Friends Lauren, Kelsey, and May call themselves the Canceled Crew. Each has been vilified in the media, Lauren, who’s Black, because it’s assumed that she slept her way to her job as director of the Houston Symphony; May, who’s Chinese American, for a terrible incident on a subway platform that was filmed and went viral; and Kelsey, who’s white and rich, for being suspected of killing her husband. The women are now on a girl’s weekend in the Hamptons, trying to put it all behind them and let their hair down a bit, but the note of the book’s title throws them back into chaos. It’s a prank that isn’t so funny after the recipient goes missing and the three women are firmly back in the spotlight, a situation that widens every crack in their relationship with one another and their partners and families. Burke makes every character hyper real here, portraying the effects of privilege, thoughtlessness, and poor decisions with deft precision. The strong ties we feel to old friends, no matter current circumstances, are also shown in sharp relief. Add to this a page-turning whodunit element and it all adds up to a cracking read.
Henrietta Thornton
Small-town struggles meet CIA relentlessness in prolific author Abramson’s latest thriller. It stars two likable protagonists, FBI Special Agent Amberlyn Reiner and Marine Captain Luke Steele. As the book opens, former school psychologist Amberlyn is planning to see her best friend, but plans are derailed when her skills are needed in the investigation of an Oklahoma City bombing-like event. Also entangled is Luke, who’s normally tasked with carrying the nuclear “football” in his role as a military aide to the President, but who is asked to help after he recognizes a connection to his hometown in photos of the event. Amberlyn has been bereaved by the bombing and Luke is loath to return to the town where he was relentlessly bullied, not to mention the high school reunion that will offer valuable investigative opportunities but one for the now-grown bullies to continue their abuse. So neither wants to be there, a feeling that’s more than vindicated by the danger visited on them in the town by the bullies…and perhaps by others. But they also find in the town kindnesses and even a fledgling romance, which entwine well with the criminal side of the story to create a gripping and satisfying series debut.
It’s not every protagonist who introduces herself to readers while in the middle of getting an intimate area waxed, but Rose Aslani isn’t every protagonist. She’s the quintessential new New York Gen Zer: being worked to death in media, living with a strange roommate who seems only vaguely familiar with being clothed, and fielding suggestions from her parents like, “Why don’t you email the New York Times and ask them for a job?” All the while, Rose is nursing an obsession with the titular Most Famous Girl in the World, Poppy Hastings. A couple of years ago, Poppy’s fake-socialite scam was exposed–by Rose–and she’s just gotten out of prison for those exploits, but it’s too little for her nemesis. Rose knows that Poppy’s scamming was the tip of a criminal iceberg, and she stalks the woman, who flaunts her zany, fibbing ways to every internet hack who’ll listen. The public can’t get enough of it, while Rose is accused at work of paranoia, dropped by a succession of therapists, and falling deeper into reliance on booze and pills. Then the journalist begins to receive texts that help her in her quest to take Poppy down, a quest on which she’s aided by dishy FBI agent Simon. The story takes on some serious themes, notably Rose’s lifelong feeling of alienation as the daughter of immigrants from Iran who love her (as will readers) but “[love] the idea of passing more.” Closing with several shocking twists, this is one for women who’ve had it and fans of the true-crime wave of podcasts and documentaries about scammers.
Some books end with a recipe for a cake or cookie that was mentioned in the story along with nice characters in pleasant surroundings. Then there’s Graveyard Shift. No nice characters, definitely no twee surroundings, and the back matter has two lists: one of songs including “Nightmare” by the Rats and “Bury Me with It” by Modest Mouse (you’ll note the vermin theme) and recipes for cocktails including Corpse Reviver #1. The novella drops readers right into the horror, which brings together the kind of eclectic bunch gathered by a smoking habit. These insomniacs and late-shift workers meet nightly for a smoke in the graveyard of a college town’s dilapidated church, where they witness the dumping of something very unexpected and even more horrible than they would have imagined. Edie, the relentless journalist in the group, seeks answers, aided by bartender Theo, who’s witnessed one of the other weird goings on in the town. Called “Hostile Incidents,” these are instigated by so-called Belligerents, the several “weary, mild-mannered” people who have gone “suddenly berserk.” Readers will want to get their shaky hands on Rio’s previous work, If We Were Villains, after this deliciously bizarre, creepy tale.
Cordelia Black’s successful, not-always-above-board career in pharmaceutical sales enables some of her passions in life: buying super-expensive designer clothes and drugging bad men so that she can get them to her secret killing room. That terrifying shadow world is never meant to be revealed to those Cordelia loves most: her best friend, Diane, and Diane’s daughter, snarky but loveable pre-teen Samantha (don’t call her Sammy). But Cordelia and Diane’s funny/tragic dating lives mean that her worlds collide, after which everything–everything–goes wrong in a Murphy’s Law-meets-murder nailbiter. It’s all too believable, making this gripping debut one that you’ll tear through. If you’re thinking of Dexter, you’re right–it does have parallels to that great show, though it has a much better ending and more side characters to root for. Another plus: it’s set in Baton Rouge, less often a setting than big sister NOLA. Get this on your TBR pile!
What’s better than a gripping story that also teaches you a ton about a fascinating subject? That’s just what readers will get in Goldberg’s follow-up to Malibu Burning (2023). This time, odd-couple Los Angeles arson investigators Walter Sharpe and Andrew Walker are faced with several perplexing crimes. The central case involves a series of just-built, as-yet-uninhabited homes for the wealthy that combust in a far more explosive way than an empty house. Then there’s the man who’s found dead in a fire, but the fire didn’t kill him. Fraud pokes its head up too, with all keeping Sharpe—a genius with fire investigation, but socially not so much—and his still-learning partner busy with intriguing theories based on detailed descriptions of the workings of fire, accelerants, and more. The characterization here is wonderfully enjoyable, with the partners and their various associates bantering in ways that’s sometimes hilarious and always reveals the human behind the shield. Goldberg’s author’s note helpfully details the books about fire dynamics and investigation that he used for research, and readers may want to try these as well, notably Fireraisers, Freaks, and Fiends, “Torchered” Minds by former LA County arson and explosives detective Ed Nordskog, who also answered questions for the book.
Addison, author of the Enchanted Bay series, brings her lively voice to a series debut featuring a heroine to remember. Historian Sidney Taylor, a young Black woman, is on furlough from the Smithsonian when she gets a mysterious offer to go on a quest in her hometown, Robbinsville, VA, the heart of which is the Josiah Willoughby museum. Sidney’s parents are rich—her father is the Speaker of the House of Representatives—but they believe in the young woman making her own way, so when she receives a wax-sealed envelope with an invitation inside to find something historically significant in Robbinsville, and the prize is a million dollars, she’s in. There’s danger and intrigue in store though, with Sidney receiving threatening messages and increasing pressure on the museum to give in to virtual reality as the future, a government program that seems more sinister by the minute, headed as it is by a woman who will remind readers of scary real-life tech-exec Elizabeth Holmes. The small-town scene, loving family members, and history-tinged puzzles keep the pages turning fast; there are plenty of real historical details packed in, too, surrounding a long-running conspiracy about the U.S. presidents. A winning series starter.
Life inside a cult, and the uncertainty after escape, are chillingly chronicled in Shepard’s latest psychological suspense. At first, high schooler Danny is scornful of Infinite Spiritual Being, or ISB, the self-help group that her friends are so enamored of. But its narcissistic leader, Ben, knows just the right ways to manipulate a lonely teen into joining his band of acolytes. The young women, and some men, who are gaslit by Ben into eating very little—so as to gain more control over themselves—are over time convinced to leave their families and join Ben in a rural Oregon compound. Accounts of that life alternate with looks at the current day, nine years later, when Danny shows up at her ISB friend Rebecca’s house unannounced. Rebecca’s now living with her husband, Tom, and children in much more pleasant circumstances and is stricken to see Danny, as Tom knows nothing of her old life. Danny’s appearance puts Rebecca and her family in terrible danger, and as readers move back and forth in time, and secrets and terrible abuse, including of pregnant women, are revealed, the story ramps up to a tense-as-can-be ending. The legions of fans of Shepard’s Pretty Little Liars will read anything by her and will be well rewarded here; those new to the author will also race through this riveting tale.
This piercingly written tale of modern life in Ghana is preceded by a warning in Quartey’s heartfelt prologue that his novel includes scenes of violence against gay characters and should be approached with “caution and mindfulness.” That’s fair to say, but it must also be noted that the violence is in keeping with the story and not gratuitous, except on the part of the criminals. The effects of white-supremacist missionary work in Africa also loom large in the story, which centers around the murderous homophobia stoked in Ghana by an American evangelical Christian, Chris Cortland. His bigoted ways have brought him to Africa where he finds a home among those who believe that “homosexuality isn’t indigenous to Ghana.” The tale features many well-drawn characters, all presented in an opening character list (don’t be put off by the full to bursting cast here!). They fall into three main groups: trans women who are being murdered, with famous Ghanaian pop singer Henrietta Blay the focus; Emma Djan and the other private investigators who who make this police-procedural-esque, employed because “the police might not give the case high priority”; and the smarmy, self-righteous circle of Americans and Ghanaians around Cortland, whose behavior means the book could also come with a domestic violence warning. The murder mystery is compelling here, but readers will also be absorbed by the politics and religious machinations and the emotional brutality the mixing of the two creates.
Davey Burnet’s life is boring, tough drudgery, made no easier by his shame and frustration over having caused a lot of his own problems. He works at a Glasgow car wash where the work is both boring and freezing and the annoying customers bested only the even more draining pothead boss. But Davey wishes for the boredom back when an impulse decision brings a world of trouble down on him and the business. After nouveau-criminal-riche Paulo McGuinn takes to bringing his ostentatious vehicles to be cleaned and Davey “borrows” one of them to make it to a custody hearing for the daughter he desperately wants to see, the car is wrecked and suddenly Paulo is the de facto owner of the car wash and of Davey’s grim future. Paolo’s just-one-of-the-lads bonhomie is a wafer-thin veneer over viciousness; not taken in by it is DI Alison McCoist, whose pecking away at the car wash’s goings on are Davey’s only hope. While this fast-moving tale is dark and has moments of real terror, it’s also grimly hilarious, especially in McSorley’s skewering of Paolo’s inflated self regard. The dialog takes some getting used to, with the character’s thicker than thick Glasgow accents faithfully reproduced, but once readers acclimatize they’re in for a rollicking, satisfying read.