Wondering where all the pandemic fiction is? Well here’s the antidote. It’s ten years since the end of the pandemic, when it looks like another one, but even worse, is on its way. Married couple Reed and Lucy, both thirty-somethings, assemble their five closest friends, including Reed’s sister and her girlfriend, and hide out at Reed’s family cottage—WASP code for a 12-room-estate—on an island off the coast of Maine. Blueberry pancakes, innovative cocktails, Scrabble, plenty of time for artistic projects, it’s like a Ralph Lauren ad come to life. Until things fall apart. In a big way. Part of it is brought on by novelist Lucy’s growing obsession with the island’s past—in the 1840s, Irish immigrants with typhoid were quarantined here—and a diary she discovers, written by one of Reed’s ancestors, recounts those horrible days. But you needn’t go so far back to be terrified. Reed’s parents died here on Fever Island—yes, that’s the name—in the last pandemic, along with his girlfriend, whose presence Lucy senses everywhere. Goodman does a great job of blending the present and the past—each with their own rising tensions—with the past spilling over into the present. But best of all, this book offers readers a chance to reflect on the pandemic, the choices we made, the impact it had on us, and what’s left as the waters finally recede.
Review
The aftermath of the pandemic combines with desperation and greed in the second in Klingborg’s series, a thriller set in northern China and Myanmar. It stars Inspector Lu Fei, whom we meet while he and his colleagues—idiots every one, if we’re to believe Lu—stalk a man who’s suspected of selling endangered-animal parts that are popular as folk remedies. The government has cracked down hard on live-animal (or “wet”) markets since COVID-19 made them the focus of the world’s attention, and it’s Lu’s duty to make the rigid bureaucracy felt on the ground. Back at the station, a thin, scared girl, Tan Meirong, won’t leave until someone pays attention to the disappearance of her sister, Meixiang, who works in a restaurant that Lu learns has “off-menu” items for rich diners. It’s hard for even Lu to get someone to care about Meixiang, who’s regarded as rather disposable, but he persists, going undercover to the source of the forbidden delicacies. Lu Fei is a character to ponder. He’s mean to his girlfriend and even Meirong, but he won’t let Meixiang go. But mostly readers will be caught up in the exciting international chase that sees Lu hitting the road with little regard for his safety and armed with little except a strong desire to trample odious characters. James Patterson fans, this one’s for you!
Grady Kendall has lived his whole life in Maine. An out-of-work carpenter—we’re in the third month of the pandemic—28-year-old Grady is living with his mother, with his one sibling in jail and his girlfriend long gone. So when the opportunity comes along to work as a caretaker in Hawaiʻi for billionaire Wes Minton, Grady jumps at the chance. But as beautiful as Hawaiʻi might be, there’s an unsettling undertow. With tourism on hold, more people are without homes, sleeping rough on the beach. Drugs, opiates especially, are everywhere. A shocking number of people are missing, their names memorialized on a wall. And Hokuloa Road, a remote part of the island, is said to be dangerous—for many reasons. When Grady learns that Jessie, a young woman he met on the flight to the island, is among the missing, he makes it his job to find her. Eventually this takes him even deeper into the wilderness, facing fears both man-made and mythological. This is a strong, unsettling narrative that manages to stay centered on Grady while he roams in search of the truth. Clear writing, a brisk pace, and a growing sense of dread make for an excellent work of crime fiction.
Meg (as she’s currently called) knows now that she was born to be a scammer, but she didn’t always know it. It took losing her childhood home to a con artist, then living in her car and going on dates to get food, to wake her up to her dubious talents. Now she’s a pro at the long game, tricking men into letting her clean out their bank accounts before she hits the road, on to the next mark. Sometimes she hurts others along the way, such as Kat Roberts, a journalist who’s now on Meg’s tail, hoping to get revenge as well as success by breaking a high-interest story about a female con artist. But the plan isn’t as smooth as Kat hopes. Kat begins to like Meg and maybe even trust her. Adding complication, Kat’s boyfriend is also a scammer, a gambling addict who uses distractions, fake outrage, and even-more-fake promises when he’s caught, only to do it all again. Kat, and the reader, don’t know who’s at fault and whom to trust when she notices her bank statements missing and other red flags. The roller coaster story here, coupled with the fear and uncertainty endured by Kat as she learns to trust again only to be betrayed again, will stay with readers. And the facts of the various cons—this is virtually an instruction manual for fraud!—are fascinating. For those who like a story in which women fight back.
Jay and Cindy have quite a history. Back in the ‘90s they were husband and wife, soap-opera stars, and a successful musical duo. Then Cindy came out as gay, and Jay quickly followed, sinking their entertainment careers as fast as you can say “don’t ask, don’t tell.” Today the two are still buddies, share a home in Palm Springs, and have recently launched Hooray for Hollywood, a movie memorabilia store—think Betty Davis’s director’s chair from the set of What Ever Happened to Baby Jane? But business is slow and money is tight, so when ninety-year-old Yana Davis, an actress from Hollywood’s golden age, approaches them to sell her vast collection of costumes and other items, they’re ecstatic. Hooray for Hollywood indeed, until they discover that they’re competing against Dylan Redman, VP at a Sotheby’s-like firm with enormous resources. This book is an absolute delight. Yes, there’s plenty of humor, and Yana is pure camp. But at the book’s core are Jay and Cindy, both struggling with loss and loneliness, both trying to make a success out of what they love. There’s plenty here to attract a broad range of cozy readers, all of whom will be back for book two.
A perfect marriage nearly implodes in this slick and sleek domestic thriller from suspense expert White. Thirtyish Emma has barely recovered from the death of her first husband, Derrick—who was inexplicably shot to death in a SoHo alley—when she meets, then quickly marries, widower Tom. Life along the Connecticut gold coast, where they work and play, is pretty darn good, and marriage with Tom is everything that Emma ever wanted. But then an NYC detective knocks on the door with questions for Emma about her marriage to Derrick, questions she would rather avoid and from that moment on, we are never on sure ground again. White brilliantly moves from suspect to suspect, including a range of colleagues and family members, never letting our anxiety lapse for a second. The very satisfying ending will have your head spinning 365 degrees at least twice. For fans of Liane Moriarty and Sally Hepworth.
I’m hard pressed to recall a crime novel with a more despicable group of characters yet a more compelling premise. Matthew and his husband, Charlie, lead the perfect life. Rich, well-connected, with a fabulous London flat, access to a wonderful country home, and an absolutely charming tween son, Titus, adopted by the couple after the death of Matthew’s sister. But slowly, things start to fray. Nearly always, the problems stem from Rachel, a stranger the couple met in a bookstore and whom Matthew befriended against Charlie’s instincts. Matthew invites Rachel to join their book group, giving her a wedge that she could drive into their personal life. So when the police are called and arrive to find Matthew at the dinner table stabbed to death, Charlie in shock, and Rachel holding the murder weapon—this isn’t a spoiler, trust me—we aren’t exactly surprised. What is shocking is the complex but gripping backstory that gets us to this point. This novel is very, very British. Class issues abound, class signifiers—schools, stores, real estate, and the like—are everywhere, and some things inevitably get lost in translation. But one thing remains certain: this plot will leave you twisted, and quite a bit disturbed.
Searing heat and searing pain pulse off the pages of Scrivenor’s debut novel, which brings to mind the colonially forged dysfunction described by her Australian countryman David Malouf. The sad tale, in which awful events take on an air of near-inevitability, is narrated by Ronnie, a 12-year-old girl whose best friend, Esther, vanishes one day after school. Esther wears her name “like a queen wearing her crown at a jaunty angle” and even on a normal day exudes a kind of magic, says Ronnie; it’s impossible to her that anything bad could have happened. Still, nighttime comes and Estie’s not home, and the search is on. While the girls’ movements take center stage in Ronnie’s mind, to the reader, there are three centers of gravity here. Yes, there’s Ronnie and Estie. But also starring are their mothers and other weary, disappointed women of the dilapidated town. Finally, there’s a Greek chorus of disembodied children’s voices whose chillingly detached versions of what happened alternate with the more conventionally delivered story. Brace yourself, this is something.
In too many circles in rural Ireland, doing anything fancier than, say, living in a cave is just asking for the accusation that you have “notions’‘ about yourself. The O’Reillys, racehorse owners in Dingle, Co. Kerry have embraced their notions, going as far as to have a butler (A BUTLER!) and marble floors, but their shady ways keep them immune from (open) ridicule. Dr. Dimpna Wilde, a native of Dingle who hit the road years before, is forced back into the O’Reilly’s grimy orbit when the clan’s patriarch is found dead on Dingle’s famously beautiful beach. Dimpna’s father, a vet, is accused of killing Johnny O’Reilly with an animal euthanasia drug. Dimpna, also a vet, steps right into work in her father’s practice; her new base serves as a way for O’Connor to humanize this kind, smart protagonist and as a means for the character to reacquaint herself with the townspeople and their complicated relationships. Some tense and emotional (but never cruel or gory) scenes await as Dimpna helps Dingle’s pets and farm animals; similar emotions are engendered by the murder mystery, which sees our protagonist revisiting painful scenes from decades past, including a rape. With an almost anthropological exploration of rural entanglements paired with a perplexing mystery, O’Connor’s series debut is a winner.
A delicious exploration into family, culture, and above all, food. We meet early twenties Yale Yee as she is let go from her job in a bookstore—no business—and is thinking of returning to work in her father’s dim sum restaurant. Yale’s a bit of an eccentric: no cellphone, no car (we’re in West Los Angeles), few friends, and still mourning her mother’s death. When Ba, her father, informs her that her rich, spoiled cousin, who she hasn’t seen in 20 years, is arriving from Hong Kong, Yale would rather hide in her apartment with Jane Austen. But instead, at Ba’s suggestion, she and cousin Celine end up running a food stall at the pop-up night market. Celine is everything you’d imagine: beautiful, vain, fashion obsessed, an influencer and foodstagrammer. But these polar opposites end up finding some common ground—at least enough to make the food stall a roaring success. If only there weren’t that dead customer Yale discovers, making the cousins the leading suspects. Off we head into the foodie world of West L.A.–Taiwanese breakfasts and Salvadorean pupusas as Yale and Celine try to clear their names. Chow gets so much right in this book, from the exploration of Asian cultures in L.A. to the growing relationship between the cousins. A fun start to a wonderful new series.