Arranging an exhibit “Inspired by Shudder Pulp dime magazines and the legend of our very own lake monster” promises to be a fun project for artist Charley Scott, curator of her small-town Canada art gallery. Local lore about the Nessie-like monster should be enough to draw the curious, but it makes one local, Laura Bouchard, very upset. Laura shows up at the gallery angry and dishevelled, with two things she’s adamant about. First, she was just attacked by the lake monster. Second, Charley had better not go ahead with this exhibit. When Laura is later found dead of “dry drowning,” or dying of water inhalation hours after the fact, Charley sets to work getting to the bottom of the myth and what really happened to Laura. Cozy fans will enjoy the small-town tale that’s complete with eccentric locals, a chocolate shop that offers a worrying subplot, and Charley’s steadfast dog. Darker elements are added: Laura was not well liked in the town, for example, and elements of witchcraft creep in, making this a tale both for cozy fans and for those who like a more sinister mystery. This is the second in the series, and readers will want to go back to the first installment, Cover Art.
Henrietta Thornton
On the surface this is a he-said, she-said crime tale, but there’s much more going on in this darker departure from Simon’s previous work. It’s a close examination of what happens when one partner is completely smitten—the reader will be waiting for the yearning to tip over into obsessive stalking—and the other not only believes themselves not right for this love, but unworthy overall. The partners are Greg and Anya, Greg a research scientist who later enters a medical residency program and Anya a painter who hasn’t yet made it in Boston’s cutthroat art scene. The hippy veneer on vicious creative-world competition is perfectly portrayed here, as is Anya’s pushy mom, who holds her riches over her broke daughter’s head while practically mandating an arranged marriage to Greg, MD. On the sidelines are friends of the couple who become involved in a crime that’s almost an afterthought to the relationship struggles but that serves to tie up the tense alternating narratives in a shocking way. Simon’s fans will appreciate this swerve; it’s also a must for readers who enjoyed the dueling male and female narrators in Araminta Hall’s One of the Good Guys.
If you’re hankering for bulla cake, coco fritters, gizadas, or other Caribbean foods, Miss Hortense has you covered, with recipes for those dishes and more provided throughout this introduction to the steely “pardner lady.” Readers can learn the ins and outs of the pardner while meeting Hortense’s frenemies and neighbors—who are mostly one and the same—in millennium London and flashbacks to the city in the 1960s, but the basic premise is that it’s the kind of money club often used by those who are unbanked. English banks won’t let Hortense and other members of her Black community have accounts, so the pardner sees them each contribute money every week, with members taking turns to get the whole pot. Over the years, the club has allowed its contributors to “become the person they wrote back home and boasted that they were.” But now all the funds have disappeared at the same time that there are several deaths in the community. Even the supposedly natural demises get Hortense thinking, but some of the deaths bear the hallmarks of attacks that happened years ago, when a man the community called the brute beat several women to death and left biblical messages with their bodies. Is he back? Hortense and the other pardner members will have to do their “Looking into Bones,” which is what they call their investigations. These have the habit of “creating more dots than perhaps connections,” but allow readers to explore a tangle of love, loathing, and buried secrets that leads to a delightful Christie-like ending in which fingers are pointed and confessions made. Zadie Smith fans should pick up this winner.
Whip-smart, odd-couple arson investigators Andrew Walker and Walter Sharpe are back, this time probing a string of fires across LA. The worst is a blaze that has taken out part of a major highway. In a city that lives in its car, traffic that’s even more snarled is a disaster, and the investigators relish the chance to travel by helicopter while they sniff out—sometimes literally—clues and, at least on Sharpe’s part, exasperate all around them. Fans of the series will enjoy reacquainting themselves with a lovable criminal from the previous books (Ashes Never Lie, 2024; Malibu Burning, 2023), Danny Cole, who is continuing his revenge against a corporate monster. Tense scenes, some (awesome!), Mission Impossible-type capers, and the wonderful arson-fighting duo of Walker and Sharpe make this an exciting, absorbing addition to the series. Readers need not have read the previous books, but it adds to the experience.
In this police procedural with a huge twist, Ali Dawson works for a London police department that purports to solve cold cases. These cases are so cold they’re truly frozen, hence the department’s nickname and the book’s title. But the team’s real purpose is to send detectives back in time to solve crimes. An Italian scientist is behind the technicalities of it all, and the officers themselves have only a vague idea of how it works, but no matter. They’ve now visited the past several times, at first leaving the COVID era to go back to just before the pandemic, and then visiting past decades. But now a government minister wants to prove his ancestor innocent of a crime, a job that will send Ali back to Victorian London. Visiting Ali’s own city, but a vastly different version of it, is as fascinating for readers as it is for the sleuth, but all goes awry when she can’t get back, and her son—their relationship is a highlight of the book—is accused of murder in the present day. Griffiths provides just enough of the intricacies of time travel to keep things interesting without bogging the narrative down with physics, creating a fresh new series that will leave readers wanting more
Sabine Kelly has been on the run for years. As a teen she was accused of arson that killed nine people, including her mother and sister. The Sabine whom readers meet seems hardened by her years on the road—or rather, on the river, hiding as she does in a houseboat on the same rural Australia waterway she grew up by, with her drug-addicted mother and a sister she had to parent. But she doesn’t seem capable of the crime she’s running from. Instead, she seems scarred by it and desperate for the truth to come out, but powerless to make that happen. Enter Rachel Weidermann, a journalist who lives next to Sabine’s grandfather, a complicated character called Pop. She’s been obsessed for years with getting Sabine’s story, and when she sees the fugitive visiting Pop, she is excited to both get answers and save her fading career. Following the women, as Sabine learns to trust someone and Rachel to let things unfold imprecisely, offers both an engrossing journalism procedural tale and a look at what can happen when goodness meets desperation. Setting is as prominent as characterization and plot here, with all combining to create a memorable tale of redemption.
They’re back! The trained assassins readers first met and loved in Killers of a Certain Age (2022) are on another mission, but things are odd this time. The group of women, which resembles nothing so much as a book club that’s enjoying itself a bit too much, is summoned to a new job, but given tickets for coach airfare…decidedly not the style they’re accustomed to. The usual impeccable preparedness is lacking in other ways, too—no backup murder weapon provided? What is this?—and things go completely off the rails—pun intended, as the worldwide escapades after looted art and to flee revenge end up with the women on a lethal train journey through Montenegro. The Bond-type exploits are exciting and the art-history details absorbing, but as in the previous book, it’s the realistic friendships and love—including same-sex romance—that will keep readers wanting more from Raybourn. An invigorating read that will lift readers’ spirits.
Elinor Hayward and her rich, widowed father, a textile millionaire known as the cotton king, are surprised and thrilled to be invited to a high-society ball. Mr. Hayward is a self-made man—the horror!—instead of having been born to wealth like those who usually snub him. At the ball, shy Elinor is rescued by Frederick Coombes, AKA Lord Storton, who seems interested. As is the way in 1910 upper-class London, a formal courtship is soon followed by marriage. Elinor expects a romantic whirlwind like in the Jane Austen novels she adores, but right from the lackluster proposal, things are off, and after they marry, things only get worse. Frederick has no interest in his wife, except as a vessel for the all-important heir. When the couple and Elinor’s father finally board the Titanic along with their baby, it seems like a welcome break from the rules, but we all know what happens. The characterization here is superb. Readers will root for Elinor before she ever arrives on board and will be rapt as she’s thrown into peril while the nightmare unfolds (Quinn offers a wealth of details about the disaster and its aftermath). What follows—Elinor taking the chance to remake herself, always struggling and waiting to be discovered—is also gripping, and this is one of those books that will leave readers bereft once it’s over. A triumph, and surely a movie must be in the works.
Brace yourself. Landau (pseudonym for authors Jeff Ayers and Jon Land) is back with a new National Parks-based thriller, and it’s even more breakneck-speed than the last. This time, several mysteries entwine, starting with the fate of U.S. Geological Survey (USGS) workers who disappear after the reader follows their every panicked move as an avalanche descends on them at the Lamplugh Glacier in Alaska’s Glacier Bay. Michael Walker, a special agent with the National Parks Investigative Services Branch, hero of Leave No Trace (2024) is dispatched to find them, working with Tlingits, Natives whose animosity toward white outsiders has been well earned. At the other end of the country, a USGS intern is found dead, his cause of death seemingly impossible. And the crew of a U.S. Navy submarine finds itself in terrible peril, the claustrophobia and fear seeping off the pages. There are several highlights here, in addition to the fast-paced, dangerous subplots: a respectful look at the Tlingits and their ways, with a show of force by the tribe creating knife-edge suspense near book’s end; a young Tlingit woman, Amka Reynolds, whose scientific know-how and dedication to her community will make her a reader favorite; and the continued look, in protagonist Walker, at a disabled character with a physically active career, realistically hampered at times but getting on with it. For fans of Landau, outdoorsy thrillers, and stories about the effects of technology (you’ll see).
O’Connor’s latest Ireland-set novel is darker than her previous titles, but will still work for her many fans. Steadfast, kind veterinarian Dr. Dimpna Wilde is back, and this time life in her hometown, tourist hot-spot Dingle, Co. Kerry, is repeating itself in a macabre way. Only locals remember that 29 years ago, a cult centered around two men’s obsession with pregnant women ended in death and the men being sent to prison. They’re out now, and horrifyingly seem to be at it again, as a pregnant woman is found dead in a bog near the town and another is missing. A local child has been snatched, too, and Dimpna’s love interest, Detective Inspector Cormac O’Brien, is on the case, desperate to find the missing locals. An officer who worked the previous case threatens to destroy this one with her fixation on the just-released men. The best and the worst of small-town life come together here to great effect, and the nail-biting chronicle of the missing duo’s ordeal, with the pregnancy clock ticking, makes for an engrossing read that’s topped off by an exciting, satisfying ending. A realistically portrayed deaf protagonist adds texture to the story. While you’re waiting for this terrific read, watch a documentary with elements of similarity: Gloriavale: New Zealand’s Secret Cult.