This novel of small-town heartbreak, grittily emotional in a way that’s reminiscent of Dennis Lehane’s Mystic River, introduces the lovably flawed Grady family: Roman, his partner, Ashley; their son, Mason; Roman’s mom, Tara; and her partner, John. They all barely hold it together financially and every other way in their part-time Airbnb in upstate New York. The house needs extensive repairs, but who has the money? Instead they’re muddling along, with Tara mainly raising Mason and his parents resenting her takeover. Then Roman finds Ashley dead on the riverbank behind her drug-addict friend’s house. As word gets out that Ashley had a bag of pills in her pocket, everyone in town assumes it was an overdose. But Roman wants real answers, and his digging creates a realistic, relatable saga of poverty mixed with love and bad choices. All the characters here are memorable, but four-year-old Mason and his bottomless, bewildered grief are particularly well drawn. A family and a story to remember.
Psychological
I love the kind of us-and-them stories set in places like the Hamptons, and the latest by DeCarolis (The Guilty Husband, Deadly Little Lies) is packed with twists. Alex and Maddie Walker are sisters who look so alike and are so close in age that people think they’re twins. Their mother referred to them that way, a glimpse of love amid her boozy, selfish ways. Now Mom’s long gone, and the sisters, who are now in their twenties, are distant after an argument that followed her funeral. But when Alex doesn’t hear from Maddie, who has been in the Hamptons for the summer, she heads to that tony town to get to the bottom of things. What she finds is very strange—Maddie had been living at one of the swankiest houses in the area, Blackwell Manor. Alex stays with the Blackwells herself, keeping a safe distance from their rich but miserable lives—until things take a turn when another young woman goes missing. As Alex becomes a thorn in the police’s side, she uncovers secrets about the present and the distant past. Dark sexual themes feature amid the absorbing suburban suspense that’s told from multiple, tantalizing viewpoints.
A wonderful addition to the literature of The Wizard of Oz, this novel focuses on 11-year-old Dorothy Gale, “dreamy, distant, difficult,” and her eventual return to Kansas via a pumpkin field, where she is found sleeping. Poor Dorothy didn’t know the drill—she was insistent on the reality of the fantastic land she had left, with “talking beasts, flying monkeys, and a wizard”—when she should have been accusing the Oz citizenry as being ungodly pagans. But it’s Dorothy’s admission that she murdered (actually melted) the witch, and the discovery that a leading, witch-like townswoman, Alvina, has also been murdered (melted by lye), that sends Dorothy off to the Topeka Insane Asylum. Fortunately for Dorothy, the town is visited by Dr. Evelyn Grace Wilford, a student of William James, who faces the misogyny and Christianity of the townspeople to learn the truth of what really happened to Dorothy Gale. A delight from start to finish.
Cleo, a student at NYU, has a tumultuous relationship with her mother, and that hatred gets tested in McCreight’s latest domestic thriller. Cleo’s mom, Kat, begs her to come for dinner, and Cleo reluctantly agrees. Arriving late, she finds food burning in the oven and on the stovetop and blood on a shoe, but no Kat. What happened to her mom? As she searches for answers from her father and friends, she quickly learns that everyone has secrets, and the mom she wanted to avoid was not the woman she thought. The story jumps between Cleo trying to find the truth and Kat, from two weeks before her disappearance, trying desperately to hide from her past and keep Cleo from discovering everything. Even the most jaded readers will not anticipate all the surprises here. McCreight, who knows how to keep the pages turning, has become one of the best in the psychological thriller genre. She has another bestseller on her hands.
Do you love books that take you to new places, especially if it’s unlikely you will ever visit them in person? Me too. And Downes’s thriller does exactly that, bringing us to the dramatic coastal highways of Western Australia and setting us down among the “vanlifers,” who are exploring the coast while living out of their souped-up vehicles. But this isn’t a Fodor’s Travel Guide. We’re following Katy Sweeney, who’s hit the road in hopes of finding her sister, Phoebe, a sort of solo travel influencer, who disappeared a year ago. The case has grown cold and the cops have all but given up when Katy meets Beth, another young woman who has her own reasons for disappearing into the anonymous van world, a world often hostile to women. The two pair up—Beth is pretty destitute—and use Phoebe’s social-media posts to retrace her steps along the coast. Documenting a true road trip from hell, this fast-moving suspense novel eventually arrives at a resolution that is both terrifying and shocking, turning everything we have come to believe inside out and upside down.
Deeply disturbing pals up with darkly comic to create one heck of a morbid ride. Thirty-something Hannah is a little lost. Her work in a non-profit in Minneapolis is as meaningless as her occasional hook-ups with self-centered guys who only want one thing. The light of her life? True crime, specifically the unfolding story of a murderer in Atlanta who has killed four women and is quickly identified as William, a good-looking lawyer. From combing the true-crime forums by night and the news articles by day, Hannah’s interest in William blossoms until she takes the next step: she writes to him. Thus begins a correspondence that works its way from hatred to love, as all the while her life crumbles around her. By the time the trial is announced, Hannah has nothing to stop her from driving to Georgia, spending weeks observing the proceedings, and hanging out with the other true-crime weirdos (too judgy? I don’t think so). But as in all good crime books, nothing is as it seems, and the truth sends Hannah—and the reader—spinning in a completely surprising direction.
A trip to lover’s lane ruins lives in Finlay’s latest thriller. Ryan Richardson was with his girlfriend, Ali, when they were attacked. He receives a blow to the head and is thrown out of the car while Ali screams and vanishes along with the vehicle. Five years later, Ryan has changed his name to escape the constant pressure of suspicion in Ali’s death. Abroad, attending law school, he learns that the car has been found in a lake, and inside were two dead men and an envelope with the words, “If something happens to me” written on it. Inside are a series of numbers. Is it a code to reveal the truth about that night? Ryan seeks closure, but trying to get the answers he seeks ends could put him in the crosshairs of a killer. The twists are nonstop, and the story falls into surprising territory. Finlay’s name on the cover guarantees a great read, and this one will end up on many best-of-the-year lists.
Lapena’s psychological thrillers never disappoint. In her latest, set in Fairhill, Vermont, a farmer investigating vultures over his field finds the dead body of a young woman. This kind of thing never happens in Fairhill, and when the horrified local police realize that the victim is a local teen, Diana Brewer, the town reels in shock and grief. “Trying to make sense of something that will never, ever make sense” are Diana’s bereft single mother, who worries others by telling them she still communicates with her daughter, and the young woman’s best friends, Riley and Kelly, who are determined to find the killer. But even in a small town, it’s not easy to figure out who could have done this awful thing, and readers will enjoy sleuthing along with the characters as suspects emerge, each with something dark to hide. Supernatural elements enter in several ways here, adding to the edginess and puzzlement. If you like Chris Bohjalian, this one’s for you, not just because of the Vermont setting but also the small-town drama.
In many ways, Kingston and Jasmyne Williams are living their dream life. Their little boy, Kamau, is thriving. They have another baby on the way. And Kingston, or King, is making oodles of money in finance. But King is eager for a next step: moving them to Liberty, a controversial suburban Los Angeles community of very, very rich Black people that comes with all the trappings. A sumptuous spa—sorry, wellness center. Lavish homes with three living rooms each (one for everyday, one for company, and a den, of course). And an excellent school for Kamau where every teacher is Black and they won’t have to worry about him fitting in. From the moment she reluctantly agrees to this transformation of their lives, Jasmyn is nervous about abandoning her community and her belief in giving other Black people a hand up. And she’s right: Liberty turns out to be one sinister place, in ways readers will never guess and that will keep them on edge right up to the last gasp of surprise. Yoon’s first adult novel has some of the hallmarks of her YA background: a character who feels like it’s her against the world, a shifting sense of who can be trusted, and a feeling of not fitting in. This will be a great crossunder read for young adults as well as a hit with fans of Zakiya Dalila Harris’s The Other Black Girl.
For me, the best kind of thriller is one with high emotional stakes, and this fits the bill, featuring a family that’s been torn apart by addiction and an unsolved crime. When they were 15, Iris and her twin sister, Piper, were tricked into meeting older boys, a tryst at which Piper was abducted. The police believed that Piper ran away, the trail went cold, and today lris is a bereft adult, living with her son and grandmother and still wondering what happened to her sister. The twins’ mother, an addict, gave up on finding Piper long ago. But, clinging to hope, Iris has landed an internship at Shoal Island Hospital, a facility in Seattle’s San Juan Islands whose sign has a space where the words “…for the Criminally Insane” used to be. Readers are gradually let in on who she’s there to meet, and along the way, flashbacks return to the time of the abduction as Iris sleuths and grieves in the present day. A closing twist adds fear and drama, but those are present in spades along the way too. This fast read will be a hit with those who enjoy a female-led thriller that features an at-first-powerless protagonist who must seize the reins.