The catalyst for this fast-moving, Tokyo-set thriller is the invention of a way to chemically produce lightning, which creates an enormously efficient way to generate electricity. As in John Marr’s recent The One and The Passengers, for which this is a good readlike, the human side of the technology overtakes the invention itself, complicating relationships and putting all involved in peril. When the book opens, the danger hits the road, literally, as lawyer Torn Sagara and his client Saya Brooks, the lightning box’s inventor, are attacked on a Tokyo highway, first by men on motorcycle and then by others in a car. Were these separate attacks? Was Torn or Saya the intended target? All the while, Weeks (like Torn, born in Alaska and now a lawyer in Japan) creates an immersive view of the strange life of his protagonist, a half-Japanese, half-American man who shrugs off the slights and outright discrimination he faces from fellow Japanese. Readers will also find themselves voyeurs of the mental gymnastics it takes for the lawyer to sustain two affairs and even start a third before the book is over (physical gymnastics may also come to mind as Torn and one of his mostly ignored girlfriends take advantage of an airplane bathroom). As well as taking on many interesting details of Japanese culture, including its funeral rites, by the end readers will also be well acquainted with the flawed but lovable Torn and will hope for more visits to his between-worlds life.
