Simon, prolific author of the Witch Cats of Cambridge series, here mines her past as a rock critic. The tale looks at former rockers visiting their own past when they reunite for a benefit after former bandmate Aimee dies. During the concert, Gal Raver, frontwoman of the band and of the book, sees a familiar face in the crowd. It’s TK, the band’s old roadie, who’s later found dead in an alleyway behind the club. Walter, Aimee’s husband, is charged with murdering TK and seems curiously apathetic when Gal tries to help him fight the accusation. Finding out what happened involves numerous murky flashbacks to Gal’s past as a messy, angry drug and alcohol addict, and her behavior and the battle for fleeting success give the book a feeling of darkness. Simon’s evocative writing puts readers inside sweaty clubs that stink of beer and vomit (so much vomit!), and reaches its first height when describing the moment the fledgling band finally gels onstage. The music fades in the last part of the novel, which explores hard truths and the differing ways they can be remembered, with Simon’s depiction of Gal’s slowly unfurling memories a second high point. Note that rape is described here in some detail. For readers who enjoy dark stories and fans of music-themed mysteries.
Mystery & Detective
Here’s the premise: two teens, a boy and a girl, break into Emmett Burr’s house in search of opiates. The house is remote, set on Sandy Lake in northern Minnesota, and the kids just assume that Emmett, old and immensely obese, will be passed out. But everything that can go wrong, does go wrong. Emmett shoots and kills the boy, while the girl, Jenny, is chained and left in a cell in the basement. It’s clear that she’s just the latest in a series of girls who’ve been locked up, abused, and eventually murdered. Fortunately, Jenny’s mother is quick to notice that her daughter is missing; she calls Sheriff’s Deputy Ben Packard, and the search is on. Ben, who recently moved from Minneapolis, spent his childhood summers on the lake; in fact, he’s related to Jenny. Packard’s search takes him to the dark underbelly of Sandy Lake, where alcoholism and drug abuse and violence and crime rule. Low-key Packard, who has his own secrets—he’s gay and just inching out of the closet—is as compelling and potentially as complex a cop as Louise Penny’s Armand Gamache. This is a remarkable debut—sharp, suspenseful, and emotionally powerful—sure to appeal to readers of Karin Slaughter and Lisa Gardner.
A mystery with all the right ingredients, in all the right proportions: compelling crime, eccentric characters, dishy police chief, fascinating location, and above all else, Lana Lewis, a quirky, smart, witty, and sarcastic protagonist. After getting laid off from her job as a journalist in Miami, Lana moved back to her hometown of Devil’s Beach, a barrier island north of the city, and opened Perkatory, a happening coffee shop. When Raina—who owns the hot yoga studio next door—goes missing, Lana dusts off her journalism creds and heads into the contentious, and gossip-ridden, world of yoga to cover the story for the local paper. But finding Raina takes a village, and Lana gets help from a wonderful cast, including her yoga-loving, hippie Dad—whose medical marijuana prescription is always filled—and Noah Garcia, the aforementioned police chief. Lana and Noah’s burgeoning relationship, despite plenty of professional conflict, is a strong element in the novel. But at the book’s heart is Lana, a complex character who’s recovering from a divorce, wary of romance, and uncertain about her career, yet with a great sense of humor. If I can’t spend the afternoon hanging out with Lana in Perkatory, then please get me the next volume in this series ASAP.
A gripping thriller that is begging to be made into a motion picture. Ethan Lockhart, serving time in a Nevada jail for armed robbery, is released on a 48 hour furlough to attend the funeral of his younger sister, Abby. Ethan is devastated—he and Abby were super tight—but he’s also suspicious: his sister Abby was clearly assaulted in her home, but her body was never found. Ethan suspects Shark, his former boss, a one-time minor loan shark who’s now a major Reno crime boss. Ethan teams up with Abby’s best friend, Whitney—sparks fly!—and they descend into the criminal underground he had hoped to have left behind. The plot never wavers, and the few subplots all add to the story. Bourelle really cranks up the pace—the book just flies—and each chapter is ingeniously named after how many hours are left before Ethan needs to turn himself in. Netflix, please get on this!
From the outside, Desiree Pierce had it all. Famous hip-hop producer father, starring role on a rich-kid reality show, a huge audience following her every diamond-studded move on Instagram. But her sister, Melina, or Lena, has waited years for the phone call saying that drugs have finally killed Desiree, and that moment is here. Fed up as she is with donning her metaphorical Super Black Woman cape, Lena drags it on, again, to start picking up the pieces. But the background to Desiree’s supposedly accidental death starts to look off. For starters, she was terrified of needles and never would have injected heroin like the police say. And what was she doing in Lena’s residential Bronx neighborhood, miles from her glitzy lifestyle? Lena’s fast-paced investigation of what she believes to be a murder takes her back to painful episodes with her family, a clan tight-knit enough to care deeply about one another but that at the same time can get exasperated to the point of estrangement. Twists combine with deft writing and compelling characters—especially the relatable Lena—to create a memorable novel that’s perfect for those who like tales of flawed love and strong women.
“Life owns a way of disappointing most,” notes a character in Lloyd’s meticulously written and researched debut, in which murder is hot on the heels of the disappointments. One of the killings is the goriest I’ve ever read: brace yourself for a man having his Adam’s apple bitten out, with the gruesome fruit spat out to roll across the floor. And that’s only a minor character, one of those enmeshed in the politics swirling through London’s grimy, cold winter of 1678, when paranoia about Catholic plots to kill the King and turn the populace toward popery abounds. A light in the gloom is real-life polymath Robert Hooke, who leaves his elaboratory experiments to investigate the murder of the book’s titular boy. The child is found with his blood entirely removed, dates written beside various wounds on his body, and a coded message left on his chest. Once Hooke’s newly invented means of creating a vacuum in a jar is employed to preserve the body, the sleuthing is afoot. London of the day is almost its own character here, with Lloyd shoving readers into the chill, stink, and fear for a wonderfully atmospheric time. Try this if you enjoyed Cathedral of the Sea by Ildefonso Falcones, which illuminates the same era, but in Barcelona
What’s better than a bookstore? Hardly anything, unless it’s a bookstore with a fabulous soul-food café, the business venture, and adventure, embarked on here by twins Koby Hill and Keaton Rutledge. The two are just getting to know each other, having been raised apart when Koby was put in foster care and Keaton adopted. Many twins in popular culture are portrayed as either freakishly similar or freakishly different, not that I’m bitter as a twin or anything, but these are regular siblings who get along while tiptoeing around their new relationship. Koby is protective of his sister and nervous that the flirting going on between Keaton and his best friend, Reef, will turn to more, a fear that ends when Keaton finds Reef dead on the subway. Reef knew he was in danger, it seems, and left his friend a legacy that leads the twins on a well-plotted quest for justice that’s filled with the quirky characters and yummy-food references readers expect in a cozy. I wished for recipes at the end, and those will be in the book when it’s released. After that, you can look forward to more books about Koby and Keaton, as this is the first in a new series. Collette’s (aka Abby L. Vandiver) work is sure to appeal to fans of Cleo Coyle’s Coffeehouse Mystery series, the Singaporean Mystery series by Ovidia Yu, and Mia P. Manansala’s Arsenic and Adobo.
Yes, another cover featuring a woman in a period outfit with her back turned towards us—except this time the book is a rollicking good mystery. It’s World War II, the U.S. has just entered the war, and Irene Ingram’s fiancé and father have both enlisted, leaving Irene to step into her father’s shoes as editor-in-chief of the Progress Herald, the local paper. Young—she’s in her early twenties—and female, Irene has to continually prove herself, whether it’s to her mother who doesn’t believe women belong in the workforce or to the newspaper staff who bridle under a woman’s leadership. When her star reporter, Moe Bauer, is discovered dead at the bottom of a flight of stairs, Irene has more pressing matters to attend to than the grousing among her staff, all the more so when she figures out that Moe was likely murdered. Then Sam Markowicz, owner of the local hardware store, becomes the victim of anti-Semitic harassment, and another man, also Jewish, is attacked in a local factory. Irene puts aside features about victory gardens and the like and dives into a criminal investigation. The setting—small time life during World War II—is a brilliant choice, and the language and references are pitch perfect. Fans of Jacqueline Winspear’s Maisie Dobbs, Rhys Bowen’s Molly Murphy, and Mariah Frederick’s Jane Prescott will enjoy meeting Irene Ingram.
Apart from the previous title in this series, Finlay Donovan is Killing It, Cosimano’s writes for young adults, and the fun-packed absurdity she brings to that table works just as well for grownups. Honestly, the plot here is kind of ridiculous, but it doesn’t matter at all, because readers will be swept up in this wacky heroine’s attempts to just make it through her mishap-filled life and have a little romance along the way (dishy law student! Dishy cop!). In the previous book, Finlay was mistaken for a contract killer (it could happen!) and was forced to kill a man (O.K., that happened twice…bear with me here). The shenanigans continue in this title when she stumbles across a plot to kill her ex-husband, and she fears being the first suspect if he’s killed. Finlay’s puzzling out of who’s behind the plan involves help from her equally bizarre-scenario-prone nanny and, sometimes, trips to dispose of body parts (not her husband’s body and not the bodies from the first book…look, it’s complicated). A fun romp for bookclubs and for anyone who enjoys slapstick mysteries. Finlay is coming soon to the big screen, according to Cosimano’s author’s note, but read the book first!
A series that just keeps getting better. Kate Marshall and her sidekick, Tristan Harper, have finally gotten their PI agency off the ground, and their first case is a cold one: a mother hires them to investigate the death of her daughter, Joanna Duncan, murdered 12 years ago. Fortunately, they are able to get their hands on the original case files and go about replicating the earlier investigation—to much different results. Joanna was an ambitious, hard-hitting journalist who made some enemies in her career. But as Kate and Harper dig deeper, they’re pulled in surprising directions, including an exploration of the last few decades of the local gay community. Bryndza is an expert at including just the right amount of information about our investigators’ personal lives: Kate continues in recovery, enjoying her relationship with her young adult son, while Tristan is broke, despairing of his single status. As the novel draws to a close, and the many leads come together, we are treated to a denouement as satisfying as it is sorrowful.