In this latest visit to the lighthouse library on the outer banks of North Carolina, locals await a YA book festival featuring a recently local and very popular author of a fantasy series. Our librarian and amateur sleuth, Lucy MacNeil, is surprised to find this gentleman on her doorstep wanting to talk. She escorts him to the deck, goes to retrieve refreshments, and returns to find him dead of an arrow shot. To say that chaos ensues is an understatement. The new widow has political ambitions and intends to use this to launch her campaign, local teen ultrafans of the author set up a shrine invading Lucy and her husband’s privacy, and two lesser local authors battle it out for the now vacant top spot on the festival program. The clever policing by the local force is, of course vital, but, as usual, the little details that our research-minded librarian provides begin to tie things together, though the culprit may come as a surprise. The local color and community spirit shine, and the quirky personalities are never more so. While this is certainly a cozy, it is never dull. The ending leaves clues promising changes, so readers will look forward eagerly to the next installment.
Cozy
Kristen and Valerie, long a couple, are in Hawaii on vacation, partly to help Valerie come to terms with her brother’s death. They are staying with Isaac, who’s a surfer buddy of Leslie’s, a high-school science teacher, and a lifelong resident of the islands. During an early morning excursion to see the glowing lava rolling down the landscape, Valerie sees a boot in the lava and realizes that there is a leg attached. It is quickly consumed by the lava, and as she is the only witness, all doubt the truth of what she has seen. The police report goes nowhere, so Valerie takes on the task of finding the identity of both the victim and the killer herself. With the luck and determination of the amateur, and the friendly and open nature of Hawaiians, allowing for a few glitches, she succeeds. This is a Hawaii we seldom see in TV police dramas. The locals speak a pidgin dialect, the importance of which is carefully explained by Isaac, and the customs and practices date back centuries. The landscape is of course dramatic and beautiful and the descriptions of food and produce mouthwatering. There are recipes for some of the dishes at the end, and a glossary of words and phrases. This is billed as the first in a series, so expect more to come from our interesting characters.
This is one glorious, sprawling, comic work of crime fiction, full of characters you are likely never to forget. Chanel-clad, 60-plus Julia Mann—former actress, current lawyer, and full-time curmudgeon—meets Natasha Mason, all of 20-something, at an AA meeting. Julia is obsessed with the corpse that was discovered in her pool, and can only remember snippets of how it might have gotten there. Could she have done it? Perhaps. She was so drunk last night that she remembers nearly nothing, and the cops seem to believe she’s guilty. Julia sets to worrying, since she has already been locked up for murder once in her life and has no desire to repeat the experience. Fortunately, Natasha makes the perfect companion, and despite her loathing of the film industry, Julia talks the young woman into joining her staff—yes, Julia’s that rich—to help her clear her name. Natasha agrees, if she can also help to keep Julia sober. The joy of this book is both its breadth and depth. The two women—who couldn’t be more unalike—careen about Los Angeles County seeking out the real murderer, driving from the Hollywood Hills to Palm Springs to a night of old-school burlesque all while sharing stories of their lives. It’s a marvelous portrait of 30 years in Hollywood, the conflict between the generations, and how humor can almost conquer all.
It takes a lot of guts to write a book based on one of America’s most beloved novels, one that’s the inspiration for several major films and is assigned reading in high schools across the country: Fitzgerald’s The Great Gatsby. But Wheeler successfully takes the original setting, Jay Gatsby’s mansion in West Egg during the summer, and the same cast of characters (Gatsby, Daisy and Tom Buchanan, Nick Carraway, Jordan Baker) and shifts the narrative into a work of crime fiction. The biggest surprise is the arrival of Greta Gatsby, Jay’s much younger sister. Greta is finally done with finishing schools, has moved into Jay’s mansion, and is ready to take on the world. But the suicide—or was it murder?—of one of the leading characters, and the response of most of the residents (one more Gimlet, please?) inspires Greta to become a sleuth, if no one else will. Greta’s new role is hardly acceptable for a young lady, but she just barrels through the criticism, investigating the household staff, the cops, even Gatsby’s guests. A fresh and exciting take on America during the roaring ‘20s, with feminism and class tensions taking center stage, and sure to be a pleasure for readers who enjoy historical mysteries. It would be a delight to have Greta return in all her nosy glory
Irish step dance can kill in the first of what is hopefully many books in this series. Single mom to two young girls and the daughter of a police chief, Kate Buckley receives an urgent text from her sister, Colleen. She packs up and drives to Shamrock, Massachusetts to learn what is wrong. Upon their arrival, Colleen tells her it’s no big deal, but Kate knows otherwise. Stumbling upon the body of Colleen’s best friend, Deirdre, unveils family secrets and hidden motives from people Kate thought she knew. This cozy is perfect as Mathews creates a visual world of great characters and setting, ex-loves, pets, and Irish step dance. She also adds a dose of domestic suspense, but it doesn’t have too much of a psychological bent, keeping the book in cozy territory. With more surprises than usual, this is a step above much of this genre. Readers will be eager for book two; let’s hope it won’t take too long.
For glitz, drama, and mystery, there’s no better setting than a fancy hotel, and it doesn’t come fancier than London’s Savoy. It’s the swinging ‘60s in the late Emery’s (Death at the Savoy, Scandal at the Savoy) last book, her third starring a quiet champion of the hotel’s steely reputation, press officer Priscilla Tempest. (Emery was herself a press and public relations officer at the hotel.) The young Canadian is used to the casual sexism that is women’s lot in the era, but Europe’s classism is harder for her to take, and when two dueling cousins, Italian princes, arrive as guests, her patience is sorely tested. One of the princes fears he will be the subject of a story by “that blighter Percy Hoskins at the Evening Standard,” and stopping the muckraking story at the behest of her boss leads Priscilla into the lairs of London’s underworld gangsters and some decidedly upper-class ones, with England’s very way of life on the line. A fast-moving story whose initial frothy air is a clever mask on the serious stakes soon underway. Readers will want to go back to the first two books in the series, and after that can try Nita Prose’s hotel-set Maid series.
A classic “locked-mansion” mystery set on Michigan’s actual Mackinac Island, which in off-season has a population of a mere 500. And the only way to get on or off the island is by boat or chartered plane. Mimi—as curmudgeonly as she is humorous—is a well-established resident who’s invited to an opulent party cum auction by Jane Ireland, a super-rich neighbor (who’s dating her own son-in-law). Mimi decides to bring her granddaughter Addie, hoping to use the party as a way to mend their fractured relationship. Wouldn’t you know, a big storm blows in, effectively cutting off the partygoers from the rest of the population. Anxiety producing for sure, but when Jane is found dead—and she’s only the first victim—all hell breaks loose. Lots of the fun in this book is thanks to granddaughter Addie, a gamer who produced Murderscape, a hugely popular video game, while her fiancé claims to have done most of the work. See you in court, Mr. Wrong! Addie’s expertise helps solve many of the problems while moving the story along. Also, like a cloud hanging over the evening, is the blackmail threat that Jane sent to Mimi and that Mimi hasn’t shared with anyone. Does Jane’s murder invalidate the blackmail? Closed circles are hugely popular these days, but this title puts an unusual and playful spin on the proceedings.
Set in the rarefied atmosphere of a Cambridge college, this excellent mystery has Detective Chief Inspector Arthur St. Just interrogating a wide assortment of characters—from the college porters to art historians, from curators to super-rich American graduate students—all to discover who killed Sir Flyte Rascallian, the master of his college and a renowned art historian. Why kill Rascallian? Because, we are led to believe, he may have recently inherited a Rembrandt, unleashing no end of speculation. Excellent art mysteries are always rich in atmosphere and complex in plot, and Death and the Old Master does not disappoint, bringing the reader as far back as the Monument Men (and Women) who worked during World War II to recover and restore stolen cultural treasures. A sophisticated and effortless read that is one of Malliet’s very best.
Settle in for a truly wonderful read as Geneva Bay, Wisconsin prepares for the holidays. For pizza chef Delilah
O’Leary, and her crew, a glitzy Chrismukkah catering gig in one of the local mansions gets things started, but when Delilah’s family shows up out of the blue with their own set of hostilities and anxiety-producing behavior in tow, things take a decidedly unpleasant turn. And any hopes that the next day’s annual snow-sculpting championship will cheer everyone up—Delilah attends with now-boyfriend Detective Calvin Capone (yes, that Capone family)—are dashed when a corpse is found frozen in the ice. Quigley employs a large cast of characters, from the formerly incarcerated and now dishwasher “Rabbit” (where did he disappear to?) to Sonya, Delilah’s bestie who helps Delilah sort out her relationship with Capone, to Delilah’s grumpy sister Shea, who most definitely has something up her sleeve. The miracle is that we can follow each character with ease, their identities are so well drawn, while caring about each of them. Add to this a bucketful of red herrings sure to send readers in a dozen different directions. Fire up the pizza, cue Mariah Carey, and make sure the cat is comfortable: cozies just don’t get better than this.
It’s wonderful to be back in the graves of academe, especially when we are in the expert hands of Victoria Gilbert, series serialist (meaning she writes several series!). This book launches a new series, and it’s just a wee bit meta. Jen Dalton, mystery author and English professor, gets tangled in a real crime—the murder of a colleague—while, of course, writing her own mystery. If she doesn’t manage to solve the crime happening in real life, then one of her students, a talented writer in her own right, will likely be proclaimed guilty. Lucky for Jen, she has a gang ready to help her out—who needs the police?—from a cafeteria manager to a librarian to Zachary Flynn, the incredibly annoying campus shrink whom Jen can’t help but find attractive (it’s right out of Smart Women, Foolish Choices. Wonderfully paced, brimming with great characterization, and with a terrific lead in Jen, this novel will appeal to many mystery readers, from cozy lovers to those just seeking a good, traditional read.