“The Ayyars dipped into our lives like a tea bag into the whiteness of a porcelain cup. They muddied the water and made our house feel small….” In the summer of 1986, tween narrator Georgie Ayyar Creel; her sister, Agatha Krishna; and their amma (mother) welcome newly arrived relatives from India to their cramped home in rural Wyoming. Moving into Agatha Krishna’s bedroom are Vinny Uncle, Amma’s beloved but useless younger brother, whom she has not seen in 14 years since marrying geologist Richard Creel; Auntie Devi, Vinny’s bossy wife; and their son, Narayan. Tensions quickly arise, and so does the sexual abuse when their uncle targets Agatha and then Georgie: “Vinny Uncle made us shadow people.” Forced into silence by their abuser, the sisters decide he must die. The accidental death of a cat provides the murder weapon and sets the siblings’ deadly plot into motion. This highly original debut novel by the author of the award-winning short story collection Cowboys and East Indians is a darkly funny coming-of-age tale with a touch of murder and a haunting twist. Celebrating girlhood and sisterhood in the 1980s, it’s also a touching portrait of Indian-American teens, caught between cultures, in the American West.
Debut
There’s no horror here but plenty of scares as nine-year-old Effie must parent her siblings in her family’s freezing shack in the western New Zealand bush. With the nearest town, Koraha, six hours walk through dense forest, Mum with a new baby and Dad mostly off hunting and fishing, it’s all Effie can do to keep the little ones fed and warm. The new baby, the fourth child and named four, heralds a much harder chapter for the family, one that ultimately sees Effie living as an adult in Scotland. She’s compelled to return to New Zealand when reports reach her that a little girl—unknown to Effie but looking exactly like her—has shown up in the town, injured and starving. Who she is and what happened in the past is a twist-filled saga that drops readers right into the dangerous landscapes that are both the New Zealand wilderness (“an unforgiving thing that would eat them up”) and the off-off grid family. One to remember, and a must for fans of Barbara Kingsolver’s Poisonwood Bible and Alisa Alering’s Smothermoss.
Brace yourself: this tale of obsession is WILD. Our DC public relations protagonist, Margo, is worried her life isn’t going as planned, with the central problem being her lack of an acceptable (read: fancy) home. Once she and her increasingly worried husband, Ian, have that, she will allow herself to get on with the rest of the plan. But as it stands, she has “No house, no baby. No house, no family. No house, no life.” She finds the perfect place but knows they will probably be outbid for it, like always. The DC property market is no joke, but neither is Margo’s determination to have that home no matter what, and her increasingly unhinged measures to be the winning bidder will keep readers gripped. If you like a main character who takes up all the space, this one’s for you, and it’s a must for book clubs as well, as Margo’s antics beg to be dissected over wine.
A likable duo is at the center of Broadchurch-creator Chibnall’s debut: detectives Nicola Bridge and her newbie partner, Harry Ward, dubbed Westlife for his boy-band looks and first name. Small-town Fleetcombe, on England’s Dorset coast, is the setting; it’s Nicola’s hometown, and she’s back to separate her husband from an affair, a plot line that creates a realistic undercurrent of desperation that matches the bizarre crime facing the new partners. The naked body of a man is found tied to a chair on a road near town. That’s odd enough in Fleetcombe, where sharp words at the local pubs—one of them the White Hart of the book’s title—are about as violent as it gets. But there’s more: the body has a stag’s antlers affixed to its head, a sinister touch that eager Harry tries to tie to mythology and local history, only to be brought back to earth by his more practical and seasoned colleague. Work the evidence, she says, setting the two on a winding path that creates a solid procedural enjoyably filled with oddball townspeople, personal travails, the inevitable local criminal element, and one very savvy little girl, a character whom readers will want to swoop in and save. This absorbing thriller shows all the hallmarks of having been written by a master of TV drama.
In Ward’s clever and unusual debut, the reader is put to work solving a murder, their task propelled by a sassy narrator who insults them throughout. The tale opens with murder-mystery dinner at which guests hear the story of a nanny who’s murdered in a case of mistaken identity; when the former man of the house, Lord Verreman, discovers that he hasn’t killed his wife, Lady Verreman is able to escape. At least, that’s what police believe. At the dinner, guests are told of various anomalies at the scene and alibis and motives for others connected to the case, and are led through the inquest after the nanny’s autopsy. Then the viewpoint switches: a detective is hired by the rich couple’s son and is required to visit the the home where the murder happened, hear the evidence—in a most unusual delivery—and reveal the culprit. These first two sections are unusual enough, but the third tops them: the reader is presented with all the evidence and must make choices step by step as to what they believe, in the end reaching a verdict of their own (a contract is in place, after all). What an intriguing start for this author!
Between 1830 and 1850, the U.S. government’s forced displacement known as the Trail of Tears removed thousands of Native Americans from their ancestral lands in the Southeastern United States. But according to Native folklore, some Indigenous people evaded the Removal, sheltered by supernatural Little People. Faust’s atmospheric debut focuses on a family descended from those survivors and the generational trauma they have endured. When six-year-old Laurel Taylor vanishes from her Wisconsin home early one morning in 1996, her devastated mother, Ayita, believes her abusive ex-husband Barron kidnapped their daughter, even though Barron had abandoned the family before Ayita realized she was pregnant. But as weeks pass by and Laurel remains missing, Nadine, her older sister, begins experiencing nightmares and hearing whispers, especially in the tree house where Laurel always played. Have the Little People taken Lauren or are other family ghosts responsible? To find answers, Nadine travels with her Aunt Rosebud to South Carolina, where her fractured family has deep roots. Faust, an enrolled member of the Edisto Natchez-Kusso Tribe of South Carolina, draws on his family history and Indigenous mythology to weave a haunting tale of loss and redemption that may remind some readers of Keith Donohue’s The Stolen Child with a touch of Poltergeist.
Oak Hill, NC is a town where nothing much in the way of crime happens. Then, in the space of a few days, there is murder, robbery, and arson. Jacob Sawyer, someone who hasn’t been seen for 15 years, is back in town, though no one thinks he is the cause. Grace Bingham, local police detective and Jacob’s abandoned love interest from before, is under time pressure to solve the crimes without offending anyone important. Jacob’s back because his mother, beloved in the town, is dying of cancer; Calvin Dockery, an extremely wealthy local who pulls all the strings, is also dying. The current crimes harken to unexplained events of the past that caused Jacob to leave. The story moves from the present to the past and back again, gradually revealing what happened. Grace and Jacob are undeterred in their search to connect what is happening now with what happened in the past regardless of who is involved. Money is power, and power is very dangerous here, and those with it are willing to spare no one. Resolution is not easy, but very satisfying in a book with a great deal of atmosphere and local resonance.
Pote’s debut thriller mixes the best of Clive Cussler, Tom Clancy, and Dan Brown to weave an unputdownable tale. An incident on the International Space Station leads to more questions than answers and appears to be a prelude to gaining access to a satellite and its tech. Ethan Cain and his team take on big-pocket clients to find hidden treasures and artifacts. Their current client initially had them track down a scroll, and the information revealed on it leads to the location of an ancient weapon hidden for centuries. Evil people and entire governments want to utilize its capabilities, and whoever has this weapon could change the world. Cain learns the coordinates for this device’s underwater hidden location, but when trying to recover it, he watches as a space capsule slams into the water close to them. Inside is an unconscious woman, ejected from the event that occurred onboard the International Space Station. How did she survive, and does she also have an ulterior motive? Pote’s writing captures what makes fans of action-adventure and historical conspiracy thriller writers like Brad Thor and Steve Berry deliver every book. Make this a mandatory addition to your reading pile; you will treasure it forever.
In 1938, to hide her from the Nazis, a German watchmaker places his 11-year-old daughter in a library balanced between space and time, where the books on the shelves are memories, and promises to return. Lisavet grows up in this world between worlds, and as she grows, she becomes the leader of a movement to stop some of the timekeepers who browse the shelves from burning pages out of the books. In Boston in 1965, a young woman named Amelia is approached by the director of a highly secretive CIA program. Amelia has a watch that can access the library, and the director, Moira, wants her to find a particular book of memories. With no choice, Amelia begins her search, not realizing that success will destroy everything she loves. The story is elegantly poetic, with hints of romance and science fiction mixed with the thriller elements. The time references and how everything operates can be complicated, but it doesn’t matter because the characters and the writing carry the reader on a fantastic journey. What are memories? Can love transcend time? This tremendous debut from Gelfuso reminds us that we write in the book of memories every day of our lives.
Attention anglophiles, lovers of dazzling historical fiction, and fans of a good draught of droll humor. This book is for you. Set in the Inner Temple, the heart of legal London for centuries, with its own degree of independence (not unlike the Vatican), the novel features Gabriel Ward KC, a brilliant legal mind who moves each day at the same measured pace between his chambers, which are crammed with books on nearly all topics; his office; and the dining hall. But on May 21, 1901, he emerges from his room only to discover a body on his doorstep. In fact, Ward is quick to identify it as the corpse of the Lord Chief Justice, who now has a Temple carving knife in his chest. But what is even more shocking isn’t that he is clad in evening wear, but that his feet are bare. How delicious is this plot? Appointed by the Temple’s Treasurer to investigate the murderer, Ward is paired with the eager and charming young Constable Wright, whose street knowledge turns out to be quite an asset, gaining Ward’s respect. The investigation drags the pair from the upper classes to the homeless, with an entirely separate court case—in children’s publishing, no less—providing some entertainment of its own. Quite simply, this is one of the very best debuts I’ve read in a long time; it’s sure to delight the Osman and Thorogood crews and readers of Sarah Caldwell’s legal murder mysteries as well.