Jamie Spellman is dead and nobody’s sorry. The women in his life are not only fine with the loss, we find eight of them sitting in a disused room above a Manchester pub with Jamie’s head on the table before them, a smell of “rot and pennies” in the air. One of them probably did the gruesome deed, but it’s hard to tell who when the story of each woman’s awful interactions with loathsome Jamie gets underway. It could have been his wife, Sadia; god knows he treated her badly enough. But Kaysha, the journalist investigating the story, knows that even though it’s always the spouse, the other women had equally valid reasons to hasten Jamie’s end. Another possibility is the teenager he was stringing along. Or maybe the mother who’s lost a daughter thanks to Jamie. Everyone’s got a story, and as they unspool, a lot is squeezed in, from infertility to alcoholism and from anger-fueled affairs to vicious gaslighting. It all comes together to link the women, whose stories converge in a way that will appeal to Kate Atkinson’s readers, and to create an ending that brings us back to that head on the table, but in a twisting, unexpected way. This debut author is one to watch.
Thrillers
Heading to Paris for a much-needed vacation after a bad break-up, Nicola Harris meets Englishman James Shuttleworth on the flight and the two fall madly in love. They vacation in the south of France and move to his flat in London, while Nicola practically forgets about her life back in Buffalo. And why not, when they probably have ten feet of snow to shovel? All is going swimmingly until James suggests they spend the weekend at a house party, complete with shooting pheasants and lots of Barbour, where Nicola will finally have a chance to meet his friends. The book is set in 1980, so we don’t yet have the term social anxiety, but that’s exactly what Nicola is experiencing. And rightfully so. This lot of private-schooled, Cambridge-educated, alcoholic aristocrats, with their insider language and weird nicknames, is terrifying. Nicola gives it the old college try—she does love James—but just when she thinks she’s broken through, Juliet arrives. James’ ex-fiancée. Beautiful and seductive. And a genius at undermining Nicola, especially when no one else is around. But what Juliet’s after may be far greater than just destroying Nicola, and we slowly come to realize that everyone is in danger from Juliet. A slow simmer that’s full of great characterization, this should appeal to fans of Lucy Foley and Ruth Ware.
A wonderfully constructed thriller with several narratives, ranging from the 1st century to the present, that eventually come together in the most satisfying of ways. At the outset we have a newly elected pope who has created havoc within the Church with his appointment of a nun, Elisabetta Celestino, as his secretary of state. At the same time, a strip of ancient papyrus that comes from the long-lost Gospel of Mary Magdalene is discovered in a Cairo museum; just a snippet, it still manages to contain shocking information about the role of women in the early Church. It’s stolen and sold to a powerful, conservative U.S. billionaire—and collector of early Christian writings—who wants nothing more than to suppress the content. Alternating with the present-day narratives is the story of Mary Magdalene herself as we follow her from Jerusalem to Egypt to Ancient Rome. At the book’s center is Harvard Divinity School professor Cal Donovan, the protagonist of several of Cooper’s novels, the lynch pin who connects all the narratives. Often thrillers with historical backgrounds like this get weighed down with too much information and overly elaborate plots. But readers will move through this book like a hot knife through butter. For fans of Dan Brown and Steve Berry.
A brilliantly structured debut—alternately witty, poignant, and terrifying—that follows a cluster of suburban Boston families through one year, from summer block party to summer block party. The drama unfolds on the well-off Alton Road, a cul-de-sac in the town of Meadowbrook. While the point of view shifts throughout, at the center are Alex Fox, former lawyer, current mediator, and full-time drinker, and her daughter, Lettie, the high-school girl who dresses all in black and is committed to saving the environment. Around them swirl two planetary systems that rarely intersect: one made up of the adult women—there’s more than a touch of Desperate Housewives with this crew, although they somehow manage to keep the peace—and the other made up of teens, who have their own sordid histories and hatreds. As for the dads, they show up only to create turmoil and threaten violence. As the year goes on, the gossip and scandals grow, from the neighbor who’s a star on OnlyFans to the high school girl with the middle-aged lover to the dad who’s hiding a secret obsession. Ultimately, the suspense is too great, and the little world of Alton Road blows up, leaving no one untouched. Readers will love this fresh, satirical take on suspense in suburbia. Perfect for fans of Fabian Nicieza.
A particular type of horror needs nothing supernatural: It’s when a mundane task suddenly requires every ounce of will and wits to survive. Police officer Elise Sutton is shopping for towels—her kids have been hinting that the threadbare affairs they’ve been using are not the world’s only towels, but who has the time?—when her training kicks into gear: there’s a shooter in the store. The scene that unfolds is a highlight of the book, though far from the only tense moment, and a meticulous portrait of human nature under pressure. Elise gets the gunman in her sight as he takes aim at a tall man who then escapes; the gunman is killed by Elise and the clothing racks come alive with shoppers who were hiding, terrified. Elise must now deal with her own trauma, having killed a man, and with the doubt that plagues her: did she need to kill him? Just as readers settle in for a tale about survivor’s guilt and PTSD, the story takes a turn: the tall man shows up, way too grateful for being saved, and by the time Elise realizes that he’s acting oddly, he’s become her obsessed stalker. Alternating with this inward-focused tale of one woman’s turmoil and peril is the saga of a burned body that’s found in the Connecticut woods, in an oven used by hunters. Finding out how these stories are related, and whether Elise’s marriage and career can survive the terror she faces, makes the pages turn quickly. Ideal for those who enjoyed Ian McEwan’s Enduring Love, another tale of obsession.
Librarian Jenn thinks her husband, Rick, will be thrilled with his birthday gift. He’s often wistfully mentioned his days as an avid surfer, when he hated leaving the beach, always staying for “just one more” wave. But when Jenn shows him the phrase “just one more” tattooed on her shoulder, he says she’s a tramp. And to Jenn’s further shock and puzzlement, he says he’s never surfed. A chill sets into the newlyweds’ days, with Rick becoming more distant and controlling. But surely things will improve, thinks Jenn, if she does her best. When she finally feels ready to ask when they should start to try having children, which they’ve decided is in the cards, she’s dismayed to hear him say that he’s been clear that he never wanted kids. That increasingly red-flag-filled saga is one half of this rollercoaster tale; the other part is narrated by Jenn’s best friend, Becca, who in the beginning of the book arrives at Jenn’s house to find her drowned in the bathtub. The two women’s investigations—Jenn’s library research on her husband’s past and Becca’s digging into what happened to Jenn—unfurl in tandem, an effective device that allows the narratives to complement each other’s details and tone and enables the women to seemingly work together across the time lines. Just wait for that satisfying ending.
Vivvy Bouchet—the last name is one her mother made up as fitting for a psychic—is an astrophysicist who’s working to prove that a glimpse of far, far off light she once detected is artificial light from extraterrestrial life. There’s serious grant money in the balance, but she’s pulled further and further from her day job by her side gig as a psychic working with an old friend (it’s complicated), Mike, who’s a cop. Mike and his gruff, hostile coworker want Vivvy’s take on the case of Lizzie, a missing girl. Lizzie’s mother is in jail for the girl’s murder, but swears she’s innocent, and Vivvy gets a vision that there’s more to the situation than the police know. Discovering Lizzie’s fate and who’s responsible begins to take over Vivvy’s life, not only because she’s determined to find the girl but also because an Alex Jones-type radio and podcast host starts making her life a misery. Getting his fans away from her home and getting back to her research, if her colleagues can ever take her seriously again, are the goals. But Vivvy’s relationship with Mike isn’t the only complication, making this a maelstrom of worldly and otherworldly detective work, satisfying twists, and relationship drama. A fast-moving thriller with an unusual protagonist.
A powerful coming-of-age novel that gradually, and brilliantly, morphs into crime fiction. Sarah Taylor didn’t apply to the prestigious, all-girl prep school Saint Ambrose. Her mother—and sole parent—who works as a lunch lady and barely has $200 in the bank, completed her application. “You’re nationwide smart, Sarah, not small town bright,” her mother reminds her when dropping her off on the first day. But Sarah, dressed all in black, with hair dyed to match, isn’t exactly fitting in at Saint Ambrose, and her diagnosis of bipolar with mania doesn’t help. But the worst is queen mean Greta, who, along with her court, goes after Sarah, humiliating her whenever there’s an opportunity—including Xeroxing and distributing a very personal essay Sarah wrote about being diagnosed bipolar. But slowly Sarah starts to build alliances, including “hot RA,” her incredibly handsome resident advisor, and Strots, her privileged, tough as nails, super-jock roommate, who’s gay and has her own set of challenges (the novel’s set in 1991). Serious stuff, but Sarah has a wild sense of humor that keeps you glued to the page, and the depiction of a New England prep school is spot on. Tensions mount, hatreds grow, violence is inevitable, the community becomes unglued, and readers are left gasping. As Sarah says: “There’s going to be no setting what just happened to rights. Ever.” Fans of Donna Tartt’s The Secret History and Rebecca Makkai’s forthcoming I Have Some Questions for You will love this.
Christian fiction readers and those who enjoy a chilling, tense thriller will relish the trip to Night Hollow, a desolate part of rural Kentucky that locals call “the holler.” Set deep in Appalachian hills, the holler is darker than its surroundings, in both meager daylight and social conditions. It’s particularly bad for women, but the holler keeps all its residents in its sad grip, while outsiders leave the poverty and crime to continue providing it stays contained. That ends when the FBI shows up to investigate the murder of several local women who’ve been found beaten and with their eyes removed and eyelids sewn shut (a process that happens “offstage,” thankfully). Two very different protagonists lead the story: FBI psychologist Violet Rainwater, who’s a product of her mother’s lengthy abduction and rape years ago and struggles to face the current crime’s echoes of that past, and John Orlando, a detective whose FBI-agent wife’s killing may have a link to the Blind Eye Killer, as the media has dubbed the area’s monster. Patch offers spiritual insights via believer John’s kind advice and support of atheist Violet, with the religious theme taking a back seat to the characters’ personalities and the layered mysteries that swirl in the holler. The scary ending, which also has a great twist, will leave readers ready for more from Patch.
Katie Kuhlmann lives in an Edina, Minnesota, neighborhood called Country Club, and it’s like what you would imagine. Katie didn’t grow up rich, but she married old Minnesota money and now lives among neighbors who might “chip in on a private jet” so they can all vacation in the same luxurious place. Having endured a sad upbringing with her grandparents after her parents and brothers were killed in a car crash, Katie’s happy to roll with the pampered oddness that is her new life as long as she’s got her family close. But her safe haven is beginning to show signs of rot. When he’s not ignoring his family or disappearing for lengthy stretches, Katie’s husband, Jack, is angry and tense. Out of the blue, a wayward college friend of his arrives and takes up residence in the family’s garden apartment, and Katie fears that things are going from bad to worse. She has no idea how dire things will get and the gut-punch of betrayal that’s in store. When her husband confesses a crime to her—is it even true?—it’s just the beginning. Goldman writes a woman’s inner voice perfectly, and his background as a TV writer (Seinfeld, Ellen) shows on the page, with tense and thrilling scenes quickly alternating with romantic interludes and domestic entanglements. Jodi Piccoult readers will enjoy Katie’s climb out of a painful trap.