Review

The darkness of this novel—which was published in 1997 in Britian but is now seeing its first U.S. publication—is paired with an urgency: things must be made right. The England-based Committee for Reparations to Africa has been “veering between sycophancy and rage according to the circumstances” in persuading the British that African artworks stolen during Colonial rule must be returned. The only result is undisturbed exhibits in British museums, so now Gus, a university professor, has decided to make a statement. In partnership with a steel-willed, rich Nigerian man, Dr. Okigbo, he will steal a mask (one that causes “an aura around his nerves” and “The taste of a smell. A ghost in the mouth”) from a renowned collection. He’ll hold it for a ransom to be paid to Africa, but more to stir political fallout. (It’s better than bombing the museum, his initial idea.) Of course, nothing goes to plan, and while the aftermath gets more twisted and scarier, confounding issues are introduced. The mask should eventually be given up, but not to “some bunch of evil dictators.” It might never be possible to persuade the British to do anything (“Nothing to do with us, old boy”). And are Black English people, such as Gus, authentic enough to be involved in this effort? There’s lots to think about here with characters who shake up assumptions and stereotypes along the way.