When young Swedish woman Eleanor finds her manipulative, angry grandmother Vivianne dying of a stab wound, she’s more depressed and bewildered than sad. Vivianne raised Eleanor on a steady diet of scorching belittlement after the girl was left an orphan. Eleanor’s now working to overcome the hurt while learning to cope with prosopagnosia, or face blindness (she can’t recognize faces, even her own in the mirror). The story quickly moves to Solhöga, Vivianne’s country mansion, where Eleanor, her boyfriend and aunt, and Vivianne’s lawyer aim to inventory the contents. The chore becomes a terrifying ordeal when various members of the party come to mysterious harm; the somber house and sad diary entries detailing the lonely days of a long-ago maid at Solhöga add to the forbidding atmosphere. Sten’s character-driven, psychologically immersive puzzle will keep readers guessing until the end about who killed Vivianne and what’s behind the mysteries at the house. Eleanor’s face blindness adds an interesting and thankfully not overused element to the tale; an apt complement to this is Sarah Strohmeyer’s Do I Know You? (Harper, November), which features a “super-recognizer” who remembers for years the faces of people she sees even once in a crowd.
Thrillers
Ten years ago, Lydia was kidnapped, then spent the subsequent decade locked in a hunting cabin, subjected to torture and abuse. Miraculously, she managed to escape—feigning death—and after several months of homelessness made it to the coastal town where her husband, Luca, and Merritt, his second wife, live. At first glance, Luca and Merritt, who married a couple of years after Lydia disappeared and was declared dead, have it all: homes, cars, several restaurants that they own, a beautiful child, another on its way. How will Lydia’s resurrection rock Luca and Merritt’s world? With chapters alternating between Lydia and Merritt’s points of view, we watch the tentative relationship between the two women grow. Merritt tries to help Lydia while Lydia charts her own course, deciding how she wants to be helped. Kent does a terrific job of creating suspense—we know a bomb is about to go off, just not which one—and when it does, we’re totally spun about. But the book doesn’t end there, as two more revelations upturn everything we know. Credible? You’ll be too terrified to care.
Simon, prolific author of the Witch Cats of Cambridge series, here mines her past as a rock critic. The tale looks at former rockers visiting their own past when they reunite for a benefit after former bandmate Aimee dies. During the concert, Gal Raver, frontwoman of the band and of the book, sees a familiar face in the crowd. It’s TK, the band’s old roadie, who’s later found dead in an alleyway behind the club. Walter, Aimee’s husband, is charged with murdering TK and seems curiously apathetic when Gal tries to help him fight the accusation. Finding out what happened involves numerous murky flashbacks to Gal’s past as a messy, angry drug and alcohol addict, and her behavior and the battle for fleeting success give the book a feeling of darkness. Simon’s evocative writing puts readers inside sweaty clubs that stink of beer and vomit (so much vomit!), and reaches its first height when describing the moment the fledgling band finally gels onstage. The music fades in the last part of the novel, which explores hard truths and the differing ways they can be remembered, with Simon’s depiction of Gal’s slowly unfurling memories a second high point. Note that rape is described here in some detail. For readers who enjoy dark stories and fans of music-themed mysteries.
Hope Miller, as she’s known these days, is stuck in a legal no-man’s land. After she was found injured in a car crash, she never regained her memory, doesn’t know who she is, and has continued to live, for years, as a kind of foster daughter of a whole New Jersey town. Police pretend not to notice that she’s driving without a license. She works cash jobs. And her best friend, defense lawyer Lindsay Kelly, who found Hope in the wreck of her car all those years ago, carefully tends to her friend’s safety. Lindsay tries to understand when Hope moves to the Hamptons and asks for no contact for a while, but she’s frantic when the vulnerable woman disappears from the Hamptons home. Looking for Hope, and trying to remain loyal to her while uncovering disturbing truths, has Lindsay examining the case of an already-captured serial killer who stalked women a thousand miles from New York decades before. She’s assisted in the investigation by gutsy NYPD detective Ellie Hatcher, whom readers will know from the previous five books in this series. Also familiar will be Burke’s talent at gripping storytelling, creating thought-provoking characters that make readers squirm with ambivalence, and oh-so-clever endings. There’s no need to read the other books to follow this one, but you’ll want to.
A gripping thriller that is begging to be made into a motion picture. Ethan Lockhart, serving time in a Nevada jail for armed robbery, is released on a 48 hour furlough to attend the funeral of his younger sister, Abby. Ethan is devastated—he and Abby were super tight—but he’s also suspicious: his sister Abby was clearly assaulted in her home, but her body was never found. Ethan suspects Shark, his former boss, a one-time minor loan shark who’s now a major Reno crime boss. Ethan teams up with Abby’s best friend, Whitney—sparks fly!—and they descend into the criminal underground he had hoped to have left behind. The plot never wavers, and the few subplots all add to the story. Bourelle really cranks up the pace—the book just flies—and each chapter is ingeniously named after how many hours are left before Ethan needs to turn himself in. Netflix, please get on this!
Every few weeks I get a hankering to visit the scariest place on earth: A British country village. And this standalone from Caroline Mitchell—the author of several series, including DI Amy Winters—more than does the trick. Naomi, a London journalist, is making the move to the rural village of Nighbrook along with her new husband, Ed, a filmmaker; and Ed’s daughter Morgan, the teenager from hell. Except Naomi has a secret. She’s long been obsessed with the story of the infamous Harper family, the members of which mysteriously disappeared from their Nighbrook cottage a decade ago, leaving the TV on, the stove ready for a batch of cookies, and no sign of a struggle. Now, not only is Naomi moving her family to Nighbrook but she’s bought Ivy Cottage, the Harper family’s old home, which has been empty this past decade. No one in her family knows its background, but what, after all, can go wrong? Let’s start with the villagers, who could teach a master class in glaring and whispering, and are united in withholding all information. Add to this the police who are in cahoots with the villagers, creeps from the Internet, a dangerous snowstorm, and so much more. Naomi will be lucky if she can get her family out alive, while readers will be happy to read this book in one, terrified, sitting.
Meltzer, Brad. The Lightning Rod (A Zig and Nola Novel #2). March 2022. 432p. William Morrow.
The intriguing setting here is life around Dover Air Force Base’s mortuary, where fallen soldiers are prepared for burial. In the opening title in this series, Escape Artist, Dover mortician “Zig” Zigarowski helped the Army’s Artist-in-Residence, Nola Brown, who was on the run. Now, Nola, a master at sabotaging the military’s plans for her, clandestinely attends a funeral at Dover, and the action revs back up. Meltzer’s thrilling plot veers from flashbacks to Nola’s dangerous childhood to glimpses inside the military’s orchestration of public knowledge about threats to our lives. Meltzer’s talent for detail makes even idle moments leap to life. While Nola waits for a computer program to load, a gust of wind rolls a beer can into a shopping cart that’s on its side; a nurse who encountered Nola has a necklace with a charm for each of her children, all boys. These mundane moments also highlight the casual viciousness that faces characters at every turn. Personalities, too, offer extreme contrasts: Zig prides himself on having done a loving job with the care of dead soldiers, while his foes care for nobody and stop at nothing to win. Fans of military thrillers should clear a weekend for this; it’s gripping.
Nine people receive an envelope in the mail that contains one piece of paper, a list, with just nine names on it, including their own. They don’t know each other, live all over the country, and, superficially at least, have nothing in common. The group includes a musician, an aspiring actor, an oncology nurse, and an FBI agent. Most pay the letter scant attention—a chance occurrence, perhaps?—and toss it aside. Then, one by one, they are murdered, often in the most extraordinary of ways. This sort of over-the-top plotting can seem completely unrealistic or completely suck you in, and in Swanson’s talented hands, it’s the latter. The author alternates the chapters among the potential victims, but does so with such deftness we never lose track of who’s who. And despite the many characters and locales, this book doesn’t have an ounce of fat on it—every fact and every detail adds to the story, propelling it forward. Unlike many suspense novels that slam into the conclusion, we discover our murderer gradually and the poignant back story emerges slowly. For fans of Jo Nesbø and Tess Gerritsen.
“Life owns a way of disappointing most,” notes a character in Lloyd’s meticulously written and researched debut, in which murder is hot on the heels of the disappointments. One of the killings is the goriest I’ve ever read: brace yourself for a man having his Adam’s apple bitten out, with the gruesome fruit spat out to roll across the floor. And that’s only a minor character, one of those enmeshed in the politics swirling through London’s grimy, cold winter of 1678, when paranoia about Catholic plots to kill the King and turn the populace toward popery abounds. A light in the gloom is real-life polymath Robert Hooke, who leaves his elaboratory experiments to investigate the murder of the book’s titular boy. The child is found with his blood entirely removed, dates written beside various wounds on his body, and a coded message left on his chest. Once Hooke’s newly invented means of creating a vacuum in a jar is employed to preserve the body, the sleuthing is afoot. London of the day is almost its own character here, with Lloyd shoving readers into the chill, stink, and fear for a wonderfully atmospheric time. Try this if you enjoyed Cathedral of the Sea by Ildefonso Falcones, which illuminates the same era, but in Barcelona
After college and a stint in Chicago, Micah Wilkes returns to her hometown of Calvary, PA. She ends up settling down with Ryan, a former high-school classmate, and opens Stomping Grounds, a coffee shop. All is well, except Micah can’t quite get past the murder of Emily, her best friend back in high school, especially since the murderer was Alex, Micah’s boyfriend, who’s now in jail. Then Micah receives a threatening text—“It should have been you, not Emily”—which propels her into the past, and slowly her well-constructed world starts to crack. She gets drawn into true-crime blogs and forums that rehash the murder and speculate about Micah’s motives. Her house is broken into, and remnants of Emily’s diary are left behind. Ryan, it turns out, has been in touch with Alex this whole time, visiting him in jail. No matter which way she turns, something or someone pops up, forcing her to question the night Emily was murdered, her own role in the crime, and who could have murdered her friend. In the end, Micah—totally unhinged—heads off to confront the one person who can help her understand that night ten years ago. A real slow burn, this book will please readers who appreciate deep character development, little violence, and plenty of suspense.