I’m going to call it like it is: this is one of the best books of the year. Frank Szatowski—widower, UPS deliverer, and all-around good guy—gets a call from his daughter, mid-twenty-something Maggie, inviting him to her wedding in rural New Hampshire. The two have been estranged for several years, so this invite is a big deal for Frank, who brings along his sister (she’s practically Maggie’s mother). But from the moment they arrive at the incredibly lavish estate, nothing is what they expect. Maggie, it turns out, is marrying into a vastly rich tech family—think the Dells—and Frank’s attempts to connect to Maggie’s new family only succeed in making both him and the family members increasingly suspicious. Son-in-law Aidan Gardner is a recluse, accused by the locals of murder; Mom is hiding up in the main house, a drink- and drug-addled shadow of a woman; Dad is a complete control freak who enforces his own time system (seriously); and Maggie is the cheerleader, backing the families’ crazy decisions. Frank’s dialog—both internal and external—is one of the joys of the book, and Frank keeps discovering new forms of evil, like so many nesting Babushka dolls, as he investigates the Gardners. But will he be able to convince his daughter to leave? Strong characterization, a fascinating environment, and a good wallop of suspense makes for one compelling read. Relish it.
Psychological
Friends Lauren, Kelsey, and May call themselves the Canceled Crew. Each has been vilified in the media, Lauren, who’s Black, because it’s assumed that she slept her way to her job as director of the Houston Symphony; May, who’s Chinese American, for a terrible incident on a subway platform that was filmed and went viral; and Kelsey, who’s white and rich, for being suspected of killing her husband. The women are now on a girl’s weekend in the Hamptons, trying to put it all behind them and let their hair down a bit, but the note of the book’s title throws them back into chaos. It’s a prank that isn’t so funny after the recipient goes missing and the three women are firmly back in the spotlight, a situation that widens every crack in their relationship with one another and their partners and families. Burke makes every character hyper real here, portraying the effects of privilege, thoughtlessness, and poor decisions with deft precision. The strong ties we feel to old friends, no matter current circumstances, are also shown in sharp relief. Add to this a page-turning whodunit element and it all adds up to a cracking read.
The village of Teetarpur, on the outskirts of Delhi, has been known for nothing for decades. Grittiness yes, but no crimes, no scandals. Until the unthinkable happens and an eight-year-old girl, Munia, is murdered, discovered hanging from the branch of a tree. Munia may have been shy, but she was much loved by her father, the widowed Chand, and the rest of her community. Part police procedural, part literary thriller, this beautifully written narrative brings rural India to life. The novel is told in the third person, with vivid characters richly developed and time that moves back and forth as we see Chand in his youth, living by the Yamuna, the black river of the book’s title. We follow local inspector Ombir Singh, under pressure from the rich and the political elite to resolve the killing, and Chand, calm on the exterior, but whose blood boils with revenge, not trusting the police. Roy is a journalist, and it’s tempting to attribute that to what makes this book so magnificently successful: the range of society, the moral complexity of many of the characters, and the terrifying brutality. Sure to be one of the best books of the year.
Leo Balanoff’s skills as an attorney are assisted by his tendency to pathologically lie every chance he can. His unscrupulous methods caused the love of his life to walk away, and his horrific family background has him seeking revenge. When the target of his retribution is killed, and Leo’s DNA is found at the scene, he finds himself on the verge of losing everything. So when an FBI agent offers a chance to go undercover to avoid prison, the attorney jumps at the opportunity, not realizing it will put him in the crosshairs of his ex. Twist after shocking twist comes nonstop in this engaging and fun thriller. The story is not just like a twisty pretzel, it’s like an entire pretzel factory. Ellis has written one of those rare books in which every single word cannot be trusted, resulting in an ending that no reader will see coming. Paranoia, chaos, and shocks await.
Life inside a cult, and the uncertainty after escape, are chillingly chronicled in Shepard’s latest psychological suspense. At first, high schooler Danny is scornful of Infinite Spiritual Being, or ISB, the self-help group that her friends are so enamored of. But its narcissistic leader, Ben, knows just the right ways to manipulate a lonely teen into joining his band of acolytes. The young women, and some men, who are gaslit by Ben into eating very little—so as to gain more control over themselves—are over time convinced to leave their families and join Ben in a rural Oregon compound. Accounts of that life alternate with looks at the current day, nine years later, when Danny shows up at her ISB friend Rebecca’s house unannounced. Rebecca’s now living with her husband, Tom, and children in much more pleasant circumstances and is stricken to see Danny, as Tom knows nothing of her old life. Danny’s appearance puts Rebecca and her family in terrible danger, and as readers move back and forth in time, and secrets and terrible abuse, including of pregnant women, are revealed, the story ramps up to a tense-as-can-be ending. The legions of fans of Shepard’s Pretty Little Liars will read anything by her and will be well rewarded here; those new to the author will also race through this riveting tale.
Relatives: you never know what they might be up to. Until you read the will. For Nina—whose beloved father recently died—it’s the discovery of a lavish home in the British Virgin Islands that he left her. Her father was a civil engineer and the home he created—where did he get the money?—is modern and marble, cool and glass. But there’s something a bit off about the house, which slowly begins to come alive. Like some massive escape room, it engages Nina in a game that starts playful but soon becomes terrifying. Then there’s the concurrent story of Maria, a former medical student who now works as a nanny for the immensely rich. She’s able to sock away thousands of dollars while living in gorgeous resort-like mansions. But at her most recent job, the children never show up; in fact, days go by and no one appears, just an electrician to fix a malfunction in the system. The only rule? Don’t enter a room in the basement, which Maria, naturally—after days of boredom—can’t help but do, setting off a life or death struggle that spreads over days. Steadman gets a 10 for creating a puzzle/pawn like novel of terror that starts fast, only to gain even more speed as the reader inevitably rips through the short, action-packed chapters. Prepare yourself for something very new and very disturbing.
First published in 1949 and now elegantly translated into English for the first time, this award-winning atmospheric puzzler by a celebrated author from Japan’s golden age of detective fiction is both an intricate locked-room mystery and a metafictional take on how to write such a crime novel. In the summer of 1946 at a bathing resort, Akimitsu Takagi, a devotee of mystery fiction and an aspiring amateur sleuth, runs into Koichi Yanagi, an old school friend who has just returned to Japan after serving in Burma. Koichi now works for the respected Chizui family, whose members appear to be as cursed as Edgar Allen Poe’s Usher siblings. Ten years earlier, the patriarch, Professor Chizui, died of an apparent heart attack, although Koichi suspects foul play; his wife was institutionalized in an asylum; and recently their daughter also lost her sanity. One night, an eerie figure wearing a demonic hannya Noh mask is spotted in the upstairs window of the Chizui mansion; Taijiro, the professor’s brother, asks Akimitsu to investigate. By the time the sleuth arrives on the scene, Taijiro has been found dead in an armchair in his locked bedroom, with the mask on the floor beside him and the scent of jasmine lingering in the air. When Akimitsu learns that someone has ordered three coffins, he fears that the worst is yet to come. The author cleverly structures his plot like a Russian nesting doll, with one puzzle embedded within another puzzle inside another puzzle, until it is resolved in a surprising and satisfying conclusion. Agatha Christie and S.S. Van Dine fans will enjoy this twisty tale.
This novel of small-town heartbreak, grittily emotional in a way that’s reminiscent of Dennis Lehane’s Mystic River, introduces the lovably flawed Grady family: Roman, his partner, Ashley; their son, Mason; Roman’s mom, Tara; and her partner, John. They all barely hold it together financially and every other way in their part-time Airbnb in upstate New York. The house needs extensive repairs, but who has the money? Instead they’re muddling along, with Tara mainly raising Mason and his parents resenting her takeover. Then Roman finds Ashley dead on the riverbank behind her drug-addict friend’s house. As word gets out that Ashley had a bag of pills in her pocket, everyone in town assumes it was an overdose. But Roman wants real answers, and his digging creates a realistic, relatable saga of poverty mixed with love and bad choices. All the characters here are memorable, but four-year-old Mason and his bottomless, bewildered grief are particularly well drawn. A family and a story to remember.
I love the kind of us-and-them stories set in places like the Hamptons, and the latest by DeCarolis (The Guilty Husband, Deadly Little Lies) is packed with twists. Alex and Maddie Walker are sisters who look so alike and are so close in age that people think they’re twins. Their mother referred to them that way, a glimpse of love amid her boozy, selfish ways. Now Mom’s long gone, and the sisters, who are now in their twenties, are distant after an argument that followed her funeral. But when Alex doesn’t hear from Maddie, who has been in the Hamptons for the summer, she heads to that tony town to get to the bottom of things. What she finds is very strange—Maddie had been living at one of the swankiest houses in the area, Blackwell Manor. Alex stays with the Blackwells herself, keeping a safe distance from their rich but miserable lives—until things take a turn when another young woman goes missing. As Alex becomes a thorn in the police’s side, she uncovers secrets about the present and the distant past. Dark sexual themes feature amid the absorbing suburban suspense that’s told from multiple, tantalizing viewpoints.
A wonderful addition to the literature of The Wizard of Oz, this novel focuses on 11-year-old Dorothy Gale, “dreamy, distant, difficult,” and her eventual return to Kansas via a pumpkin field, where she is found sleeping. Poor Dorothy didn’t know the drill—she was insistent on the reality of the fantastic land she had left, with “talking beasts, flying monkeys, and a wizard”—when she should have been accusing the Oz citizenry as being ungodly pagans. But it’s Dorothy’s admission that she murdered (actually melted) the witch, and the discovery that a leading, witch-like townswoman, Alvina, has also been murdered (melted by lye), that sends Dorothy off to the Topeka Insane Asylum. Fortunately for Dorothy, the town is visited by Dr. Evelyn Grace Wilford, a student of William James, who faces the misogyny and Christianity of the townspeople to learn the truth of what really happened to Dorothy Gale. A delight from start to finish.