Transgender

Book of the Week February 26, 2026

Brilliant. Groundbreaking. Emotionally intense. These adjectives, and more, just begin to touch on Gigl’s latest novel, which can be read as a cold-case murder, a domestic tragedy, or the disappearance of a young trans woman. Lieutenant Lauren Kelly, herself trans, has been relegated to working in the Homicide Unit at the Cold Case Unit in the District Attorney’s office. She knows she’s expected to wait out her time till retirement, while ignoring the harassment she regularly undergoes. But Lauren isn’t one to remain silent, and working in the DA’s office opens her to several ongoing narratives that take her deeper into her family history, from her Mom, who disappeared when she was a young child, to her father, now struggling with Alzheimer’s. A stand-alone, this book is an excellent choice for a reading group that would appreciate its rapid pace and treatment of many of the characters.—Brian Kenney

A characteristic that makes mysteries such a popular genre is that the concept of right and wrong is so often very clear. Not so much here. Robbie, our heroine, and Dee, her queerplatonic partner in a gay karaoke bar in a nothing Indiana town, are both successful contract killers. Their jobs are done quickly, cleanly, and without emotion, except for Robbie’s latest one. The information on the local target is sketchy and the target himself suddenly disappears. She can’t afford to return the deposit because she and Robbie have sunk all their money into a theatrical venture, and besides, it feels all wrong. Instead of ignoring who the target is, she works hard to find out the exact opposite. We have local politicians, Robbie’s musical ambitions, and the lively karaoke scene all tangled up with a client who just won’t quit in his effort to have this target done away with. Heath provides a fun story with a great deal of gender and identity fluidity. There is a happy ending of sorts, but is it right?

All We Hide

Robbie McNeil’s Hit List.

Survivor’s Guilt