Life is tough in The Squares, where virtually everything is controlled and residents are kept “safe” from the world beyond, which is declared uninhabitable. When Mrs. Greenleaf, an ambassador from the outside, shows up to interview young women for a position as a governess, Andrea allows herself to imagine a different life. She could not have imagined how different—in her new world, it is 1884, not the early 22nd century, and corsets and lessons on Wilhelm I are the norm. Andrea’s four-year-old charge, Albie, is startlingly bright but socially inept, and Miss Archer, as she is now known, struggles to keep the future at bay, as part of an illusion. Why the charade? Who, and where, are Albie’s parents? And can anyone escape Mrs. Greenleaf’s constant surveillance? This genre-blending tale captures readers with a Gothic mystery alongside modern sensibility; as Miss Archer slowly pulls on the loose threads of the shroud over this manufactured existence, more of the experiment she is part of is revealed. Harrison’s gorgeous prose and imagined (and prophetic) dystopia propel this debut to a completely satisfying conclusion. Perfect for fans of Austen and Atwood!—Dodie Ownes
Debut
Book of the Week November 5, 2026
Felix, writer of esoteric biographies and his brilliant scientist wife, Georgia, are set for four weeks in the Lake District as soon as Georgia delivers a speech on her groundbreaking technique for finding brain aneurysms. In an irony of all ironies, she collapses from one herself in the middle of her speech, and dies. Felix feels it his fault since he ignored the warning of the single magpie that flew into their apartment window that morning; one for sorrow, as the legend goes. His mother lived by the rules of the spirit world, Georgia by those of science and logic. Both voices guide him as he ignores friends and packs for the vacation his Coleridge papers, meant for the biography he has in process, and all Georgia’s work notes. He and their lovely dog, Panda, arrive late, fall into bed in the beautifully prepared cottage, and find a body on their first hike the next morning. Oh, the complications begin! An intrepid police officer, a young Albanian woman who seems to have been sex-trafficked by the man found dead, an attack dog on another hike, his friends arriving uninvited, and multiple offers to help sort the papers. All the while, Georgia’s voice of logic is in one ear, the spirits in another. Who are the villains and who the friends? With a spectacular tour of the Lake District’s highlights, this debut novel gives us beautifully drawn characters and a crackling ending. Not to be missed.—Danise Hoover
Book of the Week October 22, 2026
Franny admits to being quite the unreliable narrator—when in the throes of addiction, she only cared about her next fix. Now clean, she is starting life back up in tiny Orion, NY and things are going well. Shortly after moving to town, she met Joshua, handsome and steady, a widower with two girls, and soon married. When Franny takes over the pharmacy where Joshua’s wife was murdered when an attempted burglary went wrong, she begins to question her own memories of that very night. She didn’t pull the trigger, did she? With only her long-distance sister Jackie and local reporter Annette as support, her paranoia becomes justified when someone starts sending threatening messages to Franny and her new family. Joshua turns cold and it seems that their perfect love story is over. But small-town secrets don’t stay secret for long, and soon the local police have another murder on their hands. Feldman gifts readers with a tense and twisty tale that has all the feels—sympathy for a recovering addict, trust in friends and family, and finally, a bullseye on the killer. A debut that hits the mark.—Dodie Ownes
Book of the Week October 1, 2026
A man is found dead in his home, his body devoured by some kind of animal. Bank surveillance footage from nearby captures what looks unmistakably like a zombie, a detail that, if real, matches the wounds on the victim. FBI Agent Ella Penrose heads the Paranormal Crimes Unit and handles cases that defy science and logic, and this one lands squarely on her desk. The strangeness only deepens as extinct beetles turn up, a severed arm surfaces belonging to a second victim, and another attack follows, leaving Ella and her partner, Holden, questioning everything they thought they knew. Meanwhile, the pair are fighting a personal battle, too: helping Ella’s relative Celest win parole for a killing that was self-defense—but someone is determined to keep her locked away. Berman’s debut novel blends the eerie mystery of The X-Files with the procedural rigor of CSI, and it succeeds on both fronts. The author spent years as a writer and producer on CSI, which shows in the book’s richly detailed forensic work, but he also understands when to hold back and let a mystery stay unexplained. Berman’s characters are sharp and memorable, and readers will be eager to see them in future installments.—Jeff Ayers
Book of the Week September 17, 2026
Knapp’s debut tells a dark story laced with hope and courage. Dr. Randi Jewell recently lost her police officer husband to violence during a robbery and her sister has mysteriously vanished. She buries herself in her work as an OB-GYN, overworking to forget. Her 13-year-old daughter, Alaina, asks her to help a friend who’s pregnant and having complications. The friend, who calls herself Holly, is 18, and her living conditions are far from safe. She doesn’t trust Randi at first but slowly begins to warm to her care. Randi starts noticing patterns that tie back to her husband’s death and her sister’s disappearance as she learns more about Nora, Holly’s real name. Doing the right thing could cost Randi her career, or worse, land the rest of her family in the local cemetery. Knapp’s background as an OB-GYN in rural communities lends authenticity to this disturbing yet uplifting tale. Don’t be complicit in overlooking this terrific medical thriller. Knapp has a long career as a gifted storyteller ahead of her.—Jeff Ayers
Book of the Week September 10, 2026
It’s January 3, 1986. Two and a half hours west of Minnesota’s Twin Cities sits the “back-of-beyond hamlet” of Monte (short for Montevideo), with “a population of five thousand snowbound souls.” Heading its tiny police department is recently widowed 59-year-old Gordon Trent, who is determined not to retire. On this same frigid winter day, as the police chief goes about his daily routines, 26-year-old Byron Lugo is released from Stillwater prison after serving almost four years for vehicular homicide. At the time of his trial, Byron refused to acknowledge his guilt. Now free, he aims to clear his name and get his old life back despite resistance from a hostile community wary of the felon in their midst. It’s Byron’s unrelenting insistence on his innocence that awakens uncertainty and doubt in Trent as he begins to reexamine the case. Morales’s beautifully written debut is both a slow-burn of a literary mystery, gradually revealing a tragic secret, and an evocative portrait of Midwestern small-town life with a vivid sense of place and well-developed characters.—Willy Williams
Book of the Week August 20, 2026
How smart people can allow themselves to be lured into a cult and the evils that charismatic men can convince followers to accept are laid bare on the pages of Carson’s psychedelically violent debut, set in the mid 1970s. Faye Sterling is embarrassed to come from big-time money, and when a religious leader known as Dad to his followers offers her the chance at authenticity by joining his group, she jumps at it. Her neglect and fervor force her teenage daughter, Nell, our narrator, from San Francisco to a supposed utopian compound in South America. The Jim Jones parallels are obvious and all too accurate. Dad, “a combination of Revered King, Angela Davis, and Albert Einstein,” just cares so much that he violently abuses his followers, even children, so that they can improve their behavior. Behind closed doors, his sex with Nell and other young women “helps them to detach from the shame that they feel in their bodies.” These abuses, and verbal viciousness including Dad’s repeated use of the n-word, are very much on the page, creating a feeling of hurtling toward disaster. Outside forces loom large in the end—some real, such as Nell’s actual father’s desperation to get her out, some exaggerated by Dad, including his news about the scary, threatening outside world. An absorbing, shocking first from Carson.—Henrietta Thornton
Being at a residential treatment center for girls is just another stop on Quinn’s journey through juvie and foster homes, but it’s not too bad—if she can keep it all together a bit longer, she’ll be released, get a place, go to college, do all the things normal kids do. But Quinn is not normal, and nor are any of the other residents. She notices Keisha, who always sneaks her meds into her pocket, and the two become fast friends. One night, they sneak onto the roof and discover that the world around them has gone bad—carriers, zombie-like humans, are roaming the streets, biting and killing people. The problem is, the dead reanimate when there are loud sounds. A little bit A Quiet Place, a lot twisted “final girl”, the story takes off as a small contingent of staff and girls decide to leave the treatment center. Quinn’s true self is released, that of a heartless psychopath—helpful for survival but terrifying nonetheless. The debut author, a licensed clinical social worker with experience working in juvenile detention facilities, draws characters so believable that teens will find themselves and others experiencing mental illness on the page. Readers will know one thing: you don’t want to be on the wrong side of Quinn’s machete. The breakneck pace and wicked creativity she demonstrates keep the blood-slicked action going to the very end.—Dodie Ownes
Book of the Week August 6, 2026
Canadian author Jagernauth’s noir debut is tense, smoky and full of ’50s pulp language that entertains as well as grounds this tale of strangers to lovers who take on a heist, hoping to free themselves from small towns and small minds. No one has ever been caught skimming the till at Eddy & Dowd Safe Deposit Company, and no one seems to notice the small tokens Richard has taken while employed there. Dowd knows he’s sitting on a fortune—everyone in town stashes their treasured belongings there for safekeeping—and three missed payments mean those sparkly and rare items become his. When charismatic and handsome Marlon sweeps into town and takes a position at Eddy & Dowd, Richard allows himself to dream about a life with Marlon, anywhere other than sleepy Riverton. A plan forms: bag some goods from the Eddy & Dowd vault, fence them, and split town as fast as they can. Office glamor girl and recent divorcee Gloria inserts herself, seeking her own kind of freedom. When private detective and disgraced cop Todd puts things together, the noose begins to tighten around the trio, with tragic results. Provocative and gritty, evocative of Highsmith and Chandler, this is a genre revival I can get behind.—Dodie Ownes
Book of the Week July 16, 2026
Maloney’s impressive debut opens with what should be an ordinary train journey, until hijackers throw everything into chaos. Reluctant hero Claire Fitzroy finds herself stepping up, rallying fellow passengers and methodically working through the train cars to neutralize the armed threats one by one. Claire is the unlikeliest of leaders, and once the dust settles, public opinion is sharply divided: was she brave and decisive, or did her ego turn a bad situation catastrophic? Claire is haunted by her choices on that fateful day, desperate to put it behind her, but a fascinated public refuses to let her disappear quietly. The story unfolds across two timelines: the tense, visceral hijacking itself and the courtroom drama of the hijackers’ trial, weaving between them with skill and purpose. Maloney’s decision to structure the narrative this way pays off enormously; the back-and-forth between past and present generates a tension that a straightforward chronological telling simply couldn’t achieve. As for the title, 10:12 carries a double meaning: the time the train departed, and, fair warning, the number of hours you’ll lose sitting motionless, completely unable to put this book down.—Jeff Ayers
