Fans of Philadelphia’s Mutter Museum and of unsettling fiction are ideal audiences for Fixsen’s “STEMinist” latest. The author introduces Isobel Tait, a desperate nineteenth-century Edinburgh mother. Her only child, a sweet boy named Thomas, is sickly, out of breath at the least exertion. When Isobel finally gets him to see an expert, the renowned Dr. Burnett, the boy’s condition is confirmed to be dire: his heart has a damaged valve and his life will be short. Then Thomas disappears. Frantic Isobel tries everything to find him, but it’s all futile and the police have no leads. When she gives in to a ladies excursion to Dr. Burnett’s display of medical oddities, a tiny, preserved human heart emits—to Isobel’s hearing only—the distinct rhythm that Thomas’s did (the music teacher in Isobel would know it anywhere). What follows is an absorbing and expanding mystery around what happened to Thomas and others like him, as well as an in-depth look at the work of resurrectionists—those who procured and used dead bodies to teach and learn anatomy, with competition for bodies fierce and lucrative. The story is based on real events detailed in an afterword by the author. This is ripe for a bookclub discussion on medical ethics.
Review
Yes, in nearly every way The Sequel is The Plot Redux, but don’t let that stop you for a minute. In most regards, The Sequel is more fun, more sardonic, and much darker—although this is one of the few series in which reading the first book before the second pays enormous dividends. We are back in the world of Anna Williams-Bonner, whose late husband, novelist Jacob, died by suicide. His novel The Plot found its way to the top of the Times bestseller list, leaving Anna doing everything she can to succeed as a literary widow—including touring across the country in Jacob’s stead. Anna gets so into the publishing groove that she actually authors her own debut novel. If only the story could end there. Anna undergoes harassment from someone who knows all too much about her life, her husband, and even her brother. But this anti-hero isn’t one to go down easily. I have no doubt Anna will be kicking her way into #3, to the delight of her many fans.
Calla, 25, has carried her family forever—they’re a “collectively forked tongue, sharp and dangerous”—and their endless needs drag her from the better life she was building. She’s now a fretful, parenting-advice-reading mom to her lovable but wayward younger brother Jamie, 16. Their father is dead; their mean, drunken mother took off; and middle child, Dre, is no help, despite swearing that if Calla became Jamie’s guardian, he’d be there for them. “Redneck Amish Mormons would be better guardians than you,” says Jamie, in one of the book’s many grimly funny moments, and the pinnacle of his unthinking rejection is driving to a Black Lives Matter protest with a group of friends—when he promised Calla he’d stay home—to give the protesters some illicit help. Jamie has been experiencing bizarre moments, such as when his hand dissolves into a girl’s face and he can feel her insides; more of the same happens at the protest, but no excuses can help Jamie with the law when he’s Black and the protest gets violent. Things are simultaneously going monumentally wrong for Dre, who now must also dodge the police; Calla is once again on the hook to save her brothers from themselves. This is where fear and body horror meet hope and love, the siblings’ lengthy battle for one another stretching their emotional and physical limits and revealing their true selves in all their fury and strength. Debut author Viel really brings the horror here, it’s not for the squeamish at all, but those who can brave this epic fight will be rewarded with a story to remember.
Novelist Grady Greene can’t wait to share his good news with his wife, Abby: he’s just made the New York Times bestseller list. He calls her, she’s driving home and not far from their house, only to hear her slam on the brakes, telling him that someone is lying on the road. Then silence. Grady heads out to find her and discovers that the car is empty, the door wide open, her cellphone abandoned, and Abby gone. So begins Grady’s year of mourning for his disappeared wife. To break his melancholia, and kick-start his work on his next book, his agent offers a little cabin on a barely habited Scottish isle. Grady takes her up on the offer, only to discover that there is, you guessed it, no way off the island—what ferry schedule?—and the two dozen or so female-only residents are a bit beyond odd. But oddest of all? The quick glimpses he has of a woman who is the spitting image of his wife. The creepiness, the occasional bursts of humor, the horrendous history, and of course the inevitable twists, all of which layer over one another, make for one terrifying ride.
A new Higashino that will meet the expectations of his many fans, and then some. As is typical of Higashino’s unique police procedurals, the story goes both deep–into the past of its leading characters—and broad—Japan today, for example, where we learn about Japanese culture, such as the world of hostess clubs. The story begins with the discovery of a young man’s body in Tokyo bay; a bit of research reveals he is quite the loser who lives off his girlfriend while continuing to abuse her. But by the time the detectives locate their apartment, she’s skipped town. A likely suspect? Yes, but with an airtight alibi. Which draws Detective Kusanagi to “Detective Galileo,” a scientific genius and old friend, and the star of Higashino’s most well-known work The Devotion of Suspect X. In Galileo’s hands, connections are illuminated, the trauma of the past is brought to the forefront, and we learn the startling connections that link our characters. Brilliantly plotted and wonderfully rich in characterization.
Talk about domestic suspense. Julia has moved back to Dublin from San Diego with her kids, who hate their new environment, and her ex-husband, Gabe, who trades time at home with her. Weekends she’s in the house with the children and he’s in a nearby apartment; weekdays the opposite. It’s all very pally, but there’s one big problem: their family seems to be a victim of a social media prank that involves people hiding in attics and jumping out to terrify the residents. Repeated Tik Tok videos, not made by the family, show views of their home as though made by someone inside. And wasn’t there that case, her kids insist, where someone lived in an attic and came out at night to wander the house? Her son is especially terrified—the depth of his fear is clear when his mom tells him not to be afraid to be alone, and he says his fear is that he isn’t alone—prompting Julia to investigate. Weird neighbors and the family’s recent and more distant past offer multiple possibilities for who’s terrorizing them, and readers will enjoy Mara’s taut plotting and believable family dynamics (especially the eye-rolliness of the teen daughter). Julia and her children’s fear comes through so palpably that you’ll be ready to help them move again while silently cursing the useless authorities and blithe Gabe. A gripping read.
The many fans of Jane Pek’s first book, The Verifiers, will be thrilled to get their hands on this new novel featuring the indomitable Claudia Lin. In this darker and tougher novel, with a robust comic streak and a deep foray into technology—featuring synths, the scary new generation of bots—Claudia can’t help but employ some espionage tropes as she investigates a corrupt matchmaking firm with the help of a corporate whistleblower. But there is plenty else to distract Claudia. Her family is falling apart at a prodigious rate; she is barely speaking to any of them. Romantic tensions are growing between Claudia and not one but two women, one of whom is the ever soignée Becks, Claudia’s one-time boss and major crush. Questions about sexual identity are sending these 20-somethings spinning in and out of the proverbial closet. While Inspector Yuan, a character created by Claudia, provides plenty of maxims throughout the text. Lots of fun, but also some real terror, in what is a brilliant depiction of New York City.
Having left behind her life in Baltimore, 20-year-old Ruby Young has settled in a so-so apartment in a so-so Boston neighborhood. The previous tenant who rented her apartment, Cordelia Graves, died just a few months ago, reportedly by suicide. But now another neighbor has died, murdered in an apparent mugging, and Cordelia—she’s become the building’s ghost-in-residence—is determined to keep Ruby safe. But Ruby is one tough cookie herself, with zero fear of the supernatural, and as much as they may be opposites, eventually the two women settle on refrigerator magnets to (sort of) communicate. Hearing each woman’s interior monologue is a hoot, as their relationship as roommates grows and they head out into the world to investigate if Jake was actually murdered…and did Cordelia really die of suicide? Droll, a touch maudlin, and featuring two outstanding characters. Readers are going to be eager for a sequel to this story.
The very ancient and the more recent past, the glamor of the fashion world and the dust from excavating for antiquities meet in Davis’s thrilling saga of female determination. In the 1936 part of the story, novice archaeologist Charlotte Cross braves searing temperatures, colonial snobbery, and sexism on a dig in Egypt’s Valley of the Kings, when she unexpectedly finds both treasure and love. In 1978, we find Charlotte working on Egyptian artifacts in New York’s Metropolitan Museum of Art and bristling when jewelry from the vast collection is earmarked for use on a mannequin at the Met Gala. (No Kardashians were harmed in the making of this book.) On the fashion side of the gala loan is Annie Jenkins, a young woman who’s under her lazy mother’s heel until her life starts to open up after a chance meeting with Diana Vreeland. Happenings on the night of the gala fuel the rumor that female Pharaoh Hathorkare, a subject of Charlotte’s work in the ‘30s and now, brings destruction to anyone who deals with her. (An author’s note explains that Hathorkare is loosely based on Hatshepsut.) Finding out who’s really behind an audacious crime at the gala reveals why Charlotte hasn’t been able to face visiting Egypt all these years. It also shines a light on the real-life debate around repatriation of art to its country of origin. A thought-provoking and exciting read.
Assassin Nick Mason can never be free from responsibilities or his past; his latest job proves it. To keep his young daughter and ex-wife from meeting a gruesome death, he’s forced to go to Jakarta to kill a criminal known as the Crocodile. What should be a simple task goes awry, and now he’s forced to work with people he can’t trust in an unfamiliar city. Mason is not the only one who wants to see the Crocodile dead. Martin Sauvage works for Interpol and blames the Crocodile for murdering his wife and daughter in a Paris bombing. No matter the cost, Sauvage’s vendetta will succeed, even if an American assassin gets in the way. While Sauvage plots, Mason learns that doing the right thing will worsen the situation and overall mission. Can Mason be successful and honorable at the same time? It’s great to see Hamilton and Nick Mason back in action, and the frenetic pace and the double-crosses never stop. Having a character with such a notorious backstory and someone a reader roots for is challenging, but Hamilton is a great writer and nails it. When will Nick Mason be on TV or film? This needs to happen!