Locked-room mysteries and thrillers are booming, but this one has a twist. In the 1990s, young Grace DeRoche’s family lives in a Canadian branch of the FLDS, the Fundamentalist Church of Jesus Christ of Latter-Day Saints. Talk about a locked room. Children in the cult headed by Warren Jeffs, who in real life has only left the FBI’s Most-Wanted list because he’s serving a life sentence for child sexual assault, live with their fathers and the men’s multiple wives in Brigham, a secretive, abusive compound. They spend their days praying, in fear of outside-world apostates, are illiterate, and are subject to harsh “corrections.” Girls are married young to much older men. After the police come and “Brigham’s Ten”—Grace and nine other children—escape, the rest of the compound dies by mass suicide. In the years that follow, Grace remains in the locked room of her mind: she has dissociative identity disorder, with multiple personas taking over when she’s stressed. Stress comes in the deaths of members of the Ten, and Detective Beau Brunelli must protect Grace, a challenge when the woman doesn’t believe she needs protection and is too frightened and confused to accept help. Freedman could have made this sensationalist, but it’s a thought-provoking read, providing a look at life after a cult and portraying the survivors as real people, warts and all. The shocking ending here is a reward of its own, and getting there is a journey through incredible details of life inside Warren Jeffs’ world and inside the mind of a troubled woman. While you wait, try the Netflix documentary Keep Sweet: Pray and Obey, which covers the FLDS and is also absorbing.
Thrillers
In Paris’s latest thriller, a London woman’s trip from rags to riches and back again is a tense fight against a wealthy man who can’t be denied his out-of-control wishes. The tale alternates between two timelines. In the present, readers find Amelie Lamont kidnapped and trapped one floor above her husband, Ned Hawthorpe, who’s also kidnapped and whose rich father doesn’t seem too interested in getting him back. While they wait, Ned makes clear that he’s his stone-cold father’s son, telling the kidnappers that they can go ahead and kill Amelie as it will make his father cough up the money. The past timeline, which takes place several years earlier in the 1990s, shows how Amelie got into this nightmare, starting when her widowed father died and left her homeless. She finds her way to a job at a magazine, with Ned the boss. Desperate for money for college, she makes a startling deal with the rich man, one she immediately regrets. Both Amelie’s time in her dark prison and the lead up to it are psychologically reminiscent of Emma Donoghue’s Room, portraying the intense inner machinations of a woman pushed to the brink. But this web of fear and lies is much more complex, satisfyingly so, than Room, involving many more characters, intricate plotting, and layers of subterfuge. Paris’s fans won’t be disappointed and readers new to the author will be hooked.
Rhys Lloyd, a former opera singer, has recently built a series of luxury homes overlooking Mirror Lake, on the boundary between Wales and England. Neither the process nor the end results endear him to the locals, to say the least. To attempt to mend fences, and bring the townies and the posh lake crowd together, he throws a massive New Year’s Eve party, only to disappear in the middle of it. When Rhys’s body is found floating in the lake on New Year’s morning, no one seems all that surprised. Nor sad. Not the town folk, not his wife, and certainly not DC Ffion Morgan, who is assigned to the case. Ffion is a local, back home after a failed marriage, and her search for the killer brings her close to people she’s known her whole life, and close to secrets of her own. Against her wishes, she’s paired with DC Leo Brady from the English side of the lake, and they provide every sort of tension imaginable, from national to sexual, giving the book a good bit of levity. Like the TV series “Broadchurch” and the novels of Ann Cleeves, this wonderful novel takes the reader—through twists and turns, and red herrings aplenty—deep within a community. Crime fiction is a whole lot better now that DC Ffion Morgan has arrived.
Major events in Swedish history that caused the nation to see itself anew parallel the events in this book, with the town of Halmstad a microcosm of the larger turmoil. As the book opens, a woman is found in the back of a car, raped and murdered. The crime will always be linked in the minds of locals with the (real-life) assassination of Sweden’s prime minister, Olof Palme, which happened on the same night, February 28, 1986. Halmstad is in a staid area, where everyone knows everyone, the kids play soccer with a beloved coach, and what farms are left are the quiet backbone of life. The death of Palme and of Stina Franzén, the murdered young woman, cause a kind of shocked introspection whose weight pervades Carlsson’s writing. Horror surfaces once again when another woman disappears the day before the relatively nearby Chernobyl nuclear reactor explodes on April 26, 1986. Chernobyl is “on the other side of freedom,” but even given that the crimes are in much-more-open Sweden, investigator Sven Jörgensson can’t catch the man who taunts him with phone calls and promises there will be more. As years go by, Sven’s son becomes involved in the impossible puzzle, as does a writer who grew up locally and who has returned to write about the crimes (and who narrates this tale). Following events over several decades brings us to care for the characters as much as the outcome of this case, one that’s as unpredictable as it is tragic. The author’s U.S. debut (he’s the youngest winner of the Best Swedish Crime Novel of the Year, for The Invisible Man), this is an absorbing and thought-provoking puzzle.
A tight and tense police investigation that brilliantly integrates Māori culture and history. When a gruesome murder in contemporary Auckland, with the victim found hanging in a secret room within an abandoned building, leads to another murder, Māori detective Hana Westerman realizes she may be on the trail of New Zealand’s first serial killer. But what connects the victims? A daguerreotype from New Zealand’s bloody, colonial past—plus texts and images the killer sends her—provide Hana with a terrifying road map to what’s ahead if she can’t stop him. Through Hana, author Michael Bennett (Ngati Pikiao, Ngati Whakaue) connects the past and the present, both in New Zealand’s history and within Hana’s own life. To find the killer; keep her family safe, especially her university-age, politically charged daughter; and face a painful incident from her youth, Hana must undergo a transformation. And the woman we meet at the end of the narrative is indeed far different from the one who begins it. This is crime fiction at its best: well-paced, richly characterized, and fearless in confronting the pain of colonialism.
Veteran NYPD Detective Art Nager and his newbie partner, Liz Callaghan, might have the makings of a cold case on their hands. Or two cold cases…nobody’s sure. Arriving at his Manhattan Upper East Side office, Dr. Rick Shepherd is stopped by police. Somebody’s been shot in the back, on the steps. When the victim is shown later on the news, Rick and his wife are shocked: he could be the doctor’s twin. In a lengthy, wryly funny scene, we see a jaded cop brush off the coincidence, but it doesn’t seem so random the next day when Rick’s father is also murdered, also shot in the back. The elder Dr. Shepherd was on a house call. But maybe it was more. Or could it be that a low-life whom Rick’s sister dated had enough of her family’s dislike? Perhaps a disgruntled patient? And is the second murder connected to the first, and to the creepy silent phone calls to Rick’s home? The detectives have their work cut out, and they portray the best of a police-procedural duo: camaraderie, doggedness in pursuit of the truth, and revelations of past relationships on and off the job. Narrator Nager’s growing feeling that this relationship could become more adds that something extra that makes this read comforting as well as a great puzzle. Did I mention the closing twist?
Jonah and Luke Blackwell are teen brothers-by-adoption who are close in age, and close generally. But they disagree on one big thing: whether to find out their origins. Adopting from foster care, Lena Blackwell was planning to take in one child, but on the big day found him holding hands with a smaller boy, and the rest is history. But it’s history that Jonah can’t leave alone. Lena is at first mildly dissuasive, saying only that the adoption was closed for a reason. As time goes on, however, she grows increasingly frightened that Jonah will uncover why she’s a virtual recluse at the Millinocket, Maine inn that she and Luke run while Jonah attends college. Curious too is why the inn is owned by Coop, the Native Penobscot man whom the boys thought was an employee. And why, when a guest arrives at the inn who seems to know Lena from the past, is she bundled off to stay with the competition? As flashbacks that are haunted with fear take readers back to Lena’s long-ago struggles and her arrival in Millinocket, present-day determination, exasperation, and love bring us closer to an unpredictable and scary finale. This fast read is for those who enjoy strong protagonists digging their way out of tough circumstances.
It’s great to have Matt Witten publishing crime fiction again. The author of one of my favorite series, the Jacob Burns mysteries, he returned to crime fiction last year with the riveting thriller The Necklace. Killer Story is in the thriller vein, and like The Necklace it provides the reader with plenty to dwell on instead of just rushing to the end—not that there’s anything wrong with that. Petra Kovach is a bright young journalist in a contracting industry. No sooner does she land a job than a year later she’s out the door, a victim of downsizing. It’s happening again, this time at the “Boston Clarion,” and to bide two more weeks she pitches her boss a true-crime podcast that would reopen the violent murder of super right-wing Olivia, a Harvard undergrad—and YouTuber—who had an enormous following. For Petra, this is personal. She was Olivia’s counselor at summer camp, and the two remained tight ever since, despite their political differences. But as Petra tracks down possible murderers, and as her audience grows by the thousands then the millions, she sheds first any journalistic ethics, then any ethics at all. Witten sustains the suspense, with the narrative just leaping ahead, chapter by chapter, while at the same time most readers will be wondering: does the end justify the means? And how far can Petra go? Perfect for fans of Dervla McTiernan and Hank Phillippi Ryan.
When Lloyd first introduced Harry Hunt in The Bloodless Boy (a firstClue starred review and a New York Times “Best New Historical Novel of 2021”), the 17th-century physicist was Robert Hooke’s assistant and the investigator of the gruesome murders of London boys. Here Hunt’s fortunes are doing both worse and better. On the glum side, we see his humiliating failure to replace Hooke as Curator of Experiments at the Royal Society for the Improving of Natural Knowledge, with Lloyd’s almost-tactile picture of academic politicking giving the book a strangely modern feel. Hunt still finds prestigious work though: when the skeleton of a dwarf is found, Queen Catherine requests Hunt as investigator. Captain Jeffrey Hudson was “her” dwarf, and Hunt is tasked with finding out both who killed him and who the still-living man is who claims to be Hudson but is taller. The physicist’s urgent work this time (“the body will not keepe”) takes him far from the Thames shores he clung to in The Bloodless Boy. France is a major setting in the book and a final lengthy and very exciting scene takes us to the Queen’s Catholic Consult, where restrictions against the much-loathed group will be discussed. Lloyd again succeeds in creating an immersive look at the various layers of life his hero encounters, one that draws enough on real events to treat readers to intriguing history, but that also adds just the right fictional elements to keep the plot rich. Another winner
Romance? Check. Medical thriller? Check. Cozy? Mmm…sort of. This book has something for a range of readers, from those who like a second-chance romance to fans of Michael Crichton’s medical thrillers as well as readers who get a kick out of elderly relatives as sleuthing sidekicks. It stars Dr. Kate Downey, a young, widowed anesthesiologist (same profession as the author) who lives with her opinionated Aunt Irm. Irm has recently had an AICD implanted, an internal defibrillator that can shock the heart back to the right rhythm if necessary. (An author’s note explains that Dick Cheney had his AICD’s wireless capability disabled while he was Vice President so that nobody could control it and kill him.) At work, Kate sees a frightening pattern developing over a matter of days. Several AICD users have “misfires,” meaning that their device shocks them at just the wrong moment in a heartbeat, greatly endangering their lives. The suddenness and frequency of these issues seem suspect. As Kate rushes to protect Aunt Irm, she gains the help of a man she’s interested in, but is it too soon since her husband’s death, and what about her new love’s involvement in the business that makes the aberrant AICDs? Get ready for realistic and emotionally intertwined characters throughout this fast-moving tech puzzle; the shocking ending leaves much to ponder, making this a great choice for book clubs (discussion guide included)