Not really crime fiction—unless stealing someone’s boyfriend is now considered a crime?—this book is a brilliant portrayal of obsessive love. We start out deep in hipsterville: Williamsburg, Brooklyn, 2013. Would-be-writer Molly is at a concert where she connects with the lead singer, the super-gorgeous Jake Danner. They fall in love, he writes a song about her that becomes a huge hit, things fall apart, they try to patch things up, he’s off touring, trust is an issue, they break up. Jump ahead 10 years and Molly is living in Flynn Cove, CT, married to the infinitely reliable Hunter, with the two parents to a daughter, Stella. Things are O.K.—Molly’s pretty lonely and is a whole lot more boho than the uptight, preppy women in town—then she meets Sabrina, a new arrival from NYC who shares a lot of her interests, and they quickly become friends. Until it turns out that Sabrina and Molly are sharing more than Molly would ever have imagined, and their many secrets come tumbling out. Lovering does a fantastic job at shifting the point of view from character to character and back and forth in time, managing never to confuse the reader and all the while keeping her foot on the accelerator. A super fun and fast read.
Thrillers
One of the best books I’ve read this year and a brilliant example of how sophisticated and meaningful a thriller can be while still ratcheting up the suspense and anxiety. Imagine you are accompanying your partner on a business trip to Lisbon. After a night of great food and even better sex, you wake up to find that they are gone—no note, laptop and belongings left behind, phone calls going straight to voicemail. What would you do? For Ariel Price, it’s time to mobilize. She starts by quizzing the hotel employees, eventually goading the staff in the American Embassy to help her search for John, her newish husband. But it turns out that to save John, Ariel needs to go far into her past. This novel delves deeply into sexual violence and its life-long ramifications—a rape is graphically described—while continuously upending what the reader believes to be the truth. Hold on to your hat, your head will be spinning. Librarians: purchase multiple copies.
Four strangers—two men, two women, all twenty-somethings—are sharing a table in the grand reading room of the Boston Public Library when a woman screams. They have no idea who she is, where she is, or why she screamed, but it does break down the barriers among the four, and by the time they leave the library, they are fast becoming friends. The crew includes a novelist; a law student; a psychology grad student; and our protagonist, Winifred, known as Freddie, a novelist who hails from Australia. It turns out a woman was murdered in the library, and the fab four take it upon themselves to investigate. But when one of the four is attacked, they begin to realize that there may be a connection between them and the murdered woman. And that one of them may be the murderer. Meanwhile, each chapter ends with correspondence to the author of The Woman in the Library, who lives in Australia, from a Boston-based friend who’s helping her with language and locale—until his communiques take a sinister turn. Readers who enjoy a playfulness in their fiction will be delighted by this book-within-a-book. For fans of Anthony Horowitz.
The number of all-caps texts I sent about THE TWISTS IN THIS BOOK!!! were…many. Those twists concern the misdeeds of identical twin sisters Elli and Sam Logan, who are estranged because of a shocking betrayal. They’re former child TV stars, with Sam back then enthralled by their minor fame while Elli hated every moment. As adults, Elli is a mom while Sam sees reproduction as “a monetizable bodily function.” While Ellie explores empowerment in a self-help group, Sam is a barely sober alcoholic and drug addict whose possessions consist “primarily of emotional baggage.” The twins’ paths have diverged, but when their dysfunctional parents call Sam for help looking after a child–one she didn’t know her sister had–she drops everything. The first part of the book looks at the past and present from Sam’s perspective, and the second at the same events from the point of view of her sister. This reveals that identical events can be experienced through a gulf of misunderstanding, hurt, and fear and that damage and love will find ways out. Brown’s insightful language and the emotional brutality and fortitude shown as Elli and Sam are forced to see themselves and each other anew will stay with readers. If twins in fiction are of interest, also try Brit Bennett’s The Vanishing Half.
A super-smart suspense novel featuring a leading character you’ll never forget. Twenty-something Mallory Quinn is 18 months sober. She was poised to get out of her south Philadelphia neighborhood—with an athletic scholarship from Penn State—when tragedy struck and she spiraled out of control, ending up addicted to opiates. But as the book opens, she’s able to move on from her half-way house, has a terrific sponsor, and is off to the posh suburbs for the summer as the nanny of five-year-old Teddy, son of Ted and Caroline Maxwell. Initially, this is the perfect set-up. Mallory lives in her own tiny house in the backyard and she bonds with the precocious Teddy. All is well until Mallory notices Teddy’s drawings are taking on a sinister tone, with violent images, then greater complexity, well beyond what any child is capable of. Mallory is so well realized, her interior world so compelling, that when she suspects the supernatural is at work, we believe her. Ted and Caroline—an incredibly creepy duo—try to gaslight Mallory, but a neighborhood boy, a love interest, helps to keep her sane. Ultimately, this is a novel of healing, as two very broken individuals—Mallory and Teddy—find ways to move on.
With its nine volumes, the acclaimed Detective Louise Rick series can be off-putting. But the newest title, A Harmless Lie, is actually a good entrance point. Sure, you’re missing plenty of backstory, but Blaedel is careful in not assuming too much knowledge on the reader’s part. Here, Louise is in Thailand, on sabbatical before returning home and taking the position of Copenhagen’s Head of Homicide, when she gets a call informing her that her brother Mikkel has been hospitalized after attempting suicide and that his wife, Trine, abandoned him and their children just days before. Louise heads off to her claustrophobic home town of Osted, only to confront a withdrawn Mikkel, her anxious parents, and the gradual realization that her brother is being investigated for Trine’s murder. Concurrently, her good friend Camilla, a journalist, is looking into the decades-old disappearance of a teen girl whose body has just been discovered, a girl who happened to be a classmate of Trine. While crawling with cops, this book is hardly a police procedural. It’s a deeply emotional dive into family, community, and the power of secrets.
The first crime here is psychological abuse of two sisters whose father, named only as Sir, is obsessed with building their resilience (“Lord knows you’re not going to get by on talent or gifts”). Sir’s isolated, scared little girls can’t go to bed at night unless they achieve enough points. Chores count, but they must also endure “tests” like sitting in the snow without a coat for an hour, holding their breath for two minutes, and kneeling on broken glass. The abuse leads the younger sister to become obsessed with Houdini and perfect a show based on his escapes, with the psychological underpinnings of that quest not lost on her or on readers. Fast forward to adulthood and there’s possibly a new crime afoot, or at least a mystery, as one sister, Natalie, visits a Maine island where she suspects her sister, Kit, is captive in a cult led by the reclusive, mysterious Teacher. The markers of a cult are glaring, but is Kit being held against her will and what’s behind the other residents’ willingness to obey? The solution is satisfying here, and getting to it will bring home to readers Teacher’s declaration of the book’s central truth: “The difference between a cocoon and a straitjacket [is] perspective.”
Quirky meets romantic meets WTF in this Australian import that’s brimming with character. Two very different sisters are at the center of the maelstrom. Rachel is a beautiful and successful baker who spends a week perfecting tiny roses on a wedding cake but eats two tiers of it by the fistful hours before delivery. Her sister, Tully, married with two little boys, is consumed with anxiety and a compulsion to steal. The younger wife of the title is Heather, who’s marrying Rachel and Tully’s father, Stephen Aston, and whose big day opens the novel. Stephen’s ex-wife roaming the altar during the vows is bad enough, but when the couple moves to the sacristy, a scream is heard and the celebrant reappears in the church covered in blood. Hepworth (The Secrets of Midwives) then chronicles the leadup to this chaos, a saga that involves a hot water bottle stuffed with $100,000, romance with cake-pun-loving delivery man, and hilarious observations about the million ways we sabotage ourselves. The Astons also face their share of heartaches and worse (Alzheimer’s disease, rape, and domestic violence are part of the story). For fans of domestic suspense and of the Australian show Offspring, which also features loving sisters and their interesting choices.
If you arrived at your new house and found a package at the entrance, containing not some welcome brownies from a neighbor but a grotesquely mutilated bird, what would you do? If you’re anything like me, you’d head for the hills. But Alex, a single mother-of-two, is made from tougher stuff. Escaping from an abusive partner in Sydney, she’s trying out Pine Ridge, an ecovillage out in the boondocks. She’s committed to making it work, especially for her teenage son, who got up to some nasty behavior online. But the bird is only the beginning, as the creepiness includes more horrifying presents, vandalism, and surveillance. It turns out that Alex’s experiences aren’t all that different from those of another family six years ago, but unlike many a thriller protagonist, she’s no victim, and sets out to confront the evil before it destroys her and her family. This is a wonderfully written work of suspense that succeeds in being both completely terrifying and totally believable—no easy feat. For fans of Lisa Jewell and Ruth Ware.
We have cozies. We have thrillers. But what about mensch mysteries? Because Amos Parisman, AKA the oldest living Jewish PI in Los Angeles, is the definition of a real mensch. In this third book in the series, Amos comes out of retirement—a retirement he doesn’t want—to help the police investigate the murder of a homeless woman, whose corpse he discovers in the bottom of a garbage bin. Soon enough, that murder is followed by others, until it becomes clear that Amos and his sidekick, Omar, have a serial killer on their hands. While the search for the killer provides the underpinning of the novel, there’s always a lot more happening in an Amos Parisman mystery than just the crimes. Here, Amos does a lot of research into the homeless—so often invisible—and the discomfort they provoke in much of society. Also prominent in this volume is Amos’s poignant relationship with his wife, Loretta, who’s now living in a nursing home as she has advanced dementia, and his growing relationship with Mara, whose husband also lives in the home. A wonderful voice, great storytelling, and a completely unique character.