nightclubs. Harriet Morrow, all of 21 years old, is the first woman hired as a detective by the prestigious Prescott Agency—a decision that pleases almost no one, neither the male detectives nor the female typing pool. But working as a detective has always been a dream of Harriet’s, and now, with her parents dead and her younger brother to support, it’s a necessity. So too are the pants she wears, giving her the freedom to comfortably bike around Chicago while also exploring her identity as a lesbian. Within an hour on the job, Harriet gets her first assignment: to find a maid who has disappeared from one of the posh mansions on Prairie Avenue—and Harriet has only a few days to locate her. It’s magical how Osler transports us around Chicago, from the the large Polish community to queer social spaces to the ritzy homes of Chicago’s elite. Harriet is a wonderful lead character, and Osler brilliantly combines his protagonist’s growth into adulthood and Chicago’s emergence as one of the nation’s largest cities. This book is asking to be the first in a series
It’s wonderful to be back in the graves of academe, especially when we are in the expert hands of Victoria Gilbert, series serialist (meaning she writes several series!). This book launches a new series, and it’s just a wee bit meta. Jen Dalton, mystery author and English professor, gets tangled in a real crime—the murder of a colleague—while, of course, writing her own mystery. If she doesn’t manage to solve the crime happening in real life, then one of her students, a talented writer in her own right, will likely be proclaimed guilty. Lucky for Jen, she has a gang ready to help her out—who needs the police?—from a cafeteria manager to a librarian to Zachary Flynn, the incredibly annoying campus shrink whom Jen can’t help but find attractive (it’s right out of Smart Women, Foolish Choices. Wonderfully paced, brimming with great characterization, and with a terrific lead in Jen, this novel will appeal to many mystery readers, from cozy lovers to those just seeking a good, traditional read.
Comics-creator Segura is back with another mystery that takes a penetrating look at the comics industry, particularly its treatment of women creators. In Secret Identity, the 1975-set prequel to Alter Ego, Carmen Valdez was a struggling artist at Triumph, a small comics publisher. She was promised by a male coworker that if she wrote a new female character, the Legendary Lynx, he would pretend he was the lone creator and reveal her work once the character was successful. You can imagine how that went, only add some murder to the shadiness to get the full picture. This book is set in the present and finds another Cuban American woman artist, Annie Bustamante, going through career struggles. She’s had some success, and she longs to bring back the Lynx, even drawing the character in her spare time. When she’s approached by the son of Triumph’s previous owner to bring the character to the big screen and more, she’s nervous that he’s clueless and she has a hard time getting real details on the project. But when, like Carmen before her, she encounters far more sinister elements of the business, including messages from someone only calling themselves Apparition, things turn very scary. There’s no need to read the previous book to enjoy this one, but readers should grab both for an immersive look at this industry, the muddled ego/fear feelings it engenders, and a great set of murder mysteries.
“Lou” Thatcher runs a ghost-tour company in New Orleans, and it’s popular with both the residents and tourists. The tours are so in demand that Lou is contemplating hiring help to run two per night. Lou has the perfect resume for the job, since she can see ghosts. A competitor who consistently clashes with Lou, Adam Brandt, declares her a fraud and wants nothing more than to shut her down and steal her clients. When he’s found murdered, she’s not surprised, but that’s when her life turns upside down. The cute cop considers her the prime suspect, and the ghosts she can see are not very talkative. You would think that Adam would steer her in the right direction of the person responsible for killing him, but he didn’t see who it was, and he also thinks Lou is responsible. The backdrop of New Orleans shines in this fun and chaotic tale of Lou, her gift, and her efforts to prove her innocence without looking like she needs to be hospitalized for talking to folks who are “not there.” This reviewer is dead serious that this haunting and homicide is a terrific series start.
Fans of Philadelphia’s Mutter Museum and of unsettling fiction are ideal audiences for Fixsen’s “STEMinist” latest. The author introduces Isobel Tait, a desperate nineteenth-century Edinburgh mother. Her only child, a sweet boy named Thomas, is sickly, out of breath at the least exertion. When Isobel finally gets him to see an expert, the renowned Dr. Burnett, the boy’s condition is confirmed to be dire: his heart has a damaged valve and his life will be short. Then Thomas disappears. Frantic Isobel tries everything to find him, but it’s all futile and the police have no leads. When she gives in to a ladies excursion to Dr. Burnett’s display of medical oddities, a tiny, preserved human heart emits—to Isobel’s hearing only—the distinct rhythm that Thomas’s did (the music teacher in Isobel would know it anywhere). What follows is an absorbing and expanding mystery around what happened to Thomas and others like him, as well as an in-depth look at the work of resurrectionists—those who procured and used dead bodies to teach and learn anatomy, with competition for bodies fierce and lucrative. The story is based on real events detailed in an afterword by the author. This is ripe for a bookclub discussion on medical ethics.
Having left behind her life in Baltimore, 20-year-old Ruby Young has settled in a so-so apartment in a so-so Boston neighborhood. The previous tenant who rented her apartment, Cordelia Graves, died just a few months ago, reportedly by suicide. But now another neighbor has died, murdered in an apparent mugging, and Cordelia—she’s become the building’s ghost-in-residence—is determined to keep Ruby safe. But Ruby is one tough cookie herself, with zero fear of the supernatural, and as much as they may be opposites, eventually the two women settle on refrigerator magnets to (sort of) communicate. Hearing each woman’s interior monologue is a hoot, as their relationship as roommates grows and they head out into the world to investigate if Jake was actually murdered…and did Cordelia really die of suicide? Droll, a touch maudlin, and featuring two outstanding characters. Readers are going to be eager for a sequel to this story.