Celebrity books are hit and miss. It often seems like they hired a ghost writer, and worse again is when you wonder why they didn’t. But this crime-fiction debut, the first in a series by former FBI Director and October-surprise specialist Comey, is firmly in the hit category. Comey draws on his decades of experience to show the hectic activity behind the big-name trials that appear in New York State Supreme Court, the imposing steps of which we’ve all seen on the news. Two interrelated cases, and two teams of lawyers and investigators, are his focus: the trial for the murder of a former philandering Governor of New York, Tony Burke, and another murder case, one that features possible mafia violence and intimidation. A feeling of danger is introduced by Comey, a long-time mob prosecutor, with the lawyers maintaining a psychological operation as they massage the egos of mafiosi to encourage them to cooperate while keeping them alive. We also get a sense of a clock ticking ever more ominously as a fair outcome in one trial depends on the other one finishing first, with the justice system anything but swift. The layers of New York society are also well displayed here, from the ”fucking rich people” loathed by Burke’s long-suffering Central Park West doorman to striving single-mom Assistant U.S. Attorney Nora Carleton—more of her in the next book, please!–whose Jersey home is far in every way from the Upper West Side. An engrossing look at a longtime prosecutor’s world and its pain and triumphs.
Henrietta Thornton
It might be a while since you read a book with teenage protagonists. It’s time. This coming-of-age story has characters who are adolescents to the core, spending their too-fast days on intense friendships, pulling away from parents, and fearing that their high school woes are their destiny. Small-town Warren High School in 2023 is the setting, and the story centers on Justin Warren, whose name is no coincidence: the school is named after his grandparents, who were killed in a fire at the school years before, his mother an infant in the car outside. Things haven’t gone well for Justin. He’s not going to college and he’s in love with his best friend, Alyssa Vizcaino (while they’re seatmates in every class because their last names “function as the alphabetical equivalent of an arranged marriage,” she’s not interested). Then there’s a bizarre twist: an accident throws Justin over a bridge and into…1985. He’s not born yet, his grandparents are still alive, and he still has a chance to change his 2023 lot in life. He meets fellow teen Rose Yin (he’s her pen pal who’s come for a fun visit!), and the two set out to solve a mystery that could mean the world to Justin. Romance is thrown in of course, including a sweet same-sex relationship; combined with the mystery and the tricky logistics of time traveling back to your own town and family in the past, this is one to recommend to book groups and all who like an emotional saga.
Hella Mauzer, 29, is both very much of Finland—she’s a dour private investigator who seems made from her country’s six-months of darkness —but completely not what her fellow 1950s Finns want her to be. Put flowers under your pillow on midsummer night and you’ll dream of your future fiancé, they hint, with marriage and motherhood then all but guaranteed. Hella wants none of it. She keeps both her ex-boyfriend, who can’t grasp that things are over, and her new, interested neighbor at arm’s length while immersed in two investigations. One is a favor to her father’s former secret-police colleague: a background check on the prospective head of Helsinki’s homicide squad. The other is more personal. Hella is desperate to find out who killed her parents, sister, and nephew, all of whom died when hit by a truck when Hella was a teen. Getting the courage to read the police file on her family’s deaths is a big step, and one that immediately leads her to suspect that there was much more to the tragedy than an accident. The background check is far from straightforward either, adding up to a tale that brings to mind Game of Thrones, with all that story’s evil and power-hungry machinations. If Scandinavian mysteries are your thing, try this, as well as Ann-Helén Laestadius’s Stolen, and Joachim B. Schmidt’s Kalman for great stories that take place outside the more common urban settings in Sweden and Denmark.
Jamie Spellman is dead and nobody’s sorry. The women in his life are not only fine with the loss, we find eight of them sitting in a disused room above a Manchester pub with Jamie’s head on the table before them, a smell of “rot and pennies” in the air. One of them probably did the gruesome deed, but it’s hard to tell who when the story of each woman’s awful interactions with loathsome Jamie gets underway. It could have been his wife, Sadia; god knows he treated her badly enough. But Kaysha, the journalist investigating the story, knows that even though it’s always the spouse, the other women had equally valid reasons to hasten Jamie’s end. Another possibility is the teenager he was stringing along. Or maybe the mother who’s lost a daughter thanks to Jamie. Everyone’s got a story, and as they unspool, a lot is squeezed in, from infertility to alcoholism and from anger-fueled affairs to vicious gaslighting. It all comes together to link the women, whose stories converge in a way that will appeal to Kate Atkinson’s readers, and to create an ending that brings us back to that head on the table, but in a twisting, unexpected way. This debut author is one to watch.
Heading to Paris for a much-needed vacation after a bad break-up, Nicola Harris meets Englishman James Shuttleworth on the flight and the two fall madly in love. They vacation in the south of France and move to his flat in London, while Nicola practically forgets about her life back in Buffalo. And why not, when they probably have ten feet of snow to shovel? All is going swimmingly until James suggests they spend the weekend at a house party, complete with shooting pheasants and lots of Barbour, where Nicola will finally have a chance to meet his friends. The book is set in 1980, so we don’t yet have the term social anxiety, but that’s exactly what Nicola is experiencing. And rightfully so. This lot of private-schooled, Cambridge-educated, alcoholic aristocrats, with their insider language and weird nicknames, is terrifying. Nicola gives it the old college try—she does love James—but just when she thinks she’s broken through, Juliet arrives. James’ ex-fiancée. Beautiful and seductive. And a genius at undermining Nicola, especially when no one else is around. But what Juliet’s after may be far greater than just destroying Nicola, and we slowly come to realize that everyone is in danger from Juliet. A slow simmer that’s full of great characterization, this should appeal to fans of Lucy Foley and Ruth Ware.
Clemmie and Muffin, friends in an active senior community (it’s not a retirement home!) are attending church together, content in their matching jackets and cozy friendship. Then Clemmie spots someone she knows from the past and is terrified and desperate to get out NOW. In flashbacks to the 1960s, when Clemmie was married to a man from their small South Carolina town’s most prominent family, we find her in a quandary. The men in her husband’s family are violent racists, but she’s too afraid of them to do anything about it…until she must take action and then run away forever. In the present, things are heating up as a white reporter makes an incendiary claim about something that happened to him in the town and a Black resident wants answers on her nephew’s disappearance. Then there’s a death among the seniors and history can’t be swept under the rug any more. This is a compelling read on many levels. The senior community’s friendship, backbiting, and the everyday indignities of growing “less active” are portrayed with wry accuracy by Cooney; Muffin’s disdain for Clemmie’s casual racism is a highlight. The author raises important questions: Can people really change? What is the responsibility of the bystanders to a crime? How can small-town residents from opposite sides of the fight for Civil Rights deal with one another today? For those who like a controversial mystery and fans of Richard Osman’s retirement-community-set The Thursday Murder Club.
A particular type of horror needs nothing supernatural: It’s when a mundane task suddenly requires every ounce of will and wits to survive. Police officer Elise Sutton is shopping for towels—her kids have been hinting that the threadbare affairs they’ve been using are not the world’s only towels, but who has the time?—when her training kicks into gear: there’s a shooter in the store. The scene that unfolds is a highlight of the book, though far from the only tense moment, and a meticulous portrait of human nature under pressure. Elise gets the gunman in her sight as he takes aim at a tall man who then escapes; the gunman is killed by Elise and the clothing racks come alive with shoppers who were hiding, terrified. Elise must now deal with her own trauma, having killed a man, and with the doubt that plagues her: did she need to kill him? Just as readers settle in for a tale about survivor’s guilt and PTSD, the story takes a turn: the tall man shows up, way too grateful for being saved, and by the time Elise realizes that he’s acting oddly, he’s become her obsessed stalker. Alternating with this inward-focused tale of one woman’s turmoil and peril is the saga of a burned body that’s found in the Connecticut woods, in an oven used by hunters. Finding out how these stories are related, and whether Elise’s marriage and career can survive the terror she faces, makes the pages turn quickly. Ideal for those who enjoyed Ian McEwan’s Enduring Love, another tale of obsession.
Librarian Jenn thinks her husband, Rick, will be thrilled with his birthday gift. He’s often wistfully mentioned his days as an avid surfer, when he hated leaving the beach, always staying for “just one more” wave. But when Jenn shows him the phrase “just one more” tattooed on her shoulder, he says she’s a tramp. And to Jenn’s further shock and puzzlement, he says he’s never surfed. A chill sets into the newlyweds’ days, with Rick becoming more distant and controlling. But surely things will improve, thinks Jenn, if she does her best. When she finally feels ready to ask when they should start to try having children, which they’ve decided is in the cards, she’s dismayed to hear him say that he’s been clear that he never wanted kids. That increasingly red-flag-filled saga is one half of this rollercoaster tale; the other part is narrated by Jenn’s best friend, Becca, who in the beginning of the book arrives at Jenn’s house to find her drowned in the bathtub. The two women’s investigations—Jenn’s library research on her husband’s past and Becca’s digging into what happened to Jenn—unfurl in tandem, an effective device that allows the narratives to complement each other’s details and tone and enables the women to seemingly work together across the time lines. Just wait for that satisfying ending.
Elsa knows you have to keep your hands in the sled so they’re not sliced by sharp ice. She’s learning to sew gákti, her Sámi family’s traditional clothes. She’s even big enough to surprise her parents by skiing to the reindeer corral and feeding the animals by herself. But one day, when she gets there, in the opening of this unusual and immersive novel, Nástegallu, the reindeer her father has given her as her own, has been murdered. More terrifying, the killer stares at Elsa and draws his finger across his throat to show that she’d better keep her mouth shut. The lonely terror triggered by this gruesome event seeps into Elsa’s bones and shapes her life for the decades spanned by the book. As a frightened child and later a fledgling Sámi-rights activist, Elsa stands on the tenuous border between the indigenous reindeer herders who are trying to maintain their traditional way of life and the more modern Swedes around them who treat the “bloody Lapps” (Lapp is a slur) as either entitled leeches on the state or quaint artifacts of pastoral innocence. Always at the center are the reindeer and the serial killing of them, a destruction of Sami food, transport, heat, and sense of self. A reindeer serial killer? I know. But this is one of those books that will draw you in, teach you, and stay with you. Sámi journalist Laestadius’s adult debut, this book won Sweden’s Book of the Year prize in 2021 and is being adapted into a film that will be on Netflix in 2024
Vivvy Bouchet—the last name is one her mother made up as fitting for a psychic—is an astrophysicist who’s working to prove that a glimpse of far, far off light she once detected is artificial light from extraterrestrial life. There’s serious grant money in the balance, but she’s pulled further and further from her day job by her side gig as a psychic working with an old friend (it’s complicated), Mike, who’s a cop. Mike and his gruff, hostile coworker want Vivvy’s take on the case of Lizzie, a missing girl. Lizzie’s mother is in jail for the girl’s murder, but swears she’s innocent, and Vivvy gets a vision that there’s more to the situation than the police know. Discovering Lizzie’s fate and who’s responsible begins to take over Vivvy’s life, not only because she’s determined to find the girl but also because an Alex Jones-type radio and podcast host starts making her life a misery. Getting his fans away from her home and getting back to her research, if her colleagues can ever take her seriously again, are the goals. But Vivvy’s relationship with Mike isn’t the only complication, making this a maelstrom of worldly and otherworldly detective work, satisfying twists, and relationship drama. A fast-moving thriller with an unusual protagonist.