Tabitha is compelled by the spiteful actions of her ex-husband to move back to her childhood home. This is not a cozy, safe space as one might hope. It is a sort of compound: two schoolhouses on different sides of a reservoir, one occupied by her family, the other by her uncle’s family. In the past, four cousins, Tabitha the youngest, ran and played like a pack. But her mother is an unstable artist, her father and uncle killed themselves, and her sister and cousin married each other at age 16. Now, cousin Davey purportedly dies by suicide as well, leaving his property to Tabitha. But is that what really happened? Davey’s two cronies, along with three smart teens, use skills learned from TV crime dramas and DNA analysis to get to the bottom of it all. The characters are captivating, the atmosphere is dark and dour, and the wretched weather contributes to the overall tone of the book. The novel is set in Scotland and the use of Scottish dialect and expressions is sometimes daunting, but never gets in the way of the telling. To say that the plot here is a tangled mess may be an understatement, but the untangling is a treat.
Small Town & Rural
A wonderful addition to the literature of The Wizard of Oz, this novel focuses on 11-year-old Dorothy Gale, “dreamy, distant, difficult,” and her eventual return to Kansas via a pumpkin field, where she is found sleeping. Poor Dorothy didn’t know the drill—she was insistent on the reality of the fantastic land she had left, with “talking beasts, flying monkeys, and a wizard”—when she should have been accusing the Oz citizenry as being ungodly pagans. But it’s Dorothy’s admission that she murdered (actually melted) the witch, and the discovery that a leading, witch-like townswoman, Alvina, has also been murdered (melted by lye), that sends Dorothy off to the Topeka Insane Asylum. Fortunately for Dorothy, the town is visited by Dr. Evelyn Grace Wilford, a student of William James, who faces the misogyny and Christianity of the townspeople to learn the truth of what really happened to Dorothy Gale. A delight from start to finish.
Taylor’s debut cozy hits all the beloved genre touchstones. There’s an offstage murder in a small town, baking, cats, a small business…cozy indeed! But the author adds a little spiciness to the relationships, making the book ideal for fans of the subgenre and those who love Taylor’s romantic-comedy What’s Not trilogy. The action takes place in Chatham Crossing, Massachusetts, where the self-proclaimed first lady is…well, that’s the subject of a friendly rivalry. Carole Duffy, the mayor’s wife, seems to have the most legal claim to the title. But if vivacity crowns the winner, the title would go to Venus Bixby, owner of a local vintage record and bake shop, Oldies and Goodies (home to cats Sonny and Cher and to Carole’s delicious cookies). Everyone who’s anyone is ready for Venus’s 50th birthday bash at the town’s big attraction, the Sofia Silva Whaling Museum, but the festivities grind to a halt when Venus falls over a distinct pair of orange platform shoes in the garden, shoes that are being worn by the dead owner of the museum’s gift shop. The sleuthing is on, with Venus, friends, and rivals excelling at small-town bitchiness even as suspects are ticked off the list. Watch for this fun first in a series, which comes with recipes and a playlist.
“Some families are haunted. The stuff of the past, the traumas and the ghosts—they just go on and on,” thinks Caleb “Cale” Casey, a successful real-estate broker in Hawaii who has been estranged for almost 30 years from his brother Ambrose, who runs a construction company back in their small Connecticut hometown. Both are tormented by a terrible secret that they buried as teenagers in Gibbs Pond. When a real-estate developer announces plans to dredge the pond in preparation for further development, Cale reluctantly returns home. Unbeknownst to the brothers, Lily Rowe, the contractor in charge of the dredging, also suffers from a dark family history, a childhood of abuse and neglect, shared with her troubled sibling Ray, that led to a shocking act of violence. How these well-drawn traumatized characters and their secrets collide in the present day, permanently changing the course of their lives, is the theme of Flaherty’s beautifully written debut. His Connecticut is not the monied suburbia of Rick Moody and John Cheever, but a rural working-class community more reminiscent of Daniel Woodrell’s Ozark mountain towns. After a strong buildup, the conclusion felt a bit anticlimactic. Still, this sad novel about the corrosive effects of family trauma and pain will linger in readers’ minds.
In the rural Ontario Bliss House live 17-year-old Cam; his cousins Wes, who’s in his late twenties; and Dorie, who’s five and is a distant relative Gramp and Gran took in. Gran died a few months ago and her abusive, alcoholic spouse not long after, but Gramp is not quite gone, his corpse hidden under a tarp in the house’s cold room. With no will leaving the house and farm to the remaining family, what else can they do? Wild-child Dorie is able to keep Gramp’s death a secret, as well as her knowledge of the game Cam and Wes play in Wes’s bedroom, the same one, she thinks, the nasty neighbor boy, Kyle, wanted to play with her in the barn. The ramshackle family is just starting to believe things are safe when Kyle’s mother sets the Misses Gurney on them. Beulah and Audrey Gurney are with Bethel Baptist and Dorie’s attire—or lack of it—when she plays in the yard is, they say, “the Lord’s business.” They brush Kyle’s behavior aside (“They’re Pentecostal”) but cannot see their way to ignoring Wes and Cam’s “sin,” launching the Bliss boys on a startlingly violent and engrossing path to keep their family and love safe from the state. Young adults as well as adult readers who aren’t squeamish (terms like “corpseooze” stand out) will root hard for this loving family and stay up to find out how their bizarre, Murphy’s-law-ridden odyssey turns out. Playwright Bartley’s previous fiction is set in Balkan war zones, making this memorable work a fresh start.
The high desert of eastern Nevada is Borgos’s setting for this series debut, and it opens with the most violent death Sheriff Porter Beck has seen. A retired FBI agent, Ralph Atterbury, looks to have been tortured for hours, his skin removed in strips and his nipples blowtorched. It can’t be a routine break-in, but what could the man have done that would inspire such rage? Flashing back to supposedly a more apple-pie time, Nevada in the Cold War, we meet Freddie Meyer, a young man who’s humble enough to go steady with Kitty Ellison, a bookish girl who “wasn’t the most striking” of her friends. In due course, Kitty’s physicist father helps Freddie get a job—he’s just so gosh-darn grateful!—at the nearby atomic testing site’s top-secret project. Readers are let in on the audacious, almost unbelievable plan that unfolds, one that Beck slowly uncovers as he seeks the identities of Atterbury’s killer and a Russian spy who he believes worked at the testing site all those years ago. Beck has the nice-guy relentlessness that readers love in an investigator. His love interest, present-day FBI agent Sana Locke, adds wiles and beauty, and the Cold War storyline is gripping. I can’t wait for the next from Borgos.
Small towns in cozies tend to center on sumptuous bakeries, homey libraries, and kind neighbors. Walsh and his characters aren’t here for that. Instead, they kick you upright to witness the rot that can set in when greed, fear, and both too much and too little hope clash in a small community. The story here focuses on the titular character, a member of a Kinlough, Ireland posse of teens who make fast, cutting judgements—some startlingly accurate—about those around them. Those judgements and their attendant goings-on follow the group over decades. Except for Kala, that is, because she goes missing as a teen, an event that’s explored through flashbacks to that hormone-and-sunshine-filled time and in the present, when one of the gang returns to Kinlough for a wedding and Kala’s disappearance becomes a focal point once more. This is far more Stuart Neville than Maeve Binchy, and includes both graphic descriptions of animal abuse and child abuse that happen off the page, but if you can stomach those scenes, you’re in for a memorable tale with not a word wasted. Side note: until I checked, I thought this was written by an Irish woman, as my days as an all-girls’-school-schoolgirl in rural Ireland were that faithfully reproduced (hand me the smelling salts whenever you get a chance).
A school shooting in fictional Charon County, VA, reveals horror and catalyzes reckoning in S.A. Cosby’s eagerly awaited follow-up to Razorblade Tears. This is, unsurprisingly, a masterpiece of Southern noir, but that’s selling it short: it’s a fantastic novel, period. The first responders to the shooting are led by Sherriff Titus Crown, a Black man who won a contentious, racist battle for his seat and who now safeguards Klan members and kind neighbors alike. Titus is able for them all, alternating deep kindness with cutting, politically savvy one-liners that put racists in their place. (Appropriate, given his lack of fondness for “stand[ing] there like an extra in Gone with the Wind.”) But even he is thrown when the investigation into the school shooter—a Black man killed at the scene by white cops—uncovers a grisly secret. Join Titus and his meticulously drawn, flawed family, colleagues, and townsfolk for a deep introspection on how evil begets evil and good begets good. And watch for the gripping movie that’s sure to spring from Cosby’s pages.
“I can trace so much of my life back to a summer night when I was seventeen,” opens main character Nathan, and right away you’re reading through your fingers like watching a horror film. Nathan’s a good boy until that summer night, when racy LeeLee takes him to a party. One thing leads to another and next thing he gets The Phone Call: LeeLee’s pregnant and needs $1,000 to fix the problem. Nathan has $100. He has tough decisions to make and no perfect options, a problem faced by the other struggling characters in this book, all of whom are scraping by in Locksburg, PA. Years later, Nathan comes upon a chance to leave his troubles behind: when he rescues a man from a burning building, he finds a sack of money that he impulsively puts in his truck. Then we meet the other main characters, whose narratives alternate and overlap with Nathan’s: Paula, Nathan’s wife, a nurse who wants nothing to do with the money; Callie, a nurse who works with Paula and who wants to give a dying young patient one last chance at happiness, defying the girl’s fundamentalist Christian parents in the process; and Andy, a recovering heroin addict who, facing bottomless grief, puts his remaining days into punishing an evil man. New York Times editor Jaworowski’s characters are so real, their struggles so palpable, you won’t want to leave them. A must for fans of This Is Us.
Jonah and Luke Blackwell are teen brothers-by-adoption who are close in age, and close generally. But they disagree on one big thing: whether to find out their origins. Adopting from foster care, Lena Blackwell was planning to take in one child, but on the big day found him holding hands with a smaller boy, and the rest is history. But it’s history that Jonah can’t leave alone. Lena is at first mildly dissuasive, saying only that the adoption was closed for a reason. As time goes on, however, she grows increasingly frightened that Jonah will uncover why she’s a virtual recluse at the Millinocket, Maine inn that she and Luke run while Jonah attends college. Curious too is why the inn is owned by Coop, the Native Penobscot man whom the boys thought was an employee. And why, when a guest arrives at the inn who seems to know Lena from the past, is she bundled off to stay with the competition? As flashbacks that are haunted with fear take readers back to Lena’s long-ago struggles and her arrival in Millinocket, present-day determination, exasperation, and love bring us closer to an unpredictable and scary finale. This fast read is for those who enjoy strong protagonists digging their way out of tough circumstances.
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