Sometimes it’s the setting that grabs you. Often it’s the plot. But here it is two fabulous characters who come together and through sharp dialogue create a story that both cozy and traditional-mystery readers will love. Former Senator Dorothy Gibson—pant-suit loving, wise-cracking, and wine-imbibing—has just weeks ago lost a run for the presidency to that man, and she’s retired to her northern White House on the Maine coast to lick her wounds and begin work on her memoirs. Her ghostwriter, new on the job, is summoned to Maine; Dorothy’s not one to sit idle. It’s quite a fun hothouse with Dorothy’s gay son hanging around, a ten-out-of-ten bodyguard lurking in the corridor, a Huma Abedin clone who tries to keep everyone on track—and the ghostwriter describing it all in delicious detail. All’s well until there’s a death at a neighboring estate and Dorothy and the ghostwriter, refusing to believe it’s an accident, quickly launch their own investigation. The denouement is quite wordy, but full of the requisite number of surprises. The idea of a ghostwriter as the narrator, who pairs up with different celebrities to solve crimes, is a darn good one.
Domestic
Having a new baby is hard for anyone, but for lawyer Natalie the daily grind of keeping up with baby Oliver while her husband goes to work seems like both thankless drudgery and the most important job in the world, one at which she’s failing miserably. All Oliver wants to do is nurse, leaving Natalie little time to sleep, and when she does collapse into bed, she lies awake fretting about her failures. So when Paul, a kindly neighbor and a stay-at-home dad, slowly gains her trust and seems to be the only one who understands—Oliver even likes him!—Natalie is quickly drawn into his care. Erin, his wife, a stern, perfect woman whom he has come to loathe, is not a fan of Natalie. The young woman’s presence, and her growing relationship with Paul, brings back painful, humiliating memories for Erin, including his transgression with the woman who lived in Natalie’s house before, whose family, readers learn, moved in an odd hurry. The hormonal, messy, and puzzling time warp of the first months of life with a new baby are the perfect backdrop for a psychological thriller, and this one will keep parents especially rapt. While you wait for it, try Murphy’s The Favor, another absorbing domestic drama.
Liv is imprisoned in a rusting shipping container in rural Alaska, her captor her ex-husband, whom she’s tracked down after he faked his death and ran from their marriage and disabled son. He’s now living with a new partner in a proto-cult based on the writings of a guru who espouses pleasure above all else and is happy to philosophize endlessly while harsh conditions threaten his family. Over time, as Liv gains entry to Mark’s house and to some of his more sordid secrets, she plots her escape, one that it seems impossible being phone- and car-less as she is. Townsend takes us on a tense ride through family and cult dynamics, along the way treating us to a memorable look at female and parental resilience; the up-close look at a narcissistic patriarch who’s setting himself up to fail is a bonus. For fans of wilderness thrillers such as Karen Dionne’s The Marsh King’s Daughter.
“Before I got this job,” says Jennica Jungstedt, “I had no idea how far people are willing to stretch the limits of their values,” neatly summing up the theme of this Swedish psychological drama. Jennica is a psychic-hotline operator, but really more of a therapist for those who call; she’s also dating a much-older professor, Steven Rytter. He seems almost too good to be true when they get together after meeting on an online-dating site. “Don’t want to jinx it,” she tells her friends, “but right now it’s going pretty fucking great.” Not so great is that Steven has a wife, Regina, who’s been struck down by the mysterious after-affects of a virus He also forbids his house cleaner, Karla, the only outside contact Regina has, from talking to the sick woman. Karla, meanwhile, has a new space as a lodger in a home that’s equally dysfunctional: she lives with a recent widower who might soon lose his home as he’s unemployed and the bills are mounting. There are lots of characters here, each with a distinct personality and a unique way of adding to the spiraling chaos. Starring two young women, Jennica and Karla, this book is both lighter than many of the Scandi noir titles of recent years and more devastating in portraying the characters’ slow, then all too rapid, descent into murder. A must read.
Do you look at Britain’s sleazy, salacious and exploitative tabloid culture and wonder: how do they get away with this? If so, this is the book for you. Set in the fictitious The Daily Voice, “the country’s top-selling newspaper”–it’s a whole lot like the real Daily Mail– the narrative alternates between tough-as-nails Stella, just a step away from being editor in chief, and newbie Jess, in from the country with, of all things, ideals. The “trade off” refers to the practice of exchanging one thing, say photographs of a naked leading man being led about on a dog leash, for what the tabloid really wants: a front page interview with him about his failed marriage. When this sort of celebrity manipulation goes awry–the beloved winner of a cooking show is hounded until she kills herself–Stella miraculously finds her much-dented moral compass and reluctantly pairs up with Jess. Inspired by #metoo, the two manage to dismantle the toxic misogyny and sexual harassment that’s at the center of The Daily Voice. Both characters have wonderful voices, and when you’re not cringing in horror you’ll be laughing aloud.
Think you’ve made mistakes in your life? Meet Gabe Angueira, who had a rocky time growing up as one of the few Puerto Ricans in Louisville, Kentucky, but has found success as a landlord of multiple properties around the city. He’s divorced—alcohol played a big role with both spouses—but now is living with his ex-wife, Anya, maintaining a kind of truce as they care for their daughter, who’s in a minimally conscious state since she crashed her car, drunk. Gabe’s just trying to get by when he meets a mom who seems to be in the same boat. She’s close to tears when she shows up to see Anya’s for-rent house; she just wants to help her daughter, who’s pregnant and desperate. But Gabe doesn’t have a rental agreement with him when he shows her the property, and on her part, she doesn’t have a check for the deposit. Never mind, thinks Gabe, he’ll pick it up later. Readers can feel a disaster looming, but will in no way be ready for the catastrophe that unfolds…and unfolds..and explodes. This is a gripping, emotional, and adrenaline-filled ride all the way through. I can’t wait for more from this debut author.
Overtown, as California’s Catalina Island residents call the mainland, Disneyland has been closed. On Catalina, the ferries have stopped and even the St. Patrick’s Day karaoke is off. COVID is on the way, if it isn’t there already. But Collette “Coco” Weber has bigger worries. She’s back on the island where her parents and brother were murdered years ago, a crime against the only Black family on Catalina. Coco herself escaped as she had sneaked out against her parents wishes. She’s hardly in line with others’ wishes now, either. Aunt Gwen—famous for stealing trinkets from rich tourists—has been living in the house Coco inherited when her parents died, and isn’t thrilled to share it. And Coco’s determination to continue owning the house clashes with someone’s plan: there’s a housing shortage on Catalina, and she’s violently pressured to sell. At the same time, island widows are being found dead, alone in remote spots that they wouldn’t likely have visited without coercion. As Catalina gets ever more dangerous, a peril nicely juxtaposed against Coco’s job as an island newspaper obituary writer, readers will fall deeper into the compelling mysteries of who killed the protagonist’s family years before and who’s behind today’s mayhem. Hall’s writing of a PTSD-stricken protagonist rings true, with her “warts and all” presentation offering veracity, resilience, and exasperation in equal measure. Those new to the author will want to go back to her previous, also fast-moving puzzles such as last year’s We Lie Here.
It’s the rare writer who can create an intense, well-paced thriller while taking on one of the greatest social issues of our time. And Kia Abdullah is one of those few writers. Salma Khatun, her husband Bil, and their teenage son, Zain, have just arrived at a new development in the London suburb of Blenheim. They’ve left behind the far more diverse and comfortable community of Seven Kings for fear that Zain may be getting in with the wrong crowd. Will it be a fresh start or a crash landing? Here’s the first clue: the next-door neighbor rips Zain’s Black Lives Matter poster out of the front garden, and when Salma puts it in the window, they paint over the window! Things escalate from there, but in a manner that is free of cliché and grows from the characters, who represent a range of opinions and emotions. In a nice aside, Zain and the boy next door, both budding programmers, manage to strike up a friendship that leads to the development of a software for use by those with hearing impairments. But the story doesn’t end there, and where it does lead us is shocking, tragic, and damning. One of the best books I’ve read this year; I can’t wait to discuss this with a book group
This unexpected and brilliant work examines the work of life: self love, self forgiveness, and the need to have others see us as we really are. Cambridge, MA psychologist Dr. Gregory Weber’s life is chugging along, grumpy teenager daughter notwithstanding, despite Gregory living every day with a horrible mistake he made when he was 17, something he’s told nobody about and that stops every relationship from being whole. All is turned upside down when a patient who claims he asked her to start therapy shows up, a woman he could swear he never encountered before. In no time, he’s deeply in love this intriguing woman and desperate to see every Wednesday at 1:00, even though from the beginning she takes his seat at each session and insists that he’s in the patient role. What happens over time, with old and new secrets increasingly working their way toward the surface, threatens to destroy Gregory’s life as he knows it. The ending here, which includes a startling twist, is both satisfying and teaches readers profound lessons about the nature of what we owe others and ourselves. A must read.
What’s the scariest place in crime fiction these days? Yes, that would be the suburbs. Alexis and Sam, her husband, buy a run-down house in a super-posh neighborhood in the DC suburbs. They love what the home could become, but for now it just feels like a bottomless money pit. Alexis is pregnant with the couple’s second child, and with little help from Sam—he’s trying for partnership at his law firm—motherhood is no picnic. To say the two grate on each other is an understatement. It doesn’t help that most people in the neighborhood assume that brown-skinned Alexis (she’s part Honduran) is one of the help. But the women in the neighborhood, chardonnay in hand, do try to make her feel welcome, while pumping her for gossip. When their neighbor Teddy is found dead by the nearby Potomac River—he was out for a run—everything takes on a sinister patina. In the ensuing weeks, Alexis grows close to Blair, Teddy’s widow, offering support while Blair fills her in on the lives of their neighbors. They’re a creepy crew if there ever was one, forever loitering in each other’s backyards, peeking into windows. Could Teddy’s death be linked to one of them? In the armful of suburban domestic thrillers publishing this summer, this debut—with its wild, super-spin of a plot, in which everything is turned upside down—is one not to miss.