It’s Tuesday afternoon in suburban Stanhope, and all is as it should be. Family man Dr. William Wooler is at a local motel with one of the hospital volunteers. Except it turns out that today she’s decided to dump him. Furious, he heads home, only to discover his nine-year-old daughter, Avery, in the kitchen, having skipped out on choir practice. As “difficult” as she is mouthy, she’s sucking down Oreos and doing a good job of pressing her father’s buttons. But when Wooler strikes her with a blow to the head that knocks her to the floor, it’s still a shock, to both of them and the reader. Dad-of-the-year hightails it out of there—he goes for a drive to cool off—and when the Woolers’ son gets home from basketball practice, he finds the house empty. Where’s Avery? Thus begins this intense domestic suspense novel in which an entire community is taken apart and turned inside out. Families are interviewed, oftentimes iteratively, histories are resurrected, houses are searched, motives are examined, and what the cops don’t expose, the media does. All the pieces come together brilliantly in a shocking finale.
Women
Cerys and Lily have fled their homes for very different reasons, but they end up in the same place, both emotionally and physically: at their wits’ end in a miserable Wales park, where together they embark on restarting their lives.
Lily might be the most terrified young mother Cerys has ever seen. She grew up in foster care and had only a drug-addicted mother as a role model before that. That doesn’t explain her terror, though, but Cerys sidesteps the whys—she has enough to deal with, having left her husband and grown children and attempted suicide the day before. The pair, along with Lily’s little boy, finds housing with a curmudgeonly old lady who threatens to shoot them if they steal anything, but becomes their refuge, and slowly build a new family.
All isn’t rosy though, and readers will remain in suspense, always waiting for the danger that Lily ran from—a verbally and physically abusive husband—to reappear. Jarratt maintains the tension throughout and does a superb job of portraying a victim who’s on the edge. If you enjoy a tale of triumph, along with perhaps throwing a book across the room when a character is that much of a bastard, this one’s for you.
The Parker family started off as regular Texans, but now financier Jeff just can’t fail and they are Rolling. In. Money. His wife, Heather, seems unaware of how he makes such a fortune, but who cares? Home is now a California mansion where they have a few shelves of books in an otherwise empty library; the rest of the house is almost empty as well, but with Heather determined to spend their fortune as fast as possible, the minimalist look won’t last.
Daughter Piper, 18, misses her old friends and hates her mom’s relentless efforts to live through her children, primarily by making them into champion horse riders. Piper has rejected that life and Heather’s focus is now on younger daughter Maple, who’s terrified of the huge horses she’s forced to ride and a terrible equestrian, but desperately trying to improve. Her tortured lessons quickly become a cash cow for Kieran Flynn, the cult-leader-like boss of the $10,000 per month (PER MONTH!) stables near the Parker’s behemoth home.
What starts as dysfunction becomes much more serious when a body is found at the stables. Stories of Mable’s horse-obsessed, mean-girl acquaintances and their horse-obsessed, mean-girl moms alternate with interviews by the steely Detective Perez, who wants none of these characters’ nonsense. Get ready to enter another world and a perplexing puzzle: we don’t even know who’s dead till near the end of the book, let alone who the killer is. A great summer read
It’s the early months of the pandemic, and Kelly Doyle—who has recently moved to Philadelphia to live with her fiancé—finds herself with few friends and no job. But when her spouse-to-be calls off their wedding, Kelly hits a new level of despair. Her one bright spot is her childhood friend Sabrina; the two recently renewed their friendship thanks to the socials.
Sabrina has it all: a career as a best-selling romance author, a Virginia mansion right out of Elle Decor, and a handsome albeit hyper-masculine husband. So when Sabrina invites Kelly to move in with them—yes, it’s a little weird—Kelly is desperate enough to say yes. Before you can say “throuple” (why wasn’t that the Oxford English Dictionary’s word of the year?) the three are in bed together—this ain’t no cozy—and quickly establish a threesome. Until Kelly comes across the naked photos of another woman, who could well be her doppelganger, and learns that she is a former lover of the couple who has mysteriously vanished. Will Kelly be next?
A sexy read in which no one is right, no one is wrong, and everyone is lying. By the author of We Were Never Here, this is the ultimate summer read.
I had a moment of “yuuuuup” when I read that Baker’s debut adult novel, Whisper Network, was chosen as a Reese’s Book Club Pick, because more than one of the characters here strongly telegraphs “unhinged woman played by Reese Witherspoon.” The women are uber-mothers at the martyrdom competition that is a private preschool. Everyone’s life is perfect, thank you, no sacrifice is too great, and the mom committee has everything very much under tight control. There is one problem. The four-year-olds like to bite. Not little bites, either. Their parents and siblings are the victims of vicious, prolonged attacks that draw copious blood that the biters seem to enjoy swallowing. Then their teacher is found dead outside the classroom, with a pool of blood surrounding her that has little footprints in it. Everyone knows that their child didn’t do it, but Ms. Ollie is dead, and the investigation is on. This book is at times as funny as it is strange, with Baker hilariously skewering modern parenthood and its obsessions, while also giving us behind-the-plastic-smiles looks at parents’ inner thoughts. (I think we can all agree that “just a month or two break from giving a shit” isn’t much to ask for). Did you like Big Little Lies? This one’s for you.
A brilliant and moving telling of a Black American family’s struggle to survive despite traumas both old and new. It’s 1981 Detroit, and the Armstead family is celebrating Ozro’s 37th birthday. Treated to lunch by his brother, with a large celebration planned for that night, Ozro heads back to work. Except he never gets there. Ozro disappears, leaving his briefcase and suit coat in his office, abandoning his wife Deborah, his young daughter Trinity, his family and friends. Shifting between the perspectives of Ozro, Deborah, and Trinity, Gray reaches back to Orzo’s time as part of the Great Migration, traveling from the south to Detroit in the 1970s; to his early courtship with Deborah, an aspiring singer; and to Trinity growing up in a world that’s been shattered. Ozro’s disappearance is like the sun, with the other characters as moons, forever circling around it. “I wondered about him all the time because absence was not the same as death,” says Trinity. “It was worse, given all the not knowing.” But it turns out that the mystery of Ozro’s vanishing is only one in a series of traumas that extend from his childhood to his death. Beautifully executed and tremendously poignant, this book is absolutely perfect for reading groups.
Clemmie and Muffin, friends in an active senior community (it’s not a retirement home!) are attending church together, content in their matching jackets and cozy friendship. Then Clemmie spots someone she knows from the past and is terrified and desperate to get out NOW. In flashbacks to the 1960s, when Clemmie was married to a man from their small South Carolina town’s most prominent family, we find her in a quandary. The men in her husband’s family are violent racists, but she’s too afraid of them to do anything about it…until she must take action and then run away forever. In the present, things are heating up as a white reporter makes an incendiary claim about something that happened to him in the town and a Black resident wants answers on her nephew’s disappearance. Then there’s a death among the seniors and history can’t be swept under the rug any more. This is a compelling read on many levels. The senior community’s friendship, backbiting, and the everyday indignities of growing “less active” are portrayed with wry accuracy by Cooney; Muffin’s disdain for Clemmie’s casual racism is a highlight. The author raises important questions: Can people really change? What is the responsibility of the bystanders to a crime? How can small-town residents from opposite sides of the fight for Civil Rights deal with one another today? For those who like a controversial mystery and fans of Richard Osman’s retirement-community-set The Thursday Murder Club.
A wonderful, moving stand-alone in which Sutanto, author of the Aunties series, is at the absolute top of her game. Sixty-year-old Vera Wong is lonely, although she’d never admit it. A widower, she’s the mother of a lawyer consumed by work—he rarely returns her texts, even though she offers such good advice!— and her days consist of a 6 am brisk walk through San Francisco’s Chinatown—she needs to get her steps in!—then opening her tea shop which, on the best of days, has only one customer. Extraordinarily opinionated, quite a bit eccentric, yet utterly charming, Vera’s voice is captivating. But readers will be completely beguiled after she comes downstairs one morning (she lives above the shop) and discovers a young man lying on the floor. She does call the cops, and tries her very, very best not to disturb the crime scene, but not before prying a flash drive out of the man’s very dead hands. Then the novel takes off as Vera—believing the cops are incapable of solving the crime—assumes the role of detective. In the process, she befriends several young people, including both the victim’s wife and his brother, and while Vera still considers them all to be prime suspects, she can’t help but care for them. Initially this protagonist may seem like the cliché of the dominating Chinese mom. But Vera, it turns out, is pretty damaged herself, much like her new, thirty-something friends. Come for the mystery, but stay for the healing. One of the best cozies I’ve read this year.
Yes, it’s only October. But my money is on Bad Summer People as the best beach book of the summer of 2023. Set in Salcombe, a made-up community on Fire Island—not the like the gay Pines, more the reclusive and ritzy Saltaire—this book, in the great literary tradition of Peyton Place, has it all: adultery, fashion, tons of gossip, backbiting, lying, hot sex with the tennis pro, tasteful plastic surgery, alcoholism, and even a corpse. Plus the sort of casual racism and classism liberal one-percenters indulge in. It opens with a prologue, set at the end of August, in which a body is discovered face down off the boardwalk. The book then backs up to late June, as the all-white residents arrive from the Upper East side and Scarsdale for the start of a new season. From there we follow the tumultuous summer in chronological order, moving quite handily among a group of narrators, from the above-mentioned Stanford tennis coach to the Filipino nanny to the gay Yale student/bartender and many more. At the gravitational center of the book are Jen Weinstein and Lauren Parker, the “it moms” who married into Salcombe—their husbands are best friends—and oversee the social action. Not another word from me, lest I spoil any of the fun, except to say the identities of both the victim and the murderer pack quite the punch. This book really hits the sweet spot for popular fiction and will appeal to a broad swathe of readers.
In the introduction by Williams (The Wife Before, The Perfect Ruin), readers are forewarned, that child abuse and sexual assault feature in this novel; they should still be prepared for whiplash when this turns from a “girl’s night in” kind of story to something much, much darker. Black couple Adira and Gabriel are living the high life—at first appearance. Adira’s an entrepreneur, the successful owner of a luxury clothing brand, Lovely Silk. Gabriel isn’t as successful—Adira’s keeping them afloat—but she doesn’t mind. She’s crazy about her husband and is shattered to see an email pop up on his phone that makes it clear he’s seeing another woman, Jocelyn. Actually, make that two women, Jocelyn and Julianna, with the former woman, when confronted by Adira, offering to join ranks with the wronged wife to make Gabriel pay. Thus starts the darkness, with stalking, lies, and desperation taking turns with another story, of two little girls, one of whom is being sexually abused by her mother’s boyfriend. Williams ramps up the tension and the mystery from the first page so that as the stories converge and a terrible truth is revealed, readers will be both enthralled and aghast. One for all those who’ve done what they had to do and lived to tell the tale.