Subterfuge and supernatural elements infuse this dark, absorbing debut. Our protagonist is Midwestern police detective Anna Koray, who’s had a relatively staid career until she makes the mistake of confronting a violent perpetrator without backup. She kills him, but is shot herself in the process. When recovering, she’s required to undertake counseling; at the same time, she pushes herself into the investigation of a serial killer whose horrifying work resembles that of her father, who years ago was executed for his murder of multiple women as sacrifices to a forest god. Both Anna’s colleagues and the doctor she’s in a burgeoning relationship with have no idea that she spent her childhood in thrall to the Forest Strangler. Anna herself doesn’t even have all the details, which were sealed away in her subconscious by a manipulative therapist whom she now sees for the reverse process, setting in motion an emotional and dangerous roller coaster of unraveling secrets and treacherous confrontations. A cold-case podcaster adds a moral dilemma to the exciting tale—when is it better to leave the truth buried? Readers who enjoy a wilderness thriller, such as Elizabeth Hand’s Hokuloa Road or Paul Doiron’s Dead Man’s Wake, will appreciate this story.
Book of the Week
At first, this novel seems to be a predictable, mildly entertaining thriller. Erin and Will take themselves off to marriage counseling because something has gone wrong, at least for Erin, who is suddenly putting her husband at arm’s length. But what’s the source of the problem? Even their counselor, Maggie, becomes consumed trying to understand what has gone awry in their marriage, especially when Will is, annoyingly, nearly the perfect man. Then, out of nowhere, Perks drops a clue that made my head spin, cranks up the narrative’s pace, and pulls us deeper into the disturbing past of Erin and Maggie. Since this is from multiple perspectives, and jumps skillfully around the narrative time-line, readers will have fun trying to put this complex, fractured and totally compelling story together. A perfect read for fans of Lisa Jewell and B.A. Paris.
This debut novel should come with blood-pressure pills. The tension at first comes from strangeness: Mother; Father; their daughter, Juno; and son, Boy live a harsh, homesteading life alone on an island. Is it the present day? What part of the world are they in? Is the mortal danger from outsiders that the parents warn about real? The timing element is all that’s clear for a good portion of the book: it’s the current day, but apart from visits from the mailman who comes from the mainland, during which Juno and Boy must hide from view, the rest is unknown. Bit by bit, teen Juno’s desire for freedom and her determination to find out more about their situation despite her sinister, violent parents’ “seven commandments” (including “We must always kill quickly and painlessly”) ramp up the fear to a terrifying do-or-die scene. Readers will be rapt as they race to the end to find out who survives this nightmare that’s effectively mixed with a fairytale motif echoing one of Juno’s favorite stories. Menger’s previous work is in film, TV, and audiobooks: try his Audible Originals Monster 1983 and Ghostbox while you wait for this gripping thriller.
Mark Lausson is a young English professor at an elite, liberal arts college (think of Kenyon) in Ohio. Yes, he’s incredibly fortunate to have landed the job. But that does little to lift his mid-grade depression and his raging sense of ennui. While he should be enmeshing himself in the life of the college, publishing articles, and working on his book—“cultural discourses of gay sex and murder” is his topic—instead he lets time slip away, unaccounted for. Until the third week of the fall semester, when sophomore Tyler Cunningham walks into his classroom, like some sort of louche meteor entering his atmosphere. Soon, Mark’s fascination turns to obsession, and the two become lovers, with secrecy serving to ramp up the intensity of their affair. This book builds slowly, gracefully, and we’re nearly three-quarters into it when that magical thing happens and readers begin to realize that nothing is what they thought it was. Wonderfully paced and terrifying in its conclusion, this is a book meant to be devoured, not read. I absolutely cannot wait for Willse’s next work.
Authors Jeff Ayers and Jon Land, writing as A.J. Landau, start a new, contemporary series with a literal bang: an explosion that topples the Statue of Liberty. As Liberty Island is a National Park, a major crime there is investigated by the National Park Service’s Investigative Services Branch, and Special Agent Michael Walker soon finds himself leaving the tranquility of Shenandoah National Park for the chaos of a bombed island (as a foot amputee, Michael is a welcome disabled main character). Also sent to investigate is Gina Delgado of the FBI’s New York field office. Soon the political dance is on as the agencies clash in their fight for dominance and information. Further attacks aren’t far behind as a mysterious figure, who readers know only as Jeremiah, targets the federal government and bomb disposal skills are in high demand. Both thriller and history fans will watch the pages fly as the authors keep the hair-raising moments coming (a rattlesnake-vs.-bad-guy moment sticks out) and provide plenty of national park-related facts (did you know that construction of St. Louis’s Gateway Arch was estimated to require 5,000 workers but fewer than 100 were hired?). A breakneck-paced story with characters whom readers will be excited to see more of.
Leave No Trace author Jeff Ayers is a Contributing Editor to firstCLUE
It’s 1869 in the newly renamed capital of Tokyo, a year after the political revolution known as the Meiji Restoration overthrew the ruling Tokugawa shogunate that kept Japan in feudal isolation for over 200 years. It’s a time of rapid social change and political turmoil; not everyone is happy with the new government’s policy of Western modernization. Law enforcement, such as it is, is represented by five corrupt rasotsu (police officers) who are more interested in lining their pockets than in protecting the public. But they are reluctantly enlisted into the services of two chief inspectors from the Imperial Prosecuting Office as they investigate government corruption and a string of impossible-seeming murders. One inspector is the elegant and handsome Keisherō Kazuki, who cuts an odd figure in his old-fashioned clothes that make him look like “a courtier who had stepped out of the Heian period.” He is also obsessed with making the new government a just one and has imported a French guillotine as a more humane means of execution. His older colleague,Toshiyoshi Kawaij, is more down to earth, but he too is an outsider. The two men share a friendly rivalry as they probe several gruesome, supernatural-like killings. They are aided by Esmeralda, a beautiful Frenchwoman who followed Kazuki back to Japan (much to the dismay of Kazuki’s fiancée and her father) and who now is studying to become a miko, a Shinto shrine maiden with shamanistic powers that enable her to speak for the dead. How these crimes connect to the book’s title is resolved surprisingly and cleverly in the final section. Although the plethora of Japanese names can at first be confusing (a glossary of Japanese terms would also have been helpful), Karetnyk’s stylish and witty translation (there’s a lot of humor in this dark, bloody tale) quickly draws readers into Yamada’s atmospheric world. And Kazuki and Kawaij (a historical figure considered the father of the modern Japanese police force) make for a memorable sleuthing duo. Noted for his ninja novels, Yamada has written an engrossing, twisty tale that will appeal to fans of well-designed puzzle mysteries and international crime fiction with a fascinating historical setting.
Prepare to fall hard for Lenny Marks, the awkward, overthinking, lonely character in Mayne’s emotional debut mystery. Helena, or Lenny, is an Australian primary-school teacher. She’s fine in the classroom, as her self-discipline means she sticks religiously to lesson plans. She also gets along well with kids, but the same can’t be said for her interactions with colleagues, whom she mostly ignores, except for Ashleigh and Amy. These are the women whom Lenny has decided will be her friends—social workers and a kind former foster-mom having long encouraged her to speak to others and get out more. (Meanwhile, Asheigh and Amy say things to Lenny like, “I love that you don’t care what you look like”). But she’s trudging along mostly fine until the letter. It arrives at the school from the state parole board and sets Lenny into a spin while Mayne, tantalizingly, lets us into the full, shocking story of Lenny’s early life. Be ready for some very sad moments, including scenes of domestic violence toward children. I just adore this character and this book and will be thinking of Lenny for years (once I finish crying). Mayne’s captivating work might bring you back to an old Oprah’s Book Club favorite, Wally Lamb’s She’s Come Undone.
This is one wild, suspense-driven tale, equally rich in characterization and plot. Breanna is on a mini-vacation with her new boyfriend, Ty, staying in a beautiful brownstone in Jersey City while touring Manhattan. Ty’s thought of everything, and the long weekend is 95 percent perfect, except for that five percent when Ty won’t stop with the work calls. But when Bree wakes up on their final morning, she can’t find Ty anywhere. What she does discover, strewn in the foyer, is the bloody corpse of a young woman that turns out to be Janelle, who has been missing for days. From here, things really take off, with Bree’s best friend—they’ve been estranged since college—arriving on the scene (she’s a take-charge criminal attorney), while Billie, a super-successful makeup influencer, rallies her thousands of followers into seeking #Justice4Janelle. Garrett does a great job of tracking the racism Bree experiences, from the neighbors’ microaggressions to the stereotypes purported about Ty to the national frenzy that only a white woman’s disappearance could generate (and thus the book’s title). A great cast, a wide-reaching narrative, and a resolution that will leave readers ruminating for days. Can’t wait to introduce this to a book group
Well-known for her excellent historical crime fiction—including the Jane Prescott series and, more recently, The Lindbergh Nanny—Fredericks surpasses even those efforts with this dazzling, magical foray into the life of Edith Wharton. It’s 1911, we are in New York City, and Wharton, nearly 50, is down in the dumps. Yes, she’s the witty, acerbic, and a brilliant conversationalist we imagine her to be. But it’s been six years since the publication of her last bestseller. Husband Teddy is mentally ill. Buddy Henry James is aging quickly. Her affair with Morton Fullerton would seem to be over. And all she really wants is to get back to Paris. In short, things aren’t so gilded. When David Graham Phillips, a handsome young novelist, is shot and killed in front of the Princeton Club, it piques Wharton’s interest. She had just met him the day before at tea in the Palm Court, and while her immediate reaction was disdain, as a corpse, Phillips is far more interesting. Who would want to kill a novelist, and why? What is so very brilliant about this novel is that Wharton’s search for the truth—which takes her from the publishing industry (hilarious) to New York society (terrifying)—is skillfully enmeshed with the challenges she faces as a woman, a writer, and a wife. In a particularly poignant scene, Wharton is walking home and realizes she is being followed. She finally turns to confront the perpetrator, only to discover it’s her feeble, slipper-clad husband, following her for fear she’ll abandon him. Sure to be one of the best books of the year, and a perfect choice for book groups that appreciate a rich context.
A floating space station, the Imperium, was once a laboratory but has been crafted into a hotel for the extremely wealthy in Pitkin’s thriller. The first group arrives, and the team onboard is ready to show off the unique features of a stay, including a view of Earth and a supervised spacewalk. Chloe, a biophysicist who misses having her work be the focus of the station, assists in making the visitors feel welcome. It doesn’t help that her boyfriend, the CEO of the hotel, can’t make it at the last minute. She quickly learns that something sinister is happening and that some of the staff she thought she could trust are part of a global terrorist group called The Reckoners. While Chloe remains in hiding, the visitors are taken hostage, and the demand is eight billion dollars. With no hope of rescue and no way to communicate with anyone on Earth to send help, Chloe takes matters into her own hands. This mashup of the films Die Hard and Gravity is an action-adventure reader’s dream. The pacing is relentless and claustrophobic, making it impossible to stop turning the pages. Pitkin has written a winner.