The hero of Vatsal’s (Kitty Weeks series) latest absorbing historical fiction is Archana (Archie) Morley, a woman braving two new worlds: 1910 New York, where she came for a short visit but stayed after her parents died in Bombay (the novel uses the era’s language), and journalism, working for the Observer newspaper. This charming, gutsy character is barely tolerated by the boss and looked upon with suspicion by her coworkers—perhaps for wearing pants as much as for her race and gender. At home, things are better: Archie is married to the loving and supportive Dr. Phillip Morley, a health department official whose job and tony background give her access to wealth and power. But she’s interested in intriguing stories from every part of town, and won’t let go when Chinese gangsters are killed and the city imposes stern measures on Chinatown. They specifically target tiny, crooked Doyers Street, home of Mock Duck, the steely leader of the Hip Sing Tong gang, whose calm demeanor is belied by the list of gruesome crimes he’s been accused of. The racism endured by New York’s Chinese inhabitants is on stark display as Archie works to report the tangled goings on among Tammany Hall, the city’s Board of Improvement, and the gang underworld. Adding wonderful flavor is the rich detail from Vatsal’s deep research on New York City social and political history, and the gulf between the city’s “more susceptible classes” and its well-off citizens. For fans of Vatsal’s previous works and of historical fiction by Mariah Fredricks and Anna Lee Huber.
20Th Century
Millie Turner is the envy of 1908 New York. She nabbed the catch of her season, marrying devastatingly handsome financier Charles Turner. They’ve moved to Oyster Bay, Long Island, and live in a house Millie inherited, which is now decorated too ostentatiously for her liking—there’s a taxidermied zebra!—but what Charles wants, Charles gets. Millie is nervously but happily hosting a lavish party when suddenly everything changes—she wakes up to a freezing, dark house, with the party over and the guests gone. Nobody will tell her what ’s happened, but she slowly learns that after a crime was committed at the party, she took a weeks-long “rest cure”—a drug-induced sleep prescribed at her husband’s wishes. Millie has had a terrible upset, they say, and since hysteria “can lead to immoral behavior [and] make you ungovernable,” there’s no time to waste: she must enter an institution. Thus begins Millie’s fight for her life. The first-person narrative, told from the young woman’s point of view, is both shocking and exciting, moving from grand ballrooms to flophouses and from shady business dealings to the honesty of pure love. A lengthy court battle will keep readers deliciously on edge in James’s (The Woman in the Castello, 2023) shocking and gripping drama.
Devil-may-care heiress Ruby Vaughn has just sent the latest of her boss’s housekeepers running, with the woman on the way out muttering something about “a den of sin and vice.” Ruby does like to knock back a few drinks and scarcely cares about propriety, having planned, while a nurse during the Great War, to set up home with her fellow nurse and lover, Tamsyn. When that antiquarian-bookseller boss announces, “I’ve been thinking,” Ruby knows it doesn’t usually bode well, but this time there’s an upside. The trip he wants her to undertake, delivering mysterious books to a Ruan Kivell in Cornwall, brings her back in contact with Tamsyn, now Lady Chenoweth. Penryth Hall, Tamsyn’s miserable home with her abusive husband, only makes Ruby long all the more for the life she could have had with Tamsyn. When awful Lord Chenoweth is found dead, his body slashed as though by animals, the area’s depths of superstition and past misdeeds begin to reveal themselves, as do the powers of Ruan, the local Pellar, a powerful folk healer. Ruby refuses to believe in the curse that the locals say Chenoweth perished from, pursuing instead the help of the fledgling science of forensics to figure out what happened and restore Tamsyn’s happiness. This debut won the Mystery Writers of America/Minotaur First Crime Novel Competition, a well-deserved honor for a book whose gutsy main character and immersive world-building will remind readers of Margaret Dove in Evie Hawtrey’s And By Fire.