Nash offers the wonderfully unique perspective of 80-something Rose, who has dementia yet wrestles for clarity as she careens around her senior care home. Words and people are fluid in Rose’s mind. Incontinence pants become incongruence pads. Care Manager becomes Scare Manager. Management provides lengthy presentations, discussing “Duty of Care” and “Best Practice.” Then he uses the terms “Person Centered,” and “Facilitating a Holistic Therapeutic Environment.” Rose is adept at identifying lies, and liars, and she keeps returning to the room where her friend lived before she was found dead after a fall—or was it really a push out of the window? This sets Rose off on an investigation that annoys the staff and upsets her children, who only wish that their mother were more docile. Instead, she fears the Angry Nurse, who enters her room carrying a pillow…for smothering? As the book draws to a close, we see many of Rose’s deepest fears being exposed, as police cars surround the building, escorting some of the staff away. Could Rose’s campaign have finally freed the patients?
Mystery & Detective
If you’re hankering for bulla cake, coco fritters, gizadas, or other Caribbean foods, Miss Hortense has you covered, with recipes for those dishes and more provided throughout this introduction to the steely “pardner lady.” Readers can learn the ins and outs of the pardner while meeting Hortense’s frenemies and neighbors—who are mostly one and the same—in millennium London and flashbacks to the city in the 1960s, but the basic premise is that it’s the kind of money club often used by those who are unbanked. English banks won’t let Hortense and other members of her Black community have accounts, so the pardner sees them each contribute money every week, with members taking turns to get the whole pot. Over the years, the club has allowed its contributors to “become the person they wrote back home and boasted that they were.” But now all the funds have disappeared at the same time that there are several deaths in the community. Even the supposedly natural demises get Hortense thinking, but some of the deaths bear the hallmarks of attacks that happened years ago, when a man the community called the brute beat several women to death and left biblical messages with their bodies. Is he back? Hortense and the other pardner members will have to do their “Looking into Bones,” which is what they call their investigations. These have the habit of “creating more dots than perhaps connections,” but allow readers to explore a tangle of love, loathing, and buried secrets that leads to a delightful Christie-like ending in which fingers are pointed and confessions made. Zadie Smith fans should pick up this winner.
Nate Romanowski lost everything thanks to Axel Soledad’s murderous spree (in Three-Inch Teeth), and in Box’s latest thriller. Nate will do anything to find and kill Alex. Joe Pickett and his wife are watching Nate’s daughter while he’s off-grid seeking justice. At the same time, the governor asks Joe to find his son-in-law, Mark, and an initial search doesn’t look promising. Mark is alive, but he saw something he shouldn’t have; now he’s being held captive by Axel and his accomplices and needs medical help. Nate and Joe have no idea that their separate journeys will lead them to a final confrontation on Battle Mountain, and that their lives will never be the same again. Box is the master of landscape writing, with the reader feeling the chill of the outdoors and smelling the pine trees. He has delivered a gut-punching thriller that is both compelling and brutal in this cataclysmic war between good and evil. This series gets better with each installment.
Whip-smart, odd-couple arson investigators Andrew Walker and Walter Sharpe are back, this time probing a string of fires across LA. The worst is a blaze that has taken out part of a major highway. In a city that lives in its car, traffic that’s even more snarled is a disaster, and the investigators relish the chance to travel by helicopter while they sniff out—sometimes literally—clues and, at least on Sharpe’s part, exasperate all around them. Fans of the series will enjoy reacquainting themselves with a lovable criminal from the previous books (Ashes Never Lie, 2024; Malibu Burning, 2023), Danny Cole, who is continuing his revenge against a corporate monster. Tense scenes, some (awesome!), Mission Impossible-type capers, and the wonderful arson-fighting duo of Walker and Sharpe make this an exciting, absorbing addition to the series. Readers need not have read the previous books, but it adds to the experience.
In this police procedural with a huge twist, Ali Dawson works for a London police department that purports to solve cold cases. These cases are so cold they’re truly frozen, hence the department’s nickname and the book’s title. But the team’s real purpose is to send detectives back in time to solve crimes. An Italian scientist is behind the technicalities of it all, and the officers themselves have only a vague idea of how it works, but no matter. They’ve now visited the past several times, at first leaving the COVID era to go back to just before the pandemic, and then visiting past decades. But now a government minister wants to prove his ancestor innocent of a crime, a job that will send Ali back to Victorian London. Visiting Ali’s own city, but a vastly different version of it, is as fascinating for readers as it is for the sleuth, but all goes awry when she can’t get back, and her son—their relationship is a highlight of the book—is accused of murder in the present day. Griffiths provides just enough of the intricacies of time travel to keep things interesting without bogging the narrative down with physics, creating a fresh new series that will leave readers wanting more
Colter Shaw takes on a mission to find a missing family swept away by a flood in Deaver’s latest thriller. They don’t have much time to survive, so Colter’s efforts and utilizing his skill set come with a ticking clock. A levee near a small California town has overflowed, and that raging water is merely the beginning of a possible catastrophic event that could decimate the town if the barrier fails. Colter and his sister, Dorion, work with the police and emergency personnel to evacuate everyone before what seems to be an inevitable breach occurs. When they uncover evidence of sabotage, it becomes a race to find who and why someone would want to destroy the town and its citizens. Deaver is a master in misleadingly utilizing readers’ expectations and perceptions, so every revelation is a surprise. The ending hints at a terrific next adventure, and it can’t come soon enough. Fans of the CBS series Tracker already know Colter Shaw, and this great thriller highlights why he’s such a wonderful character. Deaver has done it again.
With its seven eccentric residents, charming historic bungalows, and a beautiful Santa Barbara setting just minutes from the beach, this novel will remind readers of Armistead Maupin’s Tales of a City series, although the latter lacks a mystery element. But they do both share an aging, somewhat hippy matriarch who owns and governs her own complex, and Mrs. B., the landlady of the Santa Barbara Marigold Cottages, only rents to those who need a leg up. Mrs. B.’s latest acquisition is Anthony, a reserved hulk with a prison background and the tats to prove it. Anthony makes the other tenants anxious, and when a dead body is found on the grounds of the cottages, the tenants, with the exception of Mrs. B, all point to Anthony. But Mrs. B. remains certain of his innocence, and heads down to the police station to turn herself in. Wonderfully eccentric with deep dives into many of the characters’ lives, this quickly paced read provides the perfect summer mystery.
Yes, the comparison to Only Murders in the Building is inevitable (as it is to The Marigold Cottages Murder Collective, above, not to mention The Thursday Murder Club). All are narratives of place, in which the residents of a building, or buildings, are deeply involved in the story as amateur detectives, suspects, or both. Marchfield Square inhabits the smallest block of squares in London, with many of the units—Rear Window-like—facing internally, providing residents with a great deal of information about one another, but with little opportunity for actual conversation, at least without hollering across the courtyard. Remarkably, the elderly heiress who owns the complex, Celeste van Duren, is not just still alive, but actively engaged in running it. So when one of the residents is murdered (he totally deserved it), Celeste appoints two of the tenants—Audrey, a young woman who works as Celeste’s cleaner, and Lewis, a somewhat failed novelist—to a team responsible for investigating the murder. Because as we all know, the real police can’t be trusted to do anything right. Audrey and Lewis have to work out their own difficulties, but eventually the two are seen together snooping about the Square tracking the activities of their neighbors and friends. And guess what? Everyone has something to hide. This is loaded with humor and packed with punch, and cozy readers will be sure to keep a look out for more from this Audrey/Lewis duo.
The island of Corfu at the turn of the 20th century, with its native Greek population, large British expat community, and tensions therein, provides an excellent background for crime fiction. When her husband died unexpectedly several years ago, Minnie Harper was left with two children to raise on a modest income, with a deathbed promise to her husband that the family would remain in Corfu. Well-educated Minnie isn’t in the position to turn down a side gig, so when she is asked by her neighbor Stephen Dorian—a well-known, and handsome, mystery author—to type the manuscript of his latest book, she can only say yes. Despite her loathing of the man. But just as the two seem to settle into a disagreeable routine, Minnie discovers that one of the island’s young Greek women, who works as a maid, has been murdered. And the British community is doing its very best to ignore the murder, if not actually suppress it, while the local Greeks, for different reasons, are keeping their lips sealed. But Minnie isn’t about to let justice go undone, and with the help of Stephen, she heads off where no British woman has gone before her. Fans of The Durrells in Corfu, a hugely popular Masterpiece Theater drama set in the ‘30s, will appreciate this prequel of sorts, as will fans of cozy historical mysteries by Rhys Bowen, Jacqueline Winspear, and Amanda Flower.
Nova Davies has relocated from London to a remote Cornish seaside town, in part to be with her fiancé, whom she is set to marry in a little more than a week. While Nova loves her job as a social worker in the local community center, she can’t help but be a bit frustrated by her clients. Must the five members of her book group—a real bunch of misfits if there ever was one—argue about everything? But that’s just the beginning of a series of misfortunes, all of which seem to point to Nova. First one of their own, a book group participant, disappears, only to have a dead body show up in his house. Then a significant sum of money, earmarked to repair the community center’s ancient roof, goes missing—could Nova really have been so dizzy that she forgot to lock up the building? There’s a lot of fun to be had here, from Phyllis, an Agatha Christie superfan who insists on using Christie’s plots to solve the murder and find the funds, to Nora, whose life couldn’t become more complicated thanks to a full-on control freak of a mother-in-law and a mom who’s stranded in South America, likely to miss her wedding. And the fiancé? Please dump him. A delight from start to finish, and sure to please cozy readers who appreciate strong characters, a great community setting, and a dollop of criminal activity. For readers who enjoy Lucy Gilmore and Emily Henry.